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Author: Joe Raposo
Publisher: Random House Books for Young Readers
ISBN: 9780375806889
Category : Juvenile Nonfiction
Languages : en
Pages : 32
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Book Description
An illustrated version of this song celebrating the imagination.
Author: Joe Raposo
Publisher: Random House Books for Young Readers
ISBN: 9780375806889
Category : Juvenile Nonfiction
Languages : en
Pages : 32
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Book Description
An illustrated version of this song celebrating the imagination.
Author: Imagination Movers
Publisher: Hal Leonard Publishing Corporation
ISBN: 9781423485513
Category : Children's songs
Languages : en
Pages : 0
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Book Description
(Piano/Vocal/Guitar Songbook). What would happen if the Beastie Boys collaborated with Mr. Rogers? The answer is found on the Imagination Movers' critically acclaimed indie CDs Calling All Movers , Good Ideas and Eight Feet and their first national release, Juice Box Heroes . Our folio compiles 19 of their finest from the hit Disney Channel show, including: The Boom Boom Song * Brainstorming * Can You Do It? * Farm * First Day of School * I Want My Mommy (Time for Bed) * Imagination Movers Theme Song * Jump Up! * Please and Thank You * Seven Days a Week * We Can Work Together * What's in the Fridge? * and more.
Author: Roger Hansford
Publisher: Routledge
ISBN: 131713530X
Category : Music
Languages : en
Pages : 340
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Book Description
This new study of the intersection of romance novels with vocal music records a society on the cusp of modernisation, with a printing industry emerging to serve people’s growing appetites for entertainment amidst their changing views of religion and the occult. No mere diversion, fiction was integral to musical culture and together both art forms reveal key intellectual currents that circulated in the early nineteenth-century British home and were shared by many consumers. Roger Hansford explores relationships between music produced in the early 1800s for domestic consumption and the fictional genre of romance, offering a new view of romanticism in British print culture. He surveys romance novels by Ann Radcliffe, Matthew Lewis, Sir Walter Scott, James Hogg, Edward Bulwer and Charles Kingsley in the period 1790–1850, interrogating the ways that music served to create mood and atmosphere, enlivened social scenes and contributed to plot developments. He explores the connections between musical scenes in romance fiction and the domestic song literature, treating both types of source and their intersection as examples of material culture. Hansford’s intersectional reading revolves around a series of imaginative figures – including the minstrel, fairies, mermaids, ghosts, and witches, and Christians engaged both in virtue and vice – the identities of which remained consistent as influence passed between the art forms. While romance authors quoted song lyrics and included musical descriptions and characters, their novels recorded and modelled the performance of songs by the middle and upper classes, influencing the work of composers and the actions of performers who read romance fiction.
Author: Kendra Haloviak Valentine
Publisher: Wipf and Stock Publishers
ISBN: 1498204899
Category : Religion
Languages : en
Pages : 228
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Book Description
Rather than representing the book of Revelation as a single "apocalyptic" genre, Kendra Haloviak Valentine demonstrates that the work in fact reflects several genres--apocalyptic, prophetic and liturgical--within the overall framework of an epistle. This study focuses on the sixteen hymns, a largely neglected part of the literary construction of the work. Responding to the insight of Mikhail Bakhtin that literary genres carry ways of thinking about the world, this important study calls attention to the multiple voices within the text that need to be heard--voices that soften the book's transcendent, future focus so that it is not allowed complete dominance. Hymns, as the sites of colliding and collaborating genres, engage the reader. Worlds at War, Nations in Song explores the role of these liturgical elements within the moral enterprise to suggest that the book of Revelation provides readers with a moral vision linking the future with the present. Readers are called to respond in worship and witness. By calling attention to the multiple voices within Revelation, Haloviak Valentine demonstrates the invalidity of seeking "one" correct interpretation. Recognizing this dialogic approach may help prevent the misinterpretations that led to such tragedies as Waco and Jonestown.
Author: Simon Jarvis
Publisher: Cambridge University Press
ISBN: 9781139462662
Category : Literary Criticism
Languages : en
Pages : 300
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Book Description
Wordsworth wrote that he longed to compose 'some philosophic Song/Of Truth that cherishes our daily life'. Yet he never finished The Recluse, his long philosophical poem. Simon Jarvis argues that Wordsworth's aspiration to 'philosophic song' is central to his greatness, and changed the way English poetry was written. Some critics see Wordworth as a systematic thinker, while for others he is a poet first, and a thinker only (if at all) second. Jarvis shows instead how essential both philosophy and the 'song' of poetry were to Wordsworth's achievement. Drawing on advanced work in continental philosophy and social theory to address the ideological attacks which have dominated much recent commentary, Jarvis reads Wordsworth's writing both critically and philosophically, to show how Wordsworth thinks through and in verse. This study rethinks the relation between poetry and society itself by analysing the tensions between thinking philosophically and writing poetry.
Author: C. Randall Bradley
Publisher: Wm. B. Eerdmans Publishing
ISBN: 0802865933
Category : Music
Languages : en
Pages : 252
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Book Description
The relatively recent "worship wars" over styles of worship — traditional, contemporary, or blended — have calmed down, and many churches have now reached decisions about which "worship style" defines them. At a more fundamental level, however, change has yet to begin. In From Memory to Imagination Randall Bradley argues that fallout from the worship wars needs to be cleaned up and that fundamental cultural changes — namely, the effects of postmodernism — call for new approaches to worship. Outlining imaginative ways for the church to move forward, this book is a must-read for church leaders and anyone interested in worship music.
Author: Hal Leonard Corp.
Publisher: Hal Leonard
ISBN: 1705147399
Category : Music
Languages : en
Pages : 278
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Book Description
(Easy Piano Songbook). 25 pop favorites to lift your spirits arranged for piano/keyboard with lyrics. Songs include: Beautiful * Beautiful Day * Circle of Life * The Climb * Don't Stop Believin' * Hallelujah * Imagine * One Moment in Time * Stronger (What Doesn't Kill You) * True Colors * Walking on Sunshine * The Wind Beneath My Wings * You Raise Me Up * You're the Inspiration * and more.
Author: Harry Plunket Greene
Publisher: London : Macmillan ; Stainer and Bell
ISBN:
Category : Chants
Languages : en
Pages : 332
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Book Description
Author: Samuel Silas Curry
Publisher:
ISBN:
Category : Elocution
Languages : en
Pages : 384
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Book Description
Author: Ronald M. Radano
Publisher: University of Chicago Press
ISBN: 9780226701998
Category : History
Languages : en
Pages : 728
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Book Description
"A specter lurks in the house of music, and it goes by the name of race," write Ronald Radano and Philip Bohlman in their introduction. Yet the intimate relationship between race and music has rarely been examined by contemporary scholars, most of whom have abandoned it for the more enlightened notions of ethnicity and culture. Here, a distinguished group of contributors confront the issue head on. Representing an unusually broad range of academic disciplines and geographic regions, they critically examine how the imagination of race has influenced musical production, reception, and scholarly analysis, even as they reject the objectivity of the concept itself. Each essay follows the lead of the substantial introduction, which reviews the history of race in European and American, non-Western and global musics, placing it within the contexts of the colonial experience and the more recent formation of "world music." Offering a bold, new revisionist agenda for musicology in a postmodern, postcolonial world, this book will appeal to students of culture and race across the humanities and social sciences.
