The Complete Gujarati Cookbook PDF Download
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Author: Tarla Dalal
Publisher: Sanjay & Co
ISBN: 9788186469453
Category : Cooking
Languages : en
Pages : 136
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Book Description
Gujaratis Have Perhaps Truly Perfected The Art Of Vegetarian Cooking. This Book Is An Attempt To Document Classic Gujarati Recipes From The Basic Dals And Kadhis To The More Complicated And Difficult Recipes Like The Mohanthaal.
Author: Tarla Dalal
Publisher: Sanjay & Co
ISBN: 9788186469453
Category : Cooking
Languages : en
Pages : 136
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Book Description
Gujaratis Have Perhaps Truly Perfected The Art Of Vegetarian Cooking. This Book Is An Attempt To Document Classic Gujarati Recipes From The Basic Dals And Kadhis To The More Complicated And Difficult Recipes Like The Mohanthaal.
Author: Publications Division (India),New Delhi
Publisher: Publications Division (India),New Delhi
ISBN:
Category : Antiques & Collectibles
Languages : en
Pages : 48
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Book Description
"Akashvani" (English ) is a programme journal of ALL INDIA RADIO ,it was formerly known as The Indian Listener.It used to serve the listener as a bradshaw of broadcasting ,and give listener the useful information in an interesting manner about programmes, who writes them,take part in them and produce them along with photographs of performing artists.It also contains the information of major changes in the policy and service of the organisation. The Indian Listener (fortnightly programme journal of AIR in English) published by The Indian State Broadcasting Service,Bombay ,started on 22 december, 1935 and was the successor to the Indian Radio Times in english, which was published beginning in July 16 of 1927. From 22 August ,1937 onwards, it used to published by All India Radio,New Delhi.In 1950,it was turned into a weekly journal. Later,The Indian listener became "Akashvani" (English ) in January 5, 1958. It was made a fortnightly again on July 1,1983. NAME OF THE JOURNAL: Akashvani LANGUAGE OF THE JOURNAL: English DATE,MONTH & YEAR OF PUBLICATION: 12-07-1959 PERIODICITY OF THE JOURNAL: Weekly NUMBER OF PAGES: 48 VOLUME NUMBER: Vol. XXIV, No. 28. BROADCAST PROGRAMME SCHEDULE PUBLISHED(PAGE NOS): 9-46 ARTICLE: 1.Apartheid in South Africa 2.Bird Watching in Delhi 3.Re - writing History AUTHOR: 1. F.N Ginwala 2. Rt. Hon’ble Malcolm Mac Donald 3 A.K. Narain KEYWORDS : Fore fathers in vited,more oppressions Piratical characters,chief fascination, annual drama ‘Brute facts, Document ID : APE-1959-(J-D)-Vol-II-02 Prasar Bharati Archives has the copyright in all matter published in this and other AIR journals.For reproduction previous permission is essential.
Author: Nandshankar Mehta
Publisher: Penguin UK
ISBN: 9352140117
Category : Fiction
Languages : en
Pages : 332
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Book Description
In the grip of lust, Raja Karan Vaghela abducts the beautiful Roopsundari, his prime minister Madhav’s wife. Fuelled by a desire for revenge, Madhav escapes to Delhi and persuades Sultan Alauddin Khilji to invade Gujarat and destroy Patan fort. This unleashes a dramatic chain of events that forever ends Rajput rule in Gujarat, heralding the dawn of a new age. Rich in psychological insight and imbued with a poetic vision, Karan Ghelo tells the spellbinding tale of a man who tragically failed his land and its people.
Author: Phiroze Vasunia
Publisher: OUP Oxford
ISBN: 0199203237
Category : History
Languages : en
Pages : 413
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Book Description
Offering a unique cross-cultural study, this book provides a detailed account of the relationship between classical antiquity and the British colonial presence in India. Vasunia shows how classical culture pervaded the minds of the British colonizers, and highlights the many Indian receptions of Greco-Roman antiquity.
