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Author: Jeremy Hooker
Publisher:
ISBN:
Category : English literature
Languages : en
Pages : 244
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Book Description
Hooker (English, U. of Glamorgan, Wales) analyzes some of the best known Welsh writers in English, leaving aside that of urban, industrial and post-industrial Wales; and that by younger writers who have come into prominence in recent years. Among the remaining luminaries are John Cowper Powys, Roland Mathias, R. S. Thomas, Alun Lewis, Emyr Humphryes, and Hilary Llewellyn-Williams. Distributed by Paul & Co. Publishers Consortium. Annotation copyrighted by Book News, Inc., Portland, OR
Author: Jeremy Hooker
Publisher:
ISBN:
Category : English literature
Languages : en
Pages : 244
Get Book
Book Description
Hooker (English, U. of Glamorgan, Wales) analyzes some of the best known Welsh writers in English, leaving aside that of urban, industrial and post-industrial Wales; and that by younger writers who have come into prominence in recent years. Among the remaining luminaries are John Cowper Powys, Roland Mathias, R. S. Thomas, Alun Lewis, Emyr Humphryes, and Hilary Llewellyn-Williams. Distributed by Paul & Co. Publishers Consortium. Annotation copyrighted by Book News, Inc., Portland, OR
Author: M. Faletra
Publisher: Springer
ISBN: 1137391030
Category : Literary Criticism
Languages : en
Pages : 418
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Book Description
Focusing on works by some of the major literary figures of the period, Faletra argues that the legendary history of Britain that flourished in medieval chronicles and Arthurian romances traces its origins to twelfth-century Anglo-Norman colonial interest in Wales and the Welsh.
Author: Robin Chapman Stacey
Publisher: University of Pennsylvania Press
ISBN: 0812295420
Category : History
Languages : en
Pages : 344
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Book Description
In Law and the Imagination in Medieval Wales, Robin Chapman Stacey explores the idea of law as a form of political fiction: a body of literature that blurs the lines generally drawn between the legal and literary genres. She argues that for jurists of thirteenth-century Wales, legal writing was an intensely imaginative genre, one acutely responsive to nationalist concerns and capable of reproducing them in sophisticated symbolic form. She identifies narrative devices and tropes running throughout successive revisions of legal texts that frame the body as an analogy for unity and for the court, that equate maleness with authority and just rule and femaleness with its opposite, and that employ descriptions of internal and external landscapes as metaphors for safety and peril, respectively. Historians disagree about the context in which the lawbooks of medieval Wales should be read and interpreted. Some accept the claim that they originated in a council called by the tenth-century king Hywel Dda, while others see them less as a repository of ancient custom than as the Welsh response to the general resurgence in law taking place in western Europe. Stacey builds on the latter approach to argue that whatever their origins, the lawbooks functioned in the thirteenth century as a critical venue for political commentary and debate on a wide range of subjects, including the threat posed to native independence and identity by the encroaching English; concerns about violence and disunity among the native Welsh; abusive behavior on the part of native officials; unwelcome changes in native practice concerning marriage, divorce, and inheritance; and fears about the increasing political and economic role of women.
Author: Wendy Ugolini
Publisher: Oxford University Press
ISBN: 0198863276
Category : History
Languages : en
Pages : 314
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Book Description
The first cultural history of English Welsh duality - an identification with two constituent nations at once - that explores how 'Welshness' was imagined, performed, and mobilised in England during and between the two world wars.
Author: Martin Johnes
Publisher: Manchester University Press
ISBN: 1847795064
Category : History
Languages : en
Pages : 439
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Book Description
The period since 1939 saw more rapid and significant change than any other time in Welsh history. Wales developed a more assertive identity of its own and some of the apparatus of a nation state. Yet its economy floundered between boom and bust, its traditional communities were transformed and the Welsh language and other aspects of its distinctiveness were undermined by a globalizing world. Wales was also deeply divided by class, language, ethnicity, gender, religion and region. Its people grew wealthier, healthier and more educated but they were not always happier. This ground-breaking book examines the story of Wales since 1939, giving voice to ordinary people and the variety of experiences within the nation. This is a history of not just a nation, but of its residents’ hopes and fears, their struggles and pleasures and their views of where they lived and the wider world.
