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Author: Kenneth D. Keathley
Publisher: B&H Publishing Group
ISBN: 1087771447
Category : Religion
Languages : en
Pages : 131
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Book Description
In Faith and Science: A Primer for a Hypernatural World, Kenneth Keathley argues that, rather than acting as opposing forces, scientific inquiry and the Christian faith go hand-in-hand. In his mission to offer a fully integrated theology of science, Keathley begins with the Lordship of Christ and the sufficiency of Scripture. He characterizes the study of science as a providential gift and a worthy vocation with Christian origins. Keathley then examines the twin challenges of scientism and fideism, observing their deficiencies as comprehensive worldviews. After defending Galileo as a scientist-theologian, Keathley offers readers a model for how to integrate their Christian faith with their scientific pursuits. Faith and Science provides a ready primer for students and everyday Christians to challenge their preconceptions about faith and science and to develop a more robust worldview to guide their examinations of our hypernatural world. The Christ in Everything series exists to demonstrate how Christ is connected to all of life. The primers in this series serve as introductions to important cultural topics, including science, freedom, politics, beauty, and the nature of truth. Each book offers a biblical and theological framework from which to view and approach the topic at hand, followed by examples for how to walk in the way of Jesus in that cultural domain.
Author: Kenneth D. Keathley
Publisher: B&H Publishing Group
ISBN: 1087771447
Category : Religion
Languages : en
Pages : 131
Get Book Here
Book Description
In Faith and Science: A Primer for a Hypernatural World, Kenneth Keathley argues that, rather than acting as opposing forces, scientific inquiry and the Christian faith go hand-in-hand. In his mission to offer a fully integrated theology of science, Keathley begins with the Lordship of Christ and the sufficiency of Scripture. He characterizes the study of science as a providential gift and a worthy vocation with Christian origins. Keathley then examines the twin challenges of scientism and fideism, observing their deficiencies as comprehensive worldviews. After defending Galileo as a scientist-theologian, Keathley offers readers a model for how to integrate their Christian faith with their scientific pursuits. Faith and Science provides a ready primer for students and everyday Christians to challenge their preconceptions about faith and science and to develop a more robust worldview to guide their examinations of our hypernatural world. The Christ in Everything series exists to demonstrate how Christ is connected to all of life. The primers in this series serve as introductions to important cultural topics, including science, freedom, politics, beauty, and the nature of truth. Each book offers a biblical and theological framework from which to view and approach the topic at hand, followed by examples for how to walk in the way of Jesus in that cultural domain.
Author: Andrew Kahn
Publisher: Oxford University Press
ISBN: 0192549537
Category : Literary Criticism
Languages : en
Pages : 1202
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Book Description
Russia possesses one of the richest and most admired literatures of Europe, reaching back to the eleventh century. A History of Russian Literature provides a comprehensive account of Russian writing from its earliest origins in the monastic works of Kiev up to the present day, still rife with the creative experiments of post-Soviet literary life. The volume proceeds chronologically in five parts, extending from Kievan Rus' in the 11th century to the present day. The coverage strikes a balance between extensive overview and in-depth thematic focus. Parts are organized thematically in chapters, which a number of keywords that are important literary concepts that can serve as connecting motifs and 'case studies', in-depth discussions of writers, institutions, and texts that take the reader up close and personal. Visual material also underscores the interrelation of the word and image at a number of points, particularly significant in the medieval period and twentieth century. The History addresses major continuities and discontinuities in the history of Russian literature across all periods, and in particular brings out trans-historical features that contribute to the notion of a national literature. The volume's time range has the merit of identifying from the early modern period a vital set of national stereotypes and popular folklore about boundaries, space, Holy Russia, and the charismatic king that offers culturally relevant material to later writers. This volume delivers a fresh view on a series of key questions about Russia's literary history, by providing new mappings of literary history and a narrative that pursues key concepts (rather more than individual authorial careers). This holistic narrative underscores the ways in which context and text are densely woven in Russian literature, and demonstrates that the most exciting way to understand the canon and the development of tradition is through a discussion of the interrelation of major and minor figures, historical events and literary politics, literary theory and literary innovation.
Author: Philip Beitchman
Publisher: Peter Lang
ISBN: 9781433112973
Category : Drama
Languages : en
Pages : 154
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Book Description
The impact of naturalism, a literary approach invented by Zola and especially significant in the field of the novel through his American «disciples» Crane, Norris, and Dreiser, is well acknowledged and recognized. Not so well recognized, but equally important, is naturalistic theatre; this was a style that also originated with Zola, but its progeny was more international and its significance more radical and insurrectionary than in the less «spectacular» genre of fiction. The Theatre of Naturalism: Disappearing Act establishes the incipiently revolutionary context (between the Paris Communist Commune, crushed in 1871, and the successful Bolshevik insurrection of October 1917) - more or less foregrounded or in the background of works by Zola, Strindberg, Ibsen, Hauptmann, Synge, Shaw, and Tolstoy, focused especially on issues of class struggle and class war, as well as the prospects and possibilities of challenging the hegemony of the ruling orders. Especially in regard to later theatre, for instance the «hypernaturalism» of The Brig (Living Theatre) of Kenneth Brown, and of plays by Arnold Wesker and David Storey - Philip Beitchman frequently invokes themes culled from recent French theory, particularly Derrida's deconstruction and Baudrillard's ideas about simulation. The Theatre of Naturalism will open up new perspectives for anyone interested in theory or theatre, whether scholars or the wider theatre-loving or performing public.
