1977 IEEE International Conference on Acoustics, Speech, & Signal Processing, Held at the Sheraton-Hartford Hotel, Hartford, Connecticut, May 9-11, 1977 PDF Download
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Author: Institute of Electrical and Electronics Engineers
Publisher:
ISBN:
Category : Acoustical engineering
Languages : en
Pages : 904
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Book Description
Author: Institute of Electrical and Electronics Engineers
Publisher:
ISBN:
Category : Acoustical engineering
Languages : en
Pages : 904
Get Book Here
Book Description
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Author:
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ISBN:
Category : Image processing
Languages : en
Pages : 936
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Author: W. Hess
Publisher: Springer Science & Business Media
ISBN: 3642819265
Category : Science
Languages : en
Pages : 713
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Book Description
Pitch (i.e., fundamental frequency FO and fundamental period TO) occupies a key position in the acoustic speech signal. The prosodic information of an utterance is predominantly determined by this parameter. The ear is more sensitive to changes of fundamental frequency than to changes of other speech signal parameters by an order of magnitude. The quality of vocoded speech is essentially influenced by the quality and faultlessness of the pitch measure ment. Hence the importance of this parameter necessitates using good and reliable measurement methods. At first glance the task looks simple: one just has to detect the funda mental frequency or period of a quasi-periodic signal. For a number of reasons, however, the task of pitch determination has to be counted among the most difficult problems in speech analysis. 1) In principle, speech is a nonstationary process; the momentary position of the vocal tract may change abruptly at any time. This leads to drastic variations in the temporal structure of the signal, even between subsequent pitch periods, and assuming a quasi-periodic signal is often far from realistic. 2) Due to the flexibility of the human vocal tract and the wide variety of voices, there exist a multitude of possible temporal structures. Narrow-band formants at low harmonics (especially at the second or third harmonic) are an additional source of difficulty. 3) For an arbitrary speech signal uttered by an unknown speaker, the fundamental frequency can vary over a range of almost four octaves (50 to 800 Hz).
Author: Institute of Electrical and Electronics Engineers
Publisher:
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Category :
Languages : en
Pages :
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Author:
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ISBN:
Category : Optical pattern recognition
Languages : en
Pages : 1202
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Author: Xu Tan
Publisher: Springer Nature
ISBN: 9819908272
Category : Computers
Languages : en
Pages : 214
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Book Description
Text-to-speech (TTS) aims to synthesize intelligible and natural speech based on the given text. It is a hot topic in language, speech, and machine learning research and has broad applications in industry. This book introduces neural network-based TTS in the era of deep learning, aiming to provide a good understanding of neural TTS, current research and applications, and the future research trend. This book first introduces the history of TTS technologies and overviews neural TTS, and provides preliminary knowledge on language and speech processing, neural networks and deep learning, and deep generative models. It then introduces neural TTS from the perspective of key components (text analyses, acoustic models, vocoders, and end-to-end models) and advanced topics (expressive and controllable, robust, model-efficient, and data-efficient TTS). It also points some future research directions and collects some resources related to TTS. This book is the first to introduce neural TTS in a comprehensive and easy-to-understand way and can serve both academic researchers and industry practitioners working on TTS.
Author: Joseph Mariani
Publisher: John Wiley & Sons
ISBN: 1118623754
Category : Technology & Engineering
Languages : en
Pages : 576
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Book Description
Speech processing addresses various scientific and technological areas. It includes speech analysis and variable rate coding, in order to store or transmit speech. It also covers speech synthesis, especially from text, speech recognition, including speaker and language identification, and spoken language understanding. This book covers the following topics: how to realize speech production and perception systems, how to synthesize and understand speech using state-of-the-art methods in signal processing, pattern recognition, stochastic modelling computational linguistics and human factor studies.
Author:
Publisher:
ISBN:
Category : Acoustical engineering
Languages : en
Pages : 1074
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Book Description
Author: Ben Gold
Publisher: John Wiley & Sons
ISBN: 0470195363
Category : Technology & Engineering
Languages : en
Pages : 684
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Book Description
When Speech and Audio Signal Processing published in 1999, it stood out from its competition in its breadth of coverage and its accessible, intutiont-based style. This book was aimed at individual students and engineers excited about the broad span of audio processing and curious to understand the available techniques. Since then, with the advent of the iPod in 2001, the field of digital audio and music has exploded, leading to a much greater interest in the technical aspects of audio processing. This Second Edition will update and revise the original book to augment it with new material describing both the enabling technologies of digital music distribution (most significantly the MP3) and a range of exciting new research areas in automatic music content processing (such as automatic transcription, music similarity, etc.) that have emerged in the past five years, driven by the digital music revolution. New chapter topics include: Psychoacoustic Audio Coding, describing MP3 and related audio coding schemes based on psychoacoustic masking of quantization noise Music Transcription, including automatically deriving notes, beats, and chords from music signals. Music Information Retrieval, primarily focusing on audio-based genre classification, artist/style identification, and similarity estimation. Audio Source Separation, including multi-microphone beamforming, blind source separation, and the perception-inspired techniques usually referred to as Computational Auditory Scene Analysis (CASA).
