Author: Gyorgy Peteri
Publisher: University of Pittsburgh Pre
ISBN: 082297391X
Category : History
Languages : en
Pages : 337
Book Description
This volume presents work from an international group of writers who explore conceptualizations of what defined "East" and "West" in Eastern Europe, imperial Russia, and the Soviet Union. The contributors analyze the effects of transnational interactions on ideology, politics, and cultural production. They reveal that the roots of an East/West cultural divide were present many years prior to the rise of socialism and the Cold War. The chapters offer insights into the complex stages of adoption and rejection of Western ideals in areas such as architecture, travel writings, film, music, health care, consumer products, political propaganda, and human rights. They describe a process of mental mapping whereby individuals "captured and possessed" Western identity through cultural encounters and developed their own interpretations from these experiences. Despite these imaginaries, political and intellectual elites devised responses of resistance, defiance, and counterattack to defy Western impositions. Socialists believed that their cultural forms and collectivist strategies offered morally and materially better lives for the masses and the true path to a modern society. Their sentiments toward the West, however, fluctuated between superiority and inferiority. But in material terms, Western products, industry, and technology, became the ever-present yardstick by which progress was measured. The contributors conclude that the commodification of the necessities of modern life and the rise of consumerism in the twentieth century made it impossible for communist states to meet the demands of their citizens. The West eventually won the battle of supply and demand, and thus the battle for cultural influence.
Imagining the West in Eastern Europe and the Soviet Union
Author: Gyorgy Peteri
Publisher: University of Pittsburgh Pre
ISBN: 082297391X
Category : History
Languages : en
Pages : 337
Book Description
This volume presents work from an international group of writers who explore conceptualizations of what defined "East" and "West" in Eastern Europe, imperial Russia, and the Soviet Union. The contributors analyze the effects of transnational interactions on ideology, politics, and cultural production. They reveal that the roots of an East/West cultural divide were present many years prior to the rise of socialism and the Cold War. The chapters offer insights into the complex stages of adoption and rejection of Western ideals in areas such as architecture, travel writings, film, music, health care, consumer products, political propaganda, and human rights. They describe a process of mental mapping whereby individuals "captured and possessed" Western identity through cultural encounters and developed their own interpretations from these experiences. Despite these imaginaries, political and intellectual elites devised responses of resistance, defiance, and counterattack to defy Western impositions. Socialists believed that their cultural forms and collectivist strategies offered morally and materially better lives for the masses and the true path to a modern society. Their sentiments toward the West, however, fluctuated between superiority and inferiority. But in material terms, Western products, industry, and technology, became the ever-present yardstick by which progress was measured. The contributors conclude that the commodification of the necessities of modern life and the rise of consumerism in the twentieth century made it impossible for communist states to meet the demands of their citizens. The West eventually won the battle of supply and demand, and thus the battle for cultural influence.
Publisher: University of Pittsburgh Pre
ISBN: 082297391X
Category : History
Languages : en
Pages : 337
Book Description
This volume presents work from an international group of writers who explore conceptualizations of what defined "East" and "West" in Eastern Europe, imperial Russia, and the Soviet Union. The contributors analyze the effects of transnational interactions on ideology, politics, and cultural production. They reveal that the roots of an East/West cultural divide were present many years prior to the rise of socialism and the Cold War. The chapters offer insights into the complex stages of adoption and rejection of Western ideals in areas such as architecture, travel writings, film, music, health care, consumer products, political propaganda, and human rights. They describe a process of mental mapping whereby individuals "captured and possessed" Western identity through cultural encounters and developed their own interpretations from these experiences. Despite these imaginaries, political and intellectual elites devised responses of resistance, defiance, and counterattack to defy Western impositions. Socialists believed that their cultural forms and collectivist strategies offered morally and materially better lives for the masses and the true path to a modern society. Their sentiments toward the West, however, fluctuated between superiority and inferiority. But in material terms, Western products, industry, and technology, became the ever-present yardstick by which progress was measured. The contributors conclude that the commodification of the necessities of modern life and the rise of consumerism in the twentieth century made it impossible for communist states to meet the demands of their citizens. The West eventually won the battle of supply and demand, and thus the battle for cultural influence.
Inventing Eastern Europe
Author: Larry Wolff
Publisher: Stanford University Press
ISBN: 9780804727020
Category : History
Languages : en
Pages : 444
Book Description
Wolff explores how Western thinkers contributed to defining and characterizing Eastern Europe as half-civilized and barbaric.
