Counterpoint

Counterpoint PDF Author: Walter Piston
Publisher: W W Norton & Company Incorporated
ISBN: 9780393097283
Category : Music
Languages : en
Pages : 235

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Book Description
Explores the contrapuntal element in significant works from the eighteenth and nineteenth centuries for the music student who fully understands the composition of harmony

Counterpoint

Counterpoint PDF Author: Walter Piston
Publisher: W W Norton & Company Incorporated
ISBN: 9780393097283
Category : Music
Languages : en
Pages : 235

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Book Description
Explores the contrapuntal element in significant works from the eighteenth and nineteenth centuries for the music student who fully understands the composition of harmony

Study of Counterpoint

Study of Counterpoint PDF Author: Johann Fux
Publisher: W. W. Norton & Company
ISBN: 9780393002775
Category : Music
Languages : en
Pages : 164

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Book Description
The most celebrated book on counterpoint is Fux's great theoretical work GRADUS AD PARNASSUM. Since its appearance in 1725, it has been used by and has directly influenced the work of many of the great composers, including J.S. Bach, Haydn, and Beethoven. Originally written in Latin, this work has been translated in to the principal European languages. The present translation by Alfred Mann is the first faithful rendering in English, presenting the essence of Fux's teachings.

Contemporary Counterpoint

Contemporary Counterpoint PDF Author: Beth Denisch
Publisher: Hal Leonard Corporation
ISBN: 1540012239
Category : Music
Languages : en
Pages : 184

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Book Description
(Berklee Guide). Use counterpoint to make your music more engaging and creative. Counterpoint the relationship between musical voices is among the core principles for writing music, and it has been central to the study of composition for many centuries. Whether you are a composer, arranger, film composer, orchestrator, music director, bandleader, or improvising musician, this book will help hone your craft, gain control, and lead you to new creative possibilities. You will learn "tricks of the trade" from the masters and apply these skills to contemporary styles. Online audio examples illustrate the principles being discussed, and many recommended listening lists point you to additional examples of how these principles have been used in music over the past thousand years.

In Counterpoint

In Counterpoint PDF Author: Kristine Suna-Koro
Publisher: Wipf and Stock Publishers
ISBN: 1625647107
Category : Religion
Languages : en
Pages : 319

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Book Description
What does postcoloniality have to do with sacramentality? How do diasporic lives and imaginaries shape the course of postcolonial sacramental theology? Neither postcolonial theorists nor sacramental theologians have hitherto sought to engage in a sustained dialogue with one another. In this trailblazing volume, Kristine Suna-Koro brings postcolonialism, diaspora discourse, and Christian sacramental theology into a mutually critical and constructive transdisciplinary conversation. Dialoguing with thinkers as diverse as Edward Said and Gayatri Spivak as well as Francis D'Sa, S.J., Martin Luther, Mayra Rivera, and John Chryssavgis, the author offers a postcolonial retrieval of sacramentality through a robust theological engagement with the postcolonial notions of hybridity, contrapuntality, planetarity, and Third Space. While exploring the methodological potential of diasporic imaginary in theology, this innovative book advances the notion of sacramental pluriverse and of Christ as its paradigmatic crescendo within the sacramental economy of creation and redemptive transformation. In the context of ecological degradation, In Counterpoint argues that it is vital for the postcolonial sacramental renewal to be rooted in ethics as a uniquely postcolonial fundamental theology.

