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Author: Jane Louise Curry
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Author: Jane Louise Curry
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Book Description
Author: Jane Louise Curry
Publisher:
ISBN:
Category : English literature
Languages : en
Pages : 672
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Author: Jane Louise Curry
Publisher:
ISBN:
Category : English literature
Languages : en
Pages : 666
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Author: Prudentius
Publisher: Cornell University Press
ISBN: 0801463068
Category : Poetry
Languages : en
Pages : 249
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Book Description
Aurelius Prudentius Clemens (348–ca. 406) is one of the great Christian Latin writers of late antiquity. Born in northeastern Spain during an era of momentous change for both the Empire and the Christian religion, he was well educated, well connected, and a successful member of the late Roman elite, a man fully engaged with the politics and culture of his times. Prudentius wrote poetry that was deeply influenced by classical writers and in the process he revived the ethical, historical, and political functions of poetry. This aspect of his work was especially valued in the Middle Ages by Christian writers who found themselves similarly drawn to the Classical tradition. Prudentius's Hamartigenia, consisting of a 63-line preface followed by 966 lines of dactylic hexameter verse, considers the origin of sin in the universe and its consequences, culminating with a vision of judgment day: the damned are condemned to torture, worms, and flames, while the saved return to a heaven filled with delights, one of which is the pleasure of watching the torments of the damned. As Martha A. Malamud shows in the interpretive essay that accompanies her lapidary translation, the first new English translation in more than forty years, Hamartigenia is critical for understanding late antique ideas about sin, justice, gender, violence, and the afterlife. Its radical exploration of and experimentation with language have inspired generations of thinkers and poets since—most notably John Milton, whose Paradise Lost owes much of its conception of language and its strikingly visual imagery to Prudentius's poem.
Author: John Wilson
Publisher:
ISBN:
Category : Religion and science
Languages : en
Pages : 280
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Author: Library of Congress. Copyright Office
Publisher: Copyright Office, Library of Congress
ISBN:
Category : Copyright
Languages : en
Pages : 1510
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Author: Edward Morgan
Publisher: A&C Black
ISBN: 0567033821
Category : Religion
Languages : en
Pages : 203
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Book Description
An exploration of three of Augustine's central texts, the De Trinitate, the De Doctrina Christiana, and the Confessions elucidate the principles of Augustine's theology of language. This is done in a systematic manner, which previous scholarship on Augustine has lacked. Augustine's principles are revealed through a close reading of these three core texts. Beginning with the De Trinitate, the book demonstrates that Augustine's inquiry into the character of the human person is incomplete. For Augustine, there is a void without reference to the category of human speech, the very thing that enables him to communicate his theological inquiry into God and the human person in the De Trinitate. From here, the book examines a central work of Augustine that deals with the significance of divine and human speech, the De Doctrina Christiana. It expounds this text carefully, showing three chief facets of Augustinian thought about divine and human communication: human social relations; human self-interpretation using scripture; and preaching, the public communication of God's word. It accepts the De Doctrina Christiana as laying theoretical foundations for Augustine's understanding of the task of theology and language's meaning and centrality within it. The book then moves to Augustine's Confessions to see the principles of Augustine's theology of language enacted within its first nine books. Augustine's conversion narrative is analysed as a literary demonstration of Augustine's description of human identity before God, showing how speech and human social relations centrally mediate God's relationship to humanity. For Augustine, human identity properly speaking is ‘confessional'. The book returns to the De Trinitate to complete its analysis of that text using the principles of the theology of language uncovered in the De Doctrina Christiana and the Confessions. It shows that the first seven books of that text, and its core structure, move around the principles of the theology of language that the investigation has uncovered. To this extent, theological inquiry for Augustine - the human task of looking for God - is bound up primarily within the act of human speech and the social relations it helps to compose. The book closes with reflection on the significance of these findings for Augustinian scholarship and theological research more generally.
Author: Dronke
Publisher: BRILL
ISBN: 900447420X
Category : Literary Criticism
Languages : en
Pages : 214
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Book Description
Author: Nemanja Radulović
Publisher: JATEPress Kiadó
ISBN: 9633153972
Category : Social Science
Languages : en
Pages : 251
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Book Description
These papers examine how occult and esoteric themes appear in visual and verbal media, connecting to intellectual history, literature, the arts, present day pop culture, and religious practices. The topics range from the witchcraft motives in the love poetry of the 15th-century Humanist poet, Conrad Celtis; through the activities of Polish and Russian theosophists; Croatian, Greek, Polish painters of the spiritual; the philosophy of wine by the Hungarian esoteric philosopher Béla Hamvas; to contemporary Serbian magic and neo-shamanism. Two studies touch upon the influence of Freemasonry and the Kabbalah in Western esotericism, and, although these are not specifically Central European topics, they provide parallel perspectives to what the other papers of the collection are investigating.
Author: Walter Melion
Publisher: BRILL
ISBN: 9004408940
Category : Art
Languages : en
Pages : 692
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Book Description
‘Quid est sacramentum?’ Visual Representation of Sacred Mysteries in Early Modern Europe, 1400–1700 investigates how sacred mysteries (in Latin, sacramenta or mysteria) were visualized in a wide range of media, including illustrated religious literature such as catechisms, prayerbooks, meditative treatises, and emblem books, produced in Italy, France, and the Low Countries between ca. 1500 and 1700. The contributors ask why the mysteries of faith and, in particular, sacramental mysteries were construed as amenable to processes of representation and figuration, and why the resultant images were thought capable of engaging mortal eyes, minds, and hearts. Mysteries by their very nature appeal to the spirit, rather than to sense or reason, since they operate beyond the limitations of the human faculties; and yet, the visual and literary arts served as vehicles for the dissemination of these mysteries and for prompting reflection upon them. Contributors: David Areford, AnnMarie Micikas Bridges, Mette Birkedal Bruun, James Clifton, Anna Dlabačková, Wim François, Robert Kendrick, Aiden Kumler, Noria Litaker, Walter S. Melion, Lars Cyril Nørgaard, Elizabeth Pastan, Donna Sadler, Alexa Sand, Tanya Tiffany, Lee Palmer Wandel, Geert Warner, Bronwen Wilson, and Elliott Wise.
