Author: Kathryn Banks
Publisher: Routledge
ISBN: 1351570919
Category : Foreign Language Study
Languages : en
Pages : 230
Book Description
Renaissance images could be real as well as linguistic. Human beings were often believed to be an image of the cosmos, and the sun an image of God. Kathryn Banks explores the implications of this for poetic language and argues that linguistic images were a powerful tool for rethinking cosmic conceptions. She reassesses the role of natural-philosophical poetry in France, focusing upon its most well-known and widely-read exponent, Guillaume de Saluste Du Bartas.Through a sustained analysis of Maurice Sceve's Delie , Banks also rethinks love lyric's oft-noted use of the beloved as image of the poet. Cosmos and Image makes an original contribution to our understanding of Renaissance thinking about the cosmic, the human, and the divine. It also proposes a mode of reading other Renaissance texts, and reflects at length upon the relation of 'literature' to history, to the history of science, and to political turmoil.
Divine Images
Author: Jason Whittaker
Publisher: Reaktion Books
ISBN: 1789142873
Category : Art
Languages : en
Pages : 393
Book Description
Although relatively obscure during his lifetime, William Blake has become one of the most popular English artists and writers, through poems such as “The Tyger” and “Jerusalem,” and images including The Ancient of Days. Less well-known is Blake’s radical religious and political temperament and that his visionary art was created to express a personal mythology that sought to recreate an entirely new approach to philosophy and art. This book examines both Blake’s visual and poetic work over his long career, from early engravings and poems to his final illustrations to Dante and the Book of Job. Divine Images further explores Blake’s immense popular appeal and influence after his death, offering an inspirational look at a pioneering figure.
Publisher: Reaktion Books
ISBN: 1789142873
Category : Art
Languages : en
Pages : 393
Book Description
Although relatively obscure during his lifetime, William Blake has become one of the most popular English artists and writers, through poems such as “The Tyger” and “Jerusalem,” and images including The Ancient of Days. Less well-known is Blake’s radical religious and political temperament and that his visionary art was created to express a personal mythology that sought to recreate an entirely new approach to philosophy and art. This book examines both Blake’s visual and poetic work over his long career, from early engravings and poems to his final illustrations to Dante and the Book of Job. Divine Images further explores Blake’s immense popular appeal and influence after his death, offering an inspirational look at a pioneering figure.
Divine Images and Human Imaginations in Ancient Greece and Rome
Author:
Publisher: BRILL
ISBN: 9047441656
Category : History
Languages : en
Pages : 455
Book Description
The polytheistic religious systems of ancient Greece and Rome reveal an imaginative attitude towards the construction of the divine. One of the most important instruments in this process was certainly the visualisation. Images of the gods transformed the divine world into a visually experienceable entity, comprehensible even without a theoretical or theological superstructure. For the illiterates, images were together with oral traditions and rituals the only possibility to approach the idea of the divine; for the intellectuals, images of the gods could be allegorically transcended symbols to reflect upon. Based on the art historical and textual evidence, this volume offers a fresh view on the historical, literary, and artistic significance of divine images as powerful visual media of religious and intellectual communication.
Publisher: BRILL
ISBN: 9047441656
Category : History
Languages : en
Pages : 455
Book Description
The polytheistic religious systems of ancient Greece and Rome reveal an imaginative attitude towards the construction of the divine. One of the most important instruments in this process was certainly the visualisation. Images of the gods transformed the divine world into a visually experienceable entity, comprehensible even without a theoretical or theological superstructure. For the illiterates, images were together with oral traditions and rituals the only possibility to approach the idea of the divine; for the intellectuals, images of the gods could be allegorically transcended symbols to reflect upon. Based on the art historical and textual evidence, this volume offers a fresh view on the historical, literary, and artistic significance of divine images as powerful visual media of religious and intellectual communication.
Three Treatises on the Divine Images
Author: Saint John (of Damascus)
Publisher: St Vladimir's Seminary Press
ISBN: 9780881412451
Category : Art
Languages : en
Pages : 192
Book Description
In AD 726, the Byzantine emperor ordered the destruction of all icons, or religious images, throughout the empire, and icons were subject to an imperial ban that was to last, with a brief remission, until AD 843. A defender of icons, St John of Damascus wrote three treatises against "those who attack the holy images." He differentiates between the veneration of icons, which is a matter of expressing honor, and idolatry, which is offering worship to something other than God.
