Author: Lloyd Baugh
Publisher: Communication, Culture, and Religion
ISBN:
Category : Performing Arts
Languages : en
Pages : 372
Book Description
Baugh traces the development of the Jesus-film and through critical film and theological analysis show us the limitations of this genre. Baugh analyzes several important and often prize-winning films showing how each film-maker has created a valid and often complex and challenging metaphor of the Christ-event. He questions many of the traditional approaches to religious film, and offers a new approach and new criteria for the appreciation and judgment of these films.
Imaging the Divine
Author: Lloyd Baugh
Publisher: Communication, Culture, and Religion
ISBN:
Category : Performing Arts
Languages : en
Pages : 372
Book Description
Baugh traces the development of the Jesus-film and through critical film and theological analysis show us the limitations of this genre. Baugh analyzes several important and often prize-winning films showing how each film-maker has created a valid and often complex and challenging metaphor of the Christ-event. He questions many of the traditional approaches to religious film, and offers a new approach and new criteria for the appreciation and judgment of these films.
Publisher: Communication, Culture, and Religion
ISBN:
Category : Performing Arts
Languages : en
Pages : 372
Book Description
Baugh traces the development of the Jesus-film and through critical film and theological analysis show us the limitations of this genre. Baugh analyzes several important and often prize-winning films showing how each film-maker has created a valid and often complex and challenging metaphor of the Christ-event. He questions many of the traditional approaches to religious film, and offers a new approach and new criteria for the appreciation and judgment of these films.
Re-Imaging Election
Author: Suzanne McDonald
Publisher: Wm. B. Eerdmans Publishing
ISBN: 0802864082
Category : Religion
Languages : en
Pages : 234
Book Description
Revision of author's thesis (Ph. D.)--University of St Andrews, 2006 under title: Re-imaging election: the Holy Spirit and the dynamic of election to representation.
Publisher: Wm. B. Eerdmans Publishing
ISBN: 0802864082
Category : Religion
Languages : en
Pages : 234
Book Description
Revision of author's thesis (Ph. D.)--University of St Andrews, 2006 under title: Re-imaging election: the Holy Spirit and the dynamic of election to representation.
Imagining the Divine
Author: Jaś Elsner
Publisher: Ashmolean Museum Oxford
ISBN: 9781910807187
Category : Art
Languages : en
Pages : 0
Book Description
Religion has always been a fundamental force for constructing identity, from antiquity to the contemporary world. The transformation of ancient cults into faith systems, which we recognise now as major world religions, took place in the first millennium AD, in the period we call 'Late Antiquity'. Our argument is that the creative impetus for both the emergence, and much of the visual distinctiveness of the world religions came in contexts of cultural encounter. Bridging the traditional divide between classical, Asian, Islamic and Western history, this exhibition and its accompanying catalogue highlights religious and artistic creativity at points of contact and cultural borders between late antique civilisations. This catalogue features the creation of specific visual languages that belong to four major world religions: Christianity, Judaism, Buddhism and Islam. The imagery still used by these belief systems today is evidence for the development of distinct religious identities in Late Antiquity. Emblematic visual forms like the figure of Buddha and Christ, or Islamic aniconism, only evolved in dialogue with a variety of coexisting visualisations of the sacred.0As late antique believers appropriated some competing models and rejected others, they created compelling and long-lived representations of faith, but also revealed their indebtedness to a multitude of contemporaneous religious ideas and images. 00Exhibition: Ashmolean Museum, Oxford, UK (19.10.2017-18.02.2018).
Publisher: Ashmolean Museum Oxford
ISBN: 9781910807187
Category : Art
Languages : en
Pages : 0
Book Description
Religion has always been a fundamental force for constructing identity, from antiquity to the contemporary world. The transformation of ancient cults into faith systems, which we recognise now as major world religions, took place in the first millennium AD, in the period we call 'Late Antiquity'. Our argument is that the creative impetus for both the emergence, and much of the visual distinctiveness of the world religions came in contexts of cultural encounter. Bridging the traditional divide between classical, Asian, Islamic and Western history, this exhibition and its accompanying catalogue highlights religious and artistic creativity at points of contact and cultural borders between late antique civilisations. This catalogue features the creation of specific visual languages that belong to four major world religions: Christianity, Judaism, Buddhism and Islam. The imagery still used by these belief systems today is evidence for the development of distinct religious identities in Late Antiquity. Emblematic visual forms like the figure of Buddha and Christ, or Islamic aniconism, only evolved in dialogue with a variety of coexisting visualisations of the sacred.0As late antique believers appropriated some competing models and rejected others, they created compelling and long-lived representations of faith, but also revealed their indebtedness to a multitude of contemporaneous religious ideas and images. 00Exhibition: Ashmolean Museum, Oxford, UK (19.10.2017-18.02.2018).
