Author: Ilʹi︠a︡ Iosifovich Kabakov
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 288
Book Description
This catalogue presents the artwork of three fictitious Russian artists, all inventions of Ilya Kabakov, and intervviews of Ilya Kabakov.
An Alternative History of Art
The Experimental Group
Author: Matthew Jesse Jackson
Publisher: University of Chicago Press
ISBN: 0226389413
Category : Art
Languages : en
Pages : 332
Book Description
"Matthew Jesse Jackson's writing and quality of mind put him in the forefront of the next wave in modern art studies." Thomas E. Crow, Institute of Fine Arts --
Publisher: University of Chicago Press
ISBN: 0226389413
Category : Art
Languages : en
Pages : 332
Book Description
"Matthew Jesse Jackson's writing and quality of mind put him in the forefront of the next wave in modern art studies." Thomas E. Crow, Institute of Fine Arts --
On Art
Author: Ilya Kabakov
Publisher: University of Chicago Press
ISBN: 022638487X
Category : Art
Languages : en
Pages : 380
Book Description
During the 1960s and 1970s, the Russian conceptual artist Ilya Kabakov was a galvanizing figure in Moscow's underground art community, ultimately gaining international prominence as the “leader” of a band of artists known as the Moscow Conceptual Circle. Throughout this time, he created texts that he would distribute among his friends, and by the late 1990s his written production amounted to hundreds of pages. Devoted to themes that range from the “cosmism” of pre-Revolutionary Russian modernism to the philosophical implications of Moscow’s garbage, Kabakov’s handmade booklets were typed out on paper, then stapled or sewn together using rough butcher paper for their covers. Among these writings are faux Socialist Realist verses, theoretical explorations, art historical analyses, accompaniments to installation projects, and transcripts of dialogues between the artist and literary theorists, critics, journalists, and other artists. This volume offers for the first time in English the most significant texts written by Kabakov. The writings have been expressly selected for this English-language volume and there exists no equivalent work in any language.
Publisher: University of Chicago Press
ISBN: 022638487X
Category : Art
Languages : en
Pages : 380
Book Description
During the 1960s and 1970s, the Russian conceptual artist Ilya Kabakov was a galvanizing figure in Moscow's underground art community, ultimately gaining international prominence as the “leader” of a band of artists known as the Moscow Conceptual Circle. Throughout this time, he created texts that he would distribute among his friends, and by the late 1990s his written production amounted to hundreds of pages. Devoted to themes that range from the “cosmism” of pre-Revolutionary Russian modernism to the philosophical implications of Moscow’s garbage, Kabakov’s handmade booklets were typed out on paper, then stapled or sewn together using rough butcher paper for their covers. Among these writings are faux Socialist Realist verses, theoretical explorations, art historical analyses, accompaniments to installation projects, and transcripts of dialogues between the artist and literary theorists, critics, journalists, and other artists. This volume offers for the first time in English the most significant texts written by Kabakov. The writings have been expressly selected for this English-language volume and there exists no equivalent work in any language.
Ilya Kabakov
Author: Amei Wallach
Publisher: ABRAMS
ISBN:
Category : Art
Languages : en
Pages : 266
Book Description
This is the first comprehensive monograph on an important contemporary artist, one who has come to represent the Russian avant-garde in the post-Stalinist era much in the way that Joseph Beuys was a stimulus for European art after World War II. In her fascinating text, Amei Wallach draws on extensive research and interviews with Kabakov and his circle over the past eight years, and puts the work in the context of the artist's life and the social, historical, cultural, and political forces that have shaped it - from his boyhood during Stalin's regime, to his obligatory career as a children's book illustrator in the official Artists' Union, to his involvement in Moscow's furtive and fertile underground avant-garde of artists and writers, to his more recent travels in the international art circuit. This groundbreaking volume also includes an introduction by Robert Storr, a curator in the Department of Painting and Sculpture at the Museum of Modern Art in New York, and commentaries by the artist himself that accompany the 290 illustrations, including paintings, drawings, albums, and sketches and photographs of installations.
