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Author: Douglas Sirk
Publisher: Rutgers University Press
ISBN: 9780813516455
Category : Performing Arts
Languages : en
Pages : 364
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Book Description
Douglas Sirk (Claus Detler Sierck) was born in Hamburg, Germany, in 1900. He made nine films before fleeing Nazi Germany, eventually coming to America. His best-known films, made during the 1950s--all of them melodramas--were Magnificent Obsession, All That Heaven Allows, The Tarnished Angels, Written on the Wind, and Imitation of Life (made in 1958, released in 1959). This volume includes the complete continuity script of the film, critical commentary and published reviews, interviews with the director, and a filmography and bibliography. It also includes an excellent introduction by Lucy Fischer.
Author: Douglas Sirk
Publisher: Rutgers University Press
ISBN: 9780813516455
Category : Performing Arts
Languages : en
Pages : 364
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Book Description
Douglas Sirk (Claus Detler Sierck) was born in Hamburg, Germany, in 1900. He made nine films before fleeing Nazi Germany, eventually coming to America. His best-known films, made during the 1950s--all of them melodramas--were Magnificent Obsession, All That Heaven Allows, The Tarnished Angels, Written on the Wind, and Imitation of Life (made in 1958, released in 1959). This volume includes the complete continuity script of the film, critical commentary and published reviews, interviews with the director, and a filmography and bibliography. It also includes an excellent introduction by Lucy Fischer.
Author: Marcia Landy
Publisher: Wayne State University Press
ISBN: 9780814320655
Category : Performing Arts
Languages : en
Pages : 624
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Book Description
On melodrama.
Author: Fannie Hurst
Publisher: Duke University Press
ISBN: 9780822333241
Category : Fiction
Languages : en
Pages : 352
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Book Description
A reprint of the 1933 classic novel, the basis for two film versions, with a new introduciton.
Author: Louise McReynolds
Publisher: Duke University Press
ISBN: 9780822327905
Category : Drama
Languages : en
Pages : 358
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Book Description
DIVUses the under-studied genre of melodrama as a critical prism for understanding Russian/Soviet history, politics and culture--in particular, the uses to which popular culture was put in the Soviet period./div
Author: Eli Diamond
Publisher: Northwestern University Press
ISBN: 081013070X
Category : Philosophy
Languages : en
Pages : 444
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Book Description
In Mortal Imitations of Divine Life, Diamond offers an interpretation of De Anima, which explains how and why Aristotle places souls in a hierarchy of value. Aristotle’s central intention in De Anima is to discover the nature and essence of soul—the principle of living beings. He does so by identifying the common structures underlying every living activity, whether it be eating, perceiving, thinking, or moving through space. As Diamond demonstrates through close readings of De Anima, the nature of the soul is most clearly seen in its divine life, while the embodied soul’s other activities are progressively clear approximations of this principle. This interpretation shows how Aristotle’s psychology and biology cannot be properly understood apart from his theological conception of God as life, and offers a new explanation of De Anima’s unity of purpose and structure.
Author: Thomas A. Kempis
Publisher: Harper Collins
ISBN: 0060634006
Category : Religion
Languages : en
Pages : 346
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Book Description
The Imitation of Christ is the work of at least three men: Gerard Groote, Florent Radewijns, and Thomas a Kempis. The first two were founders of the Brethren of the Common Life, a lay religious society that flourished in the Netherlands from the fourteenth to the sixteenth century. Working on their manuscripts, first as a compiler and editor and then as a coauthor, was Kempis. So successful were Kempis's efforts that the work became the golden treasury not only of their community but also of the contemporary spirituality movement known as the Modern Devotion. Its prescriptions might very well be known as the Perennial Devotion for its continual appeal through the centuries. In its fifteenth century Latin original the Imitation was not a silken cord of consecutive prose. Rather it was a series of scratchings, the sort that a spiritual director would note down in preparation for sermons and addresses. What wasn't always in the original was exactly how Kempis developed each topic sentence or wisdom quotation as he delivered it. In this new rendition William Griffin recovers the original experience of listening to Kempis as he taught and preached to his spiritual charges. Using a variety of literary and historical means, Griffin enhances the original, making the insights of this seminal exposition of Christian life more accessible.
