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Author: Neal Zaslaw
Publisher: W. W. Norton & Company
ISBN: 9780393028867
Category : Biography & Autobiography
Languages : en
Pages : 378
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Book Description
Collection of essays in a single volume for nonspecialists with information about each of Mozart's compositions, where, when, and why it was written, what it is like, and what special significance it may have within the composer's oeuvre.
Author: Neal Zaslaw
Publisher: W. W. Norton & Company
ISBN: 9780393028867
Category : Biography & Autobiography
Languages : en
Pages : 378
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Book Description
Collection of essays in a single volume for nonspecialists with information about each of Mozart's compositions, where, when, and why it was written, what it is like, and what special significance it may have within the composer's oeuvre.
Author: Tim Carter
Publisher: Cambridge University Press
ISBN: 9780521316064
Category : Biography & Autobiography
Languages : en
Pages : 200
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Book Description
This handbook provides the reader with the first comprehensive guide to Mozart's Le nozze di Figaro. Tim Carter discusses the composition of the opera and the social, cultural and musical context in which it was produced, its critical reception and performance history. He provides a full analytical synopsis, a chapter on the verse structure of the libretto and a discussion of Mozart's matching of music to drama. Other chapters also consider relevant topics, including the 'comic' possibilities of the Classical style, and Michael Robinson writes on opera buffa in the 1770s and 1780s.
Author:
Publisher: Editions Mardaga
ISBN:
Category :
Languages : en
Pages : 535
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Book Description
Author: Sheila Hodges
Publisher: Univ of Wisconsin Press
ISBN: 0299178730
Category : Biography & Autobiography
Languages : en
Pages : 299
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Book Description
Three of the greatest operas ever written—The Marriage of Figaro, Don Giovanni, and Così fan tutte—join the exquisite music of Wolfgang Amadeus Mozart with the perfectly matched libretti of Lorenzo Da Ponte. Da Ponte’s own long life (1749–1838), however, was more fantastic than any opera plot. A poor Jew who became a Catholic priest; a priest who became a young gambler and rake; a teacher, poet, and librettist of genius who became a Pennsylvania greengrocer; an impoverished immigrant to America who became professor of Italian at Columbia University—wherever Da Ponte went, he arrived a penniless fugitive and made a new and eventful life. Sheila Hodges follows him from the last glittering years of the Venetian Republic to the Vienna of Mozart and Salieri, and from George III’s London to New York City.
Author: Damien Colas
Publisher: Editions Mardaga
ISBN: 2870099932
Category : Opera
Languages : en
Pages : 536
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Book Description
L'opéra italien n'a cessé de s'enrichir au contact de la littérature française. Les échanges entre ces deux genres se caractérisent par le double jeu de proximité et de distance qui existe entre eux. La recherche en dramaturgie musicale éclaire les questions auxquelles sont confrontés traducteurs, librettistes et compositeurs dans leur travail de réécriture pour la scène lyrique italienne.
Author: Hobart Chatfield Chatfield-Taylor
Publisher:
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 762
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Book Description
Author: Boston Mass, publ. libr
Publisher:
ISBN:
Category :
Languages : en
Pages : 922
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Book Description
Author: Boston Public Library
Publisher:
ISBN:
Category : Library catalogs
Languages : en
Pages : 924
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Book Description
Author: Theodore Fenner
Publisher: SIU Press
ISBN: 9780809319121
Category : Music
Languages : en
Pages : 830
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Book Description
Theodore Fenner’s Opera in London offers a vivid portrait of the operatic and cultural life of a London under the influence of Romanticism as perceived by the English press and the public who viewed the performances. In part 1, Fenner discusses the rise of the periodical press in early nineteenth-century London and the critics of these publications who reviewed opera performances, such as Leigh Hunt and William Hazlitt. Fenner lists in the appendixes for part 1 the leading periodicals—including the Althenaeum, Examiner, and Spectator,— the critics, and reviews by leading critics. Fenner, in part 2, examines the productions of Italian opera in London at the King’s Theatre, including the problems in theatre management and financing; the varied nature of the audience; the operas and performances— those that were popular and those that failed in the words of the critics and the responses of the audience; the singers; and themes and attitudes of the period as expressed by the critics. In part 3, Fenner explores the same topics for the English operas presented at Drury Lane, Covent Garden, and other playhouses. Parts 2 and 3 also contain extensive appendixes listing seasonal and annual performances and reviews, productions by composers and by librettists, comic and serious productions, operas by known playwrights, and minor singers. Forty-eight illustrations of singers, critics, performances, composers, and theatres add to the richness of this study.
Author: Boston Public Library
Publisher:
ISBN:
Category : Library catalogs
Languages : en
Pages : 954
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Book Description
