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Author: Dawn Ades
Publisher:
ISBN: 9781909932388
Category : Painting, British
Languages : en
Pages : 258
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Book Description
John Golding (1929-2012) was a British artist, scholar and curator.Perhaps best known for his seminal book, Cubism: A history and an Analysis 1907-1914 (1959) he actually considered himself primarily a painter and exhibited extensively both in the UK and internationally during a career that spanned almost six decades. In retrospect, his reputation as a notable art historian somewhat, arguably, overshadowed his own practice as an artist. So, this new monograph endeavours to reveal and celebrate the other side of his oeuvre.'Golding's knowledge of Renaissance painting, especially the great Venetians [...] informed his own work as he moved out of figuration and into abstract canvases in which light was the subject. He painted vertical streaks of colour down his canvases like pleated light (as he put it) and occasionally on, say, a misty blue, he would scatter clusters of gold pigment to reflect the actual light. After the end of the 20th century, he started to structure his paintings so that they appeared to be based on photographs from thousands of feet above the Earth, with 'roads' and 'bridges' and 'canals'...' - Michael McNay, 2012 (The Guardian)Golding's work was additionally shown alongside Bridget Riley, John Hoyland, Frank Auerbach, Peter Blake and David Hockney in important group exhibitions in London such as, British Painting 74' at Hayward Gallery and, British Painting 1952-77 at the Royal Academy of Arts.
Author: Dawn Ades
Publisher:
ISBN: 9781909932388
Category : Painting, British
Languages : en
Pages : 258
Get Book Here
Book Description
John Golding (1929-2012) was a British artist, scholar and curator.Perhaps best known for his seminal book, Cubism: A history and an Analysis 1907-1914 (1959) he actually considered himself primarily a painter and exhibited extensively both in the UK and internationally during a career that spanned almost six decades. In retrospect, his reputation as a notable art historian somewhat, arguably, overshadowed his own practice as an artist. So, this new monograph endeavours to reveal and celebrate the other side of his oeuvre.'Golding's knowledge of Renaissance painting, especially the great Venetians [...] informed his own work as he moved out of figuration and into abstract canvases in which light was the subject. He painted vertical streaks of colour down his canvases like pleated light (as he put it) and occasionally on, say, a misty blue, he would scatter clusters of gold pigment to reflect the actual light. After the end of the 20th century, he started to structure his paintings so that they appeared to be based on photographs from thousands of feet above the Earth, with 'roads' and 'bridges' and 'canals'...' - Michael McNay, 2012 (The Guardian)Golding's work was additionally shown alongside Bridget Riley, John Hoyland, Frank Auerbach, Peter Blake and David Hockney in important group exhibitions in London such as, British Painting 74' at Hayward Gallery and, British Painting 1952-77 at the Royal Academy of Arts.
Author: Robert L. Herbert
Publisher: Yale University Press
ISBN: 9780300097061
Category : Art
Languages : en
Pages : 230
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Book Description
In a preface prepared for this volume, Herbert explains that these essays are linked by a focus on the relation of art to the urban-industrial revolution."--BOOK JACKET.
Author: Stephen Bann
Publisher: Reaktion Books
ISBN: 9781861890078
Category : Art
Languages : en
Pages : 316
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Book Description
Paul Delaroche's works were heralded as masterpieces in the nineteenth century, and the man himself was lauded in 1853 by one Italian critic as "at the summit of all living painters." But while his paintings themselves are still familiar to many, Delaroche the artist fell into almost total obscurity during the twentieth century. Stephen Bann addresses this lacuna in art scholarship, presenting an in-depth examination of Delaroche's career. Bann situates Delaroche and his wide-ranging oeuvre in the context of early nineteenth-century visual culture. From his early historical paintings to experimental pieces influenced by photography, the book analyzes each stage of Delaroche's artistic development--as well as his major masterpieces such as The Execution of Lady Jane Grey and The Princes in the Tower. Bann also analyzes the numerous reproductions of Delaroche's works in a variety of visual mediums, including engravings by Mercuri and Henriquel-Dupont, lithographs, popular prints, and the photographs that illustrated Delaroche's first retrospective catalog. An unparalleled and lushly illustrated study, Paul Delaroche restores a neglected master to his rightful place in nineteenth-century European art.
Author: Karen Hearn
Publisher: Tate Publishing & Enterprises
ISBN:
Category : Art
Languages : en
Pages : 258
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Book Description
Published to accompany the exhibition held at Tate Britain, London, 18 Feb.-17 May 2009.
Author: Charles Nodier
Publisher:
ISBN:
Category : Scotland
Languages : en
Pages : 236
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Book Description
Author: Stephen Duffy
Publisher: University of Washington Press
ISBN:
Category : Art
Languages : en
Pages : 100
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Book Description
Paul Delaroche was a hugely popular painter during his lifetime, first making his name with a series of historical scenes which enjoyed great acclaim at the Paris Salon. His renown extended far beyond his native country. Honored by almost every major academy, his pictures were sought by collectors in Britain, Germany, and Russia. One of his British patrons, Richard Seymour Conway (1800-1870), 4th Marquis of Hertford, acquired ten of his oil paintings and two watercolors. This group, one of the most extensive outside France, is in The Wallace Collection, which houses Lord Hertford's collections in what was once his London residence. Curator Stephen Duffy discusses in detail the twelve works, and in an introductory essay examines the life and career of the artist, on whom there will be also an exhibition at the National Gallery, London, 2010.
Author: Philadelphia Museum of Art
Publisher: Highlights from the Philadelph
ISBN: 9780876332894
Category : Art
Languages : en
Pages : 0
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Book Description
"Published on the occasion of the exhibition The impressionist's eye, Philadelphia Museum of Art, April 16-August 18, 2019"--Colophon.
Author: George Heard Hamilton
Publisher:
ISBN:
Category : Impressionism (Art)
Languages : en
Pages : 360
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Book Description
Manet and his Critics is a closely-documented case study of the relationship of the artist to society. Mr. Hamilton draws on contemporary newspapers, periodicals, letters, and critical essays to examine the critical tempest that Manet's paintings created in his time. He follows the evolution of Manet's style, his struggles to have his work accepted, and the history of both the abuse and praise he received.
Author: Peter Unwin
Publisher: Headline Book Pub Limited
ISBN: 9780747244363
Category : History
Languages : en
Pages : 340
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Book Description
The English Channel separates Britain from Europe, keeping invaders out of Britain and making the island and islanders different from the continent and their fellow Europeans. But the Channel also serves as a link between mainland and island, bearing settlers, missionaries, merchants, refugees and conquerors back and forth over the millennia. Explorers and adventurers have sailed its waters, and leaders from Julius Caesar to Napoleon and Hitler have battled for sovereignty over these narrow seas. Peter Unwin tells the story of the English Channel from the land-bridge that linked Britain to the continent nine thousand years ago to the Channel tunnel of the 21st century, charting the landscape and seascape of northern Europe's gateway to the oceans.
Author: Rosalind Lowe
Publisher:
ISBN: 9781873827888
Category : Antiquarians
Languages : en
Pages : 290
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Book Description
