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Author: John Bender
Publisher: University of Chicago Press
ISBN: 9780226042299
Category : History
Languages : en
Pages : 364
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Book Description
This brilliant and insightful contribution to cultural studies investigates the role of literature—particularly the novel—and visual arts in the development of institutions. Arguing the attitudes expressed in narrative literature and art between 1719 and 1779 helped bring about the change from traditional prisons to penitentiaries, John Bender offers studies of Robinson Crusoe, Moll Flanders, The Beggar's Opera, Hogarth's Progresses, Jonathan Wild, and Amelia as well as illustrations from prison literature, art, and architecture in support of his thesis.
Author: John Bender
Publisher: University of Chicago Press
ISBN: 9780226042299
Category : History
Languages : en
Pages : 364
Get Book Here
Book Description
This brilliant and insightful contribution to cultural studies investigates the role of literature—particularly the novel—and visual arts in the development of institutions. Arguing the attitudes expressed in narrative literature and art between 1719 and 1779 helped bring about the change from traditional prisons to penitentiaries, John Bender offers studies of Robinson Crusoe, Moll Flanders, The Beggar's Opera, Hogarth's Progresses, Jonathan Wild, and Amelia as well as illustrations from prison literature, art, and architecture in support of his thesis.
Author: John B. Bender
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Book Description
Author:
Publisher:
ISBN:
Category : Crime in literature
Languages : en
Pages : 4
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Book Description
Author: Jonathan H. Grossman
Publisher: JHU Press
ISBN: 9780801867552
Category : Literary Criticism
Languages : en
Pages : 228
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Book Description
In The Art of Alibi, Jonathan Grossman reconstructs the relation of the novel to nineteenth-century law courts. During the Romantic era, courthouses and trial scenes frequently found their way into the plots of English novels. As Grossman states, "by the Victorian period, these scenes represented a powerful intersection of narrative form with a complementary and competing structure for storytelling." He argues that the courts, newly fashioned as a site in which to orchestrate voices and reconstruct stories, arose as a cultural presence influencing the shape of the English novel. Weaving examinations of novels such as William Godwin's Caleb Williams, Mary Shelley's Frankenstein, and Charles Dickens's The Pickwick Papers and Oliver Twist, along with a reading of the new Royal Courts of Justice, Grossman charts the exciting changes occurring within the novel, especially crime fiction, that preceded and led to the invention of the detective mystery in the 1840s. -- John Sutherland, University College London
Author: Norval Morris
Publisher: Oxford University Press, USA
ISBN: 9780195118148
Category : Law
Languages : en
Pages : 452
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Book Description
Ranging from ancient times to the present, a survey of the evolution of the prison explores its relationship to the history of Western criminal law and offers a look at the social world of prisoners over the centuries.
Author: Peter Okun
Publisher: Routledge
ISBN: 1317794591
Category : History
Languages : en
Pages : 190
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Book Description
Crime and the Nation explores the correlation between fiction writing and national identity in the late eighteenth century when these two enterprises went hand in hand. The 1780s and '90s witnessed a spirited public debate on crime and punishment that produced a new kind of fiction and a new kind of prison. The world's first penitentiary-style prison opened at Philadelphia in 1790. At the same time jurists, reformers and fiction writers found new uses for the criminal. Suddenly, he was fascinating, he was edifying to the community, he was worth displaying and reforming. In a young nation whose very origins were perceived as criminal, yet clearly necessary and ultimately redeemable, crime emerged as an essential-and controversial-component of national identity. Crime and the Nation explores the nature of that identity, and the origins of America's unique and enduring love affair with crime and crime fiction.
