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Author: Dion Kagan
Publisher: Bloomsbury Publishing
ISBN: 1838608990
Category : Health & Fitness
Languages : en
Pages : 320
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Book Description
A tidal wave of panic surrounded homosexuality and AIDS in the 1980s and early 1990s, the period commonly called 'The AIDS Crisis'. With the advent of antiretroviral drugs in the mid '90s, however, the meaning of an HIV diagnosis radically changed. These game-changing drugs now enable many people living with HIV to lead a healthy, regular life, but how has this dramatic shift impacted the representation of gay men and HIV in popular culture? Positive Images is the first detailed examination of how the relationship between gay men and HIV has transformed in the past two decades. From Queer as Folk to Chemsex, The Line of Beauty to The Normal Heart, Dion Kagan examines literature, film, TV, documentaries and news coverage from across the English-speaking world to unearth the socio-cultural foundations underpinning this 'post-crisis' period. His analyses provide acute insights into the fraught legacies of the AIDS Crisis and its continued presence in the modern queer consciousness.
Author: Royston Thomas
Publisher:
ISBN: 9780953633302
Category : Durham (England)
Languages : en
Pages : 76
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Book Description
Author: Diane L. Janowski
Publisher: Arcadia Publishing
ISBN: 9780738500171
Category : History
Languages : en
Pages : 132
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Book Description
Authors Diane L. Janowski and Allen C. Smith combine an interest in the evolution of the commercial and residential landscapes in their home town with an exquisite collection of images in The Chemung Valley. This engaging pictorial history captures the people of Elmira, New York, at work and at play and preserves the memories of yesteryear. In The Chemung Valley, discover the people and places of Elmira's early days as well as scenes from other areas of Chemung County, including Horseheads, Elmira Heights, Big Flats, Pine City, and Pine Valley. The images in this edition, all of which were selected from the permanent collection of the Chemung Valley History Museum, represent all aspects of life in these communities. Both authors are award-winning creative photographers.
Author: Margaret Sartor
Publisher: UNC Press Books
ISBN: 1469648326
Category : Photography
Languages : en
Pages : 185
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Book Description
Self-taught photographer Hugh Mangum was born in 1877 in Durham, North Carolina, as its burgeoning tobacco economy put the frontier-like boomtown on the map. As an itinerant portraitist working primarily in North Carolina and Virginia during the rise of Jim Crow, Mangum welcomed into his temporary studios a clientele that was both racially and economically diverse. After his death in 1922, his glass plate negatives remained stored in his darkroom, a tobacco barn, for fifty years. Slated for demolition in the 1970s, the barn was saved at the last moment--and with it, this surprising and unparalleled document of life at the turn of the twentieth century, a turbulent time in the history of the American South. Hugh Mangum's multiple-image, glass plate negatives reveal the open-door policy of his studio to show us lives marked both by notable affluence and hard work, all imbued with a strong sense of individuality, self-creation, and often joy. Seen and experienced in the present, the portraits hint at unexpected relationships and histories and also confirm how historical photographs have the power to subvert familiar narratives. Mangum's photographs are not only images; they are objects that have survived a history of their own and exist within the larger political and cultural history of the American South, demonstrating the unpredictable alchemy that often characterizes the best art--its ability over time to evolve with and absorb life and meaning beyond the intentions or expectations of the artist.
Author: Tina M. Campt
Publisher: Duke University Press
ISBN: 0822373580
Category : Photography
Languages : en
Pages : 140
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Book Description
In Listening to Images Tina M. Campt explores a way of listening closely to photography, engaging with lost archives of historically dismissed photographs of black subjects taken throughout the black diaspora. Engaging with photographs through sound, Campt looks beyond what one usually sees and attunes her senses to the other affective frequencies through which these photographs register. She hears in these photos—which range from late nineteenth-century ethnographic photographs of rural African women and photographs taken in an early twentieth-century Cape Town prison to postwar passport photographs in Birmingham, England and 1960s mug shots of the Freedom Riders—a quiet intensity and quotidian practices of refusal. Originally intended to dehumanize, police, and restrict their subjects, these photographs convey the softly buzzing tension of colonialism, the low hum of resistance and subversion, and the anticipation and performance of a future that has yet to happen. Engaging with discourses of fugitivity, black futurity, and black feminist theory, Campt takes these tools of colonialism and repurposes them, hearing and sharing their moments of refusal, rupture, and imagination.
Author: Jean Anderson
Publisher: Eno Publishers
ISBN: 0983247536
Category : Literary Collections
Languages : en
Pages : 180
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Book Description
Eno Publishers builds on its successful 27 Views series by showcasing the literary community of Durham, North Carolina, in 27 Views of Durham: The Bull City in Prose & Poetry. The book features 27 writers, who in poetry, essays, short stories, and book excerpts focus on the town of Durham, famous for Duke University, tobacco, and Southern cuisine. The collection offers readers a broad and varied picture of life past and present in Durham, as well as a sense of the town's literary breadth. Contributing authors include Steve Schewel, Jean Anderson, Carl Kenney, Katy Munger, Ariel Dorfman, Pierce Freelon, John Valentine, Shirlette Ammons, Jim Wise, and others.