Author: Tom Ryan
Publisher: Univ. Press of Mississippi
ISBN: 1496822382
Category : Performing Arts
Languages : en
Pages : 302
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Book Description
Best known for powerful 1950s melodramas like All That Heaven Allows, Written on the Wind, The Tarnished Angels, and Imitation of Life, Douglas Sirk (1897–1987) brought to all his work a distinctive style that led to his reputation as one of twentieth-century film’s great directors. Sirk worked in Europe during the 1930s, mainly for Germany’s UFA studios, and then in America in the 1940s and ’50s. The Films of Douglas Sirk: Exquisite Ironies and Magnificent Obsessions provides an overview of his entire career, including Sirk’s work on musicals, comedies, thrillers, war movies, and westerns. One of the great ironists of the cinema, Sirk believed rules were there to be broken. Whether defying the decrees of Nazi authorities trying to turn film into propaganda or arguing with studios that insisted characters’ problems should always be solved and that endings should always restore order, what Sirk called “emergency exits” for audiences, Sirk always fought for his vision. Offering fresh insights into all of the director’s films and situating them in the culture of their times, critic Tom Ryan also incorporates extensive interview material drawn from a variety of sources, including his own conversations with the director. Furthermore, his enlightening study undertakes a detailed reconsideration of the generally overlooked novels and plays that served as sources for Sirk’s films, as well as providing a critical survey of previous Sirk commentary, from the time of the director’s “rediscovery” in the late 1960s up to the present day.
Author: Philipp Kaiser
Publisher: Prestel
ISBN: 9783791355566
Category : Clowns
Languages : en
Pages : 0
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Book Description
"The first career survey to explore the full range of the artist's [Cindy Sherman's] photographic series through the critical lens of cinema. Featuring more than 130 illustrations, ... it explores the artist's use of cinematic artifice across almost 40 years of work." --back cover.
Author: Marcia Landy
Publisher: U of Minnesota Press
ISBN: 0816628254
Category : Performing Arts
Languages : en
Pages : 314
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Book Description
Cinematic Uses of the Past was first published in 1996. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions. From the first, cinema has sustained a romance with the past. The nature of this attachment, and what it reveals about our culture, is the subject of Marcia Landy's book. Cinematic Uses of the Past looks at British, American, Italian, and African films for what they can tell us about popular history and our cultural investment in certain images of the past. Landy peruses six different moments in the history of cinema, employing the theories of Nietzsche and Gramsci. Her reading of these films explores their investments in history and memory in relation to ideas of nation, sexuality, gender, and race. Among the films she discusses are A Fistful of Dynamite, The Scarlet Empress, Dance with a Stranger, Holocaust, Schindler's List, Le camp de Thiaroye, Guelwaar, The Leopard, and Veronika Voss. A thoroughly compelling reading of these emblematic films, Cinematic Uses of the Past is also a revealing interpretation of popular history, exposing the fragmentary, tentative, and invested nature of cultural memory. Marcia Landy is professor of literature and film studies at the University of Pittsburgh. She is the author of several books, including Film, Politics, and Gramsci (Minnesota, 1995).
Author: Abe C. Ravitz
Publisher: SIU Press
ISBN: 0809386631
Category : Literary Criticism
Languages : en
Pages : 217
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Book Description
In the early 1920s, Fannie Hurst’s enormous popularity made her the highest-paid writer in America. She conquered the literary scene at the same time the silent movie industry began to emerge as a tremendously profitable and popular form of entertainment. Abe C. Ravitz parallels Hurst’s growing acclaim with the evolution of silent films, from which she borrowed ideas and techniques that furthered her career. Ravitz notes that Hurst was amazingly adept at anticipating what the public wanted. Sensing that the national interest was shifting from rural to urban subjects, Hurst set her immigrant tales and her "woiking goil" tales in urban America. In her early stories, she tried to bridge the gap between Old World and New World citizens, each somewhat fearful and suspicious of the other. She wrote of love and ethnicity—bringing the Jewish Mother to prominence—of race relations and prejudice, of the woman alone in her quest for selfhood. Ravitz argues, in fact, that her socially oriented tales and her portraits of women in the city clearly identify her as a forerunner of contemporary feminism. Ravitz brings to life the popular culture from 1910 through the 1920s, tracing the meteoric rise of Hurst and depicting the colorful cast of characters surrounding her. He reproduces for the first time the Hurst correspondence with Theodore Dreiser, Charles and Kathleen Norris, and Gertrude Atherton. Fellow writers Rex Beach and Vachel Lindsay also play important roles in Ravitz’s portrait of Hurst, as does Zora Neale Hurston, who awakened Hurst’s interest in the Harlem Renaissance and in race relations, as shown in Hurst’s novel Imitation of Life.