In Counterpoint

In Counterpoint PDF Author: Kristine Suna-Koro
Publisher: Wipf and Stock Publishers
ISBN: 1532619901
Category : Religion
Languages : en
Pages : 364

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Book Description
What does postcoloniality have to do with sacramentality? How do diasporic lives and imaginaries shape the course of postcolonial sacramental theology? Neither postcolonial theorists nor sacramental theologians have hitherto sought to engage in a sustained dialogue with one another. In this trailblazing volume, Kristine Suna-Koro brings postcolonialism, diaspora discourse, and Christian sacramental theology into a mutually critical and constructive transdisciplinary conversation. Dialoguing with thinkers as diverse as Edward Said and Gayatri Spivak as well as Francis D'Sa, S.J., Martin Luther, Mayra Rivera, and John Chryssavgis, the author offers a postcolonial retrieval of sacramentality through a robust theological engagement with the postcolonial notions of hybridity, contrapuntality, planetarity, and Third Space. While exploring the methodological potential of diasporic imaginary in theology, this innovative book advances the notion of sacramental pluriverse and of Christ as its paradigmatic crescendo within the sacramental economy of creation and redemptive transformation. In the context of ecological degradation, In Counterpoint argues that it is vital for the postcolonial sacramental renewal to be rooted in ethics as a uniquely postcolonial fundamental theology.

Counterpoint

Counterpoint PDF Author: Markand Thakar
Publisher: Yale University Press
ISBN: 9780300046380
Category : Music
Languages : en
Pages : 344

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Book Description
Counterpoint manuals have long been central to the music education of composers, historians, and theorists. In this book a conductor uses counterpoint exercises to aid musicians in becoming sensitive to the fundamental ingredients of good music making.

Counterpoint: A Memoir of Bach and Mourning

Counterpoint: A Memoir of Bach and Mourning PDF Author: Philip Kennicott
Publisher: W. W. Norton & Company
ISBN: 0393635376
Category : Biography & Autobiography
Languages : en
Pages : 256

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Book Description
A Pulitzer Prize–winning critic’s “lyrical and haunting” (Alex Ross, The New Yorker) reflection on the meaning and emotional impact of a Bach masterwork. As his mother was dying, Philip Kennicott began to listen to the music of Bach obsessively. It was the only music that didn’t seem trivial or irrelevant, and it enabled him to both experience her death and remove himself from it. For him, Bach’s music held the elements of both joy and despair, life and its inevitable end. He spent the next five years trying to learn one of the composer’s greatest keyboard masterpieces, the Goldberg Variations. In Counterpoint, he recounts his efforts to rise to the challenge, and to fight through his grief by coming to terms with his memories of a difficult, complicated childhood. He describes the joys of mastering some of the piano pieces, the frustrations that plague his understanding of others, the technical challenges they pose, and the surpassing beauty of the melodies, harmonies, and counterpoint that distinguish them. While exploring Bach’s compositions he sketches a cultural history of playing the piano in the twentieth century. And he raises two questions that become increasingly interrelated, not unlike a contrapuntal passage in one of the variations itself: What does it mean to know a piece of music? What does it mean to know another human being?

Counterpoint in Composition

Counterpoint in Composition PDF Author: Felix Salzer
Publisher: Columbia University Press
ISBN: 023107039X
Category : Composition (Music)
Languages : en
Pages : 504

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Book Description
-- Stanley Persky, City University of New York

Proiciency in Counterpoint

Proiciency in Counterpoint PDF Author:
Publisher: Ardent Media
ISBN:
Category :
Languages : en
Pages : 196

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Book Description


Baroque Counterpoint

Baroque Counterpoint PDF Author: Christoph Neidhofer
Publisher: State University of New York Press
ISBN: 143849324X
Category : Music
Languages : en
Pages : 624

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Book Description
This book teaches Baroque compositional techniques through writing and improvisation exercises and analysis of repertoire examples. It provides readers with a historical outlook by focusing largely on principles taught in treatises from the period 1680–1780. This expanded edition includes new sections with keyboard exercises that provide training in Partimento performance as it was practiced at the time, helping students master Baroque style from the inside. While the focus of the book is on fugue, it also treats chorale preludes, stylized dances, inventions, and trio sonatas. The volume is divided into two parts—basic and advanced— which could be taught in a two-semester sequence. There are various options to introduce material from Part II into Part I for a one-semester course.