Images, Idolatry, and Iconoclasm in Late Medieval England PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download Images, Idolatry, and Iconoclasm in Late Medieval England PDF full book. Access full book title Images, Idolatry, and Iconoclasm in Late Medieval England by Jeremy Dimmick. Download full books in PDF and EPUB format.
Author: Jeremy Dimmick
Publisher: OUP Oxford
ISBN: 0191541966
Category : Literary Criticism
Languages : en
Pages : 264
Get Book Here
Book Description
This book capitalizes on brilliant recent work on sixteenth-century iconoclasm to extend the study of images, both their making and their breaking, into an earlier period and wider discursive territories. Pressures towards iconoclasm are powerfully registered in fourteenth and fifteenth-century writings, both heterodox and orthodox, just as the use of images is central to the practice of both politics and religion. The governance of images turns out, indeed, to be central to governance itself. It is also of critical concern in any moment of historical change, when new cultural forms must incorporate or destroy the images of the old order. The iconoclast redescribes images as pure matter, objects of idolatry worthy only of the hammer. Issues of historical memory, no less than of social ethics, are, then, inherent to the making, love, and destruction of images. These issues are the consistent concern of the essays of this volume, essays commissioned from a range of outstanding late medievalists in a variety of disciplines: literature, art history, Biblical studies, and intellectual history.
Author: Jeremy Dimmick
Publisher: OUP Oxford
ISBN: 0191541966
Category : Literary Criticism
Languages : en
Pages : 264
Get Book Here
Book Description
This book capitalizes on brilliant recent work on sixteenth-century iconoclasm to extend the study of images, both their making and their breaking, into an earlier period and wider discursive territories. Pressures towards iconoclasm are powerfully registered in fourteenth and fifteenth-century writings, both heterodox and orthodox, just as the use of images is central to the practice of both politics and religion. The governance of images turns out, indeed, to be central to governance itself. It is also of critical concern in any moment of historical change, when new cultural forms must incorporate or destroy the images of the old order. The iconoclast redescribes images as pure matter, objects of idolatry worthy only of the hammer. Issues of historical memory, no less than of social ethics, are, then, inherent to the making, love, and destruction of images. These issues are the consistent concern of the essays of this volume, essays commissioned from a range of outstanding late medievalists in a variety of disciplines: literature, art history, Biblical studies, and intellectual history.
Author: Jeremy Dimmick
Publisher: Oxford University Press on Demand
ISBN: 9780198187592
Category : Art
Languages : en
Pages : 250
Get Book Here
Book Description
'`This collection of essays presents itself in a very promising way. Its topics are both currently fashionable and undeniably central to late medieval England. Its contributors include an impressive gathering of eminent medievalists. Its publisher has given the volume an elegant design...' -Joel Fredell, The Medieval ReviewThe pressure to destroy images was not an exclusively sixteenth-century phenomenon. The late medieval period witnessed both religious and secular conflicts over images. The essays in this book, each by an outstanding scholar, consider issues of central concern - literary, political, and art-historical - that arise from image making and breaking.
Author: Robert Armstrong
Publisher: BRILL
ISBN: 9004347976
Category : History
Languages : en
Pages : 227
Get Book Here
Book Description
The English Bible in the Early Modern World addresses the most significant book available in the English language in the centuries after the Reformation, and investigates its impact on popular religion and reading practices, and on theology, religious controversy and intellectual history between 1530 and 1700. Individual chapters discuss the responses of both clergy and laity to the sacred text, with particular emphasis on the range of settings in which the Bible was encountered and the variety of responses prompted by engagement with the Scriptures. Particular attention is given to debates around the text and interpretation of the Bible, to an emerging Protestant understanding of Scripture and to challenges it faced over the course of the sixteenth and seventeenth centuries.
Author: Andrea Louise Young
Publisher: Springer
ISBN: 1137446072
Category : Literary Criticism
Languages : en
Pages : 383
Get Book Here
Book Description
The earliest complete morality play in English, The Castle of Perseverance depicts the culture of medieval East Anglia, a region once known for its production of artistic objects. Discussing the spectator experience of this famed play, Young argues that vision is the organizing principle that informs this play's staging, structure, and narrative.
Author: B. Schildgen
Publisher: Springer
ISBN: 0230613152
Category : History
Languages : en
Pages : 273
Get Book Here
Book Description
This is an account of the roles of local and national movements, and of memory and regret in the destruction or preservation of the architectural, artistic, and historic legacy of Europe in which the author examines what is cultural heritage and why it matters.
