Author: Philip Guston
Publisher: Penguin UK
ISBN: 0141997990
Category : Art
Languages : en
Pages : 197
Book Description
Illuminating reflections on painting and drawing from one of the most revered artists of the twentieth century 'Thank God for yellow ochre, cadmium red medium, and permanent green light' How does a painter see the world? Philip Guston, one of the most influential artists of the twentieth century, spoke about art with unparalleled candour and commitment. Touching on work from across his career as well as that of his fellow artists and Renaissance heroes, this selection of his writings, talks and interviews draws together some of his most incisive reflections on iconography and abstraction, metaphysics and mysticism, and, above all, the nature of painting and drawing. 'Among the most important, powerful and influential American painters of the last 100 years ... he's an art world hero' Jerry Saltz, New York Magazine 'Guston's paintings make us think hard' Aindrea Emelife, Guardian
I Paint What I Want to See
Author: Philip Guston
Publisher: Penguin UK
ISBN: 0141997990
Category : Art
Languages : en
Pages : 197
Book Description
Illuminating reflections on painting and drawing from one of the most revered artists of the twentieth century 'Thank God for yellow ochre, cadmium red medium, and permanent green light' How does a painter see the world? Philip Guston, one of the most influential artists of the twentieth century, spoke about art with unparalleled candour and commitment. Touching on work from across his career as well as that of his fellow artists and Renaissance heroes, this selection of his writings, talks and interviews draws together some of his most incisive reflections on iconography and abstraction, metaphysics and mysticism, and, above all, the nature of painting and drawing. 'Among the most important, powerful and influential American painters of the last 100 years ... he's an art world hero' Jerry Saltz, New York Magazine 'Guston's paintings make us think hard' Aindrea Emelife, Guardian
Publisher: Penguin UK
ISBN: 0141997990
Category : Art
Languages : en
Pages : 197
Book Description
Illuminating reflections on painting and drawing from one of the most revered artists of the twentieth century 'Thank God for yellow ochre, cadmium red medium, and permanent green light' How does a painter see the world? Philip Guston, one of the most influential artists of the twentieth century, spoke about art with unparalleled candour and commitment. Touching on work from across his career as well as that of his fellow artists and Renaissance heroes, this selection of his writings, talks and interviews draws together some of his most incisive reflections on iconography and abstraction, metaphysics and mysticism, and, above all, the nature of painting and drawing. 'Among the most important, powerful and influential American painters of the last 100 years ... he's an art world hero' Jerry Saltz, New York Magazine 'Guston's paintings make us think hard' Aindrea Emelife, Guardian
Life
Author: John Ames Mitchell
Publisher:
ISBN:
Category :
Languages : en
Pages : 510
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 510
Book Description
Life
Author:
Publisher:
ISBN:
Category : American wit and humor
Languages : en
Pages : 516
Book Description
Publisher:
ISBN:
Category : American wit and humor
Languages : en
Pages : 516
Book Description
Scribners Monthly
Author:
Publisher:
ISBN:
Category : Literature
Languages : en
Pages : 988
Book Description
Publisher:
ISBN:
Category : Literature
Languages : en
Pages : 988
Book Description
Scribner's Monthly
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 980
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 980
Book Description
Scribner's Monthly
Author: Josiah Gilbert Holland
Publisher:
ISBN:
Category : American literature
Languages : en
Pages : 1016
Book Description
Publisher:
ISBN:
Category : American literature
Languages : en
Pages : 1016
Book Description
Traces of Vermeer
Author: Jane Jelley
Publisher: Oxford University Press
ISBN: 0192506919
Category : Art
Languages : en
Pages : 318
Book Description
Johannes Vermeer's luminous paintings are loved and admired around the world, yet we do not understand how they were made. We see sunlit spaces; the glimmer of satin, silver, and linen; we see the softness of a hand on a lute string or letter. We recognise the distilled impression of a moment of time; and we feel it to be real. We might hope for some answers from the experts, but they are confounded too. Even with the modern technology available, they do not know why there is no evidence of any preliminary drawing; why there are shifts in focus; and why his pictures are unusually blurred. Some wonder if he might possibly have used a camera obscura to capture what he saw before him. The few traces Vermeer has left behind tell us little: there are no letters or diaries; and no reports of him at work. Jane Jelley has taken a new path in this detective story. A painter herself, she has worked with the materials of his time: the cochineal insect and lapis lazuli; the sheep bones, soot, earth, and rust. She shows us how painters made their pictures layer by layer; she investigates old secrets; and hears travellers' tales. She explores how Vermeer could have used a lens in the creation of his masterpieces. The clues were there all along. After all this time, now we can unlock the studio door, and catch a glimpse of Vermeer inside, painting light.
Publisher: Oxford University Press
ISBN: 0192506919
Category : Art
Languages : en
Pages : 318
Book Description
Johannes Vermeer's luminous paintings are loved and admired around the world, yet we do not understand how they were made. We see sunlit spaces; the glimmer of satin, silver, and linen; we see the softness of a hand on a lute string or letter. We recognise the distilled impression of a moment of time; and we feel it to be real. We might hope for some answers from the experts, but they are confounded too. Even with the modern technology available, they do not know why there is no evidence of any preliminary drawing; why there are shifts in focus; and why his pictures are unusually blurred. Some wonder if he might possibly have used a camera obscura to capture what he saw before him. The few traces Vermeer has left behind tell us little: there are no letters or diaries; and no reports of him at work. Jane Jelley has taken a new path in this detective story. A painter herself, she has worked with the materials of his time: the cochineal insect and lapis lazuli; the sheep bones, soot, earth, and rust. She shows us how painters made their pictures layer by layer; she investigates old secrets; and hears travellers' tales. She explores how Vermeer could have used a lens in the creation of his masterpieces. The clues were there all along. After all this time, now we can unlock the studio door, and catch a glimpse of Vermeer inside, painting light.
All the Year Round
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 826
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 826
Book Description
American Paint and Oil Dealer ...
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 394
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 394
Book Description
Arts Magazine
Author:
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 608
Book Description
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 608
Book Description