Publisher: St Vladimir's Seminary Press
ISBN: 9780881412451
Category : Art
Languages : en
Pages : 192
Book Description
In AD 726, the Byzantine emperor ordered the destruction of all icons, or religious images, throughout the empire, and icons were subject to an imperial ban that was to last, with a brief remission, until AD 843. A defender of icons, St John of Damascus wrote three treatises against "those who attack the holy images." He differentiates between the veneration of icons, which is a matter of expressing honor, and idolatry, which is offering worship to something other than God.
Images Or Shadows of Divine Things
Author: Jonathan Edwards
Publisher:
ISBN:
Category : Analogy (Religion)
Languages : en
Pages : 151
Book Description
Publisher:
ISBN:
Category : Analogy (Religion)
Languages : en
Pages : 151
Book Description
Darśan, Seeing the Divine Image in India
Author: Diana L. Eck
Publisher: Anima Press
ISBN:
Category : Religion
Languages : en
Pages : 100
Book Description
"Drawing from topics of religion in India such as bhakti, puja rituals, and spirit posessions, these essays offer a close study of the physical representations of god as the central feature of Hinduism. A valuable tool for students of anthroplogy and the philosophy and history of religion." --
Publisher: Anima Press
ISBN:
Category : Religion
Languages : en
Pages : 100
Book Description
"Drawing from topics of religion in India such as bhakti, puja rituals, and spirit posessions, these essays offer a close study of the physical representations of god as the central feature of Hinduism. A valuable tool for students of anthroplogy and the philosophy and history of religion." --
Cult Image and Divine Representation in the Ancient Near East
Author: Neal H. Walls
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 144
Book Description
While biblical prophets ridiculed the notion of humans fashioning an idol that they would then worship, ancient Near Eastern theologians developed a sophisticated religious system in which divine beings could be physically manifest within the material of a cultic image without being limited by that embodiment. The four essays in this compact volume examine the intriguing subject of cultic images and divine iconography in Mesopotamia, Egypt, Anatolia and Syria-Palestine. This interesting and eclectic group of essays explores the textual and artifactual evidence for the creation and veneration of divine images in the ancient Near East. The recent resurgence of scholarly interest in the study of divine representation in ancient Israel and the Near East makes this comprehensive reexamination especially timely.
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 144
Book Description
While biblical prophets ridiculed the notion of humans fashioning an idol that they would then worship, ancient Near Eastern theologians developed a sophisticated religious system in which divine beings could be physically manifest within the material of a cultic image without being limited by that embodiment. The four essays in this compact volume examine the intriguing subject of cultic images and divine iconography in Mesopotamia, Egypt, Anatolia and Syria-Palestine. This interesting and eclectic group of essays explores the textual and artifactual evidence for the creation and veneration of divine images in the ancient Near East. The recent resurgence of scholarly interest in the study of divine representation in ancient Israel and the Near East makes this comprehensive reexamination especially timely.
Cosmos and Image in the Renaissance
Author: Kathryn Banks
Publisher: Routledge
ISBN: 1351570919
Category : Foreign Language Study
Languages : en
Pages : 230
Book Description
Renaissance images could be real as well as linguistic. Human beings were often believed to be an image of the cosmos, and the sun an image of God. Kathryn Banks explores the implications of this for poetic language and argues that linguistic images were a powerful tool for rethinking cosmic conceptions. She reassesses the role of natural-philosophical poetry in France, focusing upon its most well-known and widely-read exponent, Guillaume de Saluste Du Bartas.Through a sustained analysis of Maurice Sceve's Delie , Banks also rethinks love lyric's oft-noted use of the beloved as image of the poet. Cosmos and Image makes an original contribution to our understanding of Renaissance thinking about the cosmic, the human, and the divine. It also proposes a mode of reading other Renaissance texts, and reflects at length upon the relation of 'literature' to history, to the history of science, and to political turmoil.
