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Author: Rien Fertel
Publisher: LSU Press
ISBN: 0807158232
Category : Social Science
Languages : en
Pages : 0
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Book Description
In the early years of the nineteenth century, the burgeoning cultural pride of white Creoles in New Orleans intersected with America's golden age of print, to explosive effect. Imagining the Creole City reveals the profusion of literary output —histories and novels, poetry and plays—that white Creoles used to imagine themselves as a unified community of writers and readers. Rien Fertel argues that Charles Gayarré's English-language histories of Louisiana, which emphasized the state's dual connection to America and to France, provided the foundation of a white Creole print culture predicated on Louisiana's exceptionalism. The writings of authors like Grace King, Adrien Rouquette, and Alfred Mercier consciously fostered an image of Louisiana as a particular social space, and of themselves as the true inheritors of its history and culture. In turn, the forging of this white Creole identity created a close-knit community of cosmopolitan Creole elites, who reviewed each other's books, attended the same salons, crusaded against the popular fiction of George Washington Cable, and worked together to preserve the French language in local and state governmental institutions. Together they reimagined the definition of "Creole" and used it as a marker of status and power. By the end of this group's era of cultural prominence, Creole exceptionalism had become a cornerstone in the myth of Louisiana in general and of New Orleans in particular. In defining themselves, the authors in the white Creole print community also fashioned a literary identity that resonates even today.
Author: Rien Fertel
Publisher: LSU Press
ISBN: 0807158232
Category : Social Science
Languages : en
Pages : 0
Get Book Here
Book Description
In the early years of the nineteenth century, the burgeoning cultural pride of white Creoles in New Orleans intersected with America's golden age of print, to explosive effect. Imagining the Creole City reveals the profusion of literary output —histories and novels, poetry and plays—that white Creoles used to imagine themselves as a unified community of writers and readers. Rien Fertel argues that Charles Gayarré's English-language histories of Louisiana, which emphasized the state's dual connection to America and to France, provided the foundation of a white Creole print culture predicated on Louisiana's exceptionalism. The writings of authors like Grace King, Adrien Rouquette, and Alfred Mercier consciously fostered an image of Louisiana as a particular social space, and of themselves as the true inheritors of its history and culture. In turn, the forging of this white Creole identity created a close-knit community of cosmopolitan Creole elites, who reviewed each other's books, attended the same salons, crusaded against the popular fiction of George Washington Cable, and worked together to preserve the French language in local and state governmental institutions. Together they reimagined the definition of "Creole" and used it as a marker of status and power. By the end of this group's era of cultural prominence, Creole exceptionalism had become a cornerstone in the myth of Louisiana in general and of New Orleans in particular. In defining themselves, the authors in the white Creole print community also fashioned a literary identity that resonates even today.
Author: Rien Fertel
Publisher: LSU Press
ISBN: 0807158240
Category : Foreign Language Study
Languages : en
Pages : 220
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Book Description
In the early years of the nineteenth century, the burgeoning cultural pride of white Creoles in New Orleans intersected with America's golden age of print, to explosive effect. Imagining the Creole City reveals the profusion of literary output -- histories and novels, poetry and plays -- that white Creoles used to imagine themselves as a unified community of writers and readers. Rien Fertel argues that Charles Gayarré's English-language histories of Louisiana, which emphasized the state's dual connection to America and to France, provided the foundation of a white Creole print culture predicated on Louisiana's exceptionalism. The writings of authors like Grace King, Adrien Rouquette, and Alfred Mercier consciously fostered an image of Louisiana as a particular social space, and of themselves as the true inheritors of its history and culture. In turn, the forging of this white Creole identity created a close-knit community of cosmopolitan Creole elites, who reviewed each other's books, attended the same salons, crusaded against the popular fiction of George Washington Cable, and worked together to preserve the French language in local and state governmental institutions. Together they reimagined the definition of "Creole" and used it as a marker of status and power. By the end of this group's era of cultural prominence, Creole exceptionalism had become a cornerstone in the myth of Louisiana in general and of New Orleans in particular. In defining themselves, the authors in the white Creole print community also fashioned a literary identity that resonates even today.
