Author: Jefferson S. Chase
Publisher: Walter de Gruyter
ISBN: 3110813831
Category : Literary Criticism
Languages : en
Pages : 340
Book Description
Inciting Laughter
Author: Jefferson S. Chase
Publisher: Walter de Gruyter
ISBN: 3110813831
Category : Literary Criticism
Languages : en
Pages : 340
Book Description
Publisher: Walter de Gruyter
ISBN: 3110813831
Category : Literary Criticism
Languages : en
Pages : 340
Book Description
Inciting Joy
Author: Ross Gay
Publisher: Algonquin Books
ISBN: 1643753487
Category : Literary Collections
Languages : en
Pages : 252
Book Description
From New York Times bestselling author Ross Gay comes a "brilliant" intimate and electrifying collection of essays about the joy that comes from connection (Ada Limón, U.S. poet laureate). In these gorgeously written and timely pieces, prizewinning poet and author Gay considers the joy we incite when we care for each other, especially during life’s inevitable hardships. Throughout Inciting Joy, he explores how we can practice recognizing that connection, and also, crucially, how we can expand it. Taking a clear-eyed look at injustice, political polarization, and the destruction of the natural world, Gay shows us how we might resist, how the study of joy might lead us to a wild, unpredictable, transgressive, and unboundaried solidarity. In fact, it just might help us survive. In an era when divisive voices take up so much airspace, Inciting Joy offers a vital alternative: What might be possible if we turn our attention to what brings us together, to what we love?
Publisher: Algonquin Books
ISBN: 1643753487
Category : Literary Collections
Languages : en
Pages : 252
Book Description
From New York Times bestselling author Ross Gay comes a "brilliant" intimate and electrifying collection of essays about the joy that comes from connection (Ada Limón, U.S. poet laureate). In these gorgeously written and timely pieces, prizewinning poet and author Gay considers the joy we incite when we care for each other, especially during life’s inevitable hardships. Throughout Inciting Joy, he explores how we can practice recognizing that connection, and also, crucially, how we can expand it. Taking a clear-eyed look at injustice, political polarization, and the destruction of the natural world, Gay shows us how we might resist, how the study of joy might lead us to a wild, unpredictable, transgressive, and unboundaried solidarity. In fact, it just might help us survive. In an era when divisive voices take up so much airspace, Inciting Joy offers a vital alternative: What might be possible if we turn our attention to what brings us together, to what we love?
The Nature of Laughter
Author: J. C. Gregory
Publisher:
ISBN:
Category : Emotions
Languages : en
Pages : 256
Book Description
Publisher:
ISBN:
Category : Emotions
Languages : en
Pages : 256
Book Description
A Cultural History of Laughter
Author: Abílio Almeida
Publisher: Taylor & Francis
ISBN: 1040154352
Category : History
Languages : en
Pages : 123
Book Description
Is laughter a sin? Or is it man’s best medicine? Is laughter now trivialised, mechanised or even weaponised by contemporary media? This book explores the social history of laughter in the West, from classical antiquity to the present day. Engaging with a range of thought from Plato to Nietzsche, it moves from classical to modern thought, considering the changing emotional climate of societies – including the postmodern "dictatorship of happiness" – and the role played by the technological changes of the last century in shaping our interpretation of laughter. A broad, historical study of the physical and emotional aspects of laughter, as well as its social role, A Cultural History of Laughter will appeal to scholars of sociology, history and cultural studies, among other fields of knowledge.
Publisher: Taylor & Francis
ISBN: 1040154352
Category : History
Languages : en
Pages : 123
Book Description
Is laughter a sin? Or is it man’s best medicine? Is laughter now trivialised, mechanised or even weaponised by contemporary media? This book explores the social history of laughter in the West, from classical antiquity to the present day. Engaging with a range of thought from Plato to Nietzsche, it moves from classical to modern thought, considering the changing emotional climate of societies – including the postmodern "dictatorship of happiness" – and the role played by the technological changes of the last century in shaping our interpretation of laughter. A broad, historical study of the physical and emotional aspects of laughter, as well as its social role, A Cultural History of Laughter will appeal to scholars of sociology, history and cultural studies, among other fields of knowledge.
Pieter Bruegel and the Art of Laughter
Author: Walter S. Gibson
Publisher: Univ of California Press
ISBN: 0520245210
Category : Art
Languages : en
Pages : 291
Book Description
In this delightfully engaging book, Walter S. Gibson takes a new look at Bruegel, arguing that the artist was no erudite philosopher, but a man very much in the world, and that a significant part of his art is best appreciated in the context of humour.