Publisher: Stanford University Press
ISBN: 9780804727020
Category : History
Languages : en
Pages : 444
Book Description
Wolff explores how Western thinkers contributed to defining and characterizing Eastern Europe as half-civilized and barbaric.
Imagining the World from Behind the Iron Curtain
Author: Malgorzata Fidelis
Publisher: Oxford University Press
ISBN: 019764340X
Category : History
Languages : en
Pages : 313
Book Description
The Sixties occupy a prominent place in popular culture and scholarship as an era of global upheavals, including the Civil Rights Movement, de-colonization, radical social movements, student and youth protests, and the Vietnam War. This pioneering book explores the seemingly isolated Eastern bloc and a non-capitalist context, demonstrating the impact of those global upheavals on young people in Poland in the form of international youth culture, protest movements, and counterculture.
Publisher: Oxford University Press
ISBN: 019764340X
Category : History
Languages : en
Pages : 313
Book Description
The Sixties occupy a prominent place in popular culture and scholarship as an era of global upheavals, including the Civil Rights Movement, de-colonization, radical social movements, student and youth protests, and the Vietnam War. This pioneering book explores the seemingly isolated Eastern bloc and a non-capitalist context, demonstrating the impact of those global upheavals on young people in Poland in the form of international youth culture, protest movements, and counterculture.
The Thaw
Author: Denis Kozlov
Publisher: University of Toronto Press
ISBN: 1442618957
Category : History
Languages : en
Pages : 529
Book Description
The period from Stalin’s death in 1953 to the end of the 1960s marked a crucial epoch in Soviet history. Though not overtly revolutionary, this era produced significant shifts in policies, ideas, language, artistic practices, daily behaviours, and material life. It was also during this time that social, cultural, and intellectual processes in the USSR began to parallel those in the West (and particularly in Europe) as never before. This volume examines in fascinating detail the various facets of Soviet life during the 1950s and 1960s, a period termed the ‘Thaw.’ Featuring innovative research by historical, literary, and film scholars from across the world, this book helps to answer fundamental questions about the nature and ultimate fortune of the Soviet order – both in its internal dynamics and in its long-term and global perspectives.
Publisher: University of Toronto Press
ISBN: 1442618957
Category : History
Languages : en
Pages : 529
Book Description
The period from Stalin’s death in 1953 to the end of the 1960s marked a crucial epoch in Soviet history. Though not overtly revolutionary, this era produced significant shifts in policies, ideas, language, artistic practices, daily behaviours, and material life. It was also during this time that social, cultural, and intellectual processes in the USSR began to parallel those in the West (and particularly in Europe) as never before. This volume examines in fascinating detail the various facets of Soviet life during the 1950s and 1960s, a period termed the ‘Thaw.’ Featuring innovative research by historical, literary, and film scholars from across the world, this book helps to answer fundamental questions about the nature and ultimate fortune of the Soviet order – both in its internal dynamics and in its long-term and global perspectives.
Nikolai Bolkhovitinov and American Studies in the USSR
Author: Sergei I. Zhuk
Publisher: Lexington Books
ISBN: 1498551254
Category : History
Languages : en
Pages : 295
Book Description
This study is an intellectual biography of Nikolai N. Bolkhovitinov (1930–2008), the prominent Soviet historian who was a pioneering scholar of US history and US–Russian relations. Alongside the personal history of Bolkhovitinov, this study also examines the broader social, cultural, and intellectual developments within the Americanist scholarly community in Soviet and post-Soviet Russia. Using archival documents, numerous studies by Russian and Ukrainian Americanists, various periodicals, personal correspondence, diaries, and more than one hundred interviews, it demonstrates how concepts, genealogies, and images of modernity shaped a national self-perception of the intellectual elites in both nations during the Cold War.
Publisher: Lexington Books
ISBN: 1498551254
Category : History
Languages : en
Pages : 295
Book Description
This study is an intellectual biography of Nikolai N. Bolkhovitinov (1930–2008), the prominent Soviet historian who was a pioneering scholar of US history and US–Russian relations. Alongside the personal history of Bolkhovitinov, this study also examines the broader social, cultural, and intellectual developments within the Americanist scholarly community in Soviet and post-Soviet Russia. Using archival documents, numerous studies by Russian and Ukrainian Americanists, various periodicals, personal correspondence, diaries, and more than one hundred interviews, it demonstrates how concepts, genealogies, and images of modernity shaped a national self-perception of the intellectual elites in both nations during the Cold War.
