Wu Guanzhong: Beauty Beyond Form 吴冠中 : 大美无垠 PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download Wu Guanzhong: Beauty Beyond Form 吴冠中 : 大美无垠 PDF full book. Access full book title Wu Guanzhong: Beauty Beyond Form 吴冠中 : 大美无垠 by Low Sze Wee. Download full books in PDF and EPUB format.
Author: Low Sze Wee
Publisher: National Gallery Singapore
ISBN: 981098135X
Category : Art
Languages : en
Pages : 212
Get Book Here
Book Description
A giant among artists of his generation, Wu Guanzhong is celebrated for his distinctive synergy of Western oil painting and Chinese ink aesthetics, as well as his modernisation of Chinese ink painting. This catalogue accompanies the National Gallery Singapore’s exhibition that showcases Wu’s oeuvre over five decades and inaugurates the permanent gallery dedicated to the artist. Accompanying essays within expand upon themes of the exhibition and offer insight into Wu’s beliefs regarding the function of art. A bilingual publication in English and Chinese.
Author: Low Sze Wee
Publisher: National Gallery Singapore
ISBN: 981098135X
Category : Art
Languages : en
Pages : 212
Get Book Here
Book Description
A giant among artists of his generation, Wu Guanzhong is celebrated for his distinctive synergy of Western oil painting and Chinese ink aesthetics, as well as his modernisation of Chinese ink painting. This catalogue accompanies the National Gallery Singapore’s exhibition that showcases Wu’s oeuvre over five decades and inaugurates the permanent gallery dedicated to the artist. Accompanying essays within expand upon themes of the exhibition and offer insight into Wu’s beliefs regarding the function of art. A bilingual publication in English and Chinese.
Author: Guanzhong Wu
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 214
Get Book Here
Book Description
Author: Jennifer Dorothy Lee
Publisher: Univ of California Press
ISBN: 0520393783
Category : Art
Languages : en
Pages : 208
Get Book Here
Book Description
Anxiety Aesthetics is the first book to consider a prehistory of contemporaneity in China through the emergent creative practices in the aftermath of the Mao era. Arguing that socialist residues underwrite contemporary Chinese art, complicating its theorization through Maoism, Jennifer Dorothy Lee traces a selection of historical events and controversies in late 1970s and early 1980s Beijing. Lee offers a fresh critical frame for doing symptomatic readings of protest ephemera and artistic interventions in the Beijing Spring social movement of 1978–80, while exploring the rhetoric of heated debates waged in institutional contexts prior to the '85 New Wave. Lee demonstrates how socialist aesthetic theories and structures continued to shape young artists' engagement with both space and selfhood and occupied the minds of figures looking to reform the nation. In magnifying this fleeting moment, Lee provides a new historical foundation for the unprecedented global exposure of contemporary Chinese art today.
Author: Anne Farrer
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 184
Get Book Here
Book Description
Author: Wen Fong
Publisher: Metropolitan Museum of Art
ISBN: 0870999842
Category : Painting
Languages : en
Pages : 302
Get Book Here
Book Description
The first comprehensive assemblage in the West of paintings on this subject, the Robert H. Ellsworth Collection comprises works in the classical Chinese medium of ink on paper and in the traditional formats of scrolls, album leaves, and fans."--BOOK JACKET.
Author: David Der-wei Wang
Publisher: Columbia University Press
ISBN: 023153857X
Category : Literary Criticism
Languages : en
Pages : 537
Get Book Here
Book Description
In this book, David Der-wei Wang uses the lyrical to rethink the dynamics of Chinese modernity. Although the form may seem unusual for representing China's social and political crises in the mid-twentieth century, Wang contends that national cataclysm and mass movements intensified Chinese lyricism in extraordinary ways. Wang calls attention to the form's vigor and variety at an unlikely juncture in Chinese history and the precarious consequences it brought about: betrayal, self-abjuration, suicide, and silence. Despite their divergent backgrounds and commitments, the writers, artists, and intellectuals discussed in this book all took lyricism as a way to explore selfhood in relation to solidarity, the role of the artist in history, and the potential for poetry to illuminate crisis. They experimented with poetry, fiction, film, intellectual treatise, political manifesto, painting, calligraphy, and music. Western critics, Wang shows, also used lyricism to critique their perilous, epic time. He reads Martin Heidegger, Theodor Adorno, Cleanth Brooks, and Paul de Man, among others, to complete his portrait. The Chinese case only further intensifies the permeable nature of lyrical discourse, forcing us to reengage with the dominant role of revolution and enlightenment in shaping Chinese—and global—modernity. Wang's remarkable survey reestablishes Chinese lyricism's deep roots in its own native traditions, along with Western influences, and realizes the relevance of such a lyrical calling of the past century to our time.
Author: 吳冠中
Publisher:
ISBN:
Category : Painting, Chinese
Languages : en
Pages : 166
Get Book Here
Book Description
Author: Min Li
Publisher: Cambridge University Press
ISBN: 1107141451
Category : History
Languages : en
Pages : 587
Get Book Here
Book Description
A thought-provoking book on the archaeology of power, knowledge, social memory, and the emergence of classical tradition in early China.
Author: Maxwell K. Hearn
Publisher: Metropolitan Museum of Art
ISBN: 0870999834
Category : Art, Chinese
Languages : en
Pages : 313
Get Book Here
Book Description
China's entry into the modern era was shaped by unprecedented internal turmoil and external pressures, which brought a forceful end to two millennia of imperial rule and cultural insularity. The essays in this volume offer a variety of perspectives on the impact of the West on indigenous literature, architecture, painting, and calligraphy during this period (ca. 1860-1980). This book is published in conjunction with the exhibition "Nineteenth- and Twentieth-Century Chinese Paintings from the Robert H. Ellsworth Collection in The Metropolitan Museum of Art", held at the museum from 30th January-19th August 2001.
Author: Lian Duan
Publisher: Taylor & Francis
ISBN: 1000919420
Category : Art
Languages : en
Pages : 231
Get Book Here
Book Description
This study constructs a framework of narratology for art history and rewrites the development of twentieth-century Chinese art from a narratological perspective. Theoretically and methodologically oriented, this is a self-reflective meta-art history studying the art historical narratives while narrating the story of modern and contemporary Chinese art. Thus, this book explores the three layers of narrative within the narratological framework: the first-hand fabula, the secondary narration, and the tertiary narrativization. With this tertiary narrativization, the reader-author presents three types of narrative: the grand narrative of the central thesis of this book, the middle-range narrative of the chapter theses, and case analyses supporting these theses. The focus of this tertiary narrativization is the interaction between Western influence on Chinese art and the Chinese response to this influence. The central thesis is that this interaction conditioned and shaped the development of Chinese art at every historical turning point in the twentieth century. The book will be of interest to scholars working in art history, critical theory, Chinese studies, and cultural studies.