Author: Paul Durham
Publisher: Harper Collins
ISBN: 0062271520
Category : Juvenile Fiction
Languages : en
Pages : 220
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Book Description
The first in a series with the makings of a modern classic, The Luck Uglies is an irresistible cross between Chris Colfer's Land of Stories series and Kelly Barnhill's The Girl Who Drank the Moon, overflowing with adventure, secrets, friendship, and magic. Rye O'Chanter has seen a lot of strange things happen in Village Drowning: Children are chased through the streets. Families are fined for breaking laws that don't even exist. Girls aren't allowed to read anymore, and certain books—books that hold secrets about Drowning's past—have been outlawed altogether. Now a terrifying encounter has eleven-year-old Rye convinced that the monstrous, supposedly extinct Bog Noblins have returned. Before the monsters disappeared, there was only one way to defeat them—the Luck Uglies. But the Luck Uglies have long since been exiled, and there's nobody left who can protect the village. As Rye dives into Drowning's maze of secrets, rules, and lies, she begins to question everything she's been told about the village's legend of outlaws and beasts . . . and what she'll discover is that it may take a villain to save them from the monsters. This critically acclaimed debut middle grade novel was named an ALA Notable Book and a New York Public Library Title for Reading and Sharing and won the Cybil Award for Middle Grade Speculative Fiction and a Sunshine State Young Readers Award.
Author: Dion Kagan
Publisher: Bloomsbury Publishing
ISBN: 1838608990
Category : Health & Fitness
Languages : en
Pages : 320
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Book Description
A tidal wave of panic surrounded homosexuality and AIDS in the 1980s and early 1990s, the period commonly called 'The AIDS Crisis'. With the advent of antiretroviral drugs in the mid '90s, however, the meaning of an HIV diagnosis radically changed. These game-changing drugs now enable many people living with HIV to lead a healthy, regular life, but how has this dramatic shift impacted the representation of gay men and HIV in popular culture? Positive Images is the first detailed examination of how the relationship between gay men and HIV has transformed in the past two decades. From Queer as Folk to Chemsex, The Line of Beauty to The Normal Heart, Dion Kagan examines literature, film, TV, documentaries and news coverage from across the English-speaking world to unearth the socio-cultural foundations underpinning this 'post-crisis' period. His analyses provide acute insights into the fraught legacies of the AIDS Crisis and its continued presence in the modern queer consciousness.
Author: Geoff Bender
Publisher: Leuven University Press
ISBN: 9462702683
Category : Photography
Languages : en
Pages : 273
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Book Description
There is little dispute that photography is a material practice, and that the photograph itself is ineluctably material. And yet “matter,” “material,” and “materiality” have proven to be remarkably elusive terms of inquiry, frequently producing studies that are disparate in scope, sharing seemingly little common ground. Although the wide methodological range of materialist study can be dizzying, it is this book’s contention that that multiplicity is also the field’s greatest asset, keeping materialist inquiry enduringly vibrant—provided that varying methods are in close enough proximity to converse. Photography’s Materialities orchestrates one such conversation. Juxtaposing the insights of theorists like Lacan, Benjamin, and Latour beside close studies of crime, spirit, and composite photography, among others, this collection aims for a productive synergy, one capacious enough to span transatlantic spaces over the long nineteenth century. Contributors: Kris Belden-Adams (University of Mississippi), Maura Coughlin (Bryant University), David LaRocca (independent scholar), Jacob W. Lewis (University of Rochester), Mary Marchand (Goucher College), Zachary Tavlin (Art Institute of Chicago), Christa Holm Vogelius (University of Copenhagen)
Author: Mariana Ortega
Publisher: Duke University Press
ISBN: 1478060247
Category : Social Science
Languages : en
Pages : 215
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Book Description
In Carnalities, Mariana Ortega presents a phenomenological study of aesthetics grounded in the work of primarily Latinx artists. She introduces the idea of carnal aesthetics informed by carnalities, creative practices shaped by the self’s affective attunement to the material, cultural, historical, communal, and spiritual. For Ortega, carnal aesthetics offers a way to think about the affective and bodily experiences of racialized selves. Drawing on Gloria Anzaldúa, Chela Sandoval, José Esteban Muñoz, Alia Al-Saji, Helen Ngo, Maurice Merleau-Ponty, Roland Barthes, and others, Ortega examines photographic works on Latinx subjects. She analyzes the photography of Laura Aguilar, Verónica Gabriela Cárdenas, and Susan Meiselas, among others, theorizing photography as a carnal, affective medium that is crucial for processes of self-formation, resistance, and mourning in Latinx life. She ends with an intimate reading of photography through a reflection of her own crossing from Nicaragua to the United States in 1979. Motivated by her experience of loss and exile, Ortega argues for the importance of carnal aesthetics in destabilizing and transforming normative, colonial, and decolonial subjects, imaginaries, and structures.
Author: Jennifer Raab
Publisher: Princeton University Press
ISBN: 0691179972
Category : Art
Languages : en
Pages : 224
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Book Description
How a single haunting image tells a story about violence, mourning, and memory In 1865, Clara Barton traveled to the site of the notorious Confederate prison camp in Andersonville, Georgia, where she endeavored to name the missing and the dead. The future founder of the American Red Cross also collected their relics—whittled spoons, woven reed plates, a piece from the prison’s “dead line,” a tattered Bible—and brought them back to her Missing Soldiers Office in Washington, DC, presenting them to politicians, journalists, and veterans’ families before having them photographed together in an altar-like arrangement. Relics of War reveals how this powerful image, produced by Mathew Brady, opens a window into the volatile relationship between suffering, martyrdom, and justice in the wake of the Civil War. Jennifer Raab shows how this photograph was a crucial part of Barton’s efforts to address the staggering losses of a war in which nearly half of the dead were unnamed and from which bodies were rarely returned home for burial. The Andersonville relics gave form to these absent bodies, offered a sacred site for grief and devotion, mounted an appeal on behalf of the women and children left behind, and testified to the crimes of war. The story of the photograph illuminates how military sacrifice was racialized as political reconciliation began, and how the stories of Black soldiers and communities were silenced. Richly illustrated, Relics of War vividly demonstrates how one photograph can capture a precarious moment in history, serving as witness, advocate, evidence, and memory.