Imaging God
Author: Douglas John Hall
Publisher: Wipf and Stock Publishers
ISBN: 1592445802
Category : Religion
Languages : en
Pages : 257
Book Description
The deterioration of our natural environment under the impact of a rampant technological society is one of the major crises of our time. For many analysts, a primary cause of this crisis is the influence on Western culture of the Judaeo-Christian concept of the human being as having dominion over the rest of creation. In this book, Douglas John Hall does not attempt to exonerate historical Christianity from that charge. But, he argues, confession alone is not enough. The crisis of nature forces us to rethink our whole understanding of the relation between humanity and nature - an understanding that is based on the concept that human beings are created in the image of God ('imago Dei'). Hall carefully examines the biblical, historical, and theological meanings of this term, which, more than any other biblical expression, became Christianity's symbolic way of designating the essence of the human. Hall argues that the image of God is not an endowment - it is not something that human beings have; rather, it is a quality that pertains to our relationship with God. We should think of 'imago' as a verb, not a noun, he says. The human vocation within the created order is to image the Creator. When this is applied in a consistent and serious way, the idea of human dominion over all of nature must be radically reinterpreted. Taking the Lordship of Jesus as an authentic model for understanding our human relation to the natural order means that dominion is expressed not as mastery but as service - sacrificial service of the others with and for whom one is responsible. Thus the concept of dominion as stewardship eschews any idea of ownership or superiority in relation to nature, yet assumes a special accountability for its welfare. A provocative and original work, Hall's book retains the biblical centrality of 'homo sapiens' while at the same time raising both nature and God to a new kind of prominence in the dialogue that is life.
Publisher: Wipf and Stock Publishers
ISBN: 1592445802
Category : Religion
Languages : en
Pages : 257
Book Description
The deterioration of our natural environment under the impact of a rampant technological society is one of the major crises of our time. For many analysts, a primary cause of this crisis is the influence on Western culture of the Judaeo-Christian concept of the human being as having dominion over the rest of creation. In this book, Douglas John Hall does not attempt to exonerate historical Christianity from that charge. But, he argues, confession alone is not enough. The crisis of nature forces us to rethink our whole understanding of the relation between humanity and nature - an understanding that is based on the concept that human beings are created in the image of God ('imago Dei'). Hall carefully examines the biblical, historical, and theological meanings of this term, which, more than any other biblical expression, became Christianity's symbolic way of designating the essence of the human. Hall argues that the image of God is not an endowment - it is not something that human beings have; rather, it is a quality that pertains to our relationship with God. We should think of 'imago' as a verb, not a noun, he says. The human vocation within the created order is to image the Creator. When this is applied in a consistent and serious way, the idea of human dominion over all of nature must be radically reinterpreted. Taking the Lordship of Jesus as an authentic model for understanding our human relation to the natural order means that dominion is expressed not as mastery but as service - sacrificial service of the others with and for whom one is responsible. Thus the concept of dominion as stewardship eschews any idea of ownership or superiority in relation to nature, yet assumes a special accountability for its welfare. A provocative and original work, Hall's book retains the biblical centrality of 'homo sapiens' while at the same time raising both nature and God to a new kind of prominence in the dialogue that is life.
Savior on the Silver Screen
Author: Richard C. Stern
Publisher: Paulist Press
ISBN: 9780809138555
Category : Performing Arts
Languages : en
Pages : 376
Book Description
Savior on the Silver Screen examines nine movies about the life of Jesus - ranging from the traditional to the provocativeand explores how the image of Jesus in each reflects the time and culture in which the film was produced. The selections encompass silent, foreign, epic, and musical films. Both entertaining and insightful, Savior on the Silver Screen is structured for easy use in classroom, small group, and individual settings and includes rental information and practical tips for using the book. For each film there is an introduction, pre-viewing and post-viewing questions, and a discussion of its major features. -- Provided by publisher.
Publisher: Paulist Press
ISBN: 9780809138555
Category : Performing Arts
Languages : en
Pages : 376
Book Description
Savior on the Silver Screen examines nine movies about the life of Jesus - ranging from the traditional to the provocativeand explores how the image of Jesus in each reflects the time and culture in which the film was produced. The selections encompass silent, foreign, epic, and musical films. Both entertaining and insightful, Savior on the Silver Screen is structured for easy use in classroom, small group, and individual settings and includes rental information and practical tips for using the book. For each film there is an introduction, pre-viewing and post-viewing questions, and a discussion of its major features. -- Provided by publisher.
