Author: Lorna Bleach
Publisher: Cambridge Scholars Publishing
ISBN: 1443816248
Category : Literary Criticism
Languages : en
Pages : 229
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Book Description
Organised in 2008 by four medievalists from the University of Sheffield, Locating the Voice: Expressions of Identity in the Middle Ages provided a theatre for dialogue between postgraduates and early career researchers from around the world. This collection of articles, born out of the conference, forms an intriguing and interesting way of looking at identity and reflects the editors’ desire to reconcile ideas within adjacent interdisciplinary fields of study. Reaching far beyond the domain of medieval literature, already familiar to so many, this book examines the authorial and pictorial voice, the voice of national identity and even the physical attributes a medieval voice may have had. Each contributor shows how, in locating the voice in their own field of research, it is possible to build a multi-disciplinary approach to individuality and identity in the medieval world.
Author: Irit Ruth Kleiman
Publisher: Springer
ISBN: 1137397063
Category : Literary Criticism
Languages : en
Pages : 517
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Book Description
Twelve medieval scholars from a wide range of disciplines, including law, literature, and religion address the question: What did it mean to possess a voice - or to be without one - during the Middle Ages? This collection reveals how the philosophy, theology, and aesthetics of the voice inhabit some of the most canonical texts of the Middle Ages.
Author: Rachel May Golden
Publisher:
ISBN: 9780813069036
Category : LITERARY CRITICISM
Languages : en
Pages : 310
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Book Description
This volume brings together literary and musical compositions of medieval France, identifying the use of voice in these works as a way of articulating gendered identities.
Author: David Lawton
Publisher: Oxford University Press
ISBN: 0198792409
Category : Literary Criticism
Languages : en
Pages : 256
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Book Description
David Lawton approaches later medieval English vernacular culture in terms of voice. As texts and discourses shift in translation and in use from one language to another, antecedent texts are revoiced in ways that recreate them (as "public interiorities") without effacing their history or future. The approach yields important insights into the voice work of late medieval poets, especially Langland and Chaucer, and also their fifteenth-century successors, who treat their work as they have treated their precursors. It also helps illuminate vernacular religious writing and its aspirations, and it addresses literary and cultural change, such as the effect of censorship and increasing political instability in and beyond the fifteenth century. Lawton also proposes his emphasis on voice as a literary tool of broad application, and his book has a bold and comparative sweep that encompasses the Pauline letters, Augustine's Confessions, the classical precedents of Virgil and Ovid, medieval contemporaries like Machaut and Petrarch, extra-literary artists like Monteverdi, later poets such as Wordsworth, Heaney, and Paul Valery, and moderns such as Jarry and Proust. What justifies such parallels, the author claims, is that late medieval texts constitute the foundation of a literary history of voice that extends to modernity. The book's energy is therefore devoted to the transformative reading of later medieval texts, in order to show their original and ongoing importance as voice work.
Author: Mark R. Cohen
Publisher: Princeton University Press
ISBN: 1400850614
Category : History
Languages : en
Pages : 241
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Book Description
They are voices that have been silent for centuries: those of captives and refugees, widows and orphans, the blind and infirm, and the underclass of the "working poor." Now, for the first time, the voices of the poor in the Middle Ages come to life in this moving book by historian Mark Cohen. A companion to Cohen's other volume, Poverty and Charity in the Jewish Community of Medieval Egypt, the book presents more than ninety letters, alms lists, donor lists, and other related documents from the Geniza, a hidden chamber for discarded papers, situated inside a wall in a Cairo synagogue. Cohen has translated these documents, providing the historical context for each. In the past, most of what we knew of the poor in the Middle Ages came from records and observations compiled by their literate social superiors, from tax collectors to the inquisitor's clerk, from criminal judges to the benefactors of the helpless, from makers of Islamic waqf deeds to authors of Arabic chronicles, and in Judaism, from Rabbis who wrote responsa to compilers of Jewish-law codes. What distinguishes this book is that it contains the voices of the poor themselves, found in documents heretofore largely ignored. Because an ancient custom in Judaism prohibited the destruction of pages of sacred writing, the documents were preserved, largely unharmed, for as many as nine centuries. The Voice of the Poor in the Middle Ages provides access to the attitudes and philanthropic activities of the charitable, alongside the dramatic writings of the poor themselves, whether penned in their own hands or dictated to a scribe or family member. The book also allows a rare glimpse into the women of the Middle Ages, as well as into the world of private charity--an area long elusive to the medieval historian. For researchers and students alike, this book will be an invaluable social history source for years to come.