Author: Natasha Lushetich
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110634953
Category : Literary Criticism
Languages : en
Pages : 345
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Book Description
Special Focus editor: Natasha Lushetich Series editors: Rüdiger Ahrens, Florian Kläger, Klaus Stierstorfer Symbolism is cohesive. It gathers heterogeneity over time, across fields of human endeavor and systems of communication. Non-sequiturs, paradox and tautology, appear dissipative. Yet they are highly productive in reticular and fractal ways. Suffice it to look at the philosophical tautology of Parmenides’s kind, which suggests that being "is"; at the practice of the koan, which collapses dualistic thinking by way of incompatible propositions, such as "the Eastern hill keeps running on the water"; at logical paradoxes in which the operative logic is sabotaged by its own means, as in Hempel’s paradox; at absurdist dramatic texts in which protagonists record empty time in order to mark the emptiness of the time they are recording, as in Beckett’s Krapp’s Last Tape; or at paradoxical games like Maciunas’s Prepared Table Tennis played with paddles that have huge holes in them. In all of these examples, the existence-apprehending processes occur via unexpected itineraries, in vacant but nevertheless enunciative codes, in seemingly futile, yet calibrating performances, and in a temporality that is the cumulative time’s "other." They catapult the mind into the realm of the extra-linguistic, the para-logical and the meta-experiential, or they transfigure it through a series of reticular iterations. Forty years after Varela et al’s groundbreaking work on the embodied, emotional and environmentally embedded mind – that marked a definitive departure from its former strictly rational conception – there is a need to re-examine the territory that lies beyond mind for a different reason: the proliferation of algorithmic logics that rely on the idea of a rational agent (human or algorithmic) making logical, self-serving decisions. This special issue explores neither-rational-nor-irrational forms of thinking and making. It sketches a cartography of a-rational processes of meaning- and knowledge-production that operate across numerous sites, practices, and disciplines: visual and media art; literature; art history; music; dance; film; intermedia and photography. Part I "Ahistoricity, Assemblages and Interpretative Reversals" focuses on the legacy of the (neo) avant-garde and amodernism. Part II "Destinerrance, Labyrinths and Folds" investigates the ways in which the Derridian delays/detours and the Deleuzian folding function as concrete ways of embodied knowledge-production. Part III, "Immanent Transcendence", offers a glimpse into the reticular and iterative structuring of transcendence that does not pre-exist immanence but is its residue.
Author: Peter J. Hutchings
Publisher: Routledge
ISBN: 1317797515
Category : Social Science
Languages : en
Pages : 234
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Book Description
This book analyses the legal and aesthetic discourses that combine to shape the image of the criminal, and that image's contemporary endurance. The author traces the roots of contemporary ideas about criminality back to legal, philosophical and aesthetic concepts originating in the nineteenth century. Building on the ideas of Foucault and Walter Benjamin, Hutchings argues that the criminal, as constructed in places such as popular crime stories or the law of insanity, became an obsession which haunted nineteenth century thought.
Author: Paul Freedman
Publisher: Cambridge University Press
ISBN: 9780521548052
Category : History
Languages : en
Pages : 288
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Book Description
This 1991 book is an examination of Catalonian peasants in the Middle Ages integrating archival evidence with medieval theories of society.
Author: Caleb Smith
Publisher: Yale University Press
ISBN: 0300156308
Category : Literary Criticism
Languages : en
Pages : 269
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Book Description
How did a nation so famously associated with freedom become internationally identified with imprisonment? After the scandals of Abu Ghraib and Guantanamo Bay, and in the midst of a dramatically escalating prison population, the question is particularly urgent. In this timely, provocative study, Caleb Smith argues that the dehumanization inherent in captivity has always been at the heart of American civil society. Exploring legal, political, and literary texts--including the works of Dickinson, Melville, and Emerson--Smith shows how alienation and self-reliance, social death and spiritual rebirth, torture and penitence came together in the prison, a scene for the portrayal of both gothic nightmares and romantic dreams. Demonstrating how the cellular soul has endured since the antebellum age, The Prison and the American Imagination offers a passionate and haunting critique of the very idea of solitude in American life.
