Author: Michael Wintle
Publisher: Rodopi
ISBN: 9042020644
Category : History
Languages : en
Pages : 283
Book Description
The pervading theme of this book is the construction and allocation of identity, especially through images and imagery. The essays analyse how the dominant social discourses and imageries construct identity or assign subject positions in relation to the categories of race, nation, region, gender and language. The volume is designed to inform the study of those categories in cultural studies, sociology, anthropology, gender studies, literary studies, philosophy and history. Its coverage is geographically global, multidisciplinary, and theoretically eclectic, but also accessible. The authors include both established and rising scholars from historical, literary, media, gender and cultural studies. This innovative collection will appeal to all those who are interested in the mechanisms of constructing and evolving personal and group identities, in past and present.
Image Into Identity
Author: Michael Wintle
Publisher: Rodopi
ISBN: 9042020644
Category : History
Languages : en
Pages : 283
Book Description
The pervading theme of this book is the construction and allocation of identity, especially through images and imagery. The essays analyse how the dominant social discourses and imageries construct identity or assign subject positions in relation to the categories of race, nation, region, gender and language. The volume is designed to inform the study of those categories in cultural studies, sociology, anthropology, gender studies, literary studies, philosophy and history. Its coverage is geographically global, multidisciplinary, and theoretically eclectic, but also accessible. The authors include both established and rising scholars from historical, literary, media, gender and cultural studies. This innovative collection will appeal to all those who are interested in the mechanisms of constructing and evolving personal and group identities, in past and present.
Publisher: Rodopi
ISBN: 9042020644
Category : History
Languages : en
Pages : 283
Book Description
The pervading theme of this book is the construction and allocation of identity, especially through images and imagery. The essays analyse how the dominant social discourses and imageries construct identity or assign subject positions in relation to the categories of race, nation, region, gender and language. The volume is designed to inform the study of those categories in cultural studies, sociology, anthropology, gender studies, literary studies, philosophy and history. Its coverage is geographically global, multidisciplinary, and theoretically eclectic, but also accessible. The authors include both established and rising scholars from historical, literary, media, gender and cultural studies. This innovative collection will appeal to all those who are interested in the mechanisms of constructing and evolving personal and group identities, in past and present.
Image into Identity
Author:
Publisher: BRILL
ISBN: 9401203334
Category : Social Science
Languages : en
Pages : 281
Book Description
The pervading theme of this book is the construction and allocation of identity, especially through images and imagery. The essays analyse how the dominant social discourses and imageries construct identity or assign subject positions in relation to the categories of race, nation, region, gender and language. The volume is designed to inform the study of those categories in cultural studies, sociology, anthropology, gender studies, literary studies, philosophy and history. Its coverage is geographically global, multidisciplinary, and theoretically eclectic, but also accessible. The authors include both established and rising scholars from historical, literary, media, gender and cultural studies. This innovative collection will appeal to all those who are interested in the mechanisms of constructing and evolving personal and group identities, in past and present.
Publisher: BRILL
ISBN: 9401203334
Category : Social Science
Languages : en
Pages : 281
Book Description
The pervading theme of this book is the construction and allocation of identity, especially through images and imagery. The essays analyse how the dominant social discourses and imageries construct identity or assign subject positions in relation to the categories of race, nation, region, gender and language. The volume is designed to inform the study of those categories in cultural studies, sociology, anthropology, gender studies, literary studies, philosophy and history. Its coverage is geographically global, multidisciplinary, and theoretically eclectic, but also accessible. The authors include both established and rising scholars from historical, literary, media, gender and cultural studies. This innovative collection will appeal to all those who are interested in the mechanisms of constructing and evolving personal and group identities, in past and present.
Picturing Identity
Author: Hertha D. Sweet Wong
Publisher: UNC Press Books
ISBN: 1469640716
Category : Literary Criticism
Languages : en
Pages : 280
Book Description
In this book, Hertha D. Sweet Wong examines the intersection of writing and visual art in the autobiographical work of twentieth- and twenty-first-century American writers and artists who employ a mix of written and visual forms of self-narration. Combining approaches from autobiography studies and visual studies, Wong argues that, in grappling with the breakdown of stable definitions of identity and unmediated representation, these writers-artists experiment with hybrid autobiography in image and text to break free of inherited visual-verbal regimes and revise painful histories. These works provide an interart focus for examining the possibilities of self-representation and self-narration, the boundaries of life writing, and the relationship between image and text. Wong considers eight writers-artists, including comic-book author Art Spiegelman; Faith Ringgold, known for her story quilts; and celebrated Indigenous writer Leslie Marmon Silko. Wong shows how her subjects formulate webs of intersubjectivity shaped by historical trauma, geography, race, and gender as they envision new possibilities of selfhood and fresh modes of self-narration in word and image.
