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Author: Sandra Malicote
Publisher: University Press of America
ISBN: 0761848320
Category : Art
Languages : en
Pages : 201
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Book Description
The first in-depth interdisciplinary study of word and image in the Old French chanson degeste, Image and Imagination: Picturing the Old French Epic examines the fascinating relationship between illumination and epic narrative constructed by the medieval understanding of the imagination. The study focuses on the epic cycle known as "the geste of Saint Gille," including Aiol and Elie de Saint Gille. The poems in manuscript were produced in the context of the opulent francophone Flemish courts of the mid-to-late thirteenth century. The manuscript (known as BNF fr 25516) is richly illuminated, and the study includes the popular Beuves de Hanstone, forerunner of Shakespeare's Hamlet, and the poem Robert le Diable, later becoming meyerbeer's celebrated opera. Concluding with the comparative study of BNF fr 24403's epic treatment of the only illuminated version of Chretien de Troyes' first Arthurian work, Erec et Enide, and the Sancti Bertini version of La Chevalerie Vivien, the first dated collection of epics made for a prominent northern Bishop, this study introduces the hitherto little-explored world of medieval illumination and epic narrative poetics. Book jacket.
Author: C. S. Lewis
Publisher: Cambridge University Press
ISBN: 1107639271
Category : Literary Collections
Languages : en
Pages : 395
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Book Description
New collection of literary-critical essays and reviews of C. S. Lewis, including previously unpublished and long-unavailable works.
Author: Alan J. Rocke
Publisher: University of Chicago Press
ISBN: 0226723356
Category : Science
Languages : en
Pages : 403
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Book Description
Nineteenth-century chemists were faced with a particular problem: how to depict the atoms and molecules that are beyond the direct reach of our bodily senses. In visualizing this microworld, these scientists were the first to move beyond high-level philosophical speculations regarding the unseen. In Image and Reality, Alan Rocke focuses on the community of organic chemists in Germany to provide the basis for a fuller understanding of the nature of scientific creativity. Arguing that visual mental images regularly assisted many of these scientists in thinking through old problems and new possibilities, Rocke uses a variety of sources, including private correspondence, diagrams and illustrations, scientific papers, and public statements, to investigate their ability to not only imagine the invisibly tiny atoms and molecules upon which they operated daily, but to build detailed and empirically based pictures of how all of the atoms in complicated molecules were interconnected. These portrayals of “chemical structures,” both as mental images and as paper tools, gradually became an accepted part of science during these years and are now regarded as one of the central defining features of chemistry. In telling this fascinating story in a manner accessible to the lay reader, Rocke also suggests that imagistic thinking is often at the heart of creative thinking in all fields. Image and Reality is the first book in the Synthesis series, a series in the history of chemistry, broadly construed, edited by Angela N. H. Creager, John E. Lesch, Stuart W. Leslie, Lawrence M. Principe, Alan Rocke, E.C. Spary, and Audra J. Wolfe, in partnership with the Chemical Heritage Foundation.
Author: Charles Taliaferro
Publisher: Bloomsbury Publishing
ISBN: 1441148825
Category : Religion
Languages : en
Pages : 339
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Book Description
A philosophical inquiry into the strengths and weaknesses of theism and naturalism in accounting for the emergence of consciousness, the visual imagination and aesthetic values. The authors begin by offering an account of modern scientific practice which gives a central place to the visual imagination and aesthetic values. They then move to test the explanatory power of naturalism and theism in accounting for consciousness and the very visual imagination and aesthetic values that lie behind and define modern science. Taliaferro and Evans argue that evolutionary biology alone is insufficient to account for consciousness, the visual imagination and aesthetic values. Insofar as naturalism is compelled to go beyond evolutionary biology, it does not fare as well as theism in terms of explanatory power.
Author: Sandra Malicote
Publisher: University Press of America
ISBN: 0761848320
Category : Art
Languages : en
Pages : 201
Get Book Here
Book Description
The first in-depth interdisciplinary study of word and image in the Old French chanson degeste, Image and Imagination: Picturing the Old French Epic examines the fascinating relationship between illumination and epic narrative constructed by the medieval understanding of the imagination. The study focuses on the epic cycle known as "the geste of Saint Gille," including Aiol and Elie de Saint Gille. The poems in manuscript were produced in the context of the opulent francophone Flemish courts of the mid-to-late thirteenth century. The manuscript (known as BNF fr 25516) is richly illuminated, and the study includes the popular Beuves de Hanstone, forerunner of Shakespeare's Hamlet, and the poem Robert le Diable, later becoming meyerbeer's celebrated opera. Concluding with the comparative study of BNF fr 24403's epic treatment of the only illuminated version of Chretien de Troyes' first Arthurian work, Erec et Enide, and the Sancti Bertini version of La Chevalerie Vivien, the first dated collection of epics made for a prominent northern Bishop, this study introduces the hitherto little-explored world of medieval illumination and epic narrative poetics. Book jacket.
