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Author: Diogo Ramada Curto
Publisher: Berghahn Books
ISBN: 178920707X
Category : History
Languages : en
Pages : 514
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Book Description
Beyond the immeasurable political and economic changes it brought, colonial expansion exerted a powerful effect on Portuguese culture. And as this book demonstrates, the imperial culture that emerged over the course of four centuries was hardly a homogeneous whole, as triumphalist literature and other cultural forms mingled with recurrent doubts about the expansionist project. In a series of illuminating case studies, Ramada Curto follows the history and perception of major colonial initiatives while integrating the complex perspectives of participating agents to show how the empire’s life and culture were richly inflected by the operations of imperial expansion.
Author: Diogo Ramada Curto
Publisher: Berghahn Books
ISBN: 178920707X
Category : History
Languages : en
Pages : 514
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Book Description
Beyond the immeasurable political and economic changes it brought, colonial expansion exerted a powerful effect on Portuguese culture. And as this book demonstrates, the imperial culture that emerged over the course of four centuries was hardly a homogeneous whole, as triumphalist literature and other cultural forms mingled with recurrent doubts about the expansionist project. In a series of illuminating case studies, Ramada Curto follows the history and perception of major colonial initiatives while integrating the complex perspectives of participating agents to show how the empire’s life and culture were richly inflected by the operations of imperial expansion.
Author: Caroline Ritter
Publisher: University of California Press
ISBN: 0520375947
Category : History
Languages : en
Pages : 276
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Book Description
In the 1930s, British colonial officials introduced drama performances, broadcasting services, and publication bureaus into Africa under the rubric of colonial development. They used theater, radio, and mass-produced books to spread British values and the English language across the continent. This project proved remarkably resilient: well after the end of Britain’s imperial rule, many of its cultural institutions remained in place. Through the 1960s and 1970s, African audiences continued to attend Shakespeare performances and listen to the BBC, while African governments adopted English-language textbooks produced by metropolitan publishing houses. Imperial Encore traces British drama, broadcasting, and publishing in Africa between the 1930s and the 1980s—the half century spanning the end of British colonial rule and the outset of African national rule. Caroline Ritter shows how three major cultural institutions—the British Council, the BBC, and Oxford University Press—integrated their work with British imperial aims, and continued this project well after the end of formal British rule. Tracing these institutions and the media they produced through the tumultuous period of decolonization and its aftermath, Ritter offers the first account of the global footprint of British cultural imperialism.
Author: Frederick Cooper
Publisher: Univ of California Press
ISBN: 9780520206052
Category : History
Languages : en
Pages : 488
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Book Description
"Carrying the inquiry into zones previous itineraries have typically avoided—the creation of races, sexual relations, invention of tradition, and regional rulers' strategies for dealing with the conquerors—the book brings out features of European expansion and contraction we have not seen well before."—Charles Tilly, The New School for Social Research "What is important about this book is its commitment to shaping theory through the careful interpretation of grounded, empirically-based historical and ethnographic studies. . . . By far the best collection I have seen on the subject."—Sherry B. Ortner, Columbia University
Author: Travis Workman
Publisher: Univ of California Press
ISBN: 0520289595
Category : History
Languages : en
Pages : 321
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Book Description
A free ebook version of this title is available through Luminos, University of California Press’s open access publishing program for monographs. Visit www.luminosoa.org to learn more. Imperial Genus begins with the turn to world culture and ideas of the generally human in Japan’s cultural policy in Korea in 1919. How were concepts of the human’s genus-being operative in the discourses of the Japanese empire? How did they inform the imagination and representation of modernity in colonial Korea? Travis Workman delves into these questions through texts in philosophy, literature, and social science. Imperial Genus focuses on how notions of human generality mediated uncertainty between the transcendental and the empirical, the universal and the particular, and empire and colony. It shows how cosmopolitan cultural principles, the proletarian arts, and Pan-Asian imperial nationalism converged with practices of colonial governmentality. It is a genealogy of the various articulations of the human’s genus-being within modern humanist thinking in East Asia, as well as an exploration of the limits of the human as both concept and historical figure.
Author: Pascal Blanchard
Publisher: Indiana University Press
ISBN: 0253010535
Category : History
Languages : en
Pages : 644
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Book Description
This landmark collection by an international group of scholars and public intellectuals represents a major reassessment of French colonial culture and how it continues to inform thinking about history, memory, and identity. This reexamination of French colonial culture, provides the basis for a revised understanding of its cultural, political, and social legacy and its lasting impact on postcolonial immigration, the treatment of ethnic minorities, and national identity.
