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Author: Fabian Dorsch
Publisher: Walter de Gruyter
ISBN: 3110325969
Category : Philosophy
Languages : en
Pages : 501
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Book Description
In this highly ambitious, wide ranging, immensely impressive and ground-breaking work Fabian Dorsch surveys just about every account of the imagination that has ever been proposed. He identifies five central types of imagining that any unifying theory must accommodate and sets himself the task of determining whether any theory of what imagining consists in covers these five paradigms. Focussing on what he takes to be the three main theories, and giving them each equal consideration, he faults the first two and embraces the third. The scholarship is immaculate, the writing crystal clear and the argumentation always powerful. Malcolm Budd, FBA, Emeritus Grote Professor of the Philosophy of Mind and Logic, University College London Excerpt Open publication
Author: Fabian Dorsch
Publisher: Walter de Gruyter
ISBN: 3110325969
Category : Philosophy
Languages : en
Pages : 501
Get Book Here
Book Description
In this highly ambitious, wide ranging, immensely impressive and ground-breaking work Fabian Dorsch surveys just about every account of the imagination that has ever been proposed. He identifies five central types of imagining that any unifying theory must accommodate and sets himself the task of determining whether any theory of what imagining consists in covers these five paradigms. Focussing on what he takes to be the three main theories, and giving them each equal consideration, he faults the first two and embraces the third. The scholarship is immaculate, the writing crystal clear and the argumentation always powerful. Malcolm Budd, FBA, Emeritus Grote Professor of the Philosophy of Mind and Logic, University College London Excerpt Open publication
Author: Robert Hopkins
Publisher: Oxford University Press
ISBN: 0198896182
Category : Philosophy
Languages : en
Pages : 288
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Book Description
What is sensory imagining and what role does it play in our lives? How does visualizing a castle, running through a tune in one's head, or imagining the taste of fish ice cream relate to perceiving such things, or to remembering them? What are the connections between imagining and agency, and how does it relate to emotion and other affect? The Profile of Imagining offers a theory that answers these and many other questions. It argues that sensory imagining involves the redeployment of resources central to perception, though in a radically different context and to very different effect. The result is a view that explains central features of imagining's phenomenology and functional role, including its capacity to capture what it would be like to perceive its objects, while acknowledging the many and striking differences between imagining and sensing. Hopkins shows how the view can be extended to imagining in other forms, especially the imagining of affect; and uses it to argue for some surprising conclusions: that imagining something is not a way to engage with its aesthetic character; and that imagining provokes real feeling much less often than is usually assumed.
Author: Peter Langland-Hassan
Publisher: Oxford University Press
ISBN: 0198815069
Category : Philosophy
Languages : en
Pages : 337
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Book Description
This is an open access title available under the terms of a CC BY-NC-ND 4.0 International licence. It is free to read at Oxford Scholarship Online and offered as a free PDF download from OUP and selected open access locations. Imagination will remain a mystery--we will not be able to explain imagination--until we can break it into parts we already understand. Explaining Imagination is a guidebook for doing just that, where the parts are other ordinary mental states like beliefs, desires, judgments, and decisions. In different combinations and contexts, these states constitute cases of imagining. This reductive approach to imagination is at direct odds with the current orthodoxy, according to which imagination is a sui generis mental state or process--one with its own inscrutable principles of operation. Explaining Imagination upends that view, showing how, on closer inspection, the imaginings at work in hypothetical reasoning, pretense, the enjoyment of fiction, and creativity are reducible to other familiar mental states--judgments, beliefs, desires, and decisions among them. Crisscrossing contemporary philosophy of mind, cognitive science, and aesthetics, Explaining Imagination argues that a clearer understanding of imagination is already well within reach.
Author: Brian O'Shaughnessy
Publisher: Oxford University Press
ISBN: 9780199256723
Category : Philosophy
Languages : en
Pages : 724
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Book Description
Brian O'Shaughnessy presents a theory of consciousness, one of the most fascinating but puzzling aspects of human existence. He investigates what consciousness is and how it engages, through perception, with the world.
Author: Jonathan Gilmore
Publisher:
ISBN: 0190096349
Category : Philosophy
Languages : en
Pages : 273
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Book Description
Apt Imaginings addresses the question of how our emotions and desires for the contents of fictions, fantasies, and other products of the imagination relate to the feelings we have about things in the real world. A contribution to the theory of the emotions, the philosophy of fiction, and the psychology of art, this book argues that the normative criteria that determine the fit, morality, or rationality of our feelings for what we believe are distinct from those criteria that apply to what we imagine.
