Ibsen, a dissenting view

Ibsen, a dissenting view PDF Author: Ronald D. Gray
Publisher:
ISBN:
Category :
Languages : en
Pages : 231

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Ibsen, a dissenting view

Ibsen, a dissenting view PDF Author: Ronald D. Gray
Publisher:
ISBN:
Category :
Languages : en
Pages : 231

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Book Description


Ibsen: A Dissenting View

Ibsen: A Dissenting View PDF Author: Ronald Gray
Publisher: Cambridge University Press
ISBN: 9780521217026
Category : Drama
Languages : en
Pages : 242

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Ronald Gray's Ibsen, a Dissenting View

Ronald Gray's Ibsen, a Dissenting View PDF Author: James Walter McFarlane
Publisher:
ISBN:
Category :
Languages : en
Pages : 311

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Ibsen's Drama

Ibsen's Drama PDF Author: Einar Ingvald Haugen
Publisher: U of Minnesota Press
ISBN: 1452910316
Category : Drama
Languages : en
Pages : 207

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Ibsen and the Greeks

Ibsen and the Greeks PDF Author: Norman Rhodes
Publisher: Bucknell University Press
ISBN: 9780838752982
Category : German literature
Languages : en
Pages : 220

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Book Description
"Was Ibsen influenced by Greek culture? Were allusions to the Greeks configured in the Norwegian playwright's works? According to author Norman Rhodes, whether consciously or unconsciously, many of Ibsen's plays are encoded with veiled references to ancient Greek culture. Rhodes also postulates that Ibsen's perception of the importance of the Greeks was most likely mediated to him through German Romanticism and Scandinavian culture." "According to Rhodes, numerous echoes of Greek literature resonate in such early Ibsen plays as Catiline, The Warrior's Barrow, Olaf Liljerkrans, and Love's Comedy. Ibsen's Brand and Peer Gynt are a dialectic pair which in key ways are suggestive of Homer's Iliad and Odyssey, A Doll House has important parallels with Sophocles' Antigone, and An Enemy of the People correlates with both Plato's Apology and Sophocles' Oedipus Tyrannos. Moreover, a Euripidean sense of fatal irrationality seems inscribed in Ibsen's final plays: the protagonists John Rosmer, Hedda Gabler, Master Builder Solness, John Gabriel Borkman, and the sculptor Rubek all destroy themselves."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved

Ibsen and Shaw

Ibsen and Shaw PDF Author: Keith M May
Publisher: Springer
ISBN: 1349178055
Category : Literary Criticism
Languages : en
Pages : 234

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Ibsen and the Theatre

Ibsen and the Theatre PDF Author: Henrik Ibsen
Publisher: Springer
ISBN: 1349052973
Category : Literary Criticism
Languages : en
Pages : 152

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A Study Guide for Henrik Ibsen's "In the Orchard"

A Study Guide for Henrik Ibsen's Author: Gale, Cengage Learning
Publisher: Gale, Cengage Learning
ISBN: 1410349578
Category : Literary Criticism
Languages : en
Pages : 30

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Shaw’s Ibsen

Shaw’s Ibsen PDF Author: Joan Templeton
Publisher: Springer
ISBN: 1137540443
Category : Performing Arts
Languages : en
Pages : 380

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Book Description
This book argues that Shaw was a masterful reader of Ibsen's plays both as texts and as the cornerstone of the modern theatre. Dismantling the notion that Shaw distorted Ibsen to promote his own view of the world, and establishing Shaw’s initial interest in Ibsen as the poet of Peer Gynt, it chronicles Shaw’s important role in the London Ibsen campaign and exposes the falsity of the tradition that Shaw branded Ibsen as a socialist. Further, this study shows that Shaw’s famous but maligned The Quintessence of Ibsenism reflects Ibsen’s own anti-idealist notion of his work and argues that Shaw’s readings of Ibsen’s plays are pioneering analyses that anticipate later criticism. It offers new readings of Shaw’s “Ibsenist” plays as well as a comprehensive account of Ibsen’s importance for Shaw’s dramatic criticism, from his early journalism to Our Theatres of the Nineties, both as a weapon against the inanities of the Victorian stage and as the standard bearer for modernism.

Peer Gynt

Peer Gynt PDF Author: Henrik Ibsen
Publisher: Oxford University Press, USA
ISBN: 9780192837462
Category : Danish poetry
Languages : en
Pages : 196

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Book Description
Peer Gynt was Ibsen's last work to use poetry as a medium of dramatic expression, and the poetry is brilliantly appropriate to the imaginative swings between Scandinavian oral folk traditions, the Morrocan coast, the Sahara Desert, and the absurdist images of the Cairo madhouse. Thistranslation is taken from the acclaimed Oxford Ibsen.John McFarlane is Emeritus Professor of European Literature at the University of East Anglia, and General Editor of the Oxford Ibsen.