Publisher: Univ of California Press
ISBN: 0520245210
Category : Art
Languages : en
Pages : 291
Book Description
In this delightfully engaging book, Walter S. Gibson takes a new look at Bruegel, arguing that the artist was no erudite philosopher, but a man very much in the world, and that a significant part of his art is best appreciated in the context of humour.
Looking at Laughter
Author: John R. Clarke
Publisher: Univ of California Press
ISBN: 0520237331
Category : Art
Languages : en
Pages : 336
Book Description
In this fresh, accessible, and beautifully illustrated book, his third to examine an aspect of Roman visual culture, John R. Clarke explores the question, "What made Romans laugh?" Looking at Laughter examines a heterogeneous corpus of visual material, from the crudely obscene to the exquisitely sophisticated and from the playful to the deadly serious—everything from street theater to erudite paintings parodying the emperor. Nine chapters, organized under the rubrics of Visual Humor, Social Humor, and Sexual Humor, analyze a wide range of visual art, including wall painting, sculpture, mosaics, and ceramics. Archaeological sites, as well as a range of ancient texts, inscriptions, and graffiti, provide the background for understanding the how and why of humorous imagery. This entertaining study offers fascinating insights into the mentality of Roman patrons and viewers who enjoyed laughing at the gods, the powers-that-be, and themselves.
Publisher: Univ of California Press
ISBN: 0520237331
Category : Art
Languages : en
Pages : 336
Book Description
In this fresh, accessible, and beautifully illustrated book, his third to examine an aspect of Roman visual culture, John R. Clarke explores the question, "What made Romans laugh?" Looking at Laughter examines a heterogeneous corpus of visual material, from the crudely obscene to the exquisitely sophisticated and from the playful to the deadly serious—everything from street theater to erudite paintings parodying the emperor. Nine chapters, organized under the rubrics of Visual Humor, Social Humor, and Sexual Humor, analyze a wide range of visual art, including wall painting, sculpture, mosaics, and ceramics. Archaeological sites, as well as a range of ancient texts, inscriptions, and graffiti, provide the background for understanding the how and why of humorous imagery. This entertaining study offers fascinating insights into the mentality of Roman patrons and viewers who enjoyed laughing at the gods, the powers-that-be, and themselves.
Inciting Laughter
Author: Jefferson S. Chase
Publisher: Walter de Gruyter
ISBN: 9783110162998
Category : Literary Collections
Languages : en
Pages : 350
Book Description
Annotation Takes a cross-disciplinary approach to an examination of , a type of distinctively Jewish humor, written in German but deemed antithetical to the values of Mainstream German-language society of the 19th century. Focusing on the period from 1820 to 1850, Chase emphasizes a dual analysis of , both as stereotype and strategy, stressing throughout the importance of nonessentialism in the discussion of Jewish humor and 19th century German reactions to it. He discusses the humor itself and its role in identity issues, followed by detailed coverage of three Jewish humorists: Moritz Gottlieb Saphir, Ludwig B:orne, and Heinrich Heine. He then assesses the role of in literary history, discusses the "core myth" of German literary history, and evaluates the adaptation of the myth over time. A conclusion is followed by translations of the three humorists' writings. Annotation c. Book News, Inc., Portland, OR (booknews.com).
Publisher: Walter de Gruyter
ISBN: 9783110162998
Category : Literary Collections
Languages : en
Pages : 350
Book Description
Annotation Takes a cross-disciplinary approach to an examination of , a type of distinctively Jewish humor, written in German but deemed antithetical to the values of Mainstream German-language society of the 19th century. Focusing on the period from 1820 to 1850, Chase emphasizes a dual analysis of , both as stereotype and strategy, stressing throughout the importance of nonessentialism in the discussion of Jewish humor and 19th century German reactions to it. He discusses the humor itself and its role in identity issues, followed by detailed coverage of three Jewish humorists: Moritz Gottlieb Saphir, Ludwig B:orne, and Heinrich Heine. He then assesses the role of in literary history, discusses the "core myth" of German literary history, and evaluates the adaptation of the myth over time. A conclusion is followed by translations of the three humorists' writings. Annotation c. Book News, Inc., Portland, OR (booknews.com).