Author: Shannon Gayk
Publisher: Cambridge University Press
ISBN: 1139492055
Category : Literary Criticism
Languages : en
Pages :
Get Book Here
Book Description
Focusing on the period between the Wycliffite critique of images and Reformation iconoclasm, Shannon Gayk investigates the sometimes complementary and sometimes fraught relationship between vernacular devotional writing and the religious image. She examines how a set of fifteenth-century writers, including Lollard authors, John Lydgate, Thomas Hoccleve, John Capgrave, and Reginald Pecock, translated complex clerical debates about the pedagogical and spiritual efficacy of images and texts into vernacular settings and literary forms. These authors found vernacular discourse to be a powerful medium for explaining and reforming contemporary understandings of visual experience. In its survey of the function of literary images and imagination, the epistemology of vision, the semiotics of idols, and the authority of written texts, this study reveals a fifteenth century that was as much an age of religious and literary exploration, experimentation, and reform as it was an age of regulation.
Author: Russ Leo
Publisher: Oxford University Press
ISBN: 0192568752
Category : Literary Criticism
Languages : en
Pages : 543
Get Book Here
Book Description
Fulke Greville's reputation has always been overshadowed by that of his more famous friend, Philip Sidney, a legacy due in part to Greville's complex moulding of his authorial persona as Achates to Sidney's Aeneas, and in part to the formidable complexity of his poetry and prose. This volume seeks to vindicate Greville's 'obscurity' as an intrinsic feature of his poetic thinking, and as a privileged site of interpretation. The seventeen essays shed new light on Greville's poetry, philosophy, and dramatic work. They investigate his examination of monarchy and sovereignty; grace, salvation, and the nature of evil; the power of poetry and the vagaries of desire, and they offer a reconsideration of his reputation and afterlife in his own century, and beyond. The volume explores the connections between poetic form and philosophy, and argues that Greville's poetic experiments and meditations on form convey penetrating, and strikingly original contributions to poetics, political thought, and philosophy. Highlighting stylistic features of his poetic style, such as his mastery of the caesura and of the feminine ending; his love of paradox, ambiguity, and double meanings; his complex metaphoricity and dense, challenging syntax, these essays reveal how Greville's work invites us to revisit and rethink many of the orthodoxies about the culture of post-Reformation England, including the shape of political argument, and the forms and boundaries of religious belief and identity.
Author: Nicole R. Rice
Publisher: Cambridge University Press
ISBN: 052189607X
Category : Literary Criticism
Languages : en
Pages : 271
Get Book Here
Book Description
Winner of the Medieval Academy of America's 2013 John Nicholas Brown Prize!
Author: Peter Brown
Publisher: John Wiley & Sons
ISBN: 1405195525
Category : Literary Criticism
Languages : en
Pages : 692
Get Book Here
Book Description
A Companion to Medieval English Literature and Culture, c.1350-c.1500 challenges readers to think beyond a narrowly defined canon and conventional disciplinary boundaries. A ground-breaking collection of newly-commissioned essays on medieval literature and culture. Encourages students to think beyond a narrowly defined canon and conventional disciplinary boundaries. Reflects the erosion of the traditional, rigid boundary between medieval and early modern literature. Stresses the importance of constructing contexts for reading literature. Explores the extent to which medieval literature is in dialogue with other cultural products, including the literature of other countries, manuscripts and religion. Includes close readings of frequently-studied texts, including texts by Chaucer, Langland, the Gawain poet, and Hoccleve. Confronts some of the controversies that exercise students of medieval literature, such as those connected with literary theory, love, and chivalry and war.
Author: Antoinina Bevan Zlatar
Publisher: Narr Francke Attempto Verlag
ISBN: 382339150X
Category : Literary Criticism
Languages : en
Pages : 302
Get Book Here
Book Description
The premise that Western culture has undergone a pictorial turn (W.J.T. Mitchell) has prompted renewed interest in theorizing the visual image. In recent decades researchers in the humanities and social sciences have documented the function and status of the image relative to other media, and have traced the history of its power and the attempts to disempower it. What is an Image in Medieval and Early Modern England? engages in this debate in two interrelated ways: by focusing on the (visual) image during a period that witnessed the Reformation and the invention of the printing press, and by exploring its status in relation to an array of texts including Arthurian romance, saints lives, stage plays, printed sermons, biblical epic, pamphlets, and psalms. This interdisciplinary volume includes contributions by leading authorities as well as younger scholars from the fields of English literature, art history, and Reformation history. As with all previous collections of essays produced under the auspices of the Swiss Association of Medieval and Early Modern English Studies, it seeks to foster dialogue between the two periods.