Author: K M Munshi
Publisher: Penguin Random House India Private Limited
ISBN: 9353050308
Category : Fiction
Languages : en
Pages : 471
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Book Description
The kingdom of Patan is under attack from the army of Avanti. People have fled their villages to seek refuge in the city. Amidst the mounting panic, the arrival of Kaak, a young warrior from Laat, sets in motion a frantic chain of events. The Lord and Master of Gujarat is set four years after The Glory of Patan, and unfolds at dizzying speed, abounding in conspiracies, heroism and romance. From the spectacular rise of Siddhraj Jaysinh to the intrigues surrounding the consolidation of Gujarat, from the growing romance between Kaak and Manjari to the escalating tension between Munjal Mehta and Kirtidev over the future of the kingdom, this is an epic novel in the grand tradition of Alexandre Dumas. Arguably K.M. Munshi's best-known work, it deftly weaves state politics and battles with personal trials and tribulations into one glorious tapestry.
Author: Pannalal Nanalal Patel
Publisher: Sahitya Akademi
ISBN: 9788172018993
Category : Gujarati fiction
Languages : en
Pages : 460
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Book Description
Endurance: A Droll Saga Originally Published In Gujarati In 1947 As Manavini Bhavai Is A Modern Classic. Set Against The Rural Backdrop Of Gujarat, ItýS A Fictionalized Account Of The Great Famine Of 1990, Which Had Ravaged This Part Of The World. Written In A Simple, Direct Style, Free Of Conventional Artifice And Sophistication It Is Not ýCrude ý Or ýRawý. It Is The Story Of Love Between Kalu And Raju As Well As The Story Of Hard And Tragic Life Of The Farmers In Indian Villages. The Translation Seeks To Retain The Essential Simplicity, The Rustic Flavour And Spirit Of The Original As Closely As Possible.
Author: Neelima Shukla-Bhatt
Publisher: Oxford University Press, USA
ISBN: 0199976422
Category : History
Languages : en
Pages : 353
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Book Description
Neelima Shukla-Bhatt offers an illuminating study of Narsinha Mehta, one of the most renowned saint-poets of medieval India and the most celebrated bhakti (devotion) poet from Gujarat, and shows how the songs and sacred narratives associated with the saint-poet have been sculpted into a popular source of moral inspiration by performers and audiences.
Author: All India Radio (AIR),New Delhi
Publisher: All India Radio (AIR),New Delhi
ISBN:
Category : Antiques & Collectibles
Languages : en
Pages : 49
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Book Description
The Indian Listener (fortnightly programme journal of AIR in English) published by The Indian State Broadcasting Service,Bombay ,started on 22 December, 1935 and was the successor to the Indian Radio Times in english, which was published beginning in July 16 of 1927. From 22 August ,1937 onwards, it was published by All India Radio,New Delhi.From July 3 ,1949,it was turned into a weekly journal. Later,The Indian listener became "Akashvani" in January 5, 1958. It was made a fortnightly again on July 1,1983. It used to serve the listener as a bradshaw of broadcasting ,and give listener the useful information in an interesting manner about programmes,who writes them,take part in them and produce them along with photographs of performing artists. It also contains the information of major changes in the policy and service of the organisation. NAME OF THE JOURNAL: The Indian Listener LANGUAGE OF THE JOURNAL: English DATE,MONTH & YEAR OF PUBLICATION: 31-12-1950 PERIODICITY OF THE JOURNAL: Weekly NUMBER OF PAGES: 49 VOLUME NUMBER: Vol. XVI. No.1. BROADCAST PROGRAMME SCHEDULE PUBLISHED(PAGE NOS): 16-43 ARTICLE: 1. Why Census? 2. India, Indonesia and Malaya 3. Dining Etiquette 4. More's Utopia 5. Currency Fluctuations AUTHOR: 1. G. L. Mehta 2. Dr. S. K. Rau 3. John Spiers 4. Fredric B. Irvin 5. P. A. Gopalakrishnan KEYWORDS: 1. Census ,Economic status, Birth-rate, Death-rate, Population 2. Sri Vijaya, Java, Cambodia, Javadwipa, Sailendra, Saivism 3. Philosophical romance, European literature, Utopian literature, Humour, Christian humanist, Satire 4. Prices, Inflation, Depression, Imperial Legislative Council 5. Manners, Dinner party, Elegance, Handshake, Bow Document ID: INL-1950 (J-D) Vol-III (29)
Author: Sitara Thobani
Publisher: Routledge
ISBN: 1315387328
Category : Social Science
Languages : en
Pages : 286
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Book Description