Publisher: UNC Press Books
ISBN: 1469640716
Category : Literary Criticism
Languages : en
Pages : 280
Book Description
In this book, Hertha D. Sweet Wong examines the intersection of writing and visual art in the autobiographical work of twentieth- and twenty-first-century American writers and artists who employ a mix of written and visual forms of self-narration. Combining approaches from autobiography studies and visual studies, Wong argues that, in grappling with the breakdown of stable definitions of identity and unmediated representation, these writers-artists experiment with hybrid autobiography in image and text to break free of inherited visual-verbal regimes and revise painful histories. These works provide an interart focus for examining the possibilities of self-representation and self-narration, the boundaries of life writing, and the relationship between image and text. Wong considers eight writers-artists, including comic-book author Art Spiegelman; Faith Ringgold, known for her story quilts; and celebrated Indigenous writer Leslie Marmon Silko. Wong shows how her subjects formulate webs of intersubjectivity shaped by historical trauma, geography, race, and gender as they envision new possibilities of selfhood and fresh modes of self-narration in word and image.
Screening Culture
Author: Heather Norris Nicholson
Publisher: Lexington Books
ISBN: 9780739105214
Category : Performing Arts
Languages : en
Pages : 336
Book Description
The lives of Indigenous peoples have long been framed for the outside world by others' cinematic gaze. But during the past thirty years, North America's Indigenous image-makers, particularly in Canada, have used the changing technologies of film, video, television, and computer to present their peoples' histories, identities, and perspectives. This edited collection of essays, conversations, and interviews combines Indigenous and non-Indigenous voices as it sets changing representations of Indigenous people on screen against broader socio-cultural, ideological, and economic considerations.
Publisher: Lexington Books
ISBN: 9780739105214
Category : Performing Arts
Languages : en
Pages : 336
Book Description
The lives of Indigenous peoples have long been framed for the outside world by others' cinematic gaze. But during the past thirty years, North America's Indigenous image-makers, particularly in Canada, have used the changing technologies of film, video, television, and computer to present their peoples' histories, identities, and perspectives. This edited collection of essays, conversations, and interviews combines Indigenous and non-Indigenous voices as it sets changing representations of Indigenous people on screen against broader socio-cultural, ideological, and economic considerations.
Images and Identity in Fifteenth-century Florence
Author: Patricia Lee Rubin
Publisher: Yale University Press
ISBN: 9780300123425
Category : Art
Languages : en
Pages : 456
Book Description
An exploration of ways of looking in Renaissance Florence, where works of art were part of a complex process of social exchange Renaissance Florence, of endless fascination for the beauty of its art and architecture, is no less intriguing for its dynamic political, economic, and social life. In this book Patricia Lee Rubin crosses the boundaries of all these areas to arrive at an original and comprehensive view of the place of images in Florentine society. The author asks an array of questions: Why were works of art made? Who were the artists who made them, and who commissioned them? How did they look, and how were they looked at? She demonstrates that the answers to such questions illuminate the contexts in which works of art were created, and how they were valued and viewed. Rubin seeks out the meeting places of meaning in churches, in palaces, in piazzas--places of exchange where identities were taken on and transformed, often with the mediation of images. She concentrates on questions of vision and visuality, on "seeing and being seen." With a blend of exceptional illustrations; close analyses of sacred and secular paintings by artists including Fra Angelico, Fra Filippo Lippi, Filippino Lippi, and Botticelli; and wide-ranging bibliographic essays, the book shines new light on fifteenth-century Florence, a special place that made beauty one of its defining features.
Publisher: Yale University Press
ISBN: 9780300123425
Category : Art
Languages : en
Pages : 456
Book Description
An exploration of ways of looking in Renaissance Florence, where works of art were part of a complex process of social exchange Renaissance Florence, of endless fascination for the beauty of its art and architecture, is no less intriguing for its dynamic political, economic, and social life. In this book Patricia Lee Rubin crosses the boundaries of all these areas to arrive at an original and comprehensive view of the place of images in Florentine society. The author asks an array of questions: Why were works of art made? Who were the artists who made them, and who commissioned them? How did they look, and how were they looked at? She demonstrates that the answers to such questions illuminate the contexts in which works of art were created, and how they were valued and viewed. Rubin seeks out the meeting places of meaning in churches, in palaces, in piazzas--places of exchange where identities were taken on and transformed, often with the mediation of images. She concentrates on questions of vision and visuality, on "seeing and being seen." With a blend of exceptional illustrations; close analyses of sacred and secular paintings by artists including Fra Angelico, Fra Filippo Lippi, Filippino Lippi, and Botticelli; and wide-ranging bibliographic essays, the book shines new light on fifteenth-century Florence, a special place that made beauty one of its defining features.
Image and Identity
Author: Akbar Naqvi
Publisher: Oxford University Press, USA
ISBN:
Category : Art
Languages : en
Pages : 922
Book Description
Celebrating fifty years of Pakistani painting and sculpture, this is the definitive story of the introduction and unfolding of modern art in Pakistan.
