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Author: Keith Johnstone
Publisher: Routledge
ISBN: 1136610456
Category : Performing Arts
Languages : en
Pages : 206
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Book Description
Keith Johnstone's involvement with the theatre began when George Devine and Tony Richardson, artistic directors of the Royal Court Theatre, commissioned a play from him. This was in 1956. A few years later he was himself Associate Artistic Director, working as a play-reader and director, in particular helping to run the Writers' Group. The improvisatory techniques and exercises evolved there to foster spontaneity and narrative skills were developed further in the actors' studio then in demonstrations to schools and colleges and ultimately in the founding of a company of performers, called The Theatre Machine. Divided into four sections, 'Status', 'Spontaneity', 'Narrative Skills', and 'Masks and Trance', arranged more or less in the order a group might approach them, the book sets out the specific techniques and exercises which Johnstone has himself found most useful and most stimulating. The result is both an ideas book and a fascinating exploration of the nature of spontaneous creativity.
Author: Keith Johnstone
Publisher: Routledge
ISBN: 1136610456
Category : Performing Arts
Languages : en
Pages : 206
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Book Description
Keith Johnstone's involvement with the theatre began when George Devine and Tony Richardson, artistic directors of the Royal Court Theatre, commissioned a play from him. This was in 1956. A few years later he was himself Associate Artistic Director, working as a play-reader and director, in particular helping to run the Writers' Group. The improvisatory techniques and exercises evolved there to foster spontaneity and narrative skills were developed further in the actors' studio then in demonstrations to schools and colleges and ultimately in the founding of a company of performers, called The Theatre Machine. Divided into four sections, 'Status', 'Spontaneity', 'Narrative Skills', and 'Masks and Trance', arranged more or less in the order a group might approach them, the book sets out the specific techniques and exercises which Johnstone has himself found most useful and most stimulating. The result is both an ideas book and a fascinating exploration of the nature of spontaneous creativity.
Author: Keith Johnstone
Publisher: Routledge
ISBN: 1135863733
Category : Performing Arts
Languages : en
Pages : 527
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Book Description
Impro for Storytellers is the follow-up to Keith Johnstone's classic Impro, one of the best-selling books ever published on improvisation. Impro for Storytellers aims to take jealous and self-obsessed beginners and teach them to play games with good nature and to fail gracefully.
Author: Alexander P. M. van den Bosch
Publisher: Lulu.com
ISBN: 0244645140
Category : Business & Economics
Languages : en
Pages : 42
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Book Description
On he walks on a empty stage. A player comes with. The director calls out.. to the audience.. what have they goin'. The crowd cheers. Now.. the stage is set... they walk off again and
Author: Paul Z. Jackson
Publisher: Gower Publishing, Ltd.
ISBN: 9780566079283
Category : Business & Economics
Languages : en
Pages : 252
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Book Description
This book encourages positive self-development in a non-directive, counselling style. Impro Learning treats creativity as the doorway to success - and provides the keys to unlock it. Drawing on sources as diverse as theatre, accelerated learning, sports, co-operative games and psychology, Paul Z Jackson reveals practical methods for enhancing all aspects of training, from joining instructions and bonding to detailed course design and evaluation. The emphasis throughout is on participation and results, and the text is packed with warm-ups, energizers, team exercises and innovative processes.
Author: Patti Stiles
Publisher:
ISBN: 9780645176506
Category :
Languages : en
Pages :
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Book Description
Improvisation is an art of spontaneity, freedom and impulse. Audiences the world over flock to shows where anything could happen! But lurking at the heart of many companies that perform it is a contradiction, a bait and switch. Students who sign up for classes are taught 'The Rules': the strictly right and wrong way to play make-believe. How the hell did that happen?Patti Stiles is an actor, improvisor, director, teacher and playwright who has worked professionally in theatre since 1983. In Improvise Freely, she turns 'The Rules' of improvising on their head and shows that there is another way. Is it okay to ask questions? Why do we Who? What? Where? And what if it's time to say 'No thanks' to 'Yes And'?