Author: Caryn Cossé Bell
Publisher: LSU Press
ISBN: 0807180912
Category : History
Languages : en
Pages : 345
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Book Description
Nowhere in the United States did the Age of Democratic Revolution exert as profound an influence as in New Orleans. In 1809–10, refugees of the Haitian Revolution doubled the size of the city. In 1811, hundreds of Saint-Dominguan, African, and Louisianan plantation workers marched downriver toward the city in the nation’s largest-ever slave revolt. Itinerant revolutionaries from throughout the Atlantic congregated in New Orleans in the cause of Latin American independence. Together with the refugee soldiers of the Haitian Revolution (both Black and white), their presence proved decisive in the Battle of New Orleans. After defeating the British, the soldiers rejoined the struggle against Spanish imperialism. In Creole New Orleans in the Revolutionary Atlantic, 1775–1877, Caryn Cossé Bell sets forth these momentous events and much more to document the revolutionary era’s impact on the city. Bell’s study begins with the 1883 memoir of Hélène d’Aquin Allain, a French Creole and descendant of the refugee community, who grew up in antebellum New Orleans. Allain’s d’Aquin forebears fought alongside the Savarys, a politically influential free family of color, in the Haitian Revolution. Forced from Saint-Domingue/Haiti, the allied families retreated to New Orleans. Bell’s reconstruction of the d’Aquin family network, interracial alliances, and business partnerships provides a productive framework for exploring the city’s presence at the crossroads of the revolutionary Atlantic. Residing in New Orleans in the heyday of French Romanticism, Allain experienced a cultural revolution that exerted an enormous influence on religious beliefs, literature, politics, and even, as Bell documents, the practice of medicine in the city. In France, the highly politicized nature of the movement culminated in the 1848 French Revolution with its abolition of slavery and enfranchisement of freed men and women. During the Civil War and Reconstruction, the Afro-Creole leaders of the diasporic community pointed to events in France and stood in the forefront of the struggle to revolutionize race relations in their own nation. As Bell demonstrates, their cultural and political legacy remains a formidable presence in twenty-first-century New Orleans.
Author: John Bardes
Publisher: UNC Press Books
ISBN: 1469678195
Category : History
Languages : en
Pages : 622
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Book Description
Americans often assume that slave societies had little use for prisons and police because slaveholders only ever inflicted violence directly or through overseers. Mustering tens of thousands of previously overlooked arrest and prison records, John K. Bardes demonstrates the opposite: in parts of the South, enslaved and free people were jailed at astronomical rates. Slaveholders were deeply reliant on coercive state action. Authorities built massive slave prisons and devised specialized slave penal systems to maintain control and maximize profit. Indeed, in New Orleans—for most of the past half-century, the city with the highest incarceration rate in the United States—enslaved people were jailed at higher rates during the antebellum era than are Black residents today. Moreover, some slave prisons remained in use well after Emancipation: in these forgotten institutions lie the hidden origins of state violence under Jim Crow. With powerful and evocative prose, Bardes boldly reinterprets relations between slavery and prison development in American history. Racialized policing and mass incarceration are among the gravest moral crises of our age, but they are not new: slavery, the prison, and race are deeply interwoven into the history of American governance.
Author: Elizabeth Duquette
Publisher: Oxford University Press
ISBN: 0192899902
Category : Literary Criticism
Languages : en
Pages : 414
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Book Description
What if the American experiment is twofold, encompassing both democracy and tyranny? That is the question at the core of this book, which traces some of ways that Americans across the nineteenth century understood the perversions tyranny introduced into both their polity and society. While some informed their thinking with reference to classical texts, which comprehensively consider tyranny's dangers, most drew on a more contemporary source—Napoleon Bonaparte, the century's most famous man and its most notorious tyrant. Because Napoleon defined tyranny around the nineteenth-century Atlantic world—its features and emergence, its relationship to democratic institutions, its effects on persons and peoples—he provides a way for nineteenth-century Americans to explore the parameters of tyranny and their complicity in its cruelties. Napoleon helps us see the decidedly plural forms of tyranny in the US, bringing their fictions into focus. At the same time, however, there are distinctly American modes of tyranny. From the tyrannical style of the American imagination to the usurping potential of American individualism, Elizabeth Duquette shows that tyranny is as American as democracy.