Jews in German Literature since 1945
Author:
Publisher: BRILL
ISBN: 900448552X
Category : Social Science
Languages : en
Pages : 704
Book Description
This volume contains some 46 essays on various aspects of contemporary German-Jewish literature. The approaches are diverse, reflecting the international origins of the contributors, who are based in seventeen different countries. Holocaust literature is just one theme in this context; others are memory, identity, Christian-Jewish relations, anti-Zionism, la belle juive, and more. Prose, poetry and drama are all represented, and there is a major debate on the controversial attempt to stage Fassbinder’s Der Müll, die Stadt und der Tod in 1985. The overall approach of the volume is an inclusive one. In his introduction, the editor calls for a reappraisal of the terms of German-Jewish discourse away from the notion of ‘Germans’ and ‘Jews’ and towards the idea that both Jews and non-Jews, all of them Germans, have contributed to the corpus of ‘German-Jewish literature’.
Publisher: BRILL
ISBN: 900448552X
Category : Social Science
Languages : en
Pages : 704
Book Description
This volume contains some 46 essays on various aspects of contemporary German-Jewish literature. The approaches are diverse, reflecting the international origins of the contributors, who are based in seventeen different countries. Holocaust literature is just one theme in this context; others are memory, identity, Christian-Jewish relations, anti-Zionism, la belle juive, and more. Prose, poetry and drama are all represented, and there is a major debate on the controversial attempt to stage Fassbinder’s Der Müll, die Stadt und der Tod in 1985. The overall approach of the volume is an inclusive one. In his introduction, the editor calls for a reappraisal of the terms of German-Jewish discourse away from the notion of ‘Germans’ and ‘Jews’ and towards the idea that both Jews and non-Jews, all of them Germans, have contributed to the corpus of ‘German-Jewish literature’.
Grotesque Anatomies
Author: David Musgrave
Publisher: Cambridge Scholars Publishing
ISBN: 1443869201
Category : Literary Criticism
Languages : en
Pages : 240
Book Description
Grotesque Anatomies is a study of Menippean satire in English since the Renaissance. It consists of revisionist, close readings of canonical works such as Eliot’s The Waste Land and Pope’s Dunciad among others, and investigates how identifying them as Menippean satires changes our understanding of them. The initial chapter offers a comprehensive account of the form from antiquity to the present day, identifying its bifurcated development in the shorter form (Seneca-Lucian-Julian) and the longer, more encylopedic form (Varro-Petronius-Boethius), and their subsequent fusion during the Renaissance. It also contains an account of the critical reception of the genre, with the term ‘Menippean satire’ first being used by Justus Lipsius in 1581. Finally, Menippean satire is described as a literary version of the grotesque, and a brief theory of the grotesque in the modern period as ‘radical heterogeneity’ is outlined. This is also the foundation of a new definition of Menippean satire, drawing on previous definitions by Frye, Bakhtin and Kirk, and revising them for the modern period. The following chapters examine iconic works as examples of Menippean satire and of the grotesque. Chapter 2 offers an overview of the nose in Menippean satire and comic literature generally, and reads Rushdie’s Midnight’s Children in this context. It also gives an account of metaphor as a ‘grotesque transformation’. Chapter 3 examines the figure of the stomach in Menippean satire and symposiastic literature, and reads Peacock’s Gryll Grange in this context. The link between the stomach as a figure of thinking in comic literature is the basis for an account of symbolic structuring as ‘grotesque association’. Chapter 4 is a close reading of the scatological imagery of Pope’s Dunciad, and how scatology generally tends towards a cyclical metaphysics. It also relates changes in print technology and copyright laws to the reticular scatological structure of the Dunciad. Chapter 5 argues for Eliot’s The Waste Land as a Menippean satire, focusing on the rhetorical figure of the enthymeme as a missing premise, as an example of ‘under-mindedness’ and as an ironic aspect of the fragmentation typical of late Romantic Menippean satires. Chapter 6 examines Urquhart’s eccentric The Jewel as a satire on the referential function of language, reading it in the context of projections for a universal language from this period. The final chapter identifies some key works by Derrida and Barthes as Menippean satires, noting the resurgence of the form in some postmodern and deconstructive writing.
