Author: Charles William Dyson Perrins
Publisher:
ISBN:
Category : Illustrated books
Languages : en
Pages : 310

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Book Description

Author: George Bradshaw
Publisher:
ISBN:
Category :
Languages : en
Pages : 390

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Book Description

Author: Frank Weitenkampf
Publisher:
ISBN:
Category : Illustrated books
Languages : en
Pages : 388

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Book Description

Author: Thomas Roepke, Eddie Stegbauer, Michael Padberg
Publisher: BoD – Books on Demand
ISBN: 3949044108
Category : Travel
Languages : en
Pages : 542

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Book Description
Discover all regions of Italy in approx. 265 photos. In unique A4 landscape format. From South Tyrol to Sicily, get to know all the regions of Italy.

Author: Hayward Cirker
Publisher: Courier Corporation
ISBN: 0486136639
Category : Juvenile Nonfiction
Languages : en
Pages : 34

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Book Description
DIVDelightful learning aid contains 15 scenes of home, school, farm, beach, other environments with dozens of objects labeled in Italian. /div

Author: Henryk Sawoniak
Publisher: Walter de Gruyter
ISBN: 3110975068
Category : Reference
Languages : en
Pages : 1284

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Book Description

Author: Alan Bartram
Publisher: Yale University Press
ISBN: 9780300101171
Category : Art
Languages : en
Pages : 168

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Book Description
A stimulating survey of how the Bauhaus and the modernist revolution have shaped graphic design. This lively and authoritative book explores the influence of the Bauhaus and modernism on typography and book design. Distinguished book designer and author Alan Bartram examines work by such key figures as Max Bill, F. T. Marinetti, El Lissitzky, Laszlo Moholy-Nagy, Jan Tschichold, and Paul Rand. All of the carefully chosen examples--some of which have not been previously reproduced--clearly demonstrate the modernist revolution that took place in graphic design. In an informative introductory essay, Bartram surveys the German art and design school known as the Bauhaus. Under Walter Gropius, the Bauhaus intended to create an academic, theoretical, and practical synthesis of all forms of visual expression--a marrying of art, architecture, industry, and design that had never been attempted before. Although the Bauhaus existed for only fourteen years, from 1920 to 1934, Bartram asserts that its philosophy influenced the appearance of almost every kind of modernist artifact throughout the twentieth century and continues to do so today. Engagingly written and handsomely illustrated, this volume is a valuable resource for designers and book lovers everywhere.

Author: Maggs Bros
Publisher:
ISBN:
Category : Booksellers' catalogs
Languages : en
Pages : 536

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Book Description

Author:
Publisher: BRILL
ISBN: 9004680446
Category : Art
Languages : en
Pages : 501

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Book Description
In the late nineteenth and early twentieth centuries, Italian Renaissance art, objects, and even the idea of Italy itself figured heavily both in the dynamic international art market and in the eyes of the general public. The alternative objects that were actively dispersed and collected -- authentic works, pastiches, Renaissance-inspired counterfeits, and reproductions -- in the diverse media of paint, plaster, terracotta, and photography, had a tremendous impact on visual culture across social strata. These essays examine less studied aspects of this market through the lens of just a few of the countless successful sales of objects out of Italy.

Author: Thomas Frangenberg
Publisher: Routledge
ISBN: 1351540904
Category : Design
Languages : en
Pages : 446

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Book Description
The Rise of the Image reveals how illustrations have come to play a primary part in books on art and architecture. Italian Renaissance art is the main focus for this anthology of essays which analyse key episodes in the history of illustration from the sixteenth to the twentieth century. The authors raise new issues about the imagery in books on the visual arts by Leonardo da Vinci, Giorgio Vasari, Sebastiano Serlio, Andrea Palladio, Girolamo Teti and Andrea Pozzo. The concluding essays evaluate the roles of reproductive media, including photography, in Victorian and twentieth-century art books. Throughout, images in books are considered as vehicles for ideas rather than as transparent, passive visual forms, dependent on their accompanying texts. Thus The Rise of the Image enriches our understanding of the role of prints in books on art.