The Optimum Imperative: Czech Architecture for the Socialist Lifestyle, 1938–1968
Author: Ana Miljacki
Publisher: Taylor & Francis
ISBN: 1315460122
Category : Architecture
Languages : en
Pages : 326
Book Description
The Optimum Imperative examines the multiple ways that architecture was entangled within the problem of Socialist lifestyle in Czechoslovakia.
Publisher: Taylor & Francis
ISBN: 1315460122
Category : Architecture
Languages : en
Pages : 326
Book Description
The Optimum Imperative examines the multiple ways that architecture was entangled within the problem of Socialist lifestyle in Czechoslovakia.
Music in America's Cold War Diplomacy
Author: Danielle Fosler-Lussier
Publisher: Univ of California Press
ISBN: 0520284135
Category : Music
Languages : en
Pages : 346
Book Description
"During the Cold War, thousands of musicians from the United States traveled the world under the sponsorship of the U.S. State Department's Cultural Presentations program. Using archival documents and newly collected oral histories, this study illuminates the reception of these musical events, for the practice of musical diplomacy on the ground sometimes differed substantially from what the department's planners envisioned. Performances of music in many styles--classical, rock 'n' roll, folk, blues, and jazz--were meant to compete with traveling Soviet and Chinese artists, enhancing the reputation of American culture. These concerts offered large audiences evidence of America's improving race relations, excellent musicianship, and generosity toward other peoples. Most important, these performances also built meaningful connections with people in other lands. Through personal contacts and the media, musical diplomacy created subtle musical, social, and political relationships on a global scale. Although these tours were sometimes conceived as propaganda ventures, their most important function was the building of imagined and real relationships, which constitute the essence of soft power"--Provided by publisher.
Publisher: Univ of California Press
ISBN: 0520284135
Category : Music
Languages : en
Pages : 346
Book Description
"During the Cold War, thousands of musicians from the United States traveled the world under the sponsorship of the U.S. State Department's Cultural Presentations program. Using archival documents and newly collected oral histories, this study illuminates the reception of these musical events, for the practice of musical diplomacy on the ground sometimes differed substantially from what the department's planners envisioned. Performances of music in many styles--classical, rock 'n' roll, folk, blues, and jazz--were meant to compete with traveling Soviet and Chinese artists, enhancing the reputation of American culture. These concerts offered large audiences evidence of America's improving race relations, excellent musicianship, and generosity toward other peoples. Most important, these performances also built meaningful connections with people in other lands. Through personal contacts and the media, musical diplomacy created subtle musical, social, and political relationships on a global scale. Although these tours were sometimes conceived as propaganda ventures, their most important function was the building of imagined and real relationships, which constitute the essence of soft power"--Provided by publisher.
1989
Author: James Mark
Publisher: Cambridge University Press
ISBN: 1108427006
Category : History
Languages : en
Pages : 381
Book Description
Placing Eastern Europe in a global context, this provides new perspectives on the political, economic, and cultural transformations of the late twentieth century.
Publisher: Cambridge University Press
ISBN: 1108427006
Category : History
Languages : en
Pages : 381
Book Description
Placing Eastern Europe in a global context, this provides new perspectives on the political, economic, and cultural transformations of the late twentieth century.
Sonic Overload
Author: Peter J. Schmelz
Publisher: Oxford University Press
ISBN: 0197541267
Category : Music
Languages : en
Pages : 431
Book Description
Sonic Overload offers a new, music-centered cultural history of the late Soviet Union. It focuses on polystylism in music as a response to the information overload swamping listeners in the Soviet Union during its final decades. It traces the ways in which leading composers Alfred Schnittke and Valentin Silvestrov initially embraced popular sources before ultimately rejecting them. Polystylism first responded to the utopian impulses of Soviet ideology with utopian impulses to encompass all musical styles, from "high" to "low". But these initial all-embracing aspirations were soon followed by retreats to alternate utopias founded on carefully selecting satisfactory borrowings, as familiar hierarchies of culture, taste, and class reasserted themselves. Looking at polystylism in the late USSR tells us about past and present, near and far, as it probes the musical roots of the overloaded, distracted present. Based on archival research, oral historical interviews, and other overlooked primary materials, as well as close listening and thorough examination of scores and recordings, Sonic Overload presents a multilayered and comprehensive portrait of late-Soviet polystylism and cultural life, and of the music of Silvestrov and Schnittke. Sonic Overload is intended for musicologists and Soviet, Russian, and Ukrainian specialists in history, the arts, film, and literature, as well as readers interested in twentieth- and twenty-first century music; modernism and postmodernism; quotation and collage; the intersections of "high" and "low" cultures; and politics and the arts.
