Author: David Edward Luscombe
Publisher: Oxford University Press, USA
ISBN: 0192891790
Category : Philosophy
Languages : en
Pages : 258
Book Description
The Middle Ages span a period of well over a millennium: from the emperor Constantine's Christian conversion in 312 to the early sixteenth century. During this time there was remarkable continuity of thought, but there were also many changes made in different philosophies: various breaks, revivals and rediscoveries. David Luscombe's history of Medieval Thought steers a clear path through this long period, beginning with three great influences on medieval philosophy: Augustine, Boethius, and Pseudo-Denis, and focusing on Alcuin, then Anselm, Abelard, Aquinas, Ockham, Duns Scotus, and Eckhart amongst others from the twelfth to the fifteenth century. Medieval philosophy is widely regarded as having a theological and religious orientation, but more recently attention has been given to the early study of logic, language, and the philosophy of science. This history therefore gives a fascinating insight into medieval views on aspects such as astronomy, materialism, perception, and the nature of the soul, as well as of God.
Medieval Thought
Author: David Edward Luscombe
Publisher: Oxford University Press, USA
ISBN: 0192891790
Category : Philosophy
Languages : en
Pages : 258
Book Description
The Middle Ages span a period of well over a millennium: from the emperor Constantine's Christian conversion in 312 to the early sixteenth century. During this time there was remarkable continuity of thought, but there were also many changes made in different philosophies: various breaks, revivals and rediscoveries. David Luscombe's history of Medieval Thought steers a clear path through this long period, beginning with three great influences on medieval philosophy: Augustine, Boethius, and Pseudo-Denis, and focusing on Alcuin, then Anselm, Abelard, Aquinas, Ockham, Duns Scotus, and Eckhart amongst others from the twelfth to the fifteenth century. Medieval philosophy is widely regarded as having a theological and religious orientation, but more recently attention has been given to the early study of logic, language, and the philosophy of science. This history therefore gives a fascinating insight into medieval views on aspects such as astronomy, materialism, perception, and the nature of the soul, as well as of God.
Publisher: Oxford University Press, USA
ISBN: 0192891790
Category : Philosophy
Languages : en
Pages : 258
Book Description
The Middle Ages span a period of well over a millennium: from the emperor Constantine's Christian conversion in 312 to the early sixteenth century. During this time there was remarkable continuity of thought, but there were also many changes made in different philosophies: various breaks, revivals and rediscoveries. David Luscombe's history of Medieval Thought steers a clear path through this long period, beginning with three great influences on medieval philosophy: Augustine, Boethius, and Pseudo-Denis, and focusing on Alcuin, then Anselm, Abelard, Aquinas, Ockham, Duns Scotus, and Eckhart amongst others from the twelfth to the fifteenth century. Medieval philosophy is widely regarded as having a theological and religious orientation, but more recently attention has been given to the early study of logic, language, and the philosophy of science. This history therefore gives a fascinating insight into medieval views on aspects such as astronomy, materialism, perception, and the nature of the soul, as well as of God.
Encyclopedia of Medieval Philosophy
Author: Henrik Lagerlund
Publisher: Springer Science & Business Media
ISBN: 140209728X
Category : Philosophy
Languages : en
Pages : 1448
Book Description
This is the first reference ever devoted to medieval philosophy. It covers all areas of the field from 500-1500 including philosophers, philosophies, key terms and concepts. It also provides analyses of particular theories plus cultural and social contexts.
Publisher: Springer Science & Business Media
ISBN: 140209728X
Category : Philosophy
Languages : en
Pages : 1448
Book Description
This is the first reference ever devoted to medieval philosophy. It covers all areas of the field from 500-1500 including philosophers, philosophies, key terms and concepts. It also provides analyses of particular theories plus cultural and social contexts.
Theophilus and the Theory and Practice of Medieval Art
Author: Heidi C. Gearhart
Publisher: Penn State Press
ISBN: 0271079819
Category : Art
Languages : en
Pages : 519
Book Description
In this study of the rare twelfth-century treatise On Diverse Arts, Heidi C. Gearhart explores the unique system of values that guided artists of the High Middle Ages as they created their works. Written in northern Germany by a monk known only by the pseudonym Theophilus, On Diverse Arts is the only known complete tract on art to survive from the period. It contains three books, each with a richly religious prologue, describing the arts of painting, glass, and metalwork. Gearhart places this one-of-a-kind treatise in context alongside works by other monastic and literary thinkers of the time and presents a new reading of the text itself. Examining the earliest manuscripts, she reveals a carefully ordered, sophisticated work that aligns the making of art with the virtues of a spiritual life. On Diverse Arts, Gearhart shows, articulated a distinctly medieval theory of art that accounted for the entire process of production—from thought and preparation to the acquisition of material, the execution of work, the creation of form, and the practice of seeing. An important new perspective on one of the most significant texts in art history and the first study of its kind available in English, Theophilus and the Theory and Practice of Medieval Art provides fresh insight into the principles and values of medieval art making. Scholars of art history, medieval studies, and Christianity will find Gearhart’s book especially edifying and valuable.