Salvation from Cinema
Author: Crystal Downing
Publisher: Routledge
ISBN: 1317429206
Category : Religion
Languages : en
Pages : 205
Book Description
Salvation from Cinema offers something new to the burgeoning field of "religion and film": the religious significance of film technique. Discussing the history of both cinematic devices and film theory, Crystal Downing argues that attention to the material medium echoes Christian doctrine about the materiality of Christ’s body as the medium of salvation. Downing cites Jewish, Muslim, Buddhist, and Hindu perspectives on film in order to compare and clarify the significance of medium within the frameworks of multiple traditions. This book will be useful to professors and students interested in the relationship between religion and film.
Publisher: Routledge
ISBN: 1317429206
Category : Religion
Languages : en
Pages : 205
Book Description
Salvation from Cinema offers something new to the burgeoning field of "religion and film": the religious significance of film technique. Discussing the history of both cinematic devices and film theory, Crystal Downing argues that attention to the material medium echoes Christian doctrine about the materiality of Christ’s body as the medium of salvation. Downing cites Jewish, Muslim, Buddhist, and Hindu perspectives on film in order to compare and clarify the significance of medium within the frameworks of multiple traditions. This book will be useful to professors and students interested in the relationship between religion and film.
St. Augustine and Plotinus: the Human Mind as Image of the Divine
Author: Laela Zwollo
Publisher: BRILL
ISBN: 9004387803
Category : Religion
Languages : en
Pages : 509
Book Description
In Augustine and Plotinus: the Human Mind as Image of the Divine Laela Zwollo provides an inside view of two of the most influential thinkers of late antiquity: the Christian Augustine and the Neo-Platonist Plotinus. By exploring the finer points and paradoxes of their doctrines of the image of God (the human soul/intellect), the illustrious church father’s complex interaction with his most important non-biblical source comes into focus. In order to fathom Augustine, we should first grasp the beauty in Plotinus’ philosophy and its attractiveness to Christians. This monograph will contribute to a better understanding of the formative years of Christianity as well as later ancient philosophy. It can serve as a handbook for becoming acquainted with the two thinkers, as well as for delving into the profundity of their thought.
Publisher: BRILL
ISBN: 9004387803
Category : Religion
Languages : en
Pages : 509
Book Description
In Augustine and Plotinus: the Human Mind as Image of the Divine Laela Zwollo provides an inside view of two of the most influential thinkers of late antiquity: the Christian Augustine and the Neo-Platonist Plotinus. By exploring the finer points and paradoxes of their doctrines of the image of God (the human soul/intellect), the illustrious church father’s complex interaction with his most important non-biblical source comes into focus. In order to fathom Augustine, we should first grasp the beauty in Plotinus’ philosophy and its attractiveness to Christians. This monograph will contribute to a better understanding of the formative years of Christianity as well as later ancient philosophy. It can serve as a handbook for becoming acquainted with the two thinkers, as well as for delving into the profundity of their thought.
Through a Catholic Lens
Author: Peter Malone
Publisher: Rowman & Littlefield Publishers
ISBN: 1461718783
Category : Religion
Languages : en
Pages : 280
Book Description
Movies are often examined for subtext and dramatizations of social and psychological issues as well as current movements. Studies of well-known Catholic directors, such as Alfred Hitchcock and John Ford, have made the search for Catholic themes a reputable field of examination. Through a Catholic Lens continues the search for these themes and examines the Catholic undercurrents by studying nineteen film directors from around the world. Although these directors may or may not be practicing Catholics, their Catholic background can be found in their writing and directing. Each chapter, written by a different contributor, analyzes one film of each director for its Catholic motifs. With the recent increase of cinema studies, this collection will be of interest to students and academics as well as cinema buffs.
Publisher: Rowman & Littlefield Publishers
ISBN: 1461718783
Category : Religion
Languages : en
Pages : 280
Book Description
Movies are often examined for subtext and dramatizations of social and psychological issues as well as current movements. Studies of well-known Catholic directors, such as Alfred Hitchcock and John Ford, have made the search for Catholic themes a reputable field of examination. Through a Catholic Lens continues the search for these themes and examines the Catholic undercurrents by studying nineteen film directors from around the world. Although these directors may or may not be practicing Catholics, their Catholic background can be found in their writing and directing. Each chapter, written by a different contributor, analyzes one film of each director for its Catholic motifs. With the recent increase of cinema studies, this collection will be of interest to students and academics as well as cinema buffs.
