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Author: Peter Paret
Publisher: UNC Press Books
ISBN: 9780807823569
Category : Art
Languages : en
Pages : 168
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Book Description
For thousands of years, art has interpreted the experience of war_its methods, human costs, and moral ambiguities_and has offered historians a wealth of testimony that is only beginning to be systematically explored. In this wide-ranging study, Peter Paret discusses forty-seven paintings and prints as complex documents of war in Europe since the Renaissance and as examples of the artist's use of war as a metaphor for the human condition. The images include works by such major artists as Uccello, Géricault, and Dix as well as academic history paintings and popular prints. By setting each in its historical environment and analyzing it from the perspective of the wars of its time, illuminates the place of war in Western consciousness and expands our understanding of works that are too often approached with little concern for the reality they depict or symbolically transform. Perhaps the most significant of the themes he traces over five centuries is the gradual change from the prince or general to the common soldier and civilian victim as central figures in the interpretation of war in art.
Author: Peter Paret
Publisher: UNC Press Books
ISBN: 9780807823569
Category : Art
Languages : en
Pages : 168
Get Book Here
Book Description
For thousands of years, art has interpreted the experience of war_its methods, human costs, and moral ambiguities_and has offered historians a wealth of testimony that is only beginning to be systematically explored. In this wide-ranging study, Peter Paret discusses forty-seven paintings and prints as complex documents of war in Europe since the Renaissance and as examples of the artist's use of war as a metaphor for the human condition. The images include works by such major artists as Uccello, Géricault, and Dix as well as academic history paintings and popular prints. By setting each in its historical environment and analyzing it from the perspective of the wars of its time, illuminates the place of war in Western consciousness and expands our understanding of works that are too often approached with little concern for the reality they depict or symbolically transform. Perhaps the most significant of the themes he traces over five centuries is the gradual change from the prince or general to the common soldier and civilian victim as central figures in the interpretation of war in art.
Author: Boualem Sansal
Publisher: Europa Editions
ISBN: 1609453697
Category : Fiction
Languages : en
Pages : 202
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Book Description
A “sharply satirical” novel about an oppressive religious dictatorship and one man’s discovery of an underground resistance (Library Journal). 2015 Winner of the Le Grand Prix du Roman de l’Académie française A tribute to George Orwell’s dystopian classic 1984 and a cry of protest against totalitarianism of all kinds, Boualem Sansal’s 2084 tells the story of a near future in which religious extremists have established a caliphate that forbids autonomous thought. In the year 2084, in the kingdom of Abistan—named after the prophet Abi, earthly messenger of the god Yölah—citizens submit to a single god, demonstrating their devotion by kneeling in prayer nine times a day. Remembering the past is forbidden, and an omnipresent surveillance system instantly informs the authorities of every deviant act, thought, or idea. The kingdom is blessed and its citizens are happy, filled with purpose and piety. Those who are not—the heretics—are put to death by stoning or beheading in city squares. But Ati has met people who think differently: In ghettos and caves, hidden from the authorities, exist the last living heretics and free-thinkers of Abistan. Under their influence, Ati begins to doubt. He begins to think. Now, he will have to defend his thoughts with his life. 2084 is “a rare, powerful book, at the intersection of fable and lampoon, of satire and science fiction,” a cry of freedom, a gripping novel of ideas, and an indictment of the kind of closed-minded fundamentalism that threatens our democracies and the ideals on which they are founded (Lire). “Alison Anderson’s deft and intelligent translation [conveys] Sansal’s abhorrence of a system that controls people’s minds, while explaining that the religion was not originally evil but has been corrupted. A moving and cautionary story.” —The Times Literary Supplement “A powerful novel that celebrates resistance.” —The Guardian
Author: Alice Fahs
Publisher: Univ of North Carolina Press
ISBN: 0807899291
Category : History
Languages : en
Pages : 425
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Book Description
In this groundbreaking work of cultural history, Alice Fahs explores a little-known and fascinating side of the Civil War--the outpouring of popular literature inspired by the conflict. From 1861 to 1865, authors and publishers in both the North and the South produced a remarkable variety of war-related compositions, including poems, songs, children's stories, romances, novels, histories, and even humorous pieces. Fahs mines these rich but long-neglected resources to recover the diversity of the war's political and social meanings. Instead of narrowly portraying the Civil War as a clash between two great, white armies, popular literature offered a wide range of representations of the conflict and helped shape new modes of imagining the relationships of diverse individuals to the nation. Works that explored the war's devastating impact on white women's lives, for example, proclaimed the importance of their experiences on the home front, while popular writings that celebrated black manhood and heroism in the wake of emancipation helped readers begin to envision new roles for blacks in American life. Recovering a lost world of popular literature, The Imagined Civil War adds immeasurably to our understanding of American life and letters at a pivotal point in our history.
