Author: Peter Conrad
Publisher: Taylor & Francis
ISBN: 1040253040
Category : Literary Criticism
Languages : en
Pages : 377
Book Description
In his book Imagining America (originally published in 1980), Peter Conrad shows how the English literary imagination over the course of a century devised for itself a contradictory series of ideal or alarming Americas which it then sets out to actualize. For Mrs Trollope, Americans are unkempt brutes, throwbacks to savagery; for H. G. Wells, they are a future race of cerebral technocrats. Oscar Wilde and Rupert Brooke want to redeem them by corrupting them with the insidious gospel of art; D. H. Lawrence wants to rescue them by fomenting revolution in their stale, sterile society. For W. H. Auden, Americans are an existential people, sad citizens of a deracinated modern world, suffering from anxiety; for Chrsitopher Isherwood, they are bland, sun-tanned Oriental angels. But there is a logic to the succession of these images, which Peter Conrads’s narrative follows. The Victorians are disturbed by America because it is not yet a society and lacks the upholstery of manners. Their modern successors, however, praise it for this very disability and find there a psychological, mystical or even psychedelic freedom denied to them by the Europe they have left behind. Imagining America is stimulating both as cultural history and literary criticism. Superbly written, it presents an argumentative tour de force in a style that is witty and diverting.
Imagining Niagara
Author: Patrick McGreevy
Publisher: Amherst : University of Massachusetts Press
ISBN:
Category : History
Languages : en
Pages : 222
Book Description
Niagara Falls was a lightning rod for nineteenth-century enthusiasms. Although travelers came to the falls to experience a place they considered outside the world of their ordinary lives, they brought with them their contemporary concerns. Many tourists were obsessed with the mysteries of death, others with scientific or religious speculation. The way they imagined Niagara Falls found expression in a torrent of writings and images that took a variety of forms. Patrick McGreevy begins with the question, What can these visions of Niagara tell us about the place itself? The landscape surrounding the falls contains not only parks and religious shrines but also circuses, horror museums, and factories. People travel to Niagara not only to experience nature but also to celebrate marriages or commit suicide. One way to make sense of these bizarre "human accumulations", as H. G. Wells called them, is to take seriously the Niagaras people have imagined. This book focuses on four interlocking themes that recur time and again in descriptions of the falls: Niagara as a thing imagined from afar, as a metaphor for death, as an embodiment of nature, and as a focus of future events. Using the skills of a cultural geographer, McGreevy discovers some surprising connections between the Niagara people have imagined and the one they made, between its natural grandeur and its industrial exploitation, between Frederick Law Olmsted's Reservation and the Love Canal.
Publisher: Amherst : University of Massachusetts Press
ISBN:
Category : History
Languages : en
Pages : 222
Book Description
Niagara Falls was a lightning rod for nineteenth-century enthusiasms. Although travelers came to the falls to experience a place they considered outside the world of their ordinary lives, they brought with them their contemporary concerns. Many tourists were obsessed with the mysteries of death, others with scientific or religious speculation. The way they imagined Niagara Falls found expression in a torrent of writings and images that took a variety of forms. Patrick McGreevy begins with the question, What can these visions of Niagara tell us about the place itself? The landscape surrounding the falls contains not only parks and religious shrines but also circuses, horror museums, and factories. People travel to Niagara not only to experience nature but also to celebrate marriages or commit suicide. One way to make sense of these bizarre "human accumulations", as H. G. Wells called them, is to take seriously the Niagaras people have imagined. This book focuses on four interlocking themes that recur time and again in descriptions of the falls: Niagara as a thing imagined from afar, as a metaphor for death, as an embodiment of nature, and as a focus of future events. Using the skills of a cultural geographer, McGreevy discovers some surprising connections between the Niagara people have imagined and the one they made, between its natural grandeur and its industrial exploitation, between Frederick Law Olmsted's Reservation and the Love Canal.
Imagining America
Author: Peter Conrad
Publisher: Taylor & Francis
ISBN: 1040253040
Category : Literary Criticism
Languages : en
Pages : 377
Book Description
In his book Imagining America (originally published in 1980), Peter Conrad shows how the English literary imagination over the course of a century devised for itself a contradictory series of ideal or alarming Americas which it then sets out to actualize. For Mrs Trollope, Americans are unkempt brutes, throwbacks to savagery; for H. G. Wells, they are a future race of cerebral technocrats. Oscar Wilde and Rupert Brooke want to redeem them by corrupting them with the insidious gospel of art; D. H. Lawrence wants to rescue them by fomenting revolution in their stale, sterile society. For W. H. Auden, Americans are an existential people, sad citizens of a deracinated modern world, suffering from anxiety; for Chrsitopher Isherwood, they are bland, sun-tanned Oriental angels. But there is a logic to the succession of these images, which Peter Conrads’s narrative follows. The Victorians are disturbed by America because it is not yet a society and lacks the upholstery of manners. Their modern successors, however, praise it for this very disability and find there a psychological, mystical or even psychedelic freedom denied to them by the Europe they have left behind. Imagining America is stimulating both as cultural history and literary criticism. Superbly written, it presents an argumentative tour de force in a style that is witty and diverting.
