Index to Twentieth-century Spanish Plays PDF Download
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Author: Tony A. Harvell
Publisher:
ISBN:
Category : Literary Collections
Languages : en
Pages : 384
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Book Description
Organized into author, source, and title indexes, this volume contains lists of plays by Galician, Catalan, and Basque writers, as well as those writing in Castilian Spanish. Many of these plays date from early in the century because there were a number of Spanish weeklies that published dramatic pieces at that time. Harvell, a professor at the Copley Library, U. of San Diego, also includes translations into English, where they exist. Annotation copyrighted by Book News, Inc., Portland, OR
Author: Tony A. Harvell
Publisher:
ISBN:
Category : Literary Collections
Languages : en
Pages : 384
Get Book Here
Book Description
Organized into author, source, and title indexes, this volume contains lists of plays by Galician, Catalan, and Basque writers, as well as those writing in Castilian Spanish. Many of these plays date from early in the century because there were a number of Spanish weeklies that published dramatic pieces at that time. Harvell, a professor at the Copley Library, U. of San Diego, also includes translations into English, where they exist. Annotation copyrighted by Book News, Inc., Portland, OR
Author: Carey Kasten
Publisher: Lexington Books
ISBN: 1611483816
Category : Literary Criticism
Languages : en
Pages : 261
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Book Description
The Cultural Politics of Twentieth-Century Spanish Theater argues that twentieth-century artists used the Golden Age Eucharist plays called autos sacramentales to reassess the way politics and the arts interact in the Spanish nation's past and present, and to posit new ideas for future relations between the state and the national culture industry. The book traces the phenomenon of the twentieth-century auto to show how theater practitioners revisited this national genre to manifest different, oftentimes opposing, ideological and aesthetic agendas. It follows the auto from the avant-garde stagings and rewritings of the form in the early twentieth century, to the Francoist productions by the Teatro Nacional de la Falange, to postmodern parodies of the form in the era following Franco's death to demonstrate how twentieth-century Spanish dramatists use the auto in their reassessment of the nation's political and artistic past, and as a way of envisioning its future.
Author: Maria M Delgado
Publisher: Routledge
ISBN: 1134402171
Category : Performing Arts
Languages : en
Pages : 196
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Book Description
Beginning with a reassessment of the 1920s and 30s, this text looks beyond a consideration of just the most successful Spanish playwrights of the time, and discusses also the work of directors, theorists, actors and designers.
Author: Irving Brown (Consulting Bibliographer)
Publisher: Routledge
ISBN: 1136119000
Category : Performing Arts
Languages : en
Pages : 546
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Book Description
An annotated world theatre bibliography documenting significant theatre materials published world wide since 1945, plus an index to key names throughout the six volumes of the series.
Author: Harley Erdman
Publisher: Boydell & Brewer Ltd
ISBN: 1855662922
Category : Literary Criticism
Languages : en
Pages : 325
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Book Description
Leading Golden Age theatre experts examine the ways that comedias have been adapted and reinvented, offering a broad performance history of the genre for scholars and practicioners alike. This volume brings together twenty-six essays from the world's leading scholars and practitioners of Spanish Golden Age theatre. Examining the startlingly wide variety of ways that Spanish comedias have been adapted, re-envisioned, and reinvented, the book makes the case that adaptation is a crucial lens for understanding the performance history of the genre. The essays cover a wide range of topics, from the early stage history of the comedia through numerous modern and contemporary case studies, as well as the transformation of the comedia into other dramatic genres, such as films, musicals, puppetry, and opera. The essays themselves are brief and accessible to non-specialists. This book will appeal not only to Golden Age scholars and students but also to theater practitioners, as well as to anyone interested in the theory and practice of adaptation. Harley Erdman is Professor of Theaterat the University of Massachusetts, Amherst Susan Paun de García is Professor of Spanish at Denison University. Contributors: Sergio Adillo Rufo, Karen Berman, Robert E. Bayliss, Laurence Boswell, Bruce R.Burningham, Amaya Curieses Irarte, Rick Davis, Harley Erdman, Susan L. Fischer, Charles Victor Ganelin, Francisco García Vicente, Alejandro González Puche, Valerie Hegstrom, Kathleen Jeffs, David Johnston, Gina Kaufmann, Catherine Larson, Donald R. Larson, Barbara Mujica, Susan Paun de García, Felipe B. Pedraza Jiménez, Veronika Ryjik, Jonathan Thacker, Laura L. Vidler, Duncan Wheeler, Amy Williamsen, Jason Yancey
Author: Martha Eulalia Altisent
Publisher: Boydell & Brewer Ltd
ISBN: 1855661748
Category : Literary Criticism
Languages : en
Pages : 358
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Book Description
The Spanish novel in a turbulent century.
Author: Newberry Library
Publisher:
ISBN:
Category : Chicago (Ill.)
Languages : en
Pages : 706
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Book Description
Author: University of Texas. Library
Publisher:
ISBN:
Category : Library catalogs
Languages : en
Pages : 74
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Book Description
Author: Catherine Larson
Publisher: Bucknell University Press
ISBN: 9780838755693
Category : Drama
Languages : en
Pages : 224
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Book Description
In the seventeen dramatic texts examined in this study, women writers from Spanish America have self-consciously incorporated games into their plays' structures to highlight from a woman's perspective the idea that life, as well as the theatre, is a game. Some dramas are so overtly about games that the word appears significantly in their titles. Others reflect game playing in less direct ways or connect metatheatrical examinations of role-playing to the ludic. In every drama examined, however, a game of some sort plays a key role in the construction of the playtest. By looking at the nature and number of the games played in these women-authored dramas from the past fifty years, we can see the ways in which play is used to effect social control and the connections between play and aggression, gender, history and politics. In these representative dramas, the theatre serves as a vehicle for encouraging audiences to think about (if not act upon) the issues that have shaped Spanish America. Games, rules, winners and losers join together as the playwrights explore events and times of fundamental importance in the countries' historical and political evolutions.
Author: Julia Cuervo Hewitt
Publisher: Bucknell University Press
ISBN: 0838757294
Category : History
Languages : en
Pages : 403
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Book Description
Hewitt (Spanish and Portuguese, Pennsylvania State U.) explores the representation of Africa and "Afro-Caribbean-ness" in Spanish Caribbean literature of the 20th century. Her main argument "is that the literary representation of Africa and "Africanness," meaning practices, belief systems, music, art, myths, popular knowledge, in Spanish-speaking Caribbean societies, constructs a self-referential discourse in which Africa and African "things" shift to a Caribbean landscape as the site of the (M)Other." Or, in other words, these representations imaginatively rescue and simultaneously construct a "Caribbean cultural imaginary conceived as the Other within that associates Africa with a cultural womb." Among the texts she explores are Fernando Ortiz's interpretations of the "Black Carnival" in Cuba, the early Afro-Cuban poems of Alejo Carpentier, the Afro-Cuban stories of Lydia Cabrera, a number of literary representations of the figure of the runaway slave, and two works by Puerto Rican novelist Edgardo Rodiguez Julia.