Publisher: Penn State Press
ISBN: 0271079819
Category : Art
Languages : en
Pages : 519
Book Description
In this study of the rare twelfth-century treatise On Diverse Arts, Heidi C. Gearhart explores the unique system of values that guided artists of the High Middle Ages as they created their works. Written in northern Germany by a monk known only by the pseudonym Theophilus, On Diverse Arts is the only known complete tract on art to survive from the period. It contains three books, each with a richly religious prologue, describing the arts of painting, glass, and metalwork. Gearhart places this one-of-a-kind treatise in context alongside works by other monastic and literary thinkers of the time and presents a new reading of the text itself. Examining the earliest manuscripts, she reveals a carefully ordered, sophisticated work that aligns the making of art with the virtues of a spiritual life. On Diverse Arts, Gearhart shows, articulated a distinctly medieval theory of art that accounted for the entire process of production—from thought and preparation to the acquisition of material, the execution of work, the creation of form, and the practice of seeing. An important new perspective on one of the most significant texts in art history and the first study of its kind available in English, Theophilus and the Theory and Practice of Medieval Art provides fresh insight into the principles and values of medieval art making. Scholars of art history, medieval studies, and Christianity will find Gearhart’s book especially edifying and valuable.
The Absent Image
Author: Elina Gertsman
Publisher: Penn State Press
ISBN: 0271089016
Category : Art
Languages : en
Pages : 599
Book Description
Winner of the 2022 Charles Rufus Morey Award from the College Art Association Guided by Aristotelian theories, medieval philosophers believed that nature abhors a vacuum. Medieval art, according to modern scholars, abhors the same. The notion of horror vacui—the fear of empty space—is thus often construed as a definitive feature of Gothic material culture. In The Absent Image, Elina Gertsman argues that Gothic art, in its attempts to grapple with the unrepresentability of the invisible, actively engages emptiness, voids, gaps, holes, and erasures. Exploring complex conversations among medieval philosophy, physics, mathematics, piety, and image-making, Gertsman considers the concept of nothingness in concert with the imaginary, revealing profoundly inventive approaches to emptiness in late medieval visual culture, from ingenious images of the world’s creation ex nihilo to figurations of absence as a replacement for the invisible forces of conception and death. Innovative and challenging, this book will find its primary audience with students and scholars of art, religion, physics, philosophy, and mathematics. It will be particularly welcomed by those interested in phenomenological and cross-disciplinary approaches to the visual culture of the later Middle Ages.
Publisher: Penn State Press
ISBN: 0271089016
Category : Art
Languages : en
Pages : 599
Book Description
Winner of the 2022 Charles Rufus Morey Award from the College Art Association Guided by Aristotelian theories, medieval philosophers believed that nature abhors a vacuum. Medieval art, according to modern scholars, abhors the same. The notion of horror vacui—the fear of empty space—is thus often construed as a definitive feature of Gothic material culture. In The Absent Image, Elina Gertsman argues that Gothic art, in its attempts to grapple with the unrepresentability of the invisible, actively engages emptiness, voids, gaps, holes, and erasures. Exploring complex conversations among medieval philosophy, physics, mathematics, piety, and image-making, Gertsman considers the concept of nothingness in concert with the imaginary, revealing profoundly inventive approaches to emptiness in late medieval visual culture, from ingenious images of the world’s creation ex nihilo to figurations of absence as a replacement for the invisible forces of conception and death. Innovative and challenging, this book will find its primary audience with students and scholars of art, religion, physics, philosophy, and mathematics. It will be particularly welcomed by those interested in phenomenological and cross-disciplinary approaches to the visual culture of the later Middle Ages.