Publisher: Taylor & Francis
ISBN: 1040253040
Category : Literary Criticism
Languages : en
Pages : 377
Book Description
In his book Imagining America (originally published in 1980), Peter Conrad shows how the English literary imagination over the course of a century devised for itself a contradictory series of ideal or alarming Americas which it then sets out to actualize. For Mrs Trollope, Americans are unkempt brutes, throwbacks to savagery; for H. G. Wells, they are a future race of cerebral technocrats. Oscar Wilde and Rupert Brooke want to redeem them by corrupting them with the insidious gospel of art; D. H. Lawrence wants to rescue them by fomenting revolution in their stale, sterile society. For W. H. Auden, Americans are an existential people, sad citizens of a deracinated modern world, suffering from anxiety; for Chrsitopher Isherwood, they are bland, sun-tanned Oriental angels. But there is a logic to the succession of these images, which Peter Conrads’s narrative follows. The Victorians are disturbed by America because it is not yet a society and lacks the upholstery of manners. Their modern successors, however, praise it for this very disability and find there a psychological, mystical or even psychedelic freedom denied to them by the Europe they have left behind. Imagining America is stimulating both as cultural history and literary criticism. Superbly written, it presents an argumentative tour de force in a style that is witty and diverting.
The Economy of Icons
Author: Ernest Sternberg
Publisher: Bloomsbury Publishing USA
ISBN: 1567509444
Category : Business & Economics
Languages : en
Pages : 190
Book Description
Though many still think that we live in an information economy, Ernest Sternberg asserts that the driving force in 21st-century capitalism is not information, but image. Through studies of food processing, real estate development, tourism, movies, and labor performances, he examines how businesses endow products with evocative meaning. It has become common wisdom that we live in a postindustrial information society in which data and calculation underlie wealth. But now that information is as routinely produced as industrial or agricultural goods, businesses are discovering that they best achieve competitive advantage by producing what consumers most dearly seek—personal meaning. The 21st-century economy produces just that: not merely information, but evocative images; not just commodities, but meaning-laden icons. As Sternberg shows, foods now appeal through their sensuality and nostalgia; houses and stores draw customers through their exoticism; people sell their labor through the deliberate performance of the self for the market; and tourist destinations offer up carefully crafted thematic experiences. Whereas farms, factories, and information processors once stood at the core of the economy, now movie studios do, producing the product valued above all, meaningful content, from which downstream firms acquire the themes that animate desire. Now that meaning pervades production, Sternberg argues, modes of inquiry once reserved for the humanities make sense in the study of the economy. Drawing on art history and aesthetics, he introduces iconography as a mode of cultural analysis adapted to the study of commercial production. Through comparative studies of diverse economic sectors, ranging from food processing to tourism, Sternberg carries out an iconographic analysis of the new economy. This is a provocative study for scholars, students, and professionals dealing with marketing and consumer research, culture and media studies, socio-economics, and economic geography.
Publisher: Bloomsbury Publishing USA
ISBN: 1567509444
Category : Business & Economics
Languages : en
Pages : 190
Book Description
Though many still think that we live in an information economy, Ernest Sternberg asserts that the driving force in 21st-century capitalism is not information, but image. Through studies of food processing, real estate development, tourism, movies, and labor performances, he examines how businesses endow products with evocative meaning. It has become common wisdom that we live in a postindustrial information society in which data and calculation underlie wealth. But now that information is as routinely produced as industrial or agricultural goods, businesses are discovering that they best achieve competitive advantage by producing what consumers most dearly seek—personal meaning. The 21st-century economy produces just that: not merely information, but evocative images; not just commodities, but meaning-laden icons. As Sternberg shows, foods now appeal through their sensuality and nostalgia; houses and stores draw customers through their exoticism; people sell their labor through the deliberate performance of the self for the market; and tourist destinations offer up carefully crafted thematic experiences. Whereas farms, factories, and information processors once stood at the core of the economy, now movie studios do, producing the product valued above all, meaningful content, from which downstream firms acquire the themes that animate desire. Now that meaning pervades production, Sternberg argues, modes of inquiry once reserved for the humanities make sense in the study of the economy. Drawing on art history and aesthetics, he introduces iconography as a mode of cultural analysis adapted to the study of commercial production. Through comparative studies of diverse economic sectors, ranging from food processing to tourism, Sternberg carries out an iconographic analysis of the new economy. This is a provocative study for scholars, students, and professionals dealing with marketing and consumer research, culture and media studies, socio-economics, and economic geography.