Author: Tom McLeish
Publisher:
ISBN: 0198797990
Category : Philosophy
Languages : en
Pages : 372
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Book Description
The Poetry and Music of Science examines aspects of science and art that bear close comparison - for example the art of the novel and the art of scientific experimentation. The book eavesdrops on conversations between scientists on how new theories arise, and listens to artists' and composers' witness of their own creative processes.
Author: Jenny Bornholdt
Publisher: Gecko Press
ISBN: 1877579920
Category : Juvenile Fiction
Languages : en
Pages : 44
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Book Description
This book asks, "What is a book?" Celebrating books and reading, the book captures the value and magic of books felt by all voracious readers and is a perfect gift for book-lovers of all ages. A beautifully produced, small-format jacketed hardcover with simple illustrations that are whimsical yet humorous. A book to read. A book belongs in a library, on a bookshelf, in a bookshop, in your house. A story belongs wherever a story belongs. If it's Sunday and raining, a book is the perfect thing. Even a small book, because boredom can be very big. You can read a book while you walk, but you have to be careful not to bump into things.
Author: Bernd Huppauf
Publisher: Routledge
ISBN: 1136603603
Category : Art
Languages : en
Pages : 374
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Book Description
In this interdisciplinary anthology, essays study the relationship between the imagination and images both material and mental. Through case studies on a diverse array of topics including photography, film, sports, theater, and anthropology, contributors focus on the role of the creative imagination in seeing and producing images and the imaginary.
Author: Mercer Mayer
Publisher: Penguin
ISBN: 1101650516
Category : Juvenile Fiction
Languages : en
Pages : 36
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Book Description
The nightmare's gone, but what about that alligator? You have to be so careful getting in and out of bed! Maybe a midnight snack to lure him into the garage will do the trick. In this funny and beloved follow-up, Mercer Mayer faces another nighttime fear head-on.
Author: Henry Maguire
Publisher:
ISBN: 9781003417316
Category : HISTORY
Languages : en
Pages : 0
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Book Description
The twelve studies contained in this second collection by Henry Maguire are linked together by a common theme, namely the relationship of Byzantine art to the imaginary. They show how art enabled the Byzantines not only to imagine the sacred events of the past, but also to visualize the invisible present by manifesting the spiritual world that they could not see. The articles are grouped around the following five topics: the depiction of nature by the Byzantines before and after iconoclasm, especially in portrayals of the earthly and the spiritual Paradise; the social functions and theological significance of classical artistic forms in Byzantine art after iconoclasm; the association between rhetoric and the visual arts in Byzantium, especially in contrast to the role played by liturgical drama in western medieval art; the relationship of the visual arts to Byzantine concepts of justice and the law, both human and divine; and portrayals of the two Byzantine courts, the imperial court on earth and the imagined court in heaven. The papers cover a wide range of media, including floor and wall mosaics, paintings in manuscripts and churches, ivory carvings, coins, and enamel work.
Author: W.B. Gerard
Publisher: Routledge
ISBN: 1351922963
Category : Literary Criticism
Languages : en
Pages : 263
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Book Description
The first full-length and comprehensive study of the illustrations of Sterne's work, this book explores the ability of Sterne's texts to inspire the visual imagination. It helps to explain why scores of editions of his fiction have been illustrated, some profusely: to fulfill the reader's desire, as well as the artist's compulsion, to visualize Sterne's words. Gerard places his subject in a clear and innovative theoretical framework which opens the field to general word and image studies. The author begins by examining the distinct varieties of pictorialism in Sterne's texts. The remainder of the study takes into account three remarkable series of illustrations-representing Trim reading the sermon, didactic sentimentalism in A Sentimental Journey and Henry Mackenzie's Man of Feeling, and the many and diverse portrayals of 'poor Maria' - to demonstrate the ways in which culture projects these texts differently through the various artists.
