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Author: Ronald E. Shor
Publisher: Routledge
ISBN: 1351513990
Category : Psychology
Languages : en
Pages : 813
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Book Description
This thorough revision of the first edition, updates and expands, with 25 percent new material, what was generally recognized as a major survey of contemporary scientific research in hypnosis. In this edition, also a classic, the editors include three new essays in modern hypnosis studies. They also provide a new conceptual framework--cognitive, ego-psychological, and phenomenological--with which to examine hypnosis. This edition is divided into six sections--Theoretical and Historical Perspectives, New Theories, Surveys of Broad Areas, Lines of Individual Research, Individual Researches within Specific Areas, and Anticipations for Future Research. The entire book was completely revised in the light of additional research since publication of the original edition. Thirteen of the twenty chapters in the first edition were updated by their authors, six so extensively that they amount to new chapters, with changes in title and order of authors in the case of coauthored chapters. Hypnosis: Developments in Research and New Perspectives is intended for researchers in hypnosis and clinical practitioners in medicine and psychology. The focus, as indicated by the changed subtitle, is on developments since publication of the original editions: empirical studies, experiments with physiological indicators of hypnosis, and theoretical uses associated with use of hypnosis as a research tool. Altogether, this second edition is a valuable overall guide to an intriguing topic.
Author: Ronald E. Shor
Publisher: Routledge
ISBN: 1351513990
Category : Psychology
Languages : en
Pages : 813
Get Book Here
Book Description
This thorough revision of the first edition, updates and expands, with 25 percent new material, what was generally recognized as a major survey of contemporary scientific research in hypnosis. In this edition, also a classic, the editors include three new essays in modern hypnosis studies. They also provide a new conceptual framework--cognitive, ego-psychological, and phenomenological--with which to examine hypnosis. This edition is divided into six sections--Theoretical and Historical Perspectives, New Theories, Surveys of Broad Areas, Lines of Individual Research, Individual Researches within Specific Areas, and Anticipations for Future Research. The entire book was completely revised in the light of additional research since publication of the original edition. Thirteen of the twenty chapters in the first edition were updated by their authors, six so extensively that they amount to new chapters, with changes in title and order of authors in the case of coauthored chapters. Hypnosis: Developments in Research and New Perspectives is intended for researchers in hypnosis and clinical practitioners in medicine and psychology. The focus, as indicated by the changed subtitle, is on developments since publication of the original editions: empirical studies, experiments with physiological indicators of hypnosis, and theoretical uses associated with use of hypnosis as a research tool. Altogether, this second edition is a valuable overall guide to an intriguing topic.
Author: Daniel Strasel
Publisher: Daniel Strasel
ISBN: 1947052969
Category : Antiques & Collectibles
Languages : en
Pages : 302
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Book Description
A tale of love and madness. When he confronts the truth, a lovesick god has all of his dreams turned into nightmares. In a moment of passion, a lovesick god willingly fails and breaks the divine law. Desperate to nourish and cultivate his renegade love, he searches for the answers to the questions on his heart. Told that he must go to the darkest place in all creation, and that only there will he gain what he needs in order to succeed, he does not hesitate in beginning his dread adventure. When he later finds himself in such a place, he does indeed achieve the means to win his love forever…although he did not fully understand the cost. In the mortal realm, an unlikely group of would-be heroes find themselves hunted by powers they cannot possibly hope to overcome. Captured and taken to a place where sanity is a commodity, they keep their spirits high by helping those around them as they look for a missing companion. While they are searching, they discover—much to their surprise—that they are in the middle of a secret fight amongst the gods. In the end, love is both triumphant and forsaken in this charming, yet mordant tale of gods and heroes.
Author: Hannah Arendt
Publisher: Penguin
ISBN: 9780140184211
Category : Political Science
Languages : en
Pages : 356
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Book Description
Shows how both the theory and practice of revolution have developed since the American, French, and Russian Revolutions.
