Image and Meaning in Islamic Art PDF Download
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Author: Robert Hillenbrand
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 328
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Book Description
Author: Robert Hillenbrand
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 328
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Book Description
Author: Wendy M. K. Shaw
Publisher: Cambridge University Press
ISBN: 1108474659
Category : Art
Languages : en
Pages : 387
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Book Description
An alternate approach to Islamic art emphasizing literary over historical contexts and reception over production in visual arts and music.
Author: Maryam D. Ekhtiar
Publisher: Metropolitan Museum of Art
ISBN: 1588396304
Category : Art
Languages : en
Pages : 159
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Book Description
"For centuries, Islamic calligraphy has mesmerized viewers with its beauty, sophistication, and seemingly endless variety of styles. How to Read Islamic Calligraphy offers new perspectives on this distinctive art form, using examples from The Met's superlative collections to explore the enduring preeminence of the written word as a means of creative expression throughout the Islamic world. Combining engaging, accessible texts with stunning new photography, How to Read Islamic Calligraphy introduces readers to the major Islamic script types and explains the various contexts, whether secular or sacred, in which each one came to be used. Beauty and brilliance emerge in equal measure from works of every medium, from lavishly illuminated Qur'an manuscripts, to glassware etched with poetic verses, to ceramic tiles brushed with benedictions. The sheer breadth of objects illustrated in these pages exemplifies the ubiquity of calligraphy, and provides a compelling introduction to this unique art form"--Publisher's description
Author: Jonathan M. Bloom
Publisher: Routledge
ISBN: 1351942581
Category : Art
Languages : en
Pages : 634
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Book Description
This volume deals with the formative period of Islamic art (to c. 950), and the different approaches to studying it. Individual essays deal with architecture, ceramics, coins, textiles, and manuscripts, as well as with such broad questions as the supposed prohibition of images, and the relationships between sacred and secular art. An introductory essay sets each work in context; it is complemented by a bibliography for further reading.
Author: Yasser Tabbaa
Publisher: New Age International
ISBN: 9781850433927
Category : Architecture
Languages : en
Pages : 234
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Book Description
Momentous developments occurred in the field of Islamic art during the 11th and 12th centuries - developments that were to affect its aesthetic direction for centuries to come, but which sprang from deep within a political and religious clash at the heart of the Muslim world. Iran, Iraq and Syria were to see the flourishing of such devises as proportional calligraphy, vegetal and geometric arabesque and muqarnas (stalactite) vaulting, but these innovations were propagated in a highly confrontational atmosphere that pitched the traditional Sunnism of the Abbasid Caliphate against the heterodox Fatimids of Egypt.
Author: Anna Contadini
Publisher: BRILL
ISBN: 9004236619
Category : Reference
Languages : en
Pages : 284
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Book Description
Arab painting, preserved mainly in manuscript illustrations of the 12th to 14th centuries, is here treated as an artistic corpus fully deserving of appreciation in its own terms, and not as a mere precursor to Persian painting. The book assembles papers by a distinguished list of scholars that illuminate the variety of material that survives in scientific as well as literary manuscripts. Because of the contexts in which the paintings appear, a major theoretical concern is, precisely, the relationship of painting to text. It rejects earlier scholarly habits of analysing paintings in isolation, and proposes the integration of text and image as a more satisfactory framework within which to elucidate the characteristics and functions of this impressive body of work.
Author: Erica Cruikshank Dodd
Publisher: Syracuse University Press
ISBN:
Category : Architecture
Languages : en
Pages : 108
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Book Description
Volume I is designed to be read by itself, but it presents the arguments and conclusions drawn from the Indexes in Volume II. Volume II presents the documentation for the arguments: a collection of published inscriptions decorating Islamic monuments. They are organized under three headings: 1) according to the number of the Sura and verse; 2) according to the geographical area, the city and the building where the verses occur; 3) according to the location within the buildings, over doors, for example, or on minarets.
Author: Titus Burckhardt
Publisher: World Wisdom, Inc
ISBN: 1933316659
Category : Art
Languages : en
Pages : 258
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Book Description
Islam.
Author: Eric Broug
Publisher:
ISBN: 9780500516959
Category : Art
Languages : en
Pages : 0
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Book Description
Combines wide-ranging research with the author's artistic skills to reveal the techniques used to create the patterns adorning buildings in the Islamic world
Author: Idham Mohammed Hanash
Publisher: International Institute of Islamic Thought (IIIT)
ISBN: 1565646967
Category : Religion
Languages : en
Pages : 92
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Book Description
Divine oneness as the principle of beauty is perhaps quintessentially Islamic artistic expression and experience and what it celebrates. Why has Islamic art evolved as it has, what forms does it take, what is the logic underlying it? What message is the Muslim artist attempting to convey, what emotion is he seeking to evoke? This work views Islamic art as a subject of archeological study and treats its evolution as part of the historical study of art in the broader sense. At the same time, it paves the way for an epistemological shift from viewing Islamic art as a material concept having to do with beautiful rarities and relics that have grown out of Islamic cultural and artistic creativity, to a theoretical concept associated with a vision, a principle, a theory and a method. This theo-retical concept provides the intellectual and cultural foundation for a critical philosophical science of Islamic artistic beauty to which we might refer as ‘the science of Islamic art,’ or ‘the Islamic aesthetic’ that evaluates visual artistic creations in terms of both beauty and practical usefulness. In the process the study also explores orientalist misconceptions, challenging some of the premises with which it has approached Islamic art, with judgement rooted in a cultural framework alien to the spiritual perspective of Islam.