Insular & Anglo-Saxon Art and Thought in the Early Medieval Period
Author: Colum Hourihane
Publisher: Index of Christian Art Department of Art and Archeology Princeton
ISBN: 9780983753704
Category : Art, Anglo-Saxon
Languages : en
Pages : 0
Book Description
An interdisciplinary collection of essays examining Irish and Anglo-Saxon art in the early medieval period.
Publisher: Index of Christian Art Department of Art and Archeology Princeton
ISBN: 9780983753704
Category : Art, Anglo-Saxon
Languages : en
Pages : 0
Book Description
An interdisciplinary collection of essays examining Irish and Anglo-Saxon art in the early medieval period.
A History of Medieval Political Thought
Author: Joseph Canning
Publisher: Routledge
ISBN: 1134981449
Category : History
Languages : en
Pages : 272
Book Description
Incorporating research previously unavailable in English, this clear guide gives a synthesis of the latest scholarship providing the historical and intellectual context for political ideas. This accessible and lucid guide to medieval political thought * gives a synthesis of the latest scholarship * incorporates the results of research until now unavailable in English * focuses on the crucial primary source material * provides the historical and intellectual context for political ideas. The book covers four periods, each with a different focus: * 300-750 - Christian ideas of rulership * 750-1050 - the Carolingian period and its aftermath * 1050-1290 - the relationship between temporal and spiritual power, and the revived legacy of antiquity * 1290-1450 - the confrontation with political reality in ideas of church and of state, and in juristic thought. Canning has produced an ideal introductory text for undergraduate and postgraduate students of the period.
Publisher: Routledge
ISBN: 1134981449
Category : History
Languages : en
Pages : 272
Book Description
Incorporating research previously unavailable in English, this clear guide gives a synthesis of the latest scholarship providing the historical and intellectual context for political ideas. This accessible and lucid guide to medieval political thought * gives a synthesis of the latest scholarship * incorporates the results of research until now unavailable in English * focuses on the crucial primary source material * provides the historical and intellectual context for political ideas. The book covers four periods, each with a different focus: * 300-750 - Christian ideas of rulership * 750-1050 - the Carolingian period and its aftermath * 1050-1290 - the relationship between temporal and spiritual power, and the revived legacy of antiquity * 1290-1450 - the confrontation with political reality in ideas of church and of state, and in juristic thought. Canning has produced an ideal introductory text for undergraduate and postgraduate students of the period.
The Monstrous Races in Medieval Art and Thought
Author: John Block Friedman
Publisher: Syracuse University Press
ISBN: 9780815628262
Category : History
Languages : en
Pages : 332
Book Description
Beyond the boundaries of the known Christian world during the Middle Ages, there were alien cultures that intrigued, puzzled, and sometimes frightened the people of Europe. The reports of travelers in Africa and Asia revealed that "monstrous" races of men lived there, whose appearance and customs were quite different from the European norm. This book examines the impact of these races upon Western art, literature, and philosophy, from their earliest mention until the age of exploration. Friedman furnishes a descriptive catalog of the races, most of which were real, geographically remote peoples, some of which were fabled creatures that served as symbols. He traces the evolution of European attitudes toward them, with particular emphasis on the high Middle Ages, when they seem most strongly to have captured the Western imagination. Ranging through literature, the arts, cartography, canon law, and theology, he considers the widely varying ways in which Christians viewed and depicted strange races of men. Finally, he examines transformations in European consciousness brought about by the discoveries of the exotic peoples of the Americas. Whatever their form—pygmy, giant, hirsute cave—dweller, cyclops, or Amazon-the monstrous races clearly challenged the traditional concept of man in the Christian world scheme. It is the medieval thinking about this challenge that Mr. Friedman addresses in this revealing account.
Publisher: Syracuse University Press
ISBN: 9780815628262
Category : History
Languages : en
Pages : 332
Book Description
Beyond the boundaries of the known Christian world during the Middle Ages, there were alien cultures that intrigued, puzzled, and sometimes frightened the people of Europe. The reports of travelers in Africa and Asia revealed that "monstrous" races of men lived there, whose appearance and customs were quite different from the European norm. This book examines the impact of these races upon Western art, literature, and philosophy, from their earliest mention until the age of exploration. Friedman furnishes a descriptive catalog of the races, most of which were real, geographically remote peoples, some of which were fabled creatures that served as symbols. He traces the evolution of European attitudes toward them, with particular emphasis on the high Middle Ages, when they seem most strongly to have captured the Western imagination. Ranging through literature, the arts, cartography, canon law, and theology, he considers the widely varying ways in which Christians viewed and depicted strange races of men. Finally, he examines transformations in European consciousness brought about by the discoveries of the exotic peoples of the Americas. Whatever their form—pygmy, giant, hirsute cave—dweller, cyclops, or Amazon-the monstrous races clearly challenged the traditional concept of man in the Christian world scheme. It is the medieval thinking about this challenge that Mr. Friedman addresses in this revealing account.
