Indian Painters & White Patrons PDF Download
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Author: J. J. Brody
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 264
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Book Description
"In this major work of criticism in art and social history, Dr. Brody demonstrates that modern Indian painting has been, until 1962, not a truly native expression derived from aboriginal forms but merely a passive response to White paternalism... It has been, according to Dr. Brody, an art produced by Indians for Whites, an invention rather than a revival, with little or no relationship to earlier pictorial modes and functions among the Indians." Dust jacket.
Author: J. J. Brody
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 264
Get Book Here
Book Description
"In this major work of criticism in art and social history, Dr. Brody demonstrates that modern Indian painting has been, until 1962, not a truly native expression derived from aboriginal forms but merely a passive response to White paternalism... It has been, according to Dr. Brody, an art produced by Indians for Whites, an invention rather than a revival, with little or no relationship to earlier pictorial modes and functions among the Indians." Dust jacket.
Author: J. J. Brody
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 270
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Book Description
"In this major work of criticism in art and social history, Dr. Brody demonstrates that modern Indian painting has been, until 1962, not a truly native expression derived from aboriginal forms but merely a passive response to White paternalism... It has been, according to Dr. Brody, an art produced by Indians for Whites, an invention rather than a revival, with little or no relationship to earlier pictorial modes and functions among the Indians." Dust jacket.
Author: Waldemar V. Yermakov
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
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Book Description
Author: Bill Anthes
Publisher: Duke University Press
ISBN: 0822388103
Category : Art
Languages : en
Pages : 301
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Book Description
Between 1940 and 1960, many Native American artists made bold departures from what was considered the traditional style of Indian painting. They drew on European and other non-Native American aesthetic innovations to create hybrid works that complicated notions of identity, authenticity, and tradition. This richly illustrated volume focuses on the work of these pioneering Native artists, including Pueblo painters José Lente and Jimmy Byrnes, Ojibwe painters Patrick DesJarlait and George Morrison, Cheyenne painter Dick West, and Dakota painter Oscar Howe. Bill Anthes argues for recognizing the transformative work of these Native American artists as distinctly modern, and he explains how bringing Native American modernism to the foreground rewrites the broader canon of American modernism. In the mid-twentieth century, Native artists began to produce work that reflected the accelerating integration of Indian communities into the national mainstream as well as, in many instances, their own experiences beyond Indian reservations as soldiers or students. During this period, a dynamic exchange among Native and non-Native collectors, artists, and writers emerged. Anthes describes the roles of several anthropologists in promoting modern Native art, the treatment of Native American “Primitivism” in the writing of the Jewish American critic and painter Barnett Newman, and the painter Yeffe Kimball’s brazen appropriation of a Native identity. While much attention has been paid to the inspiration Native American culture provided to non-Native modern artists, Anthes reveals a mutual cross-cultural exchange that enriched and transformed the art of both Natives and non-Natives.
Author: Bill Anthes
Publisher: Duke University Press
ISBN: 9780822338666
Category : Art
Languages : en
Pages : 330
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Book Description
This lavishly illustrated art history situates the work of pioneering mid-twentieth-century Native American artists within the broader canon of American modernism.
Author: John Davis
Publisher: John Wiley & Sons
ISBN: 1118542541
Category : Art
Languages : en
Pages : 680
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Book Description
A Companion to American Art presents 35 newly-commissioned essays by leading scholars that explore the methodology, historiography, and current state of the field of American art history. Features contributions from a balance of established and emerging scholars, art and architectural historians, and other specialists Includes several paired essays to emphasize dialogue and debate between scholars on important contemporary issues in American art history Examines topics such as the methodological stakes in the writing of American art history, changing ideas about what constitutes “Americanness,” and the relationship of art to public culture Offers a fascinating portrait of the evolution and current state of the field of American art history and suggests future directions of scholarship
Author: Susan Lobo
Publisher: Routledge
ISBN: 1317346165
Category : Social Science
Languages : en
Pages : 542
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Book Description
This unique reader presents a broad approach to the study of American Indians through the voices and viewpoints of the Native Peoples themselves. Multi-disciplinary and hemispheric in approach, it draws on ethnography, biography, journalism, art, and poetry to familiarize students with the historical and present day experiences of native peoples and nations throughout North and South America–all with a focus on themes and issues that are crucial within Indian Country today. For courses in Introduction to American Indians in departments of Native American Studies/American Indian Studies, Anthropology, American Studies, Sociology, History, Women's Studies.
Author: W. Jackson Rushing III
Publisher: Routledge
ISBN: 1136180109
Category : Art
Languages : en
Pages : 260
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Book Description
This illuminating and provocative book is the first anthology devoted to Twentieth Century Native American and First Nation art. Native American Art brings together anthropologists, art historians, curators, critics and distinguished Native artists to discuss pottery, painitng, sculpture, printmaking, photography and performance art by some of the most celebrated Native American and Canadian First Nation artists of our time The contributors use new theoretical and critical approaches to address key issues for Native American art, including symbolism and spirituality, the role of patronage and musuem practices, the politics of art criticism and the aesthetic power of indigenous knowledge. The artist contributors, who represent several Native nations - including Cherokee, Lakota, Plains Cree, and those of the PLateau country - emphasise the importance of traditional stories, myhtologies and ceremonies in the production of comtemporary art. Within great poignancy, thye write about recent art in terms of home, homeland and aboriginal sovereignty Tracing the continued resistance of Native artists to dominant orthodoxies of the art market and art history, Native American Art in the Twentieth Century argues forcefully for Native art's place in modern art history.
Author: Anne Morand
Publisher: University of Oklahoma Press
ISBN: 9780806199566
Category : Art
Languages : en
Pages : 206
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Book Description
In 1938, Thomas Gilcrease, a native of Tulsa, Oklahoma, opened the first museum devoted to the art of the American West. A true visionary, Gilcrease was ahead of his time in understanding the importance of America’s own heritage. His passion for art and history, his Native American ancestry, and his oil revenues coincided in a rare alignment. His legacy is an astounding collection of paintings, sculptures, artifacts, rare books, and documents. This lavishly produced book, featuring nearly two hundred color reproductions, tells the story of Gilcrease and of the renowned museum that bears his name. Compiled by the museum’s curators, Treasures of Gilcrease exemplifies the beauty and breadth of the museum’s resources. The fine art collection alone boasts more than 10,000 American works, ranging in styles from classical to romantic to impressionist and by such master artists as George Catlin, Charles M. Russell, Thomas Moran, and Frederic Remington. The works by Native artists also span styles ranging from painted hides to twentieth-century flat-style. The artifacts—300,000-plus pieces housed in the galleries and vaults—include ceramics, clothing, pipes, and objects of utility, ceremony, and ornamentation. The archives collection contains some 100,000 manuscripts, books, photographs, maps, imprints, and broadsides. Treasures of Gilcrease offers a vivid and engaging tour through these collections in the company of the experts who know them best.
Author: Daniel Belgrad
Publisher: University of Chicago Press
ISBN: 9780226041902
Category : Art
Languages : en
Pages : 372
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Book Description
In the first comprehensive history of the postwar avant-garde, "Belgrad contributes valuable insight and original scholarship to the study of 'projective' and 'spontaneous' aesthetics among cutting edge art movements of the American midcentury" (Tom Clark, author of "Jack Kerouac: A Biography"). 8 color plates. 28 halftones. Copyright © Libri GmbH. All rights reserved.