Author: Bertil Sundby
Publisher: John Benjamins Publishing
ISBN: 9027277680
Category : Language Arts & Disciplines
Languages : en
Pages : 498
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Book Description
Eighteenth-century English grammarians plead eloquently for purity, precision and perspicuity, but their method of teaching largely amounts to citing examples of impurity, imprecision and lack of clarity from contemporary writings. This book is the first of its kind to provide a detailed systematic account of such 'errors'. Apart from source and page references, the Dictionary gives the context of the error (I have not wept this forty years), the correct or 'target' form ('these forty years'), the name of the authors quoted by the grammarians ('Addison', 'Swift'), and the labels which sum up their assessment of the error ('absurd', 'solecism'). It operates with error categories such as ambiguity, ellipsis and government (fourteen in all), which are subdivided into grammatically described main entries, subentries, and so on. The Introduction includes a guide to the use of the Dictionary, the grammatical code, and a discussion of grammatical concepts, error typologies, problems of identifying literary sources, attitudes to correctness, grammatical figures, and other topics. A Bibliography and an Index of lexical items and technical terms round off the volume. The way the Dictionary is organized should make it possible to find in it the answer to a wide variety of questions pertaining to grammar, style and linguistic historiography.
Author: Dan Diggles
Publisher: Simon and Schuster
ISBN: 1581159412
Category : Performing Arts
Languages : en
Pages : 230
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Book Description
In this step-by-step guide, an actor and improvisational teacher brings his tested methods to the page to show how actors can take risks and gain spontaneity in all genres of scripted theater. Through 28 lessons—each of which includes warm-ups, points of concentration, and improvisation exercises—Improv for Actors provides insights into thinking and reacting with fluidity, exploring a character’s social status, using the voice and body as effective tools of storytelling, and more. Actors of all levels will soon be able to give a fresh, original approach to classic characters, create funnier performances in farce and comedy, and make dramatic characters richer and more believable.
Author: Pennsylvania Public School Employees' Retirement Board
Publisher:
ISBN:
Category :
Languages : en
Pages : 876
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Book Description
Author: Patricia Ryan Madson
Publisher: Harmony
ISBN: 0307531848
Category : Self-Help
Languages : en
Pages : 162
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Book Description
In an irresistible invitation to lighten up, look around, and live an unscripted life, a master of the art of improvisation explains how to adopt the attitudes and techniques used by generations of musicians and actors. Let’s face it: Life is something we all make up as we go along. No matter how carefully we formulate a “script,” it is bound to change when we interact with people with scripts of their own. Improv Wisdom shows how to apply the maxims of improvisational theater to real-life challenges—whether it’s dealing with a demanding boss, a tired child, or one of life’s never-ending surprises. Patricia Madson distills thirty years of experience into thirteen simple strategies, including “Say Yes,” “Start Anywhere,” “Face the Facts,” and “Make Mistakes, Please,” helping readers to loosen up, think on their feet, and take on everything life has to offer with skill, chutzpah, and a sense of humor.
Author: Mark Jane
Publisher: Routledge
ISBN: 1000415155
Category : Performing Arts
Languages : en
Pages : 587
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Book Description
Creating Improvised Theatre: Tools, Techniques, and Theories for Short Form and Narrative Improvisation is a complete guide to improvised theatre for performers and instructors. This book provides a modern view of improvised theatre based on the rapid evolution of this art form, shedding new light on classic theories as well as developing lesser known and emerging techniques, such as the Trance Mask. Instead of simply referencing classic theories, the book revisits them and places them in the context of contemporary improvisation techniques. Designed as a practical support, this guide contains over 130 exercises that allow its theories to come alive in workshops, rehearsals, and performance. The book is divided into four sections: Nuts and bolts: The fundamental tools of improvisation to explore how to be spontaneously creative, build with your partner, and learn from masks to discover your scene instant by instant. Short form: Techniques for scene work and short form performance, including how to get the most out of a scene, remain connected to the relational stakes, provoke change (physical, status, and emotional), and maintain a playful attitude. Narrative improvisation: Theories to help navigate long form narrative-based shows with "narrative waypoints," generate variety, develop protagonists, work on genres, and manipulate creative transitions. The bits box: Advice for warming-up before a rehearsal or a show with a collection of useful games. Written to inspire creativity and provide the tools to develop innovative improvised shows and experiences, Creating Improvised Theatre is an invaluable source book for anyone interested in the art of improvised theatre, whether a beginning student or experienced performer.
