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Author: Robert Hillenbrand
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 328
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Book Description
Author: Robert Hillenbrand
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 328
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Book Description
Author: Wendy M. K. Shaw
Publisher: Cambridge University Press
ISBN: 1108474659
Category : History
Languages : en
Pages : 387
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Book Description
An alternate approach to Islamic art emphasizing literary over historical contexts and reception over production in visual arts and music.
Author: Maryam D. Ekhtiar
Publisher: Metropolitan Museum of Art
ISBN: 1588396304
Category : Art
Languages : en
Pages : 159
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Book Description
"For centuries, Islamic calligraphy has mesmerized viewers with its beauty, sophistication, and seemingly endless variety of styles. How to Read Islamic Calligraphy offers new perspectives on this distinctive art form, using examples from The Met's superlative collections to explore the enduring preeminence of the written word as a means of creative expression throughout the Islamic world. Combining engaging, accessible texts with stunning new photography, How to Read Islamic Calligraphy introduces readers to the major Islamic script types and explains the various contexts, whether secular or sacred, in which each one came to be used. Beauty and brilliance emerge in equal measure from works of every medium, from lavishly illuminated Qur'an manuscripts, to glassware etched with poetic verses, to ceramic tiles brushed with benedictions. The sheer breadth of objects illustrated in these pages exemplifies the ubiquity of calligraphy, and provides a compelling introduction to this unique art form"--Publisher's description
Author: Sheila Blair
Publisher: Hood Museum of Art Darmouth College
ISBN:
Category : Art
Languages : en
Pages : 124
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Book Description
A catalog accompanying an exhibit, The here and the hereafter: images of paradise in Islamic art, organized by the Hood Museum of Art at Dartmouth College, and scheduled to travel to several museums across the US until June 1992. Includes photographs--24 in color--of tapestry, calligraphy, paintings, and ceramic and metal vessels. 121/4x91/4 Distributed by U. of Texas Press. Annotation copyrighted by Book News, Inc., Portland, OR
Author: Anna Contadini
Publisher: BRILL
ISBN: 9004236619
Category : Reference
Languages : en
Pages : 284
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Book Description
Arab painting is treated here as a significant artistic corpus in its own right. Rejecting the traditional emphasis on individual paintings, the distinguished contributors to this volume stress the integration of text and image as a more productive theoretical framework.
Author: Khursheed Kamal Aziz
Publisher:
ISBN:
Category : Art, Islamic
Languages : en
Pages : 608
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Book Description
Author: Titus Burckhardt
Publisher: World Wisdom, Inc
ISBN: 1933316659
Category : Art
Languages : en
Pages : 258
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Book Description
Islam.
Author: Mohammed Hamdouni Alami
Publisher: Bloomsbury Publishing
ISBN: 0857731750
Category : Architecture
Languages : en
Pages : 304
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Book Description
What is 'art' in the sense of the Islamic tradition? Mohammed Hamdouni Alami argues that Islamic art has historically been excluded from Western notions of art; that the Western aesthetic tradition's preoccupation with the human body, and the ban on the representation of the human body in Islam, has meant that Islamic and Western art have been perceived as inherently at odds. However, the move away from this 'anthropomorphic aesthetic' in Western art movements, such as modern abstract and constructivist painting, have presented the opportunity for new ways of viewing and evaluating Islamic art and architecture. This book questions the very idea of art predicated on the anthropocentric bias of classical art, and the corollary 'exclusion' of Islamic art from the status of art. It addresses a central question in post-classical aesthetic theory, in as much as the advent of modern abstract and constructivist painting have shown that art can be other than the representation of the human body; that art is not neutral aesthetic contemplation but it is fraught with power and violence; and that the presupposition of classical art was not a universal truth but the assumption of a specific cultural and historical set of practices and vocabularies. Based on close readings of classical Islamic literature, philosophy, poetry, medicine and theology, along with contemporary Western art theory, the author uncovers a specific Islamic theoretical vision of art and architecture based on poetic practice, politics, cosmology and desire. In particular it traces the effects of decoration and architectural planning on the human soul as well as the centrality of the gaze in this poetic view - in Arabic 'nazar'- while examining its surprising similarity to modern theories of the gaze. Through this double gesture, moving critically between two traditions, the author brings Islamic thought and aesthetics back into the realm of visibility, addressing the lack of recognition in comparison with other historical periods and traditions. This is an important step toward a critical analysis of the contemporary debate around the revival of Islamic architectural identity - a debate intricately embedded within opposing Islamic political and social projects throughout the world.
Author: Jonathan M. Bloom
Publisher: Routledge
ISBN: 1351942581
Category : Art
Languages : en
Pages : 469
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Book Description
This volume deals with the formative period of Islamic art (to c. 950), and the different approaches to studying it. Individual essays deal with architecture, ceramics, coins, textiles, and manuscripts, as well as with such broad questions as the supposed prohibition of images, and the relationships between sacred and secular art. An introductory essay sets each work in context; it is complemented by a bibliography for further reading.
Author: Roland Michaud
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 324
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Book Description
Michael Barry's text draws on a wealth of historical, technical and iconographic information to illuminate the history and meaning of these remarkable decorations.
