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Author: George Watt
Publisher:
ISBN:
Category : Decorative arts
Languages : en
Pages : 794
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Book Description
Author: George Watt
Publisher:
ISBN:
Category : Decorative arts
Languages : en
Pages : 794
Get Book Here
Book Description
Author: Sir George Watt
Publisher:
ISBN: 9788121297561
Category : Art, Indic
Languages : en
Pages : 0
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Book Description
Author: George Watt
Publisher:
ISBN: 9781330851326
Category : Art
Languages : en
Pages : 780
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Book Description
Excerpt from Indian Art at Delhi, 1903: Being the Offical Catalogue of the Delhi Exhibition, 1902-1903 This work has been written primarily as a catalogue and guide to the Indian Art Exhibition, but a secondary purpose has been kept clearly in view, namely, its possible future use as a simple and practical account of the more noteworthy art industries of India. The writer has personally experienced, during many years' association with the crafts of India, the greatest inconvenience from not being possessed of a brief descriptive catalogue that afforded a sufficiently comprehensive account to admit of identification of each style of Indian work in association with the names of the centres of production and of the chief producers. In pursuance of this necessity, the endeavour has been made to propose a classification which, while directly suited to the collections now on view and to the configuration of the exhibition buildings, might still be capable of adoption in our Indian Museums. The attempt to associate Indian art-wares in a systematic sequence, under certain classes, divisions, and sections, it is hoped may greatly simplify inspection and facilitate future research. But the aim has been to afford descriptions by which the articles might be severally identified, rather than to furnish traditions and historic details regarding them. In adopting this bald treatment, the writer has been fully conscious that he was of necessity depriving the subject of much of the beauty and poetry that appertains to the art crafts of this country. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Author: George Watt
Publisher: Franklin Classics
ISBN: 9780342604333
Category :
Languages : en
Pages : 0
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Book Description
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Author: George Watt
Publisher: Forgotten Books
ISBN: 9781528477031
Category : Art
Languages : en
Pages : 790
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Book Description
Excerpt from Indian Art at Delhi, 1903: Being the Offical Catalogue of the Delhi Exhibition, 1902-1903 Location. - Exhibits in Class I - Metal Wares extend from right to left, along the entire length of the Main Gallery, but Division 1 has been placed on the extreme right and Division 6 on the extreme left, in order to admit of the Gold and Silver Wares being located in the centre of the space devoted to the class, and hence on the right and left of the great transept. It is in this great transept that exhibits in Class X - Fine Arts (such as sculpture, painting, book illumination, etc.) are set out. It Will thus be observed that the system on which the divisions in Class I have been assorted, and which has been followed in locating the divisions in the other classes as well, brings the most highly artistic goods of the Metal Wares, as also of each of the other classes, into the centre of the gallery and thus into juxtaposition with the Fine Arts. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Author: Indian Art Exhibition
Publisher:
ISBN:
Category : Decorative arts
Languages : en
Pages : 546
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Book Description
Author: Ernest Binfield Havell
Publisher:
ISBN:
Category : Art, Indic
Languages : en
Pages : 508
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Book Description
Author: Yves Porter
Publisher: BRILL
ISBN: 9004549722
Category : Art
Languages : en
Pages : 302
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Book Description
These essays are the revised and updated version of four lectures given in the Yarshater Lecture Series, at SOAS in London in 2013. They concern some aspects of the arts from pre-modern Iran and India, namely, the “making of” of Persian illustrated manuscripts, the iconography of Kashan wares, the use and re-use of luster tiles in Ilkhanid Iran, and the glazed tiles made in three Indian sultanates (Delhi, Bengal and Malwa). These four topics share concepts of influence and impact, although inflected on different modes. The productions they embody represent many poles of influence, even if working on different scales, from the extensive diffusion of products, techniques, and systems to almost isolated productions.
Author: Claude Markovits
Publisher: Cambridge University Press
ISBN: 1139431277
Category : History
Languages : en
Pages : 345
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Book Description
Claude Markovits tells the story of two groups of Hindu merchants from the towns of Shikarpur and Hyderabad in the province of Sind. Basing his account on previously neglected archival sources, the author charts the development of these communities, from the pre-colonial period through colonial conquest and up to independence, describing how they came to control trading networks throughout the world. While the book focuses on the trade of goods, money and information from Sind to the widely dispersed locations of Kobe, Panama, Bukhara and Cairo, it also throws light on the nature of trading diasporas from South Asia in their interaction with the global economy. This is a sophisticated and accessible book, written by one of the most distinguished economic historians in the field. It will appeal to scholars of South Asia, as well as to colonial historians and to students of religion.
Author: Navina Najat Haidar
Publisher: Metropolitan Museum of Art
ISBN: 0300208871
Category : History
Languages : en
Pages : 146
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Book Description
India's rich heritage of jeweled artistry is expressed in extravagant and opulent creations that range from ornaments for every part of the body to ceremonial court objects such as boxes, daggers, and thrones. Treasures from India presents more than sixty iconic works from the renowned Al-Thani collection, including pieces created for the imperial Mughals in the seventeenth century, others made for the nizams of Hyderabad and the maharajas of the Rajput courts from the eighteenth to the twentieth century, Indian-inspired jewelry fashioned by Cartier and other Western firms, and contemporary designs. The lucid text discusses the significance of these objects within the history of Indian jeweled arts, demonstrating how they stand among the highest expressions of Indian culture.