Publisher: Cambridge Scholars Publishing
ISBN: 1443869201
Category : Literary Criticism
Languages : en
Pages : 240
Book Description
Grotesque Anatomies is a study of Menippean satire in English since the Renaissance. It consists of revisionist, close readings of canonical works such as Eliot’s The Waste Land and Pope’s Dunciad among others, and investigates how identifying them as Menippean satires changes our understanding of them. The initial chapter offers a comprehensive account of the form from antiquity to the present day, identifying its bifurcated development in the shorter form (Seneca-Lucian-Julian) and the longer, more encylopedic form (Varro-Petronius-Boethius), and their subsequent fusion during the Renaissance. It also contains an account of the critical reception of the genre, with the term ‘Menippean satire’ first being used by Justus Lipsius in 1581. Finally, Menippean satire is described as a literary version of the grotesque, and a brief theory of the grotesque in the modern period as ‘radical heterogeneity’ is outlined. This is also the foundation of a new definition of Menippean satire, drawing on previous definitions by Frye, Bakhtin and Kirk, and revising them for the modern period. The following chapters examine iconic works as examples of Menippean satire and of the grotesque. Chapter 2 offers an overview of the nose in Menippean satire and comic literature generally, and reads Rushdie’s Midnight’s Children in this context. It also gives an account of metaphor as a ‘grotesque transformation’. Chapter 3 examines the figure of the stomach in Menippean satire and symposiastic literature, and reads Peacock’s Gryll Grange in this context. The link between the stomach as a figure of thinking in comic literature is the basis for an account of symbolic structuring as ‘grotesque association’. Chapter 4 is a close reading of the scatological imagery of Pope’s Dunciad, and how scatology generally tends towards a cyclical metaphysics. It also relates changes in print technology and copyright laws to the reticular scatological structure of the Dunciad. Chapter 5 argues for Eliot’s The Waste Land as a Menippean satire, focusing on the rhetorical figure of the enthymeme as a missing premise, as an example of ‘under-mindedness’ and as an ironic aspect of the fragmentation typical of late Romantic Menippean satires. Chapter 6 examines Urquhart’s eccentric The Jewel as a satire on the referential function of language, reading it in the context of projections for a universal language from this period. The final chapter identifies some key works by Derrida and Barthes as Menippean satires, noting the resurgence of the form in some postmodern and deconstructive writing.
The Clueless Billionaire
Author: Annabeth Avery
Publisher: Annabeth Avery
ISBN:
Category : Fiction
Languages : en
Pages : 277
Book Description
Brilliant coder Amber Sinclair is determined to get justice against billionaire Roger Butler, who she believes stole her revolutionary programming and launched an empire. Posing online as an alluring elf princess, she attempts to seduce and trick Roger into confessing. But the more they connect both online and off, the more Amber battles her own growing feelings for her enemy. Kind yet lonely Roger finds his anonymous online persona allows him to open up in ways real life doesn't. When he discovers the beguiling elf princess is none other than Amber Sinclair, part of him knows he should retreat. But he's drawn to her like a moth to a flame, even as allegations roil about his company stealing her work. As Roger and Amber untangle secrets, wounds, and sizzling chemistry, their journey refuses to follow a simple path. Friends provide laughter and support, but Roger and Amber face their deepest struggles alone. With trust hard won after betrayal, can fierce forgiveness triumph over simmering anger? When a dramatic revelation provides the ultimate test, both Roger and Amber are faced with their most difficult choice. Will doubts and pride prevail, or will reckless hearts win out despite the risks? What will it take for a clueless billionaire and a guarded coder to find their happily ever after? This sweet, contemporary enemies-to-lovers romance blends lively humor, simmering passion, and heart-tugging emotion into a cleverly modern take on romantic redemption.
Publisher: Annabeth Avery
ISBN:
Category : Fiction
Languages : en
Pages : 277
Book Description
Brilliant coder Amber Sinclair is determined to get justice against billionaire Roger Butler, who she believes stole her revolutionary programming and launched an empire. Posing online as an alluring elf princess, she attempts to seduce and trick Roger into confessing. But the more they connect both online and off, the more Amber battles her own growing feelings for her enemy. Kind yet lonely Roger finds his anonymous online persona allows him to open up in ways real life doesn't. When he discovers the beguiling elf princess is none other than Amber Sinclair, part of him knows he should retreat. But he's drawn to her like a moth to a flame, even as allegations roil about his company stealing her work. As Roger and Amber untangle secrets, wounds, and sizzling chemistry, their journey refuses to follow a simple path. Friends provide laughter and support, but Roger and Amber face their deepest struggles alone. With trust hard won after betrayal, can fierce forgiveness triumph over simmering anger? When a dramatic revelation provides the ultimate test, both Roger and Amber are faced with their most difficult choice. Will doubts and pride prevail, or will reckless hearts win out despite the risks? What will it take for a clueless billionaire and a guarded coder to find their happily ever after? This sweet, contemporary enemies-to-lovers romance blends lively humor, simmering passion, and heart-tugging emotion into a cleverly modern take on romantic redemption.