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Author: Michael Hollington
Publisher: Cambridge Scholars Publishing
ISBN: 1443824615
Category : Literary Criticism
Languages : en
Pages : 280
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Book Description
This book is a companion volume to Dickens and Italy, edited by Michael Hollington and Francesca Orestano, which aimed to fill an important gap in our understanding of England’s paramount novelist by studying his personal, political and literary relation to the foreign country he loved best of all of those he visited. Its focus is wider and its scope more ambitious and speculative. Without in any way leaving Dickens or his writings about Italy behind, the attempt here is to approach the Victorian fascination with that country from a broader, more theoretical perspective in which several current debates about travel writing are taken up and critically redeployed. The book is articulated in three parts. Part One concerns what the writings of Dickens and other Victorians can tell us about the history and theory of travel and travel writing, and Part Two, what they can tell us about particular Victorian writers themselves and their work. In Part Three the focus shifts in order to compare writing and visual representations of the experience of ‘abroad’ in general and Italy in particular, in an era when what can be thought of as modern visual culture is gradually taking shape. The book aims to show that the study of how Victorians imagined Italy can lead to a deeper understanding of some of the stereotypes that continue to inform contemporary tourism.
Author: Michael Hollington
Publisher: Cambridge Scholars Publishing
ISBN: 1443824615
Category : Literary Criticism
Languages : en
Pages : 280
Get Book Here
Book Description
This book is a companion volume to Dickens and Italy, edited by Michael Hollington and Francesca Orestano, which aimed to fill an important gap in our understanding of England’s paramount novelist by studying his personal, political and literary relation to the foreign country he loved best of all of those he visited. Its focus is wider and its scope more ambitious and speculative. Without in any way leaving Dickens or his writings about Italy behind, the attempt here is to approach the Victorian fascination with that country from a broader, more theoretical perspective in which several current debates about travel writing are taken up and critically redeployed. The book is articulated in three parts. Part One concerns what the writings of Dickens and other Victorians can tell us about the history and theory of travel and travel writing, and Part Two, what they can tell us about particular Victorian writers themselves and their work. In Part Three the focus shifts in order to compare writing and visual representations of the experience of ‘abroad’ in general and Italy in particular, in an era when what can be thought of as modern visual culture is gradually taking shape. The book aims to show that the study of how Victorians imagined Italy can lead to a deeper understanding of some of the stereotypes that continue to inform contemporary tourism.
Author: Lauro Martines
Publisher: Taylor & Francis
ISBN: 9780801836435
Category : History
Languages : en
Pages : 406
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Book Description
In Power and Imagination, a noted historian rethinks the evolution of the city-state in Renaissance Italy and recasts the conventional distinction between "society" and "culture." Martines traces the growth of commerce and the evolution of governments; he describes the attitudes, pleasures, and rituals of the ruling elite; and he seeks to understand the period's towering works of the imagination in literature, painting, city planning, and philosophy-not simply as the creations of individual artists, but as the forman expression of the ambitions and egos of those in power.
Author: Axel Körner
Publisher: Princeton University Press
ISBN: 0691164851
Category : History
Languages : en
Pages : 371
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Book Description
America in Italy examines the influence of the American political experience on the imagination of Italian political thinkers between the late eighteenth century and the unification of Italy in the 1860s. Axel Körner shows how Italian political thought was shaped by debates about the American Revolution and the U.S. Constitution, but he focuses on the important distinction that while European interest in developments across the Atlantic was keen, this attention was not blind admiration. Rather, America became a sounding board for the critical assessment of societal changes at home. Many Italians did not think the United States had lessons to teach them and often concluded that life across the Atlantic was not just different but in many respects also objectionable. In America, utopia and dystopia seemed to live side by side, and Italian references to the United States were frequently in support of progressive or reactionary causes. Political thinkers including Cesare Balbo, Carlo Cattaneo, Giuseppe Mazzini, and Antonio Rosmini used the United States to shed light on the course of their nation's political resurgence. Concepts from Montesquieu, Rousseau, and Vico served to evaluate what Italians discovered about America. Ideas about American "domestic manners" were reflected and conveyed through works of ballet, literature, opera, and satire. Transcending boundaries between intellectual and cultural history, America in Italy is the first book-length examination of the influence of America's political formation on modern Italian political thought.
Author: Martin A. Ruehl
Publisher: Cambridge University Press
ISBN: 1316298655
Category : Political Science
Languages : en
Pages : 343
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Book Description
Towards the end of the nineteenth century, Germany's bourgeois elites became enthralled by the civilization of Renaissance Italy. As their own country entered a phase of critical socioeconomic changes, German historians and writers reinvented the Italian Renaissance as the onset of a heroic modernity: a glorious dawn that ushered in an age of secular individualism, imbued with ruthless vitality and a neo-pagan zest for beauty. The Italian Renaissance in the German Historical Imagination is the first comprehensive account of the debates that shaped the German idea of the Renaissance in the seven decades following Jacob Burckhardt's seminal study of 1860. Based on a wealth of archival material and enhanced by more than one hundred illustrations, it provides a new perspective on the historical thought of Imperial and Weimar Germany, and the formation of a concept that is still with us today.