Publisher: Routledge
ISBN: 1351570919
Category : Foreign Language Study
Languages : en
Pages : 230
Book Description
Renaissance images could be real as well as linguistic. Human beings were often believed to be an image of the cosmos, and the sun an image of God. Kathryn Banks explores the implications of this for poetic language and argues that linguistic images were a powerful tool for rethinking cosmic conceptions. She reassesses the role of natural-philosophical poetry in France, focusing upon its most well-known and widely-read exponent, Guillaume de Saluste Du Bartas.Through a sustained analysis of Maurice Sceve's Delie , Banks also rethinks love lyric's oft-noted use of the beloved as image of the poet. Cosmos and Image makes an original contribution to our understanding of Renaissance thinking about the cosmic, the human, and the divine. It also proposes a mode of reading other Renaissance texts, and reflects at length upon the relation of 'literature' to history, to the history of science, and to political turmoil.
The Classical Review
Author:
Publisher:
ISBN:
Category : Classical philology
Languages : en
Pages : 634
Book Description
Publisher:
ISBN:
Category : Classical philology
Languages : en
Pages : 634
Book Description
Images in Asian Religions
Author: Phyllis Granoff
Publisher: UBC Press
ISBN: 0774859806
Category : Religion
Languages : en
Pages : 398
Book Description
This collection offers a challenge to any simple understanding of the role of images by looking at aspects of the reception of image worship that have only begun to be studied, including the many hesitations that Asian religious traditions expressed about image worship. Written by eminent scholars of anthropology, art history, and religion with interests in different regions (India, China, Japan, and Southeast Asia), this volume takes a fresh look at the many ways in which images were defined and received in Asian religions. Buddha Dharma Kyokai Foundation Book on Buddhism and Comparative Religion
Publisher: UBC Press
ISBN: 0774859806
Category : Religion
Languages : en
Pages : 398
Book Description
This collection offers a challenge to any simple understanding of the role of images by looking at aspects of the reception of image worship that have only begun to be studied, including the many hesitations that Asian religious traditions expressed about image worship. Written by eminent scholars of anthropology, art history, and religion with interests in different regions (India, China, Japan, and Southeast Asia), this volume takes a fresh look at the many ways in which images were defined and received in Asian religions. Buddha Dharma Kyokai Foundation Book on Buddhism and Comparative Religion
Bede Griffiths' Images of God
Author: Beatrice Green
Publisher: Cambridge Scholars Publishing
ISBN: 1527587118
Category : Religion
Languages : en
Pages : 361
Book Description
This book reveals how the images Bede Griffiths OSB Cam used for God are richly embedded with concepts ancient and new, making them especially relevant for our current times. It prompts insight into the great deposit of wisdom and scholarship that was his source, and will benefit those interested in religious imagery, gender equality, monastic life, interfaith dialogue, evolution of consciousness, practical theology and spirituality, and integral thought. Led by Christ, “the Golden String,” Griffiths made the sea-change from Great Britain to India, promoting “the marriage of East and West,” the essential value of the feminine, contemplative prayer, interreligious dialogue, and integral life. His initiation to Christian sannyasa and faith in the evolutionary process reflect his openness to change and to grow, and highlight this great sage’s masterful use of images grounded in his motto, to “always go beyond.”
Publisher: Cambridge Scholars Publishing
ISBN: 1527587118
Category : Religion
Languages : en
Pages : 361
Book Description
This book reveals how the images Bede Griffiths OSB Cam used for God are richly embedded with concepts ancient and new, making them especially relevant for our current times. It prompts insight into the great deposit of wisdom and scholarship that was his source, and will benefit those interested in religious imagery, gender equality, monastic life, interfaith dialogue, evolution of consciousness, practical theology and spirituality, and integral thought. Led by Christ, “the Golden String,” Griffiths made the sea-change from Great Britain to India, promoting “the marriage of East and West,” the essential value of the feminine, contemplative prayer, interreligious dialogue, and integral life. His initiation to Christian sannyasa and faith in the evolutionary process reflect his openness to change and to grow, and highlight this great sage’s masterful use of images grounded in his motto, to “always go beyond.”