Author: Daniel H. Usner, Jr.
Publisher: LSU Press
ISBN: 080718067X
Category : History
Languages : en
Pages : 131
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Book Description
Though long neglected, the history and experiences of Indigenous women offer a deeper, more complex understanding of southern history and culture. In Native American Women and the Burdens of Southern History, Daniel H. Usner explores the dynamic role of Native American women in the South as they confronted waves of colonization, European imperial invasion, plantation encroachment, and post–Civil War racialization. In the process, he reveals the distinct form their means of adaptation and resistance took. While drawing attention to existing scholarship on Native American women, Usner also uses original research and diverse sources, including visual images and material culture, to advance a new line of inquiry. Focusing on women’s responses and initiatives across centuries, he shows how their agency shaped and reshaped their communities’ relations with non-Native southerners. Exploring basketry in the Lower Mississippi Valley and Gulf Coastal South, Usner emphasizes the essential role women played in ongoing efforts at resistance and survival, even in the face of epidemics, violence, and enslavement unleashed by early colonizers. Foods and medicines that Native women gathered, carried, stored, and peddled in baskets proved integral in forming the region’s frontier exchange economy. Later, as the plantation economy threatened to envelop their communities, Indigenous women adapted to change and resisted disappearance by perpetuating exchange with non-Native neighbors and preserving a deep attachment to the land. By the start of the twentieth century, facing a new round of lethal attacks on Indigenous territory, identity, and sovereignty in the Jim Crow South, Native women’s resilient and resourceful skill as makers of basketry became a crucial instrument in their nations’ political diplomacy. Overall, Usner’s work underscores how central Indigenous women have been in struggles for Native American territory and sovereignty throughout southern history.
Author: Miki Pfeffer
Publisher: LSU Press
ISBN: 0807172812
Category : Literary Collections
Languages : en
Pages : 329
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Book Description
Shortly after Grace King wrote her first stories in post-Reconstruction New Orleans, she entered a world of famous figures and literary giants greater than she could ever have imagined. Notable writers and publishers of the Northeast bolstered her career, and she began a decades-long friendship with Mark Twain and his family that was as unlikely as it was remarkable. Beginning in 1887, King paid long visits to the homes of friends and associates in New England and benefited from their extended circles. She interacted with her mentor, Charles Dudley Warner; writers Harriet Beecher Stowe and William Dean Howells; painter Frederic E. Church; suffragist Isabella Beecher Hooker; Chaucer scholar Thomas Lounsbury; impresario Augustin Daly; actor Will Gillette;cleric Joseph Twichell; and other stars of the era. As compelling as a novel, this audacious story of King’s northern ties unfolds in eloquent letters. They hint at the fictional themes that would end up in her own art; they trace her development from literary novice to sophisticated businesswoman who leverages her own independence and success. Through excerpts from scores of new transcriptions, as well as contextualizing narrative and annotations, Miki Pfeffer weaves a cultural tapestry that includes King’s volatile southern family as it struggles to reclaim antebellum status and a Gilded Age northern community that ignores inevitable change. King’s correspondence with the Clemens family reveals incomparable affection. As a regular guest in their household, she quickly distinguished “Mark,” the rowdy public persona, from “Mr. Clemens,” the loving husband of Livy and father of Susy, Clara, and Jean, all of whom King came to know intimately. Their unguarded, casual revelations of heartbreaks and joys tell something more than the usual Twain lore, and they bring King into sharper focus. All of their existing letters are gathered here, many published for the first time. A New Orleans Author in Mark Twain’s Court paints a fascinating picture of the northern literary personalities who caused King’s budding career to blossom.