Author: David Saunders
Publisher: Getty Publications
ISBN: 1606067346
Category : Art
Languages : en
Pages : 260
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Book Description
Abundantly illustrated, this essential volume examines depictions of the Underworld in southern Italian vase painting and explores the religious and cultural beliefs behind them. What happens to us when we die? What might the afterlife look like? For the ancient Greeks, the dead lived on, overseen by Hades in the Underworld. We read of famous sinners, such as Sisyphus, forever rolling his rock, and the fierce guard dog Kerberos, who was captured by Herakles. For mere mortals, ritual and religion offered possibilities for ensuring a happy existence in the beyond, and some of the richest evidence for beliefs about death comes from southern Italy, where the local Italic peoples engaged with Greek beliefs. Monumental funerary vases that accompanied the deceased were decorated with consolatory scenes from myth, and around forty preserve elaborate depictions of Hades’s domain. For the first time in over four decades, these compelling vase paintings are brought together in one volume, with detailed commentaries and ample illustrations. The catalogue is accompanied by a series of essays by leading experts in the field, which provides a framework for understanding these intriguing scenes and their contexts. Topics include attitudes toward the afterlife in Greek ritual and myth, inscriptions on leaves of gold that provided guidance for the deceased; funerary practices and religious beliefs in Apulia, and the importance accorded to Orpheus and Dionysos. Drawing from a variety of textual and archaeological sources, this volume is an essential source for anyone interested in religion and belief in the ancient Mediterranean.
Author: Pierpaolo Antonello
Publisher: Routledge
ISBN: 1351563173
Category : Foreign Language Study
Languages : en
Pages : 240
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Book Description
No other European country experienced the disruption of political and everyday life suffered by Italy in the so-called 'years of lead' (1969-c.1983), when there were more than 12,000 incidents of terrorist violence. This experience affected all aspects of Italian cultural life, shaping political, judicial and everyday language as well as artistic representation of every kind. In this innovative and broad-ranging study, experts from the fields of philosophy, history, media, law, cinema, theatre and literary studies trace how the experience and legacies of terrorism have determined the form and content of Italian cultural production and shaped the country's way of thinking about such events?
Author: David Lummus
Publisher: Cambridge University Press
ISBN: 1108839452
Category : History
Languages : en
Pages : 277
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Book Description
Shows how medieval Italian poets viewed their authorship of poetry as a function of their engagement in a human community.
Author: Ian J. Bickerton
Publisher: Springer Nature
ISBN: 303136421X
Category : History
Languages : en
Pages : 354
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Book Description
It is almost impossible to imagine the United States without making reference to Italy. There is scarcely any aspect of American culture untouched by Italy—its history, art, architecture, fashion, film, music, the mafia, or even more viscerally its food. Italy occupies a space of near mythical proportion in the American imagination. When many Americans think of, or dream about and imagine, the good life, how and where they would like to live, they think most often of Italy; the beauty, the life-style, the romance, the excitement and sense of adventure that Italy offers. By looking at the fluid and multi-dimensional imaginative interactions Americans have with Italian culture and society, this comprehensive and robust volume offers a new and novel way of exploring the influence of Italy upon the United States. University of New South Wales historian Ian James Bickerton argues that if we wish to understand the United States, and how Americans define themselves and their nation, it is vital to examine how they imagine themselves, and he demonstrates that throughout U.S. history one of the most powerful stimulants shaping the imaginary world of Americans has been Italy.
Author: LAURA. GIANNETTI
Publisher:
ISBN: 9789463728034
Category :
Languages : en
Pages :
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Book Description
As the long sixteenth century came to a close, new positive ideas of gusto/taste opened a rich counter vision of food and taste where material practice, sensory perceptions and imagination contended with traditional social values, morality, and dietetic/medical discourse. Exploring the complex and evocative ways the early modern Italian culture of food was imagined in the literature of the time, Food Culture and the Literary Imagination in Early Modern Italy reveals that while a moral and disciplinary vision tried to control the discourse on food and eating in medical and dietetic treatises of the sixteenth century and prescriptive literature, a wide range of literary works contributed to a revolution in eating and taste. In the process long held visions of food and eating, as related to social order and hierarchy, medicine, sexuality and gender, religion and morality, pleasure and the senses, were questioned, tested and overturned, and eating and its pleasures would never be the same.
Author: Maura O'Connor
Publisher: Palgrave Macmillan
ISBN: 9780312210861
Category : History
Languages : en
Pages : 246
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Book Description
In blurring the boundaries between fact and fiction, diplomats and travellers, English nation and Italian nation, Maura O'Connor shows us the extent to which imagination, pleasure and politics were intimately interwoven in her story of the English middle-class fascination with the Italian peninsula from the early 1800s through to the 1860s. O'Connor uses a variety of sources, ranging from travel writings and the popular press to diplomatic dispatches and official correspondence, to illustrate how influential the romance of Italy was to the bourgeois, liberal, and above all English social order during a time when class society was undergoing reconfiguration. Her use of the collective imagination as a crucial historical tool, and her emphasis on narrative as a means not only to read texts but also to understand political sources such as diplomatic documents as reflections of culture, ensures that this book breaks new ground and defies conventional categorization. Also included are the unique assertions that the concepts of Englishness and 'England' were conceived in anything but isolation, and that neither high politics nor foreign policy may be viewed as domains separate from the forces of cultural imagination and production.