Author: Fritz Leiber
Publisher: Open Road Media
ISBN: 1497616670
Category : Fiction
Languages : en
Pages : 341
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Book Description
A collection of fifteen tales of horror by the award-winning Grand Master of Science Fiction and Fantasy and author of the Lankhmar series. In Horrible Imaginings, buckle up for a disturbing ride. Meet a mysterious woman in black, a gun with a score to settle, a man who seeks eternal life, a peculiar painting of a dead woman, and more . . . Assembled from magazine submissions, fanzines, and even “lost” manuscripts discovered among the author’s personal papers, this book features two Nebula Award finalists: “Horrible Imaginings” and “Answering Service,” as well as the stories “The Automatic Pistol,” “Crazy Annaoj,” “The Hound,” “Alice and the Allergy,” “Skinny’s Wonderful,” “Scream Wolf,” “Mysterious Doings in the Metropolitan Museum,” “When Brahma Wakes,” “The Glove,” “The Girl With the Hungry Eyes,” “While Set Fled,” “Diary in the Snow,” and “The Ghost Light.” Find out why Fritz Leiber is a must-read for any fan of science fiction, fantasy, or horror. Suspense, surprise, wit, and weirdness—they’re all here for fans both old and new. Praise for Fritz Leiber “For anyone who loves great literature, Fritz Leiber walked on water.” —Harlan Ellison, author of I Have No Mouth, and I Must Scream “A master . . . The prose should be savored.” —Locus “High quality.” —The New York Times
Author: Fiona Macpherson
Publisher: Oxford University Press
ISBN: 0198717881
Category : Philosophy
Languages : en
Pages : 269
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Book Description
This volume presents ten new essays on the nature of perceptual imagination and perceptual memory. The central questions are: How do perceptual imagination and memory resemble and differ from each other and from other kinds of sensory experience? And what role does each play in perception and in the acquisition of knowledge?
Author: Catharine Abell
Publisher: Oxford University Press
ISBN: 019256725X
Category : Philosophy
Languages : en
Pages : 209
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Book Description
By taking a distinctively institutional approach, Catharine Abell provides a unified solution to a wide range of philosophical problems raised by fiction. In particular, she draws attention to the epistemology of fiction, which has not yet attracted the philosophical scrutiny it warrants. There has been considerable discussion of what determines the contents of works of fiction, yet few attempts have been made to explain how audiences identify their contents, or to identify the norms governing the correct understanding and interpretation of them. This book answers both metaphysical and epistemological questions concerning fiction in a way that clarifies the relation between them: What distinguishes works of fiction from works of non-fiction? What is the nature of fictive utterances? How do audiences identify the contents of authors' fictive utterances? How does understanding a work of fiction differ from interpreting it? This book develops the first single theory to provide answers to these questions and many more.
Author: Amy Kind
Publisher: Oxford University Press
ISBN: 0191026190
Category : Philosophy
Languages : en
Pages : 261
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Book Description
Imagination is celebrated as our vehicle for escape from the mundane here and now. It transports us to distant lands of magic and make-believe. It provides us with diversions during boring meetings or long bus rides. It enables creation of new things that the world has never seen. Yet the focus on imagination as a means of escape from the real world minimizes the fact that imagination seems also to furnish us with knowledge about it. Imagination seems an essential component in our endeavor to learn about the world in which we live—whether we're planning for the future, aiming to understand other people, or figuring out whether two puzzle pieces fit together. But how can the same mental power that allows us to escape the world as it currently is also inform us about the world as it currently is? The ten original essays in Knowledge Through Imagination, along with a substantial introduction by the editors, grapple with this neglected question; in doing so, they present a diverse array of positions ranging from cautious optimism to deep-seated pessimism. Many of the essays proceed by considering specific domains of inquiry where imagination is often employed—from the navigation of our immediate environment, to the prediction of our own and other peoples' behavior, to the investigation of ethical truth. Other essays assess the prospects for knowledge through imagination from a more general perspective, looking at issues of cognitive architecture and basic rationality. Blending perspectives from philosophy of mind, cognitive science, epistemology, aesthetics, and ethics, Knowledge Through Imagination sheds new light on the epistemic role of imagination.
Author: David Punter
Publisher:
ISBN:
Category : Literary Criticism
Languages : en
Pages : 256
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Book Description
This deeply engaging, historically and culturally informed book provides new perspectives on a wide range of writers, and at the same time provides a radically new development of many of the most pertinent issues in the field of postcolonial writing and theory. It constitutes a major new engagement between the 'postcolonial' and a conception of the literary which is richly innovative in its deployment of psychoanalytic, deconstructive and other approaches to the text.The book begins with some brief background to the issue of decolonisation and its contemporary effects. It is informed throughout by a clear sense of literary and political context, within which chosen texts - by well-known writers (Derek Walcott, Chinua Achebe, Edward Kamau Brathwaite) as well as less well-known ones (Joan Riley, Susan Power, Abdulrazak Gurnah) and writers not often seen in a postcolonial context (James Kelman, Seamus Deane, Hanif Kureishi) - can be situated. The chapters which follow are based around themes such as violent geographics; hallucination, dream and the exotic; mourning and melancholy; diaspora and exile; delocalisation and the alibi. This profoundly new approach to the complexities of the postcolonial allows the reader to appreciate some of the richness, but at the same time the political and cultural ambivalence, which underlies postcolonial writing.Throughout the book David Punter continually questions, as one would expect from his many previous books, the definition and scope of the 'postcolonial'. It is seen throughout as a phenomenon not restricted to the ex- or neo-colonies but as a key characterisation of all our lives at the beginning of the twenty-first century. It is an indissoluble part of the development of national imaginings and, at the same time, an alibi for the emergence of a violently assertive 'new world order' committed to the management or obliteration of difference. By juxtaposing texts from different cultural traditions and topographies, from