The Re-Emergence of the Divine Feminine and Its Significance for Spiritual, Psychological and Evolutionary Growth
Author: Franceska Perot
Publisher: Universal-Publishers
ISBN: 1581123906
Category : Body, Mind & Spirit
Languages : en
Pages : 143
Book Description
For millennia a patriarchal society has ruled to the exclusion of the feminine or the Goddess who was peacefully worshipped before being completely replaced by a warrior Father God. The Goddess and hence women have been relegated to second-class citizens. The concept of woman as defined by traditional patriarchal society has disempowered the female sex and deemed them inferior. This exclusion and denigration of the divine feminine has done serious damage to women and men both individually and collectively, not to mention the damage this masculine mindset has caused to the environment through wars and other aggressive acts. In this dissertation, the history of the Goddess from the Paleolithic to the present is discussed and causes for the rise of patriarchy, such as invasions by warrior cults, the advent of language and the development of the ego are explored. Then the re-emergence of the divine feminine and its psychological, spiritual and evolutionary effects are discussed. This negative perception of the self by women is challenged by re-imaging women after the Greek Goddess archetypes: Athena, Hera, Demeter, Artemis, Aphrodite and Persephone. The Goddess archetypes are discussed in a therapeutical context as well as other therapeutical techniques such as aspecting, visualizations and women's' groups and circles. The author proposes the re-introduction of the "Sacred Marriage," a sacred ritual performed in temples since Neolithic times and in certain sects today, as a technique for therapy. This sexual ritual along with an understanding of the history of the divine feminine will have individual, collective and evolutionary effects with its use.
Publisher: Universal-Publishers
ISBN: 1581123906
Category : Body, Mind & Spirit
Languages : en
Pages : 143
Book Description
For millennia a patriarchal society has ruled to the exclusion of the feminine or the Goddess who was peacefully worshipped before being completely replaced by a warrior Father God. The Goddess and hence women have been relegated to second-class citizens. The concept of woman as defined by traditional patriarchal society has disempowered the female sex and deemed them inferior. This exclusion and denigration of the divine feminine has done serious damage to women and men both individually and collectively, not to mention the damage this masculine mindset has caused to the environment through wars and other aggressive acts. In this dissertation, the history of the Goddess from the Paleolithic to the present is discussed and causes for the rise of patriarchy, such as invasions by warrior cults, the advent of language and the development of the ego are explored. Then the re-emergence of the divine feminine and its psychological, spiritual and evolutionary effects are discussed. This negative perception of the self by women is challenged by re-imaging women after the Greek Goddess archetypes: Athena, Hera, Demeter, Artemis, Aphrodite and Persephone. The Goddess archetypes are discussed in a therapeutical context as well as other therapeutical techniques such as aspecting, visualizations and women's' groups and circles. The author proposes the re-introduction of the "Sacred Marriage," a sacred ritual performed in temples since Neolithic times and in certain sects today, as a technique for therapy. This sexual ritual along with an understanding of the history of the divine feminine will have individual, collective and evolutionary effects with its use.
Image and Presence
Author: Natalie Carnes
Publisher: Encountering Traditions
ISBN: 9781503604223
Category : Art
Languages : en
Pages : 280
Book Description
Images increasingly saturate our world, making present to us what is distant or obscure. Yet the power of images also arises from what they do not make present--from a type of absence they do not dispel. Joining a growing multidisciplinary conversation that rejects an understanding of images as lifeless objects, this book offers a theological meditation on the ways images convey presence into our world. Just as Christ negates himself in order to manifest the invisible God, images, Natalie Carnes contends, negate themselves to give more than they literally or materially are. Her Christological reflections bring iconoclasm and iconophilia into productive relation, suggesting that they need not oppose one another. Investigating such images as the biblical golden calf and paintings of the Virgin Mary, Carnes explores how to distinguish between iconoclasms that maintain fidelity to their theological intentions and those that lead to visual temptation. Offering ecumenical reflections on issues that have long divided Protestant, Catholic, and Orthodox traditions, Image and Presence provokes a fundamental reconsideration of images and of the global image crises of our time.
Publisher: Encountering Traditions
ISBN: 9781503604223
Category : Art
Languages : en
Pages : 280
Book Description
Images increasingly saturate our world, making present to us what is distant or obscure. Yet the power of images also arises from what they do not make present--from a type of absence they do not dispel. Joining a growing multidisciplinary conversation that rejects an understanding of images as lifeless objects, this book offers a theological meditation on the ways images convey presence into our world. Just as Christ negates himself in order to manifest the invisible God, images, Natalie Carnes contends, negate themselves to give more than they literally or materially are. Her Christological reflections bring iconoclasm and iconophilia into productive relation, suggesting that they need not oppose one another. Investigating such images as the biblical golden calf and paintings of the Virgin Mary, Carnes explores how to distinguish between iconoclasms that maintain fidelity to their theological intentions and those that lead to visual temptation. Offering ecumenical reflections on issues that have long divided Protestant, Catholic, and Orthodox traditions, Image and Presence provokes a fundamental reconsideration of images and of the global image crises of our time.