Author: Simon R. Kelly
Publisher: Other Distribution
ISBN: 9780300196955
Category : Art
Languages : en
Pages : 0
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Book Description
A novel look at the relationship between Impressionist painting and photography and the forging of a national identity in France between 1850 and 1880 Between 1850 and 1880, Impressionist landscape painting and early forms of photography flourished within the arts in France. In the context of massive social and political change that also marked this era, painters and photographers composed competing visions of France as modern and industrialized or as rural and anti-modern. Impressionist France explores the resonances between landscape art and national identity as reflected in the paintings and photographs made during this period, examining and illustrating in particular the works of key artists such as Édouard Baldus, Gustave Le Gray, the Bisson Frères, Édouard Manet, Jean-François Millet, Claude Monet, Charles Nègre, and Camille Pissarro. This ambitious premise focuses on the whole of France, exploring the relationship between landscape art and the notion of French nationhood across the country's varied and spectacular landscapes in seven geographical sections and four scholarly essays, which provide new information regarding the production and impact of French Impressionism. Distributed for the Nelson-Atkins Museum of Art and the Saint Louis Museum of Art Exhibition Schedule: Nelson-Atkins Museum of Art (10/19/13-02/09/14) Saint Louis Art Museum (03/16/14-07/06/14)
Author: Horst Keller
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 286
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Book Description
Author:
Publisher:
ISBN: 9780300084474
Category :
Languages : en
Pages : 240
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Book Description
Author: Allison Deutsch
Publisher: Penn State Press
ISBN: 0271089938
Category : Art
Languages : en
Pages : 412
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Book Description
In Consuming Painting, Allison Deutsch challenges the pervasive view that Impressionism was above all about visual experience. Focusing on the language of food and consumption as they were used by such prominent critics as Baudelaire and Zola, she writes new histories for familiar works by Manet, Monet, Caillebotte, and Pissarro and creates fresh possibilities for experiencing and interpreting them. Examining the culinary metaphors that the most influential critics used to express their attraction or disgust toward painting, Deutsch rethinks French modern-life painting in relation to the visceral reactions that these works evoked in their earliest publics. Writers posed viewing as analogous to ingestion and used comparisons to food to describe the appearance of paint and the painter’s process. The food metaphors they chose were aligned with specific female types, such as red meat for sexualized female flesh, confections for fashionably made-up women, and hearty vegetables for agricultural laborers. These culinary figures of speech, Deutsch argues, provide important insights into both the fabrication of the feminine and the construction of masculinity in nineteenth-century France. Consuming Painting exposes the social politics at stake in the deeply gendered metaphors of sense and sensation. Original and convincing, Consuming Painting upends traditional narratives of the sensory reception of modern painting. This trailblazing book is essential reading for specialists in nineteenth-century art and criticism, gender studies, and modernism.
Author: Norma Broude
Publisher:
ISBN: 9780813530178
Category : Art
Languages : en
Pages : 278
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Book Description
Once neglected, Gustave Caillebotte (1848-1894), a painter associated with the French Impressionists, has become the subject of intense public interest and renewed scholarly debate. With a series of exhibitions showcasing his work, Caillebotte's enigmatic paintings have begun to exert an unexpected fascination for postmodern audiences and have become rich sites for interpretive debate.
Author: Ellen Williams
Publisher: New York Review of Books
ISBN: 9780964126220
Category : Art
Languages : en
Pages : 108
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Book Description
"The Impressionists' Paris" offers readers the chance to step into a scene depicted in a masterpiece. Three walking tours, covering 13 sites, identify the precise locations where Monet, Manet, Renoir, Degas, and Caillebotte set up their easels. Readers are then invited to view the modern city side by side with depictions of the artists' beloved Paris. 20 four-color reproductions. 50+ illustrations.
Author: Ross King
Publisher: Anchor Canada
ISBN: 0307374963
Category : Art
Languages : en
Pages : 690
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Book Description
Another fascinating book by the author of Brunelleschi’s Dome and Michelangelo and the Pope’s Ceiling: a saga of artistic rivalry and cultural upheaval in the decade leading to the birth of Impressionism. If there were two men who were absolutely central to artistic life in France in the second half of the nineteenth century, they were Edouard Manet and Ernest Meissonier. While the former has been labelled the “Father of Impressionism” and is today a household name, the latter has sunk into obscurity. It is difficult now to believe that in 1864, when this story begins, it was Meissonier who was considered the greatest French artist alive and who received astronomical sums for his work, while Manet was derided for his messy paintings of ordinary people and had great difficulty getting any of his work accepted at the all-important annual Paris Salon. Manet and Meissonier were the Mozart and Salieri of their day, one a dangerous challenge to the establishment, the other beloved by rulers and the public alike for his painstakingly meticulous oil paintings of historical subjects. Out of the fascinating story of their parallel careers, Ross King creates a lens through which to view the political tensions that dogged Louis-Napoleon during the Second Empire, his ignominious downfall, and the bloody Paris Commune of 1871. At the same time, King paints a wonderfully detailed and vivid portrait of life in an era of radical social change. When Manet painted Dejeuner sur l’herbe or Olympia, he shocked not only with his casual brushstrokes but with his subject matter: top-hatted white-collar workers (and their mistresses) were not considered suitable subjects for ‘Art.’ Ross King shows how, benign as they might seem today, these paintings changed the course of history. The struggle between Meissonier and Manet to see their paintings achieve pride of place at the Salon was not just about artistic competitiveness, it was about how to see the world. Full of fantastic tidbits of information and a colourful cast of characters that includes Baudelaire, Courbet and Zola, with walk-on parts for Monet, Renoir, Degas and Cezanne, The Judgment of Paris casts new light on the birth of Impressionism and takes us to the heart of a time in which the modern French identity was being forged.
Author: Barnes Foundation
Publisher:
ISBN:
Category : Impressionism (Art)
Languages : en
Pages : 135
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Book Description
Author: John House
Publisher:
ISBN:
Category : France
Languages : en
Pages : 314
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Book Description
Impressions of France traces the development of the French painted landscape from1860 to 1890, a period of dramatic artistic evolution. Taking as his context the Paris Salons - "the central forum for the display of contemporary art in Paris, and the focus for discussions of the state of modern art"--John House explains how the Impressionist landscapes exhibited there both reflected, and forever changed, the cultural tastes of the age.
Author: James A. Ganz
Publisher: Skira
ISBN: 0847835537
Category : Art
Languages : en
Pages : 242
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Book Description
Published on the occasion of a series of exhibitions that will travel throughout North America, Europe, and Asia from Feb. 2011 to Feb. 2014.