Author: Eric Jager
Publisher: Cornell University Press
ISBN: 9780801480362
Category : Language Arts & Disciplines
Languages : en
Pages : 364
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Book Description
The school of Paradise -- The genesis of hermeneutics -- The Garden of eloquence -- The Old English epic of the Fall -- The seducer and the daughter of Eve -- The carnal letter in Chaucer's earthly paradise -- Signs of the Fall: from the Middle Ages to Postmodernism.
Author: Catherine M. Mooney
Publisher: University of Pennsylvania Press
ISBN: 1512821152
Category : History
Languages : en
Pages : 292
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Book Description
"These studies . . . not only illuminate the past with a fierce and probing light but also raise, with nuance and power, fundamental issues of interpretation and method."—from the Foreword, by Caroline Walker Bynum Female saints, mystics, and visionaries have been much studied in recent years. Relatively little attention has been paid, however, to the ways in which their experiences and voices were mediated by the men who often composed their vitae, served as their editors and scribes, or otherwise encouraged, protected, and collaborated with the women in their writing projects. What strategies can be employed to discern and distinguish the voices of these high and late medieval women from those of their scribes and confessors? In those rare cases where we have both the women's own writings and writings about them by their male contemporaries, how do the women's self-portrayals diverge from the male portrayals of them? Finally, to what extent are these portrayals of sanctity by the saints and their contemporaries influenced not so much by gender as by genre? Catherine Mooney brings together a distinguished group of contributors who explore these and other issues as they relate to seven holy women and their male interpreters and one male saint who claims to incorporate the words of a female follower in an account of his own life.
Author: Bissera V. Pentcheva
Publisher: Routledge
ISBN: 1000207366
Category : Art
Languages : en
Pages : 281
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Book Description
Icons of Sound: Voice, Architecture, and Imagination in Medieval Art brings together art history and sound studies to offer new perspectives on medieval churches and cathedrals as spaces where the perception of the visual is inherently shaped by sound. The chapters encompass a wide geographic and historical range, from the fifth to the fifteenth century, and from Armenia and Byzantium to Venice, Rome, and Santiago de Compostela. Contributors offer nuanced explorations of the intangible sonic aura produced in these places by the ritual music and harness the use of digital technology to reconstruct historical aural environments. Rooted in a decade-long interdisciplinary research project at Stanford University, Icons of Sound expands our understanding of the inherently intertwined relationship between medieval chant and liturgy, the acoustics of architectural spaces, and their visual aesthetics. Together, the contributors provide insights that are relevant across art history, sound studies, musicology, and medieval studies.
Author: Jennifer Richards
Publisher: Oxford University Press, USA
ISBN: 0198809069
Category : Literary Criticism
Languages : en
Pages : 348
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Book Description
"Two ideas lie at the heart of this study and its claim that we need a new history of reading: that voices in books can affect us deeply ; that printed books can be brought to life with the voice. Voices and Books offers a new history of reading focussed on the oral and voice-aware silent reader, rather than the historical reader we have privileged in the last few decades, who is invariably male, silent, and alone. It recovers the vocality of education for boys and girls in Renaissance England, and the importance of training in pronuntiatio (delivery) for oral-aural literary culture. It offers the first attempt to recover the voice-and tone-from textual sources. It explores what happens when we bring voice to text, how vocal tone realizes or changes textual meaning, and how the literary writers of the past tried to represent their own and others' voices, as well as manage and exploit the voices of their readers. It offers fresh readings of the key Tudor authors who anticipated oral readers: John Bale, Anne Askew, William Baldwin, Thomas Nashe. And it aims to rethink what a printed book can be, searching the printed page for vocal cues, and exploring the neglected role of the voice in the printing process"-- Provided by publisher.
Author: W. Layher
Publisher: Springer
ISBN: 0230113028
Category : History
Languages : en
Pages : 358
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Book Description
This book examines female lordship and the power of the political voice in medieval Northern Europe, focusing on three prominent, foreign-born queens of medieval Scandinavia - Agnes of Denmark (d. 1304), Eufemia of Norway (d. 1312) and Margareta of Denmark/Sweden (d. 1412) - who acted as cultural mediators and initiators of political change.