Indian Classical Dance and the Making of Postcolonial National Identities explores what happens when a national-cultural production is reproduced outside the immediate social, political and cultural context of its origin. Whereas most previous studies have analysed Indian classical dance in the context of Indian history and culture, this volume situates this dance practice in the longstanding trasnational linkages between India and the UK. What is the relation between the contemporary performance of Indian classical dance and the constitution of national, diasporic and multicultural identity? Where and how does Indian dance derive its productive power in the postcolonial moment? How do diasporic and nationalist representations of Indian culture intersect with depictions of British culture and politics? It is argued that classical Indian dance has become a key aspect of not only postcolonial South Asian diasporic identities, but also of British multicultural and transnational identity. Based on an extensive ethnographic study of performances of Indian classical dance in the UK, this book will be of interest to scholars of anthropology, sociology, South Asian studies, Postcolonial, Transnational and Cultural studies, and Theatre and Performance studies.
Author: Sameer Acharya
Publisher:
ISBN: 9781717872739
Category : Fiction
Languages : en
Pages : 196
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Book Description
In this retelling of Govardhanram Tripathi's sprawling magnum opus, Saraswatichandra, Sameer Acharya makes accessible and brings to life for a modern readership one of Indian literature's great classics. Saraswatichandra has long been regarded as one of the finest works of Gujarati fiction. It had a profound impact on millions of Indians, including Mahatma Gandhi, seeking to navigate the development of an Indian identity while recognizing a changing political and cultural climate. It is believed that the main character, Saraswatichandra, was an inspiration to Gandhi and many of India's freedom fighters, as a man who sought to learn about a nation of people, so he could devote his life to uplifting that nation, particularly the poor and uneducated. The characters and storylines in Saraswatichandra have gone on to inspire millions of people and has been recreated in both film and television. It is the story of unrequited love between Saraswatichandra, a quiet, romantic and selfless young man who seeks to serve his countrymen, and Kumud, the beautiful and kind-hearted daughter of a prominent minister of a princely state in the Indian state of Gujarat. Saraswatichandra and Kumud are arranged to be married. But due to family conflicts, Saraswatichandra breaks off the engagement and seeks to live out his life in service to God and his people. But he can't ignore his love for Kumud. He attempts to get to her home and beg her father's permission to marry her. But he arrives too late. Kumud was quickly married off to another man, Pramadhan, also the son of a prominent and wealthy minister. And while Saraswatichandra was devastated, in his heart he had to know if Kumud was happy in her new life. He travels to Suvarnapur, where Kumud lives with her husband and his family. Saraswatichandra disguises his true identity and ends up working for Kumud's father-in-law, before he learns that seeing him every day was torture for her. Not wishing to cause her any more pain, Saraswatichandra leaves Suvarnapur. Their fates align and they both end up at the same holy ashram on the Gujarat coast, where they must reconcile their feelings while acknowledging society's customs and traditions. The key themes from the original storyline remain just as prevalent today as they were when it was first published. How should an individual weigh his or her ambition with the expectations and needs of others, particularly family? Should someone follow their heart and seek individual happiness above all, or otherwise pursue a path that will please others at the cost of individual happiness? Sons, even devoted ones, often have difficult relationships with fathers. But they still might seek their respect and appreciation even if it means choosing a path that is frowned upon. But what if that path serves a nobler purpose and gives an individual deeper fulfillment? Is that selfish behavior by a son, or an honorable choice by a man? Saraswatichandra is at heart, a love story. And yet, the reader is left to wonder how should cultural values and political opinions be shaped by outside forces? Is it acceptable to consider new ways of thinking that challenge centuries of structure and tradition if it leads to personal happiness? Can a woman remain single and still be respected? Can a man and a woman successfully work together as friends without suspicion from others?