Publisher: ABRAMS
ISBN:
Category : Art
Languages : en
Pages : 266
Book Description
This is the first comprehensive monograph on an important contemporary artist, one who has come to represent the Russian avant-garde in the post-Stalinist era much in the way that Joseph Beuys was a stimulus for European art after World War II. In her fascinating text, Amei Wallach draws on extensive research and interviews with Kabakov and his circle over the past eight years, and puts the work in the context of the artist's life and the social, historical, cultural, and political forces that have shaped it - from his boyhood during Stalin's regime, to his obligatory career as a children's book illustrator in the official Artists' Union, to his involvement in Moscow's furtive and fertile underground avant-garde of artists and writers, to his more recent travels in the international art circuit. This groundbreaking volume also includes an introduction by Robert Storr, a curator in the Department of Painting and Sculpture at the Museum of Modern Art in New York, and commentaries by the artist himself that accompany the 290 illustrations, including paintings, drawings, albums, and sketches and photographs of installations.
Ilya Kabakov, 1969-1998
Author: Ilʹi︠a︡ Iosifovich Kabakov
Publisher: Center for Curatorial Studies/Bard College
ISBN:
Category : Art
Languages : en
Pages : 112
Book Description
Essay by Amei Wallach. Foreword by Amada Cruz.
Publisher: Center for Curatorial Studies/Bard College
ISBN:
Category : Art
Languages : en
Pages : 112
Book Description
Essay by Amei Wallach. Foreword by Amada Cruz.
Painting the Stage: Ilya and Emilia Kabakov
Author: Denise Wendel-Poray
Publisher: Skira Editore
ISBN: 9788857240206
Category :
Languages : en
Pages : 444
Book Description
The book as theater: four astounding luxury editions of Painting the Stage, each housed in a wooden sculpture by archistar Mario Botta, with prints by William Kentridge, Ilya and Emilia Kabakov, and Jan Fabre For this extraordinary tour de force of bookmaking, the acclaimed Swiss architect Mario Botta has designed a wooden sculpture that houses a luxurious clothbound edition of Denise Wendel-Poray's Painting the Stage--a pioneering history of the relationship between opera and art--with a signed, numbered print by an artist featured in the book: Jan Fabre, Ilya and Emilia Kabakov, and William Kentridge. The publication comes in four versions, each made in an edition of 60 copies. The print by Belgian artist Jan Fabre reproduces a prepatory drawing for his 2004 staging of Wagner's Tannhäuser in watercolor and pencil; the Kabakovs' print is from The Flies: A Musical Phantasmagoria; William Kentridge's edition is divided into two editions of 30 each, both featuring sugarlift aquatint portraits inspired by Alban Berg's Lulu. Each edition features a different wood: durmast (Fabre), walnut (Kabakovs) and ash (Kentridge).
Publisher: Skira Editore
ISBN: 9788857240206
Category :
Languages : en
Pages : 444
Book Description
The book as theater: four astounding luxury editions of Painting the Stage, each housed in a wooden sculpture by archistar Mario Botta, with prints by William Kentridge, Ilya and Emilia Kabakov, and Jan Fabre For this extraordinary tour de force of bookmaking, the acclaimed Swiss architect Mario Botta has designed a wooden sculpture that houses a luxurious clothbound edition of Denise Wendel-Poray's Painting the Stage--a pioneering history of the relationship between opera and art--with a signed, numbered print by an artist featured in the book: Jan Fabre, Ilya and Emilia Kabakov, and William Kentridge. The publication comes in four versions, each made in an edition of 60 copies. The print by Belgian artist Jan Fabre reproduces a prepatory drawing for his 2004 staging of Wagner's Tannhäuser in watercolor and pencil; the Kabakovs' print is from The Flies: A Musical Phantasmagoria; William Kentridge's edition is divided into two editions of 30 each, both featuring sugarlift aquatint portraits inspired by Alban Berg's Lulu. Each edition features a different wood: durmast (Fabre), walnut (Kabakovs) and ash (Kentridge).
Painting the Stage
Author: Denise Wendel-Poray
Publisher: Skira Editore
ISBN: 9788857230061
Category : Art
Languages : en
Pages : 444
Book Description
The evolution of the close bond between the visual arts and opera starting from the nineteenth century up to the early twenty-first century. The intertwining of visual and musical arts at the beginning of the 20th century led to modernism, abstraction and in music, atonality. This meeting of the arts was never so intense as on the operatic stage. In her book Painting the Stage, curator and art and music critic Denise Wendel-Poray first examines historic productions beginning with Schinkel's iconic stage design for Mozart's Magic Flute, before exploring those of the 20th century with Diaghilev and the Ballets Russes and the implication of avant-garde artists in opera up until World War II. Directly after the armistice of 1945, famous artists such as André Derain, Balthus, Dalí, André Masson, and Kokoschka reopened the theaters amidst ruins, thus ushering in a new era of optimism. The event of pop art, happenings, and experimental theatre with the collaboration of artists Robert Indiana, David Hockney, Robert Wilson brought on further developments in the realm of opera. Finally, interviews with world famous artists such as Anselm Kiefer, William Kentridge, Bill Viola, Robert Longo, Jonathan Meese, and Daniel Richter show how their contribution to the genre is making opera today more than ever a form of "total art" or "Gesamtkunstwerk" and a hotbed of contemporary creation.