Author: Hannah Arendt
Publisher: Penguin
ISBN: 0143039903
Category : Philosophy
Languages : en
Pages : 370
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Book Description
A unique and fascinating look at violent political change by one of the most profound thinkers of the twentieth century and the author of Eichmann in Jerusalem and The Origins of Totalitarianism Hannah Arendt’s penetrating observations on the modern world, based on a profound knowledge of the past, have been fundamental to our understanding of our political landscape. On Revolution is her classic exploration of a phenomenon that has reshaped the globe. From the eighteenth-century rebellions in America and France to the explosive changes of the twentieth century, Arendt traces the changing face of revolution and its relationship to war while underscoring the crucial role such events will play in the future. Illuminating and prescient, this timeless work will fascinate anyone who seeks to decipher the forces that shape our tumultuous age.
Author: Thomas Jensen Hines
Publisher: Kent State University Press
ISBN: 9780873384179
Category : Art
Languages : en
Pages : 228
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Book Description
Collaborative Form attempts to show the nature and limits of works of art that are made up of two or more artistic forms. The first task of this book is to analyze and interpret a set of such combinations. Each chapter treats one collaborative work and attempts to show that the principles of collaboration are the same, whether the components are poetry and graphic works as in Lettera Amorosa by Rene Char and George Braque, poetry and music as in Herzgewachse by Maurice Maeterlinck and Arnold Schoenberg, or more complex sets that include painting, music, dance, lighting, and drama as in Der gelbe Klang by Wassily Kandinsky, Morder, Hoffnung der frauen by Oskar Kokoschka, and Triad by Alwin Nikolais. Hines breaks down disciplinary barriers and then emphasizes the effects of the interactions between the arts. The first step, in methodology, is that of refusing to make a priori commitments to the critical methodologies of the arts involved. Each art is treated from its own perspective, and each interpretation attends to interactions of the arts rather than to the contribution of any one art. Once the collaborative works are examined, the book shows that such works are similar to other art forms. They obey the laws of temporal necessity, non-addition, multiple interpretation, and unity that any poem, painting, or musical composition might be said to obey. Unlike other arts though, collaborative forms are unique examples of the combinative effects of the arts. In the process of interpreting individual works and attempting to summarize this form, we are forced to see beyond the conventions of the constituent arts.
Author:
Publisher: BRILL
ISBN: 9004484086
Category : Literary Criticism
Languages : en
Pages : 431
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Book Description
The traumatic experiences of persecution and genocide have changed traditional views of literature. The discussion of historical truth versus aesthetic autonomy takes an unexpected turn when confronted with the experiences of the victims of the Holocaust, the Gulag Archipelago, the Cultural Revolution, Apartheid and other crimes against humanity. The question is whether - and, if so, to what extent - literary imagination may depart from historical truth. In general, the first reactions to traumatic historical experiences are autobiographical statements, written by witnesses of the events. However, the second and third generations, the sons and daughters of the victims as well as of the victimizers, tend to free themselves from this generic restriction and claim their own way of remembering the history of their parents and grandparents. They explore their own limits of representation, and feel free to use a variety of genres; they turn to either realist or postmodernist, ironic or grotesque modes of writing.
Author: Sandra Bermann
Publisher: Princeton University Press
ISBN: 0691116091
Category : Language Arts & Disciplines
Languages : en
Pages : 424
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Book Description
In recent years, scholarship on translation has moved well beyond the technicalities of converting one language into another and beyond conventional translation theory. With new technologies blurring distinctions between "the original" and its reproductions, and with globalization redefining national and cultural boundaries, "translation" is now emerging as a reformulated subject of lively, interdisciplinary debate. Nation, Language, and the Ethics of Translation enters the heart of this debate. It covers an exceptional range of topics, from simultaneous translation to legal theory, from the language of exile to the language of new nations, from the press to the cinema; and cultures and languages from contemporary Bengal to ancient Japan, from translations of Homer to the work of Don DeLillo. All twenty-two essays, by leading voices including Gayatri Spivak and the late Edward Said, are provocative and persuasive. The book's four sections--"Translation as Medium and across Media," "The Ethics of Translation," "Translation and Difference," and "Beyond the Nation"--together provide a comprehensive view of current thinking on nationality and translation, one that will be widely consulted for years to come. The contributors are Jonathan E. Abel, Emily Apter, Sandra Bermann, Vilashini Cooppan, Stanley Corngold, David Damrosch, Robert Eaglestone, Stathis Gourgouris, Pierre Legrand, Jacques Lezra, Françoise Lionnet, Sylvia Molloy, Yopie Prins, Edward Said, Azade Seyhan, Gayatri Chakravorty Spivak, Henry Staten, Lawrence Venuti, Lynn Visson, Gauri Viswanathan, Samuel Weber, and Michael Wood.
