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Author: Bernard Cerquiglini
Publisher: JHU Press
ISBN: 9780801861260
Category : Literary Criticism
Languages : en
Pages : 120
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Book Description
It has long been a task of great scholars to establish definitive texts of major works. But why, Bernard Cerquiglini asks, must there be such a preference? Might such a preference distort the fundamental understanding of what texts are or could be?
Author: Bernard Cerquiglini
Publisher: JHU Press
ISBN: 9780801861260
Category : Literary Criticism
Languages : en
Pages : 120
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Book Description
It has long been a task of great scholars to establish definitive texts of major works. But why, Bernard Cerquiglini asks, must there be such a preference? Might such a preference distort the fundamental understanding of what texts are or could be?
Author: Etan Kohlberg
Publisher: BRILL
ISBN: 9004406972
Category : Religion
Languages : en
Pages : 650
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Book Description
This volume presents a comprehensive selection from Etan Kohlberg’s research, undertaken over a period of fifty years, on doctrinal and historical developments of Imāmī Shiʿi intellectual tradition with a primary focus on the medieval period.
Author: Jan Bloemendal
Publisher: BRILL
ISBN: 9004218831
Category : History
Languages : en
Pages : 666
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Book Description
Both historically and theoretically this book deals the work and the life of Joost van den Vondel, the most famous and controversial Dutch playwright in the Dutch Republic. Over twenty-five of his tragedies are analyzed, offering an overview of different theoretical approaches. Historically, Vondel is situated in his own times and in the present.
Author: Vevian Zaki
Publisher: BRILL
ISBN: 9004463259
Category : Religion
Languages : en
Pages : 697
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Book Description
In this study, Vevian Zaki places the Arabic versions of the Pauline Epistles in their historical context, exploring when, where, and how they were produced, transmitted, understood, and adapted among Eastern Christian communities across the centuries. She also considers the transmission and use of these texts among Muslim polemicists, as well as European missionaries and scholars. Underpinning the study is a close investigation of the manuscripts and a critical examination of their variant readings. The work concludes with a case study: an edition and translation of the Epistle to the Philippians from manuscripts London, BL, Or. 8612 and Vatican, BAV, Ar. 13; a comparison of the translation strategies employed in these two versions; and an investigation of the possible relations between them.
Author: Carol Bakhos
Publisher: BRILL
ISBN: 9047417739
Category : Religion
Languages : en
Pages : 342
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Book Description
This important collection of essays by leading scholars of rabbinics reflects the current methodological approaches to the study of midrash. The volume situates midrash within the broader contexts of hermeneutics, rabbinics and postmodern studies, and thus presents a comprehensive view of the kinds of issues scholars in the field are engaging.
Author: Thomas A. Bredehoft
Publisher: Oxford Textual Perspectives
ISBN: 0199603154
Category : Design
Languages : en
Pages : 196
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Book Description
The Visible Text offers an innovative new vision of literary history and the history of the book from Beowulf to present day graphic novels.
Author: Michael D. Swartz
Publisher: Mohr Siebeck
ISBN: 3161550021
Category : Religion
Languages : en
Pages : 349
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Book Description
The phenomena we call magic and mysticism had a profound effect on the shaping of Judaism in late antiquity. In this volume, Michael D. Swartz offers a wide-ranging study of the purposes, world-views, ritual dynamics, literary forms, and social settings of ancient Jewish magic and mysticism and their function in religion and history. Based on the author's studies over the past few decades, he proposes innovative methods for the study of these two phenomena. The author focuses especially on the rituals of early Jewish magic and mysticism, their social contexts, and the textual dimension of this complex literature. He also offers introductions to these phenomena. Michael D. Swartz argues that the authors of these texts employed intricate technologies, literary and artistic forms, and physical practices to negotiate between the values and world-views of their cultures and the texture of everyday life.
Author: Christopher M.B. Nugent
Publisher: BRILL
ISBN: 1684170540
Category : History
Languages : en
Pages : 360
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Book Description
This study aims to engage the textual realities of medieval literature by shedding light on the material lives of poems during the Tang, from their initial oral or written instantiation through their often lengthy and twisted paths of circulation. Tang poems exist today in stable written forms assumed to reflect their creators’ original intent. Yet Tang poetic culture was based on hand-copied manuscripts and oral performance. We have almost no access to this poetry as it was experienced by contemporaries. This is no trivial matter, the author argues. If we do not understand how Tang people composed, experienced, and transmitted this poetry, we miss something fundamental about the roles of memory and copying in the circulation of poetry as well as readers’ dynamic participation in the creation of texts. We learn something different about poems when we examine them, not as literary works transcending any particular physical form, but as objects with distinct physical attributes, visual and sonic. The attitudes of the Tang audience toward the stability of texts matter as well. Understanding Tang poetry requires acknowledging that Tang literary culture accepted the conscious revision of these works by authors, readers, and transmitters. 2012 Joseph Levenson Book Prize, Pre-1900 Category, China and Inner Asia Council of the Association for Asian Studies
Author: Liv Ingeborg Lied
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110383977
Category : Religion
Languages : en
Pages : 457
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Book Description
Scholars of early Christian and Jewish literature have for many years focused on interpreting texts in their hypothetical original forms and contexts, while largely overlooking important aspects of the surviving manuscript evidence and the culture that produced it. This volume of essays seeks to remedy this situation by focusing on the material aspects of the manuscripts themselves and the fluidity of textual transmission in a manuscript culture. With an emphasis on method and looking at texts as they have been used and transmitted in manuscripts, this book discusses how we may deal with textual evidence that can often be described as mere snapshots of fluid textual traditions that have been intentionally adapted to fit ever-shifting contexts. The emphasis of the book is on the contexts and interests of users and producers of texts as they appear in our surviving manuscripts, rather than on original authors and their intentions, and the essays provide both important correctives to former textual interpretations, as well as new insights into the societies and individuals that copied and read the texts in the manuscripts that have actually been preserved to us.
Author: Emily Zazulia
Publisher: Oxford University Press
ISBN: 0197551939
Category : Music
Languages : en
Pages : 345
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Book Description
The main function of western musical notation is incidental: it prescribes and records sound. But during the fourteenth and fifteenth centuries, notation began to take on an aesthetic life all its own. In the early fifteenth century, a musician might be asked to sing a line slower, faster, or starting on a different pitch than what is written. By the end of the century composers had begun tasking singers with solving elaborate puzzles to produce sounds whose relationship to the written notes is anything but obvious. These instructions, which appear by turns unnecessary and confounding, challenge traditional conceptions of music writing that understand notation as an incidental consequence of the desire to record sound. This book explores innovations in late-medieval music writing as well as how modern scholarship on notation has informedsometimes erroneouslyideas about the premodern era. Drawing on both musical and music-theoretical evidence, this book reframes our understanding of late-medieval musical notation as a system that was innovative, cutting-edge, and dynamicone that could be used to generate music, not just preserve it.
