I Due baroni. A comic opera, in two acts. As performed at the King's Theatre in the Haymarket, etc. [By G. Palomba.] Ital. & Eng PDF Download
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![I Due baroni. A comic opera, in two acts. As performed at the King's Theatre in the Haymarket, etc. [By G. Palomba.] Ital. & Eng PDF](https://books.google.com/books/content/images/frontcover/JcEzv1_UyFQC?fife=w150-h200)
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Languages : en
Pages : 68
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![I Due baroni. A comic opera, in two acts. As performed at the King's Theatre in the Haymarket, etc. [By G. Palomba.] Ital. & Eng PDF](https://books.google.com/books/content/images/frontcover/JcEzv1_UyFQC?fife=w80-h100)
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Languages : en
Pages : 68
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Author: John E. Cooney
Publisher: Simon & Schuster
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 456
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Book Description
"This is the colorful and dramatic biography of two of America's most controversial entrepreneurs: Moses Louis Annenberg, 'the racing wire king, ' who built his fortune in racketeering, invested it in publishing, and lost much of it in the biggest tax evasion case in United States history; and his son, Walter, launcher of TV Guide and Seventeen magazines and former ambassador to Great Britain."--Jacket.
Author: Michele Weiner-Davis
Publisher: Simon & Schuster Limited
ISBN: 9780743252416
Category : Psychosexual disorders
Languages : en
Pages : 224
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Book Description
'Not tonight, darling, I've got a headache...' An estimated one in three couples suffer from problems associated with one partner having a higher libido than the other. Marriage therapist Michele Weiner Davis has written THE SEX-STARVED MARRIAGE to help couples come to terms with this problem. Weiner Davis shows you how to address pyschological factors like depression, poor body image and communication problems that affect sexual desire. With separate chapters for the spouse that's ready for action and the spouse that's ready for sleep, THE SEX-STARVED MARRIAGE will help you re-spark your passion and stop you fighting about sex. Weiner Davis is renowned for her straight-talking style and here she puts it to great use to let you know you're not alone in having marital sex problems. Bitterness or complacency about ho-hum sex can ruin a marriage, breaking the emotional tie of good sex.
Author: Lari A. Bishop
Publisher:
ISBN:
Category : Corporations
Languages : en
Pages : 50
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![I Viaggiatori felici. A comic opera, in two acts [by F. Livigni], as performed at the King's Theatre in the Haymarket, etc. Ital. & Eng PDF](https://books.google.com/books/content/images/frontcover/VdTKuLGV1OsC?fife=w80-h100)
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Languages : en
Pages : 56
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Author: Giuseppe PALOMBA (Librettist.)
Publisher:
ISBN:
Category :
Languages : en
Pages : 68
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![Le Astuzie feminili, a comic opera, in two acts [by G. Palomba], as represented at the King's Theatre, etc. Ital. & Eng PDF](https://books.google.com/books/content/images/frontcover/l_laCU1texoC?fife=w80-h100)
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Category :
Languages : en
Pages : 60
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Author: Jerzy Lukowski
Publisher: A&C Black
ISBN: 144114580X
Category : History
Languages : en
Pages : 368
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Book Description
The first detailed study of the history of Poland and its political development during the 18th century.
![I Viaggiatori Felici: a comic opera in two acts [by F. Livigni], as performed at the King's Theatre, etc. Ital. & Eng PDF](https://books.google.com/books/content/images/frontcover/lqRWAAAAcAAJ?fife=w80-h100)
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Languages : en
Pages : 82
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Author: Martin Nedbal
Publisher: Taylor & Francis
ISBN: 1317094093
Category : Music
Languages : en
Pages : 260
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Book Description
This book explores how the Enlightenment aesthetics of theater as a moral institution influenced cultural politics and operatic developments in Vienna between the mid-eighteenth and early nineteenth centuries. Moralistic viewpoints were particularly important in eighteenth-century debates about German national theater. In Vienna, the idea that vernacular theater should cultivate the moral sensibilities of its German-speaking audiences became prominent during the reign of Empress Maria Theresa, when advocates of German plays and operas attempted to deflect the imperial government from supporting exclusively French and Italian theatrical performances. Morality continued to be a dominant aspect of Viennese operatic culture in the following decades, as critics, state officials, librettists, and composers (including Gluck, Mozart, and Beethoven) attempted to establish and define German national opera. Viennese concepts of operatic didacticism and national identity in theater further transformed in response to the crisis of Emperor Joseph II’s reform movement, the revolutionary ideas spreading from France, and the war efforts in facing Napoleonic aggression. The imperial government promoted good morals in theatrical performances through the institution of theater censorship, and German-opera authors cultivated intensely didactic works (such as Die Zauberflöte and Fidelio) that eventually became the cornerstones for later developments of German culture.