Author: Johanna Luggin
Publisher: Springer Nature
ISBN: 3658278595
Category : History
Languages : en
Pages : 376
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Book Description
Battle descriptions are usually seen as the raw material of the military historian, who uses them to explain why generals won or lost a given battle. This volume does not aim to contribute to this discussion; it rather approaches battle descriptions as literary texts that interact with the expectations of a given audience. Therefore literary traditions in structure, vocabulary and topics of battle descriptions should be explored. The transgression of genre-borders – also literary and fictional texts are included – and a broad comparative approach, combining evidence from the third millennium BC up to the 20th century AD, makes cultural specifics and differences more easily perceivable. Contents With contributions by Marcos Such-Guttiérrez, Pavel Čech, Hilmar Klinkott, Wolfgang Oswald, Kai Ruffing, Oliver Stoll, Martin M. Bauer, Reinhold Bichler, Christian Mileta, Simon Lentzsch, Sven Günther, Dennis Pulina, Johanna Luggin, Sonjar Koroliov, Magdalena Gronau and Martin Gronau. The Editors Dr. Johanna Luggin is a post-doc researcher in the ERC-funded project “NOSCEMUS – Nova Scientia: Early Modern Science and Latin” in Innsbruck, Austria. Dr. Sebastian Fink is a postdoctoral researcher at the Academy of Finland Centre of Excellence “Changes in Sacred Texts and Traditions”.
Author: Neil Ramsey
Publisher: Routledge
ISBN: 1351885677
Category : Literary Criticism
Languages : en
Pages : 284
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Book Description
Examining the memoirs and autobiographies of British soldiers during the Romantic period, Neil Ramsey explores the effect of these as cultural forms mediating warfare to the reading public during and immediately after the French Revolutionary and Napoleonic wars. Forming a distinct and commercially successful genre that in turn inspired the military and nautical novels that flourished in the 1830s, military memoirs profoundly shaped nineteenth-century British culture's understanding of war as Romantic adventure, establishing images of the nation's middle-class soldier heroes that would be of enduring significance through the nineteenth and twentieth centuries. As Ramsey shows, the military memoir achieved widespread acclaim and commercial success among the reading public of the late Romantic era. Ramsey assesses their influence in relation to Romantic culture's wider understanding of war writing, autobiography, and authorship and to the shifting relationships between the individual, the soldier, and the nation. The memoirs, Ramsey argues, participated in a sentimental response to the period's wars by transforming earlier, impersonal traditions of military memoirs into stories of the soldier's personal suffering. While the focus on suffering established in part a lasting strand of anti-war writing in memoirs by private soldiers, such stories also helped to foster a sympathetic bond between the soldier and the civilian that played an important role in developing ideas of a national war and functioned as a central component in a national commemoration of war.
Author: Peter Marren
Publisher: Pen and Sword
ISBN: 1848847068
Category : History
Languages : en
Pages : 447
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Book Description
A look at what world history might have been like if not for the fall of the Western Roman Empire. This is a fascinating exploration of how the history of Europe, and indeed the world, might have been different if the Western Roman Empire had survived the crises that pulled it apart in the fourth and fifth centuries. The author starts by showing how that survival and recovery might plausibly have happened if several relatively minor things had been different. He then moves on to discuss a series of scenarios which might have altered the course of subsequent history dramatically. Would the survival of a strong Western Empire have assisted the Eastern (Byzantine) Empire in halting the expansion of Islam in the Middle East and North Africa? How would the Western Roman Empire have handled the Viking threat? Could they even have exploited the Viking discovery of America and established successful colonies there? While necessarily speculative, all the scenarios are discussed within the framework of a deep understanding of the major driving forces, tensions, and trends that shaped European history and help to shed light upon them. In so doing they help us understand why things panned out as they did, as well as what might have been.