Author: John Hill
Publisher: John Wiley & Sons
ISBN: 1118482905
Category : Performing Arts
Languages : en
Pages : 608
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Book Description
A stimulating overview of the intellectual arguments and critical debates involved in the study of British and Irish cinemas British and Irish film studies have expanded in scope and depth in recent years, prompting a growing number of critical debates on how these cinemas are analysed, contextualized, and understood. A Companion to British and Irish Cinema addresses arguments surrounding film historiography, methods of textual analysis, critical judgments, and the social and economic contexts that are central to the study of these cinemas. Twenty-nine essays from many of the most prominent writers in the field examine how British and Irish cinema have been discussed, the concepts and methods used to interpret and understand British and Irish films, and the defining issues and debates at the heart of British and Irish cinema studies. Offering a broad scope of commentary, the Companion explores historical, cultural and aesthetic questions that encompass over a century of British and Irish film studies—from the early years of the silent era to the present-day. Divided into five sections, the Companion discusses the social and cultural forces shaping British and Irish cinema during different periods, the contexts in which films are produced, distributed and exhibited, the genres and styles that have been adopted by British and Irish films, issues of representation and identity, and debates on concepts of national cinema at a time when ideas of what constitutes both ‘British’ and ‘Irish’ cinema are under question. A Companion to British and Irish Cinema is a valuable and timely resource for undergraduate and postgraduate students of film, media, and cultural studies, and for those seeking contemporary commentary on the cinemas of Britain and Ireland.
Author: Sam Adams
Publisher: Parthian Books
ISBN: 1914595084
Category : Literary Criticism
Languages : en
Pages : 541
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Book Description
'Letters from Wales stands alone as an invaluable guide to Welsh writing.' – Sam Young, Wales Arts Review 'In these columns, as impressive for their depth as they are for their intellectual breadth, Adams analyses the work of acclaimed Welsh writers ... with scholarly panache' – Joshua Rees, Buzz Magazine 'illuminating and entertaining' – Jon Gower, Nation.Cymru Since 1996, Sam Adams's 'Letter from Wales' column has been appearing in PN Review, one of the most highly-regarded UK poetry magazines, offering insight and appreciation of Welsh writing, culture and history. This landmark volume collects these letters – a quarter century of work – and offers one of the most unique, independent and passionate critical voices on the writing and cultural output of Wales during this period. Here you will find erudite appreciations of the work of a wide range of recent and contemporary Welsh writers from Gillian Clarke to Roland Mathias, RS Thomas to Rhian Edwards. Alongside this, Adams offers us lyric essays to Welsh history, and clear-eyed examinations of the institutions of Welsh culture. Collected for the first time in this volume, the 'letters' are among the most significant and sustained attempts during this period to present Welsh writing to an audience throughout the UK and beyond.
Author: Graham A S Day
Publisher: University of Wales Press
ISBN: 0708323103
Category : Social Science
Languages : en
Pages : 305
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Book Description
Making Sense of Wales gives an account of the main changes that have taken place in Welsh society over the last fifty years, as well as analysing the major efforts to interpret those changes. By placing work done in Wales in the context of broader developments within sociological approaches over the period, Graham Day demonstrates that there is a body of work on Wales worth considering in its own right as a specific contribution to sociology. He also shows the relevance of sociological accounts of Wales for understanding contemporary empirical and theoretical concerns in social analysis. Beginning with post-war analysis which considered Wales in terms of regional planning and policy, Day shows how more theoretically informed perspectives have come to the fore in recent years. He also examines more contemporary developments, such as gender and class transformations, the emphasis on the centrality of the Welsh language for conceptions of Wales and Welshness, as well as the impact of new forms of governance and questions of social exclusion.
Author: Sarah Prescott
Publisher: University of Wales Press
ISBN: 1786837234
Category : Literary Criticism
Languages : en
Pages : 255
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Book Description
Examines Welsh writing in English in the context of critical debates concerning the rise of cultural nationalism and the ‘invention’ of Great Britain as a nation in the eighteenth century. This study investigates the ways in which Anglophone literature from and about Wales imagines the nation and its culture in a range of genres.
Author: Matthew Jarvis
Publisher: University of Wales Press
ISBN: 1786837323
Category : Literary Criticism
Languages : en
Pages : 216
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Book Description
Welsh Environments in Contemporary Poetry’ examines the question of how recent English-language poetry from Wales has responded to the diverse physical environments of Wales. The first volume to offer a sustained assessment of Welsh poetry in English within the context of recent developments in environmental literary criticism, this book also draws on aspects of human geography to explore the rich contemporary poetics of Welsh space and place. Opening with an examination of poets from the 1960s as well as the early work of R.S. Thomas, ‘Welsh Environments in Contemporary Poetry’ subsequently concentrates on the poetry of writers who have come to prominence since the 1970s: Gillian Clarke, Ruth Bidgood, Robert Minhinnick, Mike Jenkins, Christine Evans, and Ian Davidson.Close reading of key texts reveals the way in which these writers variously create Welsh places, landscapes, and environments – fashioning rural and urban spaces into poetic geographies that are both abundantly physical and inescapably cultural. Far from reducing Wales to mere scenery, the poetry that emerges from this book engages with the environments of Wales, not just for their own sake, but as a crucial way of exploring key issues in Welsh culture – from the negotiation of female identity in a land of masculine myths to the exploration of Welsh space in a global context.