Publisher: Oxford University Press, USA
ISBN:
Category : Art
Languages : en
Pages : 922
Book Description
Celebrating fifty years of Pakistani painting and sculpture, this is the definitive story of the introduction and unfolding of modern art in Pakistan.
Identity and Idolatry
Author: Richard Lints
Publisher: InterVarsity Press
ISBN: 0830898492
Category : Religion
Languages : en
Pages : 197
Book Description
In this New Studies in Biblical Theology volume, Richard Lints argues that "idol" language in the Bible is a conceptual inversion of the "image" language of Genesis 1. He shows how the narrative of human identity runs from creation to fall to redemption in Christ, and examines the recent renaissance of interest in idolatry with its conceptual power to explain the "culture of desire."
Publisher: InterVarsity Press
ISBN: 0830898492
Category : Religion
Languages : en
Pages : 197
Book Description
In this New Studies in Biblical Theology volume, Richard Lints argues that "idol" language in the Bible is a conceptual inversion of the "image" language of Genesis 1. He shows how the narrative of human identity runs from creation to fall to redemption in Christ, and examines the recent renaissance of interest in idolatry with its conceptual power to explain the "culture of desire."
Image, Identity, and the Forming of the Augustinian Soul
Author: Matthew Drever
Publisher: OUP USA
ISBN: 0199916330
Category : Religion
Languages : en
Pages : 286
Book Description
Through examination of Augustine's account of the human relation to God, Matthew Drever finds a crucial resource for a religious reorientation and revaluation of the human person,
Publisher: OUP USA
ISBN: 0199916330
Category : Religion
Languages : en
Pages : 286
Book Description
Through examination of Augustine's account of the human relation to God, Matthew Drever finds a crucial resource for a religious reorientation and revaluation of the human person,
Images and Identity
Author: Rachel Mason
Publisher: Intellect (UK)
ISBN: 9781841507422
Category : Art
Languages : en
Pages : 0
Book Description
Images and Identity examines how working with contemporary art in classrooms can inspire students to reflect on issues of personal and cultural identity. Highlighting the ways that digital media can be used in interdisciplinary curricula, this edited collection brings together ideas from art and citizenship teachers in the Czech Republic, Germany, Ireland, Malta, Portugal and the UK on producing online curriculum materials.
Publisher: Intellect (UK)
ISBN: 9781841507422
Category : Art
Languages : en
Pages : 0
Book Description
Images and Identity examines how working with contemporary art in classrooms can inspire students to reflect on issues of personal and cultural identity. Highlighting the ways that digital media can be used in interdisciplinary curricula, this edited collection brings together ideas from art and citizenship teachers in the Czech Republic, Germany, Ireland, Malta, Portugal and the UK on producing online curriculum materials.
Image and Identity
Author: Dauvit Broun
Publisher: Birlinn Ltd
ISBN: 1788853962
Category : Social Science
Languages : en
Pages : 322
Book Description
This volume looks at the way that perceptions of Scottish identity have changed through the centuries, from early medieval to modern times. 'The idea of Scotland as a single country, corresponding to the realm of the king of Scots, and of the Scots as all the kingdom's inhabitants, may only have taken root during the 13th century.' – Dauvit Broun 'The 18th century is marked by a period of often competing Scottish identities, and the emergence of the British state as a complicating factor in the equation.' – R. J. Finlay 'Scottish identity has never been a fixed, immutable idea, whether held in the head or in the gut . . . some of the most enduring myths of Scotland's Protestant identity were, like Ireland's Catholic identity, creations of the 19th century: they included Jenny Geddes as a Protestant Dame Scotia, throwing a stool into the works of an Anglican-style church, and the Magdalen Chapel in Edinburgh, the home of a staunchly Catholic graft guild throughout much of the 1560s becoming the "workshop of the Reformation" in John Knox's time.' – Michael Lynch
Publisher: Birlinn Ltd
ISBN: 1788853962
Category : Social Science
Languages : en
Pages : 322
Book Description
This volume looks at the way that perceptions of Scottish identity have changed through the centuries, from early medieval to modern times. 'The idea of Scotland as a single country, corresponding to the realm of the king of Scots, and of the Scots as all the kingdom's inhabitants, may only have taken root during the 13th century.' – Dauvit Broun 'The 18th century is marked by a period of often competing Scottish identities, and the emergence of the British state as a complicating factor in the equation.' – R. J. Finlay 'Scottish identity has never been a fixed, immutable idea, whether held in the head or in the gut . . . some of the most enduring myths of Scotland's Protestant identity were, like Ireland's Catholic identity, creations of the 19th century: they included Jenny Geddes as a Protestant Dame Scotia, throwing a stool into the works of an Anglican-style church, and the Magdalen Chapel in Edinburgh, the home of a staunchly Catholic graft guild throughout much of the 1560s becoming the "workshop of the Reformation" in John Knox's time.' – Michael Lynch