Maps of Medieval Thought
Author: Naomi Reed Kline
Publisher: Boydell Press
ISBN: 0851159370
Category : Art
Languages : en
Pages : 277
Book Description
Mappa mundi texts and images present a panorama of the medieval world-view, c.1300; the Hereford map studied in close detail. Filled with information and lore, mappae mundi present an encyclopaedic panorama of the conceptual "landscape" of the middle ages. Previously objects of study for cartographers and geographers, the value of medieval maps to scholars in other fields is now recognised and this book, written from an art historical perspective, illuminates the medieval view of the world represented in a group of maps of c.1300. Naomi Kline's detailed examination of the literary, visual, oral and textual evidence of the Hereford mappa mundi and others like it, such as the Psalter Maps, the '"Sawley Map", and the Ebstorf Map, places them within the larger context of medieval art and intellectual history. The mappa mundi in Hereford cathedral is at the heart of this study: it has more than one thousand texts and images of geographical subjects, monuments, animals, plants, peoples, biblical sites and incidents, legendary material, historical information and much more; distinctions between "real" and "fantastic" are fluid; time and space are telescoped, presenting past, present, and future. Naomi Kline provides, for the first time, a full and detailed analysis of the images and texts of the Hereford map which, thus deciphered, allow comparison with related mappae mundi as well as with other texts and images. NAOMI REED KLINE is Professor of Art History at Plymouth State College.
Publisher: Boydell Press
ISBN: 0851159370
Category : Art
Languages : en
Pages : 277
Book Description
Mappa mundi texts and images present a panorama of the medieval world-view, c.1300; the Hereford map studied in close detail. Filled with information and lore, mappae mundi present an encyclopaedic panorama of the conceptual "landscape" of the middle ages. Previously objects of study for cartographers and geographers, the value of medieval maps to scholars in other fields is now recognised and this book, written from an art historical perspective, illuminates the medieval view of the world represented in a group of maps of c.1300. Naomi Kline's detailed examination of the literary, visual, oral and textual evidence of the Hereford mappa mundi and others like it, such as the Psalter Maps, the '"Sawley Map", and the Ebstorf Map, places them within the larger context of medieval art and intellectual history. The mappa mundi in Hereford cathedral is at the heart of this study: it has more than one thousand texts and images of geographical subjects, monuments, animals, plants, peoples, biblical sites and incidents, legendary material, historical information and much more; distinctions between "real" and "fantastic" are fluid; time and space are telescoped, presenting past, present, and future. Naomi Kline provides, for the first time, a full and detailed analysis of the images and texts of the Hereford map which, thus deciphered, allow comparison with related mappae mundi as well as with other texts and images. NAOMI REED KLINE is Professor of Art History at Plymouth State College.
Illustrations of the History of Medieval Thought and Learning
Author: Reginald Lane Poole
Publisher: London, Society for promoting Christian knowledge; New York, The Macmillan Company
ISBN:
Category : Church polity
Languages : en
Pages : 354
Book Description
Publisher: London, Society for promoting Christian knowledge; New York, The Macmillan Company
ISBN:
Category : Church polity
Languages : en
Pages : 354
Book Description
The Horned Moses in Medieval Art and Thought
Author: Ruth W. Mellinkoff
Publisher: Wipf and Stock Publishers
ISBN: 1579100880
Category : Religion
Languages : en
Pages : 313
Book Description
An interdisciplinary study touching not only upon medieval art, but also upon such disciplines as medieval history, history of the Church, Latin and vernacular literature both religious and secular, medieval drama, mythology, and folklore. Mellinkoff's goal is to provide an iconographical interpretation of horned Moses in as deep a sense as possible.
Publisher: Wipf and Stock Publishers
ISBN: 1579100880
Category : Religion
Languages : en
Pages : 313
Book Description
An interdisciplinary study touching not only upon medieval art, but also upon such disciplines as medieval history, history of the Church, Latin and vernacular literature both religious and secular, medieval drama, mythology, and folklore. Mellinkoff's goal is to provide an iconographical interpretation of horned Moses in as deep a sense as possible.