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Author: Harry Berger
Publisher: Univ of California Press
ISBN: 9780520073067
Category : Literary Criticism
Languages : en
Pages : 204
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Book Description
"Will generate lively argument as both an interpretation and the instance of a method. . . . A work of first importance."--Edward Snow, author of A Study of Vermeer "This is the most searching analysis of the differences between reading and playgoing I have yet encountered, and it constitutes a decisive step forward in what is already an engrossing public debate on the subject."--Jonas Barish, author of The Antitheatrical Prejudice
Author: Harry Berger
Publisher: Univ of California Press
ISBN: 9780520073067
Category : Literary Criticism
Languages : en
Pages : 204
Get Book Here
Book Description
"Will generate lively argument as both an interpretation and the instance of a method. . . . A work of first importance."--Edward Snow, author of A Study of Vermeer "This is the most searching analysis of the differences between reading and playgoing I have yet encountered, and it constitutes a decisive step forward in what is already an engrossing public debate on the subject."--Jonas Barish, author of The Antitheatrical Prejudice
Author: Daren Cohen
Publisher: Back Stage Books
ISBN: 0307875350
Category : Performing Arts
Languages : en
Pages : 193
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Book Description
In the United States, there are 300,000 actors; 100,000 hold union cards. There are 184 college theater programs and 108 performing-arts high schools. There are 578 acting schools and coaches in New York City and Los Angeles alone. The Complete Professional Audition is the one book all of those actors need-because before actors can act, they have to pass the audition! Here's practical, hand-holding advice for choosing material, rehearsing, warming up, staying calm, standing out in a crowd, understanding casting, avoiding pitfalls, following up, getting the right headshot and resume, and accepting an offer. There's even a section on handling rejection-not that The Complete Professional Audition user is ever going to need that, of course. Ultra-useful appendices of recommended songs and monologues (yes!) make this the complete guide for everyone with an audition coming up. • Designed for both play and musical auditions • There are 300,000 actors and acting students in the US-and all of them want an edge at the audition • Through his workshops and seminars, author Darren Cohen knows exactly what actors need to pass an audition and get that part • Practical, down-to-earth ideas that work From the Trade Paperback edition.
Author: David Black
Publisher: Vintage
ISBN: 0679732284
Category : Performing Arts
Languages : en
Pages : 133
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Book Description
The audition is the first -- and most essential -- test of any actor's craft, one that is typically performed for a very tough audience, under conditions that are always less than perfect. This practical, hands-on guide by a veteran producer covers every aspect of the auditioning process: the monologue, the cold reading, the musical audition, and the interview. It shows actors how to see their performance through the eyes of prospective employers, how to sell themselves even before they step into character, and how to Interpret roles without outside direction.
Author: Leeds Barroll
Publisher: Fairleigh Dickinson Univ Press
ISBN: 9780838638354
Category : Drama
Languages : en
Pages : 308
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Book Description
Shakespeare Studies is an international volume published every year in hardcover, containing more than three hundred pages of essays and studies by critics from both hemispheres.
Author: Bridget Escolme
Publisher: Psychology Press
ISBN: 0415332222
Category : Drama
Languages : en
Pages : 212
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Book Description
This unique study investigates the ways in which the staging convention of direct address - talking to the audience - can construct dramatic subjectivity, or selfhood, in Shakespeare plays.
Author: W. B. Worthen
Publisher: Cambridge University Press
ISBN: 1107055954
Category : Drama
Languages : en
Pages : 265
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Book Description
This book looks at Shakespeare through performance, capturing the dialogue between performance, Shakespeare, and contemporary concerns in the humanities.
Author: Nina Levine
Publisher: Fordham Univ Press
ISBN: 0823230309
Category : Art
Languages : en
Pages : 386
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Book Description
"In this volume a group of scholars gathers to celebrate the work of Harry Berger, Jr. There are nineteen essays on his theories of interpretation and cultural change and on the ethos of his critical and pedagogical styles, open new approaches to his ongoing body of work." --Book Jacket.
Author: Lukas Erne
Publisher: Cambridge University Press
ISBN: 1107029651
Category : Literary Criticism
Languages : en
Pages : 327
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Book Description
This second edition of Erne's groundbreaking study includes a new preface that reviews the controversy the book has triggered.
Author: Hugh Witemeyer
Publisher: Univ of California Press
ISBN:
Category : Literary form
Languages : en
Pages : 234
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Book Description
Author: Erika Fischer-Lichte
Publisher: Taylor & Francis
ISBN: 1000825922
Category : Performing Arts
Languages : en
Pages : 324
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Book Description
Entangled Performance Histories is the first book-length study that applies the concept of "entangled histories" as a new paradigm in the field of theater and performance historiography. "Entangled histories" denotes the interconnectedness of multiple histories that cannot be addressed within national frameworks. The concept refers to interconnected pasts, in which historical processes of contact and exchange between performance cultures affected all involved. Presenting case studies from across the world—spanning Africa, the Arab-speaking world, Asia, the Americas and Europe—the book’s contributors systematically expand, exemplify and examine the concept of "entangled histories," thus introducing various innovative concepts, theories and methodologies for investigating reciprocally consequential processes of interweaving performance cultures from the past. Bringing together examples of entanglements in theater and performance histories from a broad variety of geographical and historical backgrounds, the book’s contributions build together a broad basis for a possible and necessary paradigmatic shift in the field of theater and performance historiography. Ideal for researchers and students of history, theater, performance, drama and dance, this volume opens novel perspectives on the possibilities and challenges of investigating the entangled histories of theater and performance cultures on a global scale.
