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Author: Judy Weiser
Publisher: FrancoAngeli
ISBN: 8820462133
Category : Psychology
Languages : en
Pages : 435
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Book Description
1250.224
Author: Judy Weiser
Publisher: FrancoAngeli
ISBN: 8820462133
Category : Psychology
Languages : en
Pages : 435
Get Book Here
Book Description
1250.224
Author: Andrea Pistolesi
Publisher: PadPlaces
ISBN: 8898437862
Category : Photography
Languages : en
Pages : 98
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Book Description
The complete catalogue for the MARI (seas) show. Composed of over 100 fine art photos and updated to the 2024 edition of the show.
Author: Susan Petrilli
Publisher: Meltemi Editore srl
ISBN: 8883530349
Category : Language Arts & Disciplines
Languages : en
Pages : 272
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Book Description
Author: Antonella Russo
Publisher: Routledge
ISBN: 1000213544
Category : History
Languages : en
Pages : 227
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Book Description
This book offers an analysis of the socio-historical conditions of the rise of postwar Italian photography, considers its practices, and outlines its destiny. Antonella Russo provides an incisive examination of Neorealist photography, delineates its periodization, traces its instances and its progressive popularization and subsequent co-optation that occurred with the advent of the industrialization of photographic magazines. This volume examines the ethno(photo)graphic missions of Ernesto De Martino in the deep South of Italy, the key role played by the Neorealist writer and painter Carlo Levi as "ambassador of international photography", and the journeys of David Seymour, Henry Cartier Bresson, and Paul Strand in Neorealist Italy. The text includes an account the formation and proliferation of Italian photographic associations and their role in institutionalizing and promoting Italian photography, their link to British and other European photographic societies, and the subsequent decline of Neorealism. It also considers the inception of non-objective photography that thrived soon after the war, in concurrence with the circulation of Neorealism, thus debunking the myth identifying all Italian postwar photography with the Neorealist image. This book will be particularly useful for scholars and students in the history and theory of photography, and Italian history.
Author: Frederick Bodmer
Publisher: W. W. Norton & Company
ISBN: 9780393300345
Category : Language Arts & Disciplines
Languages : en
Pages : 724
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Book Description
Here is an informative introduction to language: its origins in the past, its growth through history, and its present use for communication between peoples. It is at the same time a history of language, a guide to foreign tongues, and a method for learning them. It shows, through basic vocabularies, family resemblances of languages -- Teutonic, Romance, Greek -- helpful tricks of translation, key combinations of roots and phonetic patterns. It presents by common-sense methods the most helpful approach to the mastery of many languages; it condenses vocabulary to a minimum of essential words; it simplifies grammar in an entirely new way; and it teaches a language as it is actually used in everyday life.
Author: Sarah Patricia HIll
Publisher: University of Toronto Press
ISBN: 1442619988
Category : Art
Languages : en
Pages : 395
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Book Description
Stillness in Motion brings together the writing of scholars, theorists, and artists on the uneasy relationship between Italian culture and photography. Highlighting the depth and complexity of the Italian contribution to the technology and practice of photography, this collection offers essays, interviews, and theoretical reflections at the intersection of comparative, visual, and cultural studies. Its chapters, illustrated with more than 130 black and white images and an eight-page colour section, explore how Italian literature, cinema, popular culture, and politics have engaged with the medium of photography over the course of time. The collection includes topics such as Futurism’s ambivalent relationship to photography, the influence of American photography on Italian neorealist cinema, and the connection between the photograph and Duchamp’s concept of the Readymade. With contributions from writer and theorist Umberto Eco, photographer Franco Vaccari, art historian Robert Valtorta, and cultural historian Robert Lumley, Stillness in Motion engages with crucial historical and cultural moments in Italian history, examining each one through particular photographic practices.
Author: Luca Crippa
Publisher: Sourcebooks, Inc.
ISBN: 1728242215
Category : Biography & Autobiography
Languages : en
Pages : 312
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Book Description
The Nazis asked him to swear allegiance to Hitler, betraying his country, his friends, and everything he believed in. He refused. Poland, 1939. Professional photographer Wilhelm Brasse is deported to Auschwitz-Birkenau and finds himself in a deadly race to survive, assigned to work as the camp's intake photographer and take "identity pictures" of prisoners as they arrive by the trainload. Brasse soon discovers his photography skills are in demand from Nazi guards as well, who ask him to take personal portraits for them to send to their families and girlfriends. Behind the camera, Brasse is safe from the terrible fate that so many of his fellow prisoners meet. But over the course of five years, the horrifying scenes his lens capture, including inhumane medical "experiments" led by Josef Mengele, change Brasse forever. Based on the true story of Wilhelm Brasse, The Auschwitz Photographer is a stark black-and-white reminder of the horrors of the Holocaust. This gripping work of World War II narrative nonfiction takes readers behind the barbed wire fences of the world's most feared concentration camp, bringing Brasse's story to life as he clicks the shutter button thousands of times before ultimately joining the Resistance, defying the Nazis, and defiantly setting down his camera for good.
Author: Giulio Gras
Publisher: Ideaxs srl
ISBN: 8890901314
Category : Law
Languages : en
Pages : 69
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Book Description
La difesa delle (tue) idee è un agile libro di facile lettura e comprensione destinato a tutti quelli che pensano di avere buone idee ma non sanno come difenderle ed a tutti quelli che prima di leggere questo libro non pensavano di avere buone idee da dover difendere.
Author: Martina Caruso
Publisher: Routledge
ISBN: 1000213129
Category : Art
Languages : en
Pages : 232
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Book Description
Spanning four decades of radical political and social change in Italy, this interdisciplinary study explores photography’s relationship with Italian painting, film, literature, anthropological research and international photography. Evocative and powerful, Italian social documentary photography from the 1930s to the 1960s is a rich source of cultural history, reflecting a time of dramatic change. This book shows, through a wide range of images (some published for the first time) that to fully understand the photography of this period we must take a more expansive view than scholars have applied to date, considering issues of propaganda, aesthetics, religion, national identity and international influences. By setting Italian photography against a backdrop of social documentary and giving it a distinctive place in the global history of photography, this exciting volume of original research is of interest to art historians and scholars of Italian and visual culture studies.
Author: Marco Andreani
Publisher: Cambridge Scholars Publishing
ISBN: 1527524884
Category : Photography
Languages : en
Pages : 277
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Book Description
Enriched with an introduction by David Forgacs, this book explores the complex relationship between photography and power in its various manifestations in Italian history throughout the nineteenth, twentieth and twenty-first centuries. How did the Italian state employ the medium of photography as an instrument of dominance? In which ways has photography been used as a critical medium to resist hegemonic discourses? Taking into account published and unpublished images from professional photographers such as Letizia Battaglia, Tano D’Amico and Mario Cresci and non-professional photographers, artists, photo-reporters, and war soldiers, as well as social scientists and criminologists, such as Cesare Lombroso, this book unfolds the operations of power that lay behind the apparent objectivity of the photographic frame. Some essays in this volume discuss the use of photography in national and colonial discourses, as well as its employment in constructing images of power from war propaganda and fascism to public personas like Benito Mussolini and Silvio Berlusconi. Other contributions examine the ways in which the medium has been employed to create counter-hegemonic discourses, from the Resistance and the years of lead up to the contemporary times. Among the contributors to this volume are major international scholars on Italian photography such as Gabriele D’Autilia, Nicoletta Leonardi and Pasquale Verdicchio.