Publisher: Oxford University Press
ISBN: 0197541267
Category : Music
Languages : en
Pages : 431
Book Description
Sonic Overload offers a new, music-centered cultural history of the late Soviet Union. It focuses on polystylism in music as a response to the information overload swamping listeners in the Soviet Union during its final decades. It traces the ways in which leading composers Alfred Schnittke and Valentin Silvestrov initially embraced popular sources before ultimately rejecting them. Polystylism first responded to the utopian impulses of Soviet ideology with utopian impulses to encompass all musical styles, from "high" to "low". But these initial all-embracing aspirations were soon followed by retreats to alternate utopias founded on carefully selecting satisfactory borrowings, as familiar hierarchies of culture, taste, and class reasserted themselves. Looking at polystylism in the late USSR tells us about past and present, near and far, as it probes the musical roots of the overloaded, distracted present. Based on archival research, oral historical interviews, and other overlooked primary materials, as well as close listening and thorough examination of scores and recordings, Sonic Overload presents a multilayered and comprehensive portrait of late-Soviet polystylism and cultural life, and of the music of Silvestrov and Schnittke. Sonic Overload is intended for musicologists and Soviet, Russian, and Ukrainian specialists in history, the arts, film, and literature, as well as readers interested in twentieth- and twenty-first century music; modernism and postmodernism; quotation and collage; the intersections of "high" and "low" cultures; and politics and the arts.
Composing the Canon in the German Democratic Republic
Author: Elaine Kelly
Publisher: Oxford University Press
ISBN: 0199998108
Category : Music
Languages : en
Pages : 265
Book Description
When the German Democratic Republic (GDR) was founded in 1949, its leaders did not position it as a new state. Instead, they represented East German socialism as the culmination of all that was positive in Germany's past. The GDR was heralded as the second German Enlightenment, a society in which the rational ideals of progress, Bildung, and revolution that had first come to fruition with Goethe and Beethoven would finally achieve their apotheosis. Central to this founding myth was the Germanic musical heritage. Just as the canon had defined the idea of the German nation in the nineteenth-century, so in the GDR it contributed to the act of imagining the collective socialist state. Composing the Canon in the German Democratic Republic uses the reception of the Germanic musical heritage to chart the changing landscape of musical culture in the German Democratic Republic. Author Elaine Kelly demonstrates the nuances of musical thought in the state, revealing a model of societal ascent and decline that has implications that reach far beyond studies of the GDR itself. The first book-length study in English devoted to music in the GDR, Composing the Canon in the German Democratic Republic is a seminal text for scholars of music in the Cold War and in Germany more widely.
Publisher: Oxford University Press
ISBN: 0199998108
Category : Music
Languages : en
Pages : 265
Book Description
When the German Democratic Republic (GDR) was founded in 1949, its leaders did not position it as a new state. Instead, they represented East German socialism as the culmination of all that was positive in Germany's past. The GDR was heralded as the second German Enlightenment, a society in which the rational ideals of progress, Bildung, and revolution that had first come to fruition with Goethe and Beethoven would finally achieve their apotheosis. Central to this founding myth was the Germanic musical heritage. Just as the canon had defined the idea of the German nation in the nineteenth-century, so in the GDR it contributed to the act of imagining the collective socialist state. Composing the Canon in the German Democratic Republic uses the reception of the Germanic musical heritage to chart the changing landscape of musical culture in the German Democratic Republic. Author Elaine Kelly demonstrates the nuances of musical thought in the state, revealing a model of societal ascent and decline that has implications that reach far beyond studies of the GDR itself. The first book-length study in English devoted to music in the GDR, Composing the Canon in the German Democratic Republic is a seminal text for scholars of music in the Cold War and in Germany more widely.