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Author: Coryne Hall
Publisher: The History Press
ISBN: 0752488236
Category : Social Science
Languages : en
Pages : 468
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Book Description
The vivacious Mathilde Kschessinska (1872-1971) was the mistress of three Russian Grand Dukes and the greatest ballerina of her generation. As a young girl, she had enjoyed romantic troika rides, and passionate nights, with the future Tsar Nicholas II. When their relationship ended Mathilde began simultaneous affairs with Nicholas's cousin, Grand Duke Sergei and Grand Duke Andrei Vladimirovich. When her son was born in 1902 nobody knew for certain the identity of the father - except that he was undoubtedly a Romanov. In ballet, she partnered the great Vaslav Nijinsky, became a force to be reckoned with in the Imperial Theatre and, later in life, taught Margot Fonteyn. Mathilde Kschessinska is mentioned in almost every book about the Romanovs but so many myths surround her that she has become the stuff of legend. It is said a hoard of Romanov treasure lies buried under her house in St Petersburg and that a secret passage connected her home to the Winter Palace. Even her own memoirs, published in the 1960s, are as much fantasy as reality. The real story, which this book will reveal, lies in what Mathilde did not say.
Author: Coryne Hall
Publisher: The History Press
ISBN: 0752488236
Category : Social Science
Languages : en
Pages : 468
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Book Description
The vivacious Mathilde Kschessinska (1872-1971) was the mistress of three Russian Grand Dukes and the greatest ballerina of her generation. As a young girl, she had enjoyed romantic troika rides, and passionate nights, with the future Tsar Nicholas II. When their relationship ended Mathilde began simultaneous affairs with Nicholas's cousin, Grand Duke Sergei and Grand Duke Andrei Vladimirovich. When her son was born in 1902 nobody knew for certain the identity of the father - except that he was undoubtedly a Romanov. In ballet, she partnered the great Vaslav Nijinsky, became a force to be reckoned with in the Imperial Theatre and, later in life, taught Margot Fonteyn. Mathilde Kschessinska is mentioned in almost every book about the Romanovs but so many myths surround her that she has become the stuff of legend. It is said a hoard of Romanov treasure lies buried under her house in St Petersburg and that a secret passage connected her home to the Winter Palace. Even her own memoirs, published in the 1960s, are as much fantasy as reality. The real story, which this book will reveal, lies in what Mathilde did not say.
Author:
Publisher:
ISBN:
Category : Australian literature
Languages : en
Pages : 916
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Book Description
Author: Coryne Hall
Publisher: The History Press
ISBN: 0752488236
Category : Biography & Autobiography
Languages : en
Pages : 477
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Book Description
Mathilde Kschessinska (1872-1971) was the mistress of three Russian Grand Dukes and the greatest ballerina of her generation. She is in almost every book about the Romanovs, but so many myths surround her that she has become the stuff of legend. After her own memoirs, this title aims to reveal the real story by looking at what she did not say.
Author: Judith Mackrell
Publisher: Hachette UK
ISBN: 1780227086
Category : Biography & Autobiography
Languages : en
Pages : 331
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Book Description
'Mackrell's enthralling biography restores Lydia Lopokova to her rightful position centre-stage' DAILY MAIL 'Superb ... Mackrell, with her insider's knowledge of ballet and theatre, lovingly recreates Lydia's many worlds' GAY & LESBIAN REVIEW 'A hugely entertaining and informative study of the Ballets Russes star' SPECTATOR Born in 1891 in St Petersburg, Lydia Lopokova lived a long and remarkable life. Her vivacious personality and the sheer force of her charm propelled her to the top of Diaghilev's Ballet Russes. Through a combination of luck, determination and talent, Lydia became a star in Paris, a vaudeville favourite in America, the toast of Britain and then married the world-renowned economist, and formerly homosexual, John Maynard Keynes. Lydia's story links ballet and the Bloomsbury group, war, revolution and the economic policies of the super-powers. She was an immensely captivating, eccentric and irreverent personality: a bolter, a true bohemian and, eventually, an utterly devoted wife.
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 636
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Book Description
Author: Jane Gall Spooner
Publisher: Troubador Publishing Ltd
ISBN: 180313402X
Category : History
Languages : en
Pages : 304
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Book Description
This book explores the relationships between dancers and their teachers, and classical ballet pedagogy through the life of Maria Zybina. It was inspired by the author’s direct connection through Zybina and her teachers.
Author: Leng YueHanXue
Publisher: Funstory
ISBN: 1636890032
Category : Fiction
Languages : en
Pages : 1578
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Book Description
The dancer went through several lifetimes of reincarnation, looking for the experience of true love. Among all living things, everyone wished to remember their past and present lives, but who could understand the pain within?
Author: Rishona Zimring
Publisher: Routledge
ISBN: 1351899597
Category : Literary Criticism
Languages : en
Pages : 370
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Book Description
Social dance was ubiquitous in interwar Britain. The social mingling and expression made possible through non-theatrical participatory dancing in couples and groups inspired heated commentary, both vociferous and subtle. By drawing attention to the ways social dance accrued meaning in interwar Britain, Rishona Zimring redefines and brings needed attention to a phenomenon that has been overshadowed by other developments in the history of dance. Social dance, Zimring argues, haunted the interwar imagination, as illustrated in trends such as folk revivalism and the rise of therapeutic dance education. She brings to light the powerful figurative importance of popular music and dance both in the aftermath of war, and during Britain’s entrance into cosmopolitan modernity and the modernization of gender relations. Analyzing paintings, films, memoirs, a ballet production, and archival documents, in addition to writings by Virginia Woolf, D.H. Lawrence, Katherine Mansfield, Vivienne Eliot, and T.S. Eliot, to name just a few, Zimring provides crucial insights into the experience, observation, and representation of social dance during a time of cultural transition and recuperation. Social dance was pivotal in the construction of modern British society as well as the aesthetics of some of the period’s most prominent intellectuals.
Author: Tina Sutton
Publisher: Simon and Schuster
ISBN: 1639361065
Category : Performing Arts
Languages : en
Pages : 725
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Book Description
In pre-World War I England, a frail Jewish girl is diagnosed with flat feet, knock knees, and weak legs. In short order, Lilian Alicia Marks would become a dance prodigy, the cherished baby ballerina of Sergei Diaghilev, and the youngest ever soloist at his famed Ballets Russes. It was there that George Balanchine choreographed his first ballet for her, Henri Matisse designed her costumes, and Igor Stravinsky taught her music—all when the re-christened Alicia Markova was just 14. Given unprecedented access to Dame Markova’s intimate journals and correspondence, Tina Sutton paints a full picture of the dancer’s astonishing life and times in 1920s Paris and Monte Carlo, 1930s London, and wartime in New York and Hollywood. Ballet lovers and readers everywhere will be fascinated by the story of one of the twentieth century’s great artists.
Author: Robert Ignatius Letellier
Publisher: Cambridge Scholars Publishing
ISBN: 1443800805
Category : Music
Languages : en
Pages : 275
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Book Description
The composer Ludwig Minkus represents one of music’s biggest mysteries. Who was he? Hardly anything is known about him, and yet he occupied an influential position in the theatres of the Imperial ballet in late nineteenth-century Russia. He has been recognised as a predecessor of Tchaikovsky, but as a musician is commonly held to have been so feeble as to be beneath contempt. Yet despite the scorn heaped on him, and his consequent obscurity, Minkus is far from being forgotten. Since the early 1960s his name has slowly begun to re-surface. Two works, Don Quixote (1869) and La Bayadère (1877), have been presented in their entirety for the first time to new audiences all over the world. The musical and dramatic power of both ballets has taken people by surprise. The stories have a very real human appeal, the choreography attracts the admiration of balletomanes, and the music, with its rhythm, verve, and beauty of melody, holds attention and engages the heart wherever it is heard. This introduction seeks to discover something more behind the blank façade of Minkus’s life and work. What do we actually know about him as a man and as an artist? Are we able to apprehend his oeuvre as a whole, and how much can we establish from the available material? What is the nature of the music he created for those few works that have survived the years, and that have come to the fore again recently to delight those who have ears to hear? This study includes iconography from the life and times of the composer, many musical examples from his works, and a comprehensive bibliography and discography.