Author: Charlotte Bentley
Publisher: University of Chicago Press
ISBN: 0226823091
Category : Music
Languages : en
Pages : 265
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Book Description
A history of nineteenth-century New Orleans and the people who made it a vital, if unexpected, part of an emerging operatic world. New Orleans and the Creation of Transatlantic Opera, 1819–1859 explores the thriving operatic life of New Orleans in the first half of the nineteenth century, drawing out the transatlantic connections that animated it. By focusing on a variety of individuals, their extended webs of human contacts, and the materials that they moved along with them, this book pieces together what it took to bring opera to New Orleans and the ways in which the city’s operatic life shaped contemporary perceptions of global interconnection. The early chapters explore the process of bringing opera to the stage, taking a detailed look at the management of New Orleans’s Francophone theater, the Théâtre d’Orléans, as well as the performers who came to the city and the reception they received. But opera’s significance was not confined to the theater, and later chapters of the book examine how opera permeated everyday life in New Orleans, through popular sheet music, novels, magazines and visual culture, and dancing in its many ballrooms. Just as New Orleans helped to create transatlantic opera, opera in turn helped to create the city of New Orleans.
Author: Benjamin Fagan
Publisher: Cambridge University Press
ISBN: 1108395287
Category : Literary Criticism
Languages : en
Pages : 558
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Book Description
This volume charts the ways in which African American literature fosters transitions between material cultures and contexts from 1830 to 1850, and showcases work that explores how African American literature and lived experiences shaped one another. Chapters focus on the interplay between pivotal political and social events, including emancipation in the West Indies, the Irish Famine, and the Fugitive Slave Act, and key African American cultural productions, such as the poetry of Frances Ellen Watkins Harper, the writings of David Walker, and the genre of the Slave Narrative. Chapters also examine the relationship between African American literature and a variety of institutions including, the press, and the post office. The chapters are grouped together in three sections, each of which is focused on transitions within a particular geographic scale: the local, the national, and the transnational. Taken together, they offer a crucial account of how African Americans used the written word to respond to and drive the events and institutions of the 1830s, 1840s, and beyond.
Author:
Publisher: Oxford University Press
ISBN: 0199313628
Category : Cooking
Languages : en
Pages : 947
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Book Description
A sweet tooth is a powerful thing. Babies everywhere seem to smile when tasting sweetness for the first time, a trait inherited, perhaps, from our ancestors who foraged for sweet foods that were generally safer to eat than their bitter counterparts. But the "science of sweet" is only the beginning of a fascinating story, because it is not basic human need or simple biological impulse that prompts us to decorate elaborate wedding cakes, scoop ice cream into a cone, or drop sugar cubes into coffee. These are matters of culture and aesthetics, of history and society, and we might ask many other questions. Why do sweets feature so prominently in children's literature? When was sugar called a spice? And how did chocolate evolve from an ancient drink to a modern candy bar? The Oxford Companion to Sugar and Sweets explores these questions and more through the collective knowledge of 265 expert contributors, from food historians to chemists, restaurateurs to cookbook writers, neuroscientists to pastry chefs. The Companion takes readers around the globe and throughout time, affording glimpses deep into the brain as well as stratospheric flights into the world of sugar-crafted fantasies. More than just a compendium of pastries, candies, ices, preserves, and confections, this reference work reveals how the human proclivity for sweet has brought richness to our language, our art, and, of course, our gastronomy. In nearly 600 entries, beginning with "à la mode" and ending with the Italian trifle known as "zuppa inglese," the Companion traces sugar's journey from a rare luxury to a ubiquitous commodity. In between, readers will learn about numerous sweeteners (as well-known as agave nectar and as obscure as castoreum, or beaver extract), the evolution of the dessert course, the production of chocolate, and the neurological, psychological, and cultural responses to sweetness. The Companion also delves into the darker side of sugar, from its ties to colonialism and slavery to its addictive qualities. Celebrating sugar while acknowledging its complex history, The Oxford Companion to Sugar and Sweets is the definitive guide to one of humankind's greatest sources of pleasure. Like kids in a candy shop, fans of sugar (and aren't we all?) will enjoy perusing the wondrous variety to be found in this volume.