Publisher: Skira Editore
ISBN: 9788857230061
Category : Art
Languages : en
Pages : 444
Book Description
The evolution of the close bond between the visual arts and opera starting from the nineteenth century up to the early twenty-first century. The intertwining of visual and musical arts at the beginning of the 20th century led to modernism, abstraction and in music, atonality. This meeting of the arts was never so intense as on the operatic stage. In her book Painting the Stage, curator and art and music critic Denise Wendel-Poray first examines historic productions beginning with Schinkel's iconic stage design for Mozart's Magic Flute, before exploring those of the 20th century with Diaghilev and the Ballets Russes and the implication of avant-garde artists in opera up until World War II. Directly after the armistice of 1945, famous artists such as André Derain, Balthus, Dalí, André Masson, and Kokoschka reopened the theaters amidst ruins, thus ushering in a new era of optimism. The event of pop art, happenings, and experimental theatre with the collaboration of artists Robert Indiana, David Hockney, Robert Wilson brought on further developments in the realm of opera. Finally, interviews with world famous artists such as Anselm Kiefer, William Kentridge, Bill Viola, Robert Longo, Jonathan Meese, and Daniel Richter show how their contribution to the genre is making opera today more than ever a form of "total art" or "Gesamtkunstwerk" and a hotbed of contemporary creation.
Dislocations
Author: Robert Storr
Publisher: ABRAMS
ISBN:
Category : Art
Languages : en
Pages : 96
Book Description
Publisher: ABRAMS
ISBN:
Category : Art
Languages : en
Pages : 96
Book Description
The Cool and the Cold: Painting in the USA and the USSR 1960-1990
Author: Benjamin Dodenhoff
Publisher: Walther Konig Verlag
ISBN: 9783960988335
Category : Painting
Languages : en
Pages : 312
Book Description
The Peter and Irene Ludwig Collection was one of the ?rst in the world to bring together works of US and Soviet art in the time period when they originated. Occasioned by the 30th anniversary of the opening of the iron curtain, in this book, which accompanies the eponymous exhibition at the Gropius Bau, works contained in the Ludwig Collection from both sides of the East-West conflict are compared for the first time. In this dialogue, it becomes apparent how Cold War era artists responded to the political and aesthetic issues of their age and negotiated concepts of individual and social freedom. The volume features some 150 works, including ones by Andy Warhol, Ilya Kabakov, Jackson Pollock, Erik Bulatov, Lee Lozano, Natalya Nesterova, and Helen Frankenthaler.Exhibition: Gropius Bau, Berlin, Germany (postponed to April to September 2021).
Publisher: Walther Konig Verlag
ISBN: 9783960988335
Category : Painting
Languages : en
Pages : 312
Book Description
The Peter and Irene Ludwig Collection was one of the ?rst in the world to bring together works of US and Soviet art in the time period when they originated. Occasioned by the 30th anniversary of the opening of the iron curtain, in this book, which accompanies the eponymous exhibition at the Gropius Bau, works contained in the Ludwig Collection from both sides of the East-West conflict are compared for the first time. In this dialogue, it becomes apparent how Cold War era artists responded to the political and aesthetic issues of their age and negotiated concepts of individual and social freedom. The volume features some 150 works, including ones by Andy Warhol, Ilya Kabakov, Jackson Pollock, Erik Bulatov, Lee Lozano, Natalya Nesterova, and Helen Frankenthaler.Exhibition: Gropius Bau, Berlin, Germany (postponed to April to September 2021).
Between Spring and Summer
Author: David A. Ross
Publisher:
ISBN:
Category : Conceptual art
Languages : en
Pages : 0
Book Description
Publisher:
ISBN:
Category : Conceptual art
Languages : en
Pages : 0
Book Description