The Yankee Road
Author: James D. McNiven
Publisher: Wheatmark, Inc.
ISBN: 1627871411
Category : History
Languages : en
Pages : 579
Book Description
Publisher: Wheatmark, Inc.
ISBN: 1627871411
Category : History
Languages : en
Pages : 579
Book Description
Lockport
Author: Kathleen L. Riley
Publisher: Arcadia Publishing
ISBN: 1439614105
Category : Photography
Languages : en
Pages : 166
Book Description
From its beginnings in the early 19th century at the site where art triumphed over nature, when the Erie Canals Flight of Five locks was one of the wonders of the world, Lockport burst almost overnight into a thriving community that eventually outgrew the canal that gave it life. After many years of challenge and change, the city now looks to its glorious past to ensure its future.
Publisher: Arcadia Publishing
ISBN: 1439614105
Category : Photography
Languages : en
Pages : 166
Book Description
From its beginnings in the early 19th century at the site where art triumphed over nature, when the Erie Canals Flight of Five locks was one of the wonders of the world, Lockport burst almost overnight into a thriving community that eventually outgrew the canal that gave it life. After many years of challenge and change, the city now looks to its glorious past to ensure its future.
Household Gods
Author: Sara Georgini
Publisher: Oxford University Press
ISBN: 0190882581
Category : History
Languages : en
Pages : 297
Book Description
The Providence of John and Abigail Adams -- John Quincy and Louisa Catherine Adams at prayer -- Charles Francis Adams on pilgrimage -- The cosmopolitan Christianity of Henry Adams -- Higher than a city upon a hill.
Publisher: Oxford University Press
ISBN: 0190882581
Category : History
Languages : en
Pages : 297
Book Description
The Providence of John and Abigail Adams -- John Quincy and Louisa Catherine Adams at prayer -- Charles Francis Adams on pilgrimage -- The cosmopolitan Christianity of Henry Adams -- Higher than a city upon a hill.
Building on a Borrowed Past
Author: Sally J. Southwick
Publisher: Ohio University Press
ISBN: 0821416170
Category : Group identity
Languages : en
Pages : 225
Book Description
Annotation "A highly original study that is of particular importance as communities across the United States and elsewhere explore heritage tourism as a way to boost local economies, Sally J. Southwick's book Building on a Borrowed Past: Place and Identity in Pipestone, Minnesota demonstrates how small-town citizens and boosters contributed to the generic image of "the Indian" in American culture and describes the process of one culture absorbing the heritage of another for civic advantage."--BOOK JACKET. Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Publisher: Ohio University Press
ISBN: 0821416170
Category : Group identity
Languages : en
Pages : 225
Book Description
Annotation "A highly original study that is of particular importance as communities across the United States and elsewhere explore heritage tourism as a way to boost local economies, Sally J. Southwick's book Building on a Borrowed Past: Place and Identity in Pipestone, Minnesota demonstrates how small-town citizens and boosters contributed to the generic image of "the Indian" in American culture and describes the process of one culture absorbing the heritage of another for civic advantage."--BOOK JACKET. Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Newlyweds on Tour
Author: Barbara Penner
Publisher: UPNE
ISBN: 9781584657736
Category : Architecture
Languages : en
Pages : 320
Book Description
An original, richly illustrated analysis of American honeymooning, 1820-1900, that offers fresh insights into the intersecting histories of tourism, consumerism, sentiment, sexuality, and conjugality
Publisher: UPNE
ISBN: 9781584657736
Category : Architecture
Languages : en
Pages : 320
Book Description
An original, richly illustrated analysis of American honeymooning, 1820-1900, that offers fresh insights into the intersecting histories of tourism, consumerism, sentiment, sexuality, and conjugality
North of Empire
Author: Jody Berland
Publisher: Duke University Press
ISBN: 0822388669
Category : Social Science
Languages : en
Pages : 404
Book Description
For nearly two decades, Jody Berland has been a leading voice in cultural studies and the field of communications. In North of Empire, she brings together and reflects on ten of her pioneering essays. Demonstrating the importance of space to understanding culture, Berland investigates how media technologies have shaped locality, territory, landscape, boundary, nature, music, and time. Her analysis begins with the media landscape of Canada, a country that offers a unique perspective for apprehending the power of media technologies to shape subjectivities and everyday lives, and to render territorial borders both more and less meaningful. Canada is a settler nation and world power often dwarfed by the U.S. cultural juggernaut. It possesses a voluminous archive of inquiry on culture, politics, and the technologies of space. Berland revisits this tradition in the context of a rich interdisciplinary study of contemporary media culture. Berland explores how understandings of space and time, empire and margin, embodiment and technology, and nature and culture are shaped by broadly conceived communications technologies including pianos, radio, television, the Web, and satellite imaging. Along the way, she provides a useful overview of the assumptions driving communications research on both sides of the U.S.-Canadian border, and she highlights the distinctive contributions of the Canadian communication theorists Harold Innis and Marshall McLuhan. Berland argues that electronic mediation is central to the construction of social space and therefore to anti-imperialist critique. She illuminates crucial links between how space is traversed, how it is narrated, and how it is used. Making an important contribution to scholarship on globalization, Berland calls for more sophisticated accounts of media and cultural technologies and their complex “geographies of influence.”
Publisher: Duke University Press
ISBN: 0822388669
Category : Social Science
Languages : en
Pages : 404
Book Description
For nearly two decades, Jody Berland has been a leading voice in cultural studies and the field of communications. In North of Empire, she brings together and reflects on ten of her pioneering essays. Demonstrating the importance of space to understanding culture, Berland investigates how media technologies have shaped locality, territory, landscape, boundary, nature, music, and time. Her analysis begins with the media landscape of Canada, a country that offers a unique perspective for apprehending the power of media technologies to shape subjectivities and everyday lives, and to render territorial borders both more and less meaningful. Canada is a settler nation and world power often dwarfed by the U.S. cultural juggernaut. It possesses a voluminous archive of inquiry on culture, politics, and the technologies of space. Berland revisits this tradition in the context of a rich interdisciplinary study of contemporary media culture. Berland explores how understandings of space and time, empire and margin, embodiment and technology, and nature and culture are shaped by broadly conceived communications technologies including pianos, radio, television, the Web, and satellite imaging. Along the way, she provides a useful overview of the assumptions driving communications research on both sides of the U.S.-Canadian border, and she highlights the distinctive contributions of the Canadian communication theorists Harold Innis and Marshall McLuhan. Berland argues that electronic mediation is central to the construction of social space and therefore to anti-imperialist critique. She illuminates crucial links between how space is traversed, how it is narrated, and how it is used. Making an important contribution to scholarship on globalization, Berland calls for more sophisticated accounts of media and cultural technologies and their complex “geographies of influence.”
Beyond Walls: Re-inventing the Canada-United States Borderlands
Author: Victor Konrad
Publisher: Routledge
ISBN: 1351955454
Category : Social Science
Languages : en
Pages : 414
Book Description
September 11, 2001 marked the beginning of a new era of security imperatives for many countries. The border between Canada and the United States suddenly emerged from relative obscurity to become a focus of constant attention by media, federal and state/provincial governments on both sides of the boundary, and the public at large. This book provides a comprehensive examination of the Canada-USA border in its 21st century form, placing it within the context of border and borderlands theory, globalization and the changing geopolitical dialogue. It argues that this border has been reinvented as a 'state of the art', technology-steeped crossing system, while the image of the border has been engineered to appear consistent with the 'friendly' border of the past. It shows how a border can evolve to a heightened level of security and yet continue to function well, sustaining the massive flow of trade. It argues whether, in doing so, the US-Canada border offers a model for future borderlands. Although this model is still evolving and still aspires toward better management practices, the template may prove useful, not only for North America, but also in conflict border zones as well as the meshed border regions of the EU, Africa's artificial line boundaries and other global situations.
Publisher: Routledge
ISBN: 1351955454
Category : Social Science
Languages : en
Pages : 414
Book Description
September 11, 2001 marked the beginning of a new era of security imperatives for many countries. The border between Canada and the United States suddenly emerged from relative obscurity to become a focus of constant attention by media, federal and state/provincial governments on both sides of the boundary, and the public at large. This book provides a comprehensive examination of the Canada-USA border in its 21st century form, placing it within the context of border and borderlands theory, globalization and the changing geopolitical dialogue. It argues that this border has been reinvented as a 'state of the art', technology-steeped crossing system, while the image of the border has been engineered to appear consistent with the 'friendly' border of the past. It shows how a border can evolve to a heightened level of security and yet continue to function well, sustaining the massive flow of trade. It argues whether, in doing so, the US-Canada border offers a model for future borderlands. Although this model is still evolving and still aspires toward better management practices, the template may prove useful, not only for North America, but also in conflict border zones as well as the meshed border regions of the EU, Africa's artificial line boundaries and other global situations.