Author: Jonathan D. Kramer
Publisher: Routledge
ISBN: 1134350864
Category : Music
Languages : en
Pages : 256
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Book Description
The articles in this collection create an interdisciplinary perspective. While attempting no unified vision, it approaches the subject from a variety of perspectives: aesthetics, psychology, sociology, ethnomusicology, compositional practice, and semiotics. While all composers are necessarily concerned with time, and while all theorists deal at least indirectly with music as a temporal phenomenon, the study of musical time has been fragmented. It is appropriate that no clear paradigm, model or direction has yet emerged in the study of muscial time, since time itself is both pervasive and elusive.
Author: Jann Pasler
Publisher: Oxford University Press
ISBN: 0190295929
Category : Music
Languages : en
Pages : 528
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Book Description
Drawing on a passion for music, a remarkably diverse interdisciplinary toolbox, and a gift for accessible language that speaks equally to scholars and the general public, Jann Pasler invites us to read as she writes "through" music, unveiling the forces that affect our sonic encounters. In an extraordinary collection of historical and critical essays, some appearing for the first time in English, Pasler deconstructs the social, moral, and political preoccupations lurking behind aesthetic taste. Arguing that learning from musical experience is vital to our understanding of past, present, and future, Pasler's work trenchantly reasserts the role of music as a crucial contributor to important public debates about who we can be as individuals, communities, and nations. The author's wide-ranging and perceptive approaches to musical biography and history challenge us to rethink our assumptions about important cultural and philosophical issues including national identity and postmodern musical hybridity, material culture, the economics of power, and the relationship between classical and popular music. Her work uncovers the self-fashioning of modernists such as Vincent d'Indy, Augusta Holm?s, Jean Cocteau, and John Cage, and addresses categories such as race, gender, and class in the early 20th century in ways that resonate with experiences today. She also explores how music uses time and constructs narrative. Pasler's innovative and influential methodological approaches, such as her notion of "question-spaces," open up the complex cultural and political networks in which music participates. This provides us with the reasons and tools to engage with music in fresh and exciting ways. In these thoughtful essays, music--whether beautiful or cacophonous, reassuring or seemingly incomprehensible--comes alive as a bearer of ideas and practices that offers deep insights into how we negotiate the world. Jann Pasler's Writing through Music brilliantly demonstrates how music can be a critical lens to focus the contemporary critical, cultural, historical, and social issues of our time.
Author: L. Leigh Westerfield
Publisher: BRILL
ISBN: 9401201072
Category : Literary Criticism
Languages : en
Pages : 236
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Book Description
The romanticized image of the heroic male resistance fighter in World War II belies a truth that is both darker and more personal. This literary history explores, for the first time, the reality of European women’s roles in fighting Nazism. By comparing the resistance literature of French and German authors—both famous and more obscure—this innovative book links the traditional gender expectations for women and the conventions of their everyday lives with their unique forms of resistance. Theirs was an opposition grounded in the ordinary, beyond the sphere of political violence. Women were long regarded as outsiders to combat and politics, with no stake in upholding resistance myths. Women authors therefore freely rendered the personal and moral landscape of the resister’s world in a new vocabulary. They revised standard rhetoric and replaced heroism and bullets with the values of home, human relationships, and candid acknowledgement of the sorrow, fear, and uncertainty of war. A groundbreaking study for students of European history, women’s studies, peace studies, or comparative literature, this volume is also accessible to a general audience interested in the role of women in World War II.
