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Author: Diana Nawi
Publisher:
ISBN: 9780692479155
Category :
Languages : en
Pages :
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Book Description
Author: Diana Nawi
Publisher:
ISBN: 9780692479155
Category :
Languages : en
Pages :
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Book Description
Author: Gwen Allen
Publisher: MIT Press
ISBN: 0262015196
Category : Art
Languages : en
Pages : 377
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Book Description
How artists' magazines, in all their ephemerality, materiality, and temporary intensity, challenged mainstream art criticism and the gallery system.
Author: Jane Panetta
Publisher: Yale University Press
ISBN: 0300242751
Category : Art
Languages : en
Pages : 321
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Book Description
Showcasing the work of an exciting group of contemporary artists, this book reflects the trends shaping art in the United States today.
Author: Aram Moshayedi
Publisher: Prestel
ISBN:
Category : Art
Languages : en
Pages : 280
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Book Description
"Exhibition catalogue, Hammer Museum, Los Angeles, January 28-May 6, 2018"--
Author: Mai Abu ElDahab
Publisher: Sternberg Press
ISBN: 9783956793288
Category : Art
Languages : en
Pages : 0
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Book Description
An important collection of interviews with contemporary artists, musicians and writers in dialogue with Beirut and Cairo today, These Are the Tools of the Present is not an overview of the art scenes in these cities, but a picture of how artists think about being active in the contexts of these two cities. It offers insight into the circumstances that structure their stories, and the often-accidental influences that shaped the development of their practices. Published on the occasion of Meeting Points 8, Both Sides of the Curtain, a biannual international multidisciplinary arts event taking the Arab world as a starting point to pose questions about art. Contributions by Lawrence Abu Hamdan, Haig Aivazian, Mounira Al Solh, Doa Aly, Andeel, Mirene Arsanios, Malak Helmy, Iman Issa, Mahmoud Khaled, Maurice Louca, Jasmina Metwaly, Joe Namy, Nile Sunset Annex, November Paynter, Roy Samaha, Sharif Sehnaoui, Rania Stephan, Christophe Wavelet and Lauren Wetmore.
Author: Donald Judd
Publisher: Judd Foundation/David Zwirner Books
ISBN: 164423016X
Category : Art
Languages : en
Pages : 1025
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Book Description
Donald Judd Interviews presents sixty interviews with the artist over the course of four decades, and is the first compilation of its kind. It is the companion volume to the critically acclaimed and bestselling Donald Judd Writings. This collection of interviews engages a diverse range of topics, from philosophy and politics to Judd’s insightful critiques of his own work and the work of others such as Mark di Suvero, Edward Hopper, Yayoi Kusama, Barnett Newman, and Jackson Pollock. The opening discussion of the volume between Judd, Dan Flavin, and Frank Stella provides the foundation for many of the succeeding conversations, focusing on the nature and material conditions of the new art developing in the 1960s. The publication also gathers a substantial body of unpublished material across a range of mediums including extensive interviews with art historians Lucy R. Lippard and Barbara Rose. Judd’s contributions in interviews, panels, and extemporaneous conversations are marked by his forthright manner and rigorous thinking, whether in dialogue with art critics, art historians, or his contemporaries. In one of the last interviews, he observed, “Generally expensive art is in expensive, chic circumstances; it’s a falsification. The society is basically not interested in art. And most people who are artists do that because they like the work; they like to do that [make art]. Art has an integrity of its own and a purpose of its own, and it’s not to serve the society. That’s been tried now, in the Soviet Union and lots of places, and it doesn’t work. The only role I can think of, in a very general way, for the artist is that they tend to shake up the society a little bit just by their existence, in which case it helps undermine the general political stagnation and, perhaps by providing a little freedom, supports science, which requires freedom. If the artist isn’t free, you won’t have any art.” Donald Judd Interviews is co-published by Judd Foundation and David Zwirner Books. The interviews expand upon the artist’s thinking present in Donald Judd Writings (Judd Foundation/David Zwirner Books, 2016).
Author: Anselm Franke
Publisher: National Geographic Books
ISBN: 3956795083
Category : Art
Languages : en
Pages : 0
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Book Description
An examination of the use of modernism in the twentieth-century battle for US hegemony, through the activities of the CIA-funded Congress for Cultural Freedom. Parapolitics confronts the contemporary fate of intellectual autonomy and artistic freedom by revisiting the use of modernism in the twentieth-century battle for US hegemony. It builds on a major exhibition at Haus der Kulturen der Welt (2017–18) that took as its starting point the Congress for Cultural Freedom (CCF)—an organization covertly funded by the Central Intelligence Agency in order to steer the Left away from its remaining commitment to communism. Paying particular attention to CCF activities in the non-European world during a period of decolonization and the Civil Rights Movement, Parapolitics assembles archival documentation from five continents alongside a selection of historical artworks to explore the context in which artists negotiated the framing and meaning of their work. A rich reference book for future researchers and everybody interested in the legacy of modernism, the publication also presents more than thirty newly commissioned contributions by contemporary artists and scholars.
Author: Jasper Johns
Publisher:
ISBN: 9781944929176
Category : Art
Languages : en
Pages : 96
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Book Description
Catalog for the exhibition "Jasper Johns: 'Something Resembling Truth'" at Royal Academy of Arts, London, 23 September-10 December 2017, and The Broad, Los Angeles, 10 February-13 May 2018.
Author:
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 92
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Book Description
This New York based artists uses photography, film, video, sound, and performance in her multi-faceted work.
Author: Tom Holert
Publisher: National Geographic Books
ISBN: 3943365972
Category : Art
Languages : en
Pages : 0
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Book Description
An examination of contemporary art's recent emphasis on “research” and “knowledge production,” and its claims to provide a novel access to “knowledge.” Questioning the role and function of contemporary art in economic and political systems that increasingly manage data and affect, Knowledge Beside Itself delves into the peculiar emphasis placed in recent years, curatorially and institutionally, on such notions as “research” and “knowledge production.” Contemporary art is viewed here as a strategic bet on the social distinctions and value extractions made possible by claiming a different, novel access to “knowledge.” Contemporary art's various liaisons with the humanities and the social and natural sciences, as well as its practitioners' frequent embeddedness within transdisciplinary research environments and educational settings, have created a sense of epistemo-aesthetic departure, which concurs with the growing relevance of art as conduit or catalyst of knowledge. Discussing the practice of artists such as Christine Borland, Bureau d'études, Tony Chakar, Lina Dokuzović, Fernando García-Dory, Natascha Sadr Haghighian, Adelita Husni-Bey, Jakob Jakobsen, Claire Pentecost, and Pilvi Takala, writer and curator Tom Holert submits the gambit of conceptualizing contemporary art as an agent of epistemic politics to a genealogical analysis of its political-economic underpinnings—in times of cognitive capitalism, machine learning, and a renewed urgency of epistemological disobedience.