Author: Radhika Mohanram
Publisher: U of Minnesota Press
ISBN: 1452913358
Category :
Languages : en
Pages : 241
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Book Description
Radhika Mohanram shows not just how British imperial culture shaped the colonies, but how the imperial rule of colonies shifted—and gave new meanings to—what it meant to be British. Imperial White looks at literary, social, and cultural texts on the racialization of the British body and investigates British whiteness in the colonies to address such questions as: How was the whiteness in Britishness constructed by the presence of Empire? How was whiteness incorporated into the idea of masculinity? Does heterosexuality have a color? And does domestic race differ from colonial race? In addition to these inquiries on the issues of race, class, and sexuality, Mohanram effectively applies the methods of whiteness studies to British imperial material culture to critically racialize the relationship between the metropole and the peripheral colonies. Considering whether whiteness, like theory, can travel, Mohanram also provides a new perspective on white diaspora, a phenomenon of the nineteenth century that has been largely absent in diaspora studies, ultimately rereading—and rethinking—British imperial whiteness. Radhika Mohanram teaches postcolonial cultural studies in the School of English, Communication and Philosophy at Cardiff University, Wales. She is the author of Black Body: Women, Colonialism, Space (Minnesota, 1999) and edits the journal Social Semiotics.
Author: Beth Fowkes Tobin
Publisher: Duke University Press
ISBN: 9780822323389
Category : Art
Languages : en
Pages : 324
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Book Description
An interdisciplinary study of visual representations of British colonial power in the eighteenth century.
Author: Rebecca Peabody
Publisher: Getty Publications
ISBN: 1606066684
Category : Art
Languages : en
Pages : 202
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Book Description
An exploration of how an official French visual culture normalized France’s colonial project and exposed citizens and subjects to racialized ideas of life in the empire. By the end of World War I, having fortified its colonial holdings in the Caribbean, Latin America, Africa, the Indian Ocean, and Asia, France had expanded its dominion to the four corners of the earth. This volume examines how an official French visual culture normalized the country’s colonial project and exposed citizens and subjects alike to racialized ideas of life in the empire. Essays analyze aspects of colonialism through investigations into the art, popular literature, material culture, film, and exhibitions that represented, celebrated, or were created for France’s colonies across the seas. These studies draw from the rich documents and media—photographs, albums, postcards, maps, posters, advertisements, and children’s games—related to the nineteenth- and twentieth-century French empire that are held in the Getty Research Institute’s Association Connaissance de l’histoire de l’Afrique contemporaine (ACHAC) collections. ACHAC is a consortium of scholars and researchers devoted to exploring and promoting discussions of race, iconography, and the colonial and postcolonial periods of Africa and Europe.
Author: Ann Laura Stoler
Publisher: Univ of California Press
ISBN: 9780520231115
Category : History
Languages : en
Pages : 356
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Book Description
Looking at the way cultural competencies and sensibilities entered into the construction of race in the colonial context, this text proposes that 'cultural racism' in fact predates its postmodern discovery.
Author: Danielle C. Skeehan
Publisher: Johns Hopkins University Press
ISBN: 1421439689
Category : History
Languages : en
Pages : 201
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Book Description
Revealing the entangled lives of texts and textiles in the early modern Atlantic world. "Textiles are the books that the colony was not able to burn."—Asociación Femenina para el Desarrollo de Sacatepéquez (AFEDES) A history of the book in the Americas, across deep time, would reveal the origins of a literary tradition woven rather than written. It is in what Danielle Skeehan calls material texts that a people's history and culture is preserved, in their embroidery, their needlework, and their woven cloth. In defining textiles as a form of cultural writing, The Fabric of Empire challenges long-held ideas about authorship, textuality, and the making of books. It is impossible to separate text from textiles in the early modern Atlantic: novels, newspapers, broadsides, and pamphlets were printed on paper made from household rags. Yet the untethering of text from textile served a colonial agenda to define authorship as reflected in ink and paper and the pen as an instrument wielded by learned men and women. Skeehan explains that the colonial definition of the book, and what constituted writing and authorship, left colonial regimes blind to nonalphabetic forms of media that preserved cultural knowledge, history, and lived experience. This book shifts how we look at cultural objects such as books and fabric and provides a material and literary history of resistance among the globally dispossessed. Each chapter examines the manufacture and global circulation of a particular type of cloth alongside the complex print networks that ensured the circulation of these textiles, promoted their production, petitioned for or served to curtail the rights of textile workers, facilitated the exchange of textiles for human lives, and were, in turn, printed and written on surfaces manufactured from broken-down linen and cotton fibers. Bringing together methods and materials traditionally belonging to literary studies, book history, and material culture studies, The Fabric of Empire provides a new model for thinking about the different media, languages, literacies, and textualities in the early Atlantic world.