Author: Frederik van Niekerk
Publisher: AOSIS
ISBN: 1779952082
Category : Religion
Languages : en
Pages : 404
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Book Description
Science and Faith in Dialogue presents a cogent, compelling case for concordance between science and theism. The term theism refers, in this book, to the belief in God's existence. Within theology, the term theism is often used to convey a range of presuppositions about the nature and attributes of God. Based on scientific and natural theological perspectives, two pillars of natural theology are revisited: the Cosmological Argument and the Argument from Design. The book argues that modern science provides undeniable evidence and a scientific basis for these classical arguments to infer a rationally justifiable endorsement of theism as being concordant with reason and science – nature is seen as operating orderly on comprehensible, rational, consistent laws, in line with the conviction that God is Creator.
Author: Hans-Thies Lehmann
Publisher: Routledge
ISBN: 1134496826
Category : Performing Arts
Languages : en
Pages : 286
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Book Description
Newly adapted for the Anglophone reader, this is an excellent translation of Hans-Thies Lehmann’s groundbreaking study of the new theatre forms that have developed since the late 1960s, which has become a key reference point in international discussions of contemporary theatre. In looking at the developments since the late 1960s, Lehmann considers them in relation to dramatic theory and theatre history, as an inventive response to the emergence of new technologies, and as an historical shift from a text-based culture to a new media age of image and sound. Engaging with theoreticians of 'drama' from Aristotle and Brecht, to Barthes and Schechner, the book analyzes the work of recent experimental theatre practitioners such as Robert Wilson, Tadeusz Kantor, Heiner Müller, the Wooster Group, Needcompany and Societas Raffaello Sanzio. Illustrated by a wealth of practical examples, and with an introduction by Karen Jürs-Munby providing useful theoretical and artistic contexts for the book, Postdramatic Theatre is an historical survey expertly combined with a unique theoretical approach which guides the reader through this new theatre landscape.
Author: David Eldridge
Publisher: Bloomsbury Publishing
ISBN: 1350146196
Category : Performing Arts
Languages : en
Pages : 103
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Book Description
“A wry, funny and touching meditation on loneliness, that private shame of the singleton in the era of the dating app and of fraudulent boasting on social media ... written with a real depth of insight, humour, compassion and a keen sense of the ridiculous...” The Independent It's the early hours of the morning in the aftermath of Laura's housewarming party. Danny, 42, divorced and living with his mother, is the last remaining guest. The flat is in a mess and so are they. One more drink? This sharp and astute two-hander takes an intimate look in real-time at the first fragile moments of risking your heart and taking a chance. Both comedic and tender, it asks questions about mutual loneliness and human connections. Beginning premiered at the National Theatre, London in October 2017. This new Modern Classics edition features an introduction by Sarah Grochala.
Author: Fr. Robert Spitzer, SJ
Publisher: Our Sunday Visitor
ISBN: 1639660585
Category : Religion
Languages : en
Pages : 196
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Book Description
Built into our very nature is a desire to know about the world around us. The big questions of human existence are inescapable: Who am I? Why am I here, and where am I going? Why is there evil in the world? What is the meaning of life? This yearning for truth ultimately leads us to our Creator. God knows the longings of the human heart, and he reveals himself to us through creation, through Scripture, and ultimately through the Incarnation. Because God the Son became man, we have a person to look to in our pursuit of truth: Jesus Christ himself, who is Truth. Christ helps us see that truth is not just the object of science and reason, but what animates the mysterious and loving power of faith. In Science, Reason, and Faith, Fr. Robert Spitzer, SJ, explores in depth the Bible and the intersection of three realms that the secular world tells us are separate and incompatible. Fr. Spitzer draws the modern reader's attention to the many seeming conflicts between science, reason, and Catholic teaching. By tackling these difficult questions, he shows that it is precisely through the integration of science, reason, and faith that we can truly discover ourselves, our world, and our God.
Author: Andrea Bayer
Publisher: Metropolitan Museum of Art
ISBN: 1588391175
Category : Naturalism in art
Languages : en
Pages : 273
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Book Description
"Largely as a result of Leonardo's innovative work for the Sforza court in Milan, a rich vein of naturalism developed in North Italian art during the late fifteenth century. Questioning the strongly classicizing, idealized style dominant in areas south of the Apennines, artists in the region of Lombardy turned to an investigation of the natural world based on direct observation and adherence to strict visual truth. This heritage of realism continued to be of key importance for more than two hundred years, finding its greatest expression in the art of Caravaggio and eventually influencing the course of Baroque painting throughout Europe. Religious scenes, portraits, and landscapes were all transformed by this new naturalism, which also spurred an interest in still lifes and genre scenes as subjects for paintings. Painters of Reality, titled after an influential exhibition held in Milan more than fifty years ago, is the first study in English of this major aspect of Italian art. Reexamining the subject in light of copious subsequent scholarship, the authors of this volume contribute major essays that define and discuss naturalism as it appeared in both Lombard paintings and drawings. There is also a fresh consideration of the