Author: Pia F. Cuneo
Publisher: BRILL
ISBN: 9004476563
Category : History
Languages : en
Pages : 310
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Book Description
Warfare, and the circumstances surrounding it, have often provided important impulses for cultural production. This book explores the relationship between warfare and image-making in the early modern period. Rather than dealing with images simply as reproductions of actual events, the volume demonstrates complex processes by which political, national and social identities are negotiated and fashioned in warfare imagery. The book analyses three main issues: the impact of war on art, the ways in which warfare imagery supports dominant ideologies, and the manner in which such imagery also constructs alternative identities. The essays offer a broad range of methodologies while dealing with a wide array of chronological, geographical and artistic materials. Historians and art historians will find this volume particularly useful in its nuanced examination of the relationship between art and history.
Author: Anthony E. Clark
Publisher: University of Washington Press
ISBN: 0295805404
Category : History
Languages : en
Pages : 242
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Book Description
One of the most violent episodes of China’s Boxer Uprising was the Taiyuan Massacre of 1900, in which rebels killed foreign missionaries and thousands of Chinese Christians. This first sustained scholarly account of the uprising to focus on Shanxi Province illuminates the religious and cultural beliefs on both sides of the conflict and shows how they came to clash. Although Franciscans were the first Catholics to settle in China, their stories have rarely been explored in accounts of Chinese Christianity. Anthony Clark remedies that exclusion and highlights the roles of Franciscan nuns and their counterparts among the Boxers—the Red Lantern girls—to argue that women’s involvement was integral on both sides of the conflict. Drawing on rich archival records and intertwining religious history with political, cultural, and environmental factors, Clark provides a fresh perspective on a pivotal encounter between China and the West.
Author: Thomas A. Chambers
Publisher: Cornell University Press
ISBN: 0801465672
Category : History
Languages : en
Pages : 249
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Book Description
Even in the midst of the Civil War, its battlefields were being dedicated as hallowed ground. Today, those sites are among the most visited places in the United States. In contrast, the battlegrounds of the Revolutionary War had seemingly been forgotten in the aftermath of the conflict in which the nation forged its independence. Decades after the signing of the Constitution, the battlefields of Yorktown, Saratoga, Fort Moultrie, Ticonderoga, Guilford Courthouse, Kings Mountain, and Cowpens, among others, were unmarked except for crumbling forts and overgrown ramparts. Not until the late 1820s did Americans begin to recognize the importance of these places. In Memories of War, Thomas A. Chambers recounts America's rediscovery of its early national history through the rise of battlefield tourism in the first half of the nineteenth century. Travelers in this period, Chambers finds, wanted more than recitations of regimental movements when they visited battlefields; they desired experiences that evoked strong emotions and leant meaning to the bleached bones and decaying fortifications of a past age. Chambers traces this impulse through efforts to commemorate Braddock's Field and Ticonderoga, the cultivated landscapes masking the violent past of the Hudson River valley, the overgrown ramparts of Southern war sites, and the scenic vistas at War of 1812 battlefields along the Niagara River. Describing a progression from neglect to the Romantic embrace of the landscape and then to ritualized remembrance, Chambers brings his narrative up to the beginning of the Civil War, during and after which the memorialization of such sites became routine, assuming significant political and cultural power in the American imagination.
Author: Elisabeth Bronfen
Publisher: Rutgers University Press
ISBN: 0813553997
Category : Performing Arts
Languages : en
Pages : 303
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Book Description
Specters of War looks at the way war has been brought to the screen in various genres and at different historical moments throughout the twentieth century and into the twenty-first. Elisabeth Bronfen asserts that Hollywood has emerged as a place where national narratives are created and circulated so that audiences can engage with fantasies, ideologies, and anxieties that take hold at a given time, only to change with the political climate. Such cultural reflection is particularly poignant when it deals with America’s traumatic history of war. The nation has no direct access to war as a horrific experience of carnage and human destruction; we understand our relation to it through images and narratives that transmit and interpret it for us. Bronfen does not discuss actual conflicts but the films by which we have come to know and remember them, including All Quiet on the Western Front, The Best Years of Our Lives, Miracle at St. Anna, The Deer Hunter, and Flags of Our Fathers. Battles and campaigns, the home front and women-who-wait narratives, war correspondents, and court martials are also explored as instruments of cultural memory. Bronfen argues that we are haunted by past wars and by cinematic re-conceptualizations of them, and reveals a national iconography of redemptive violence from which we seem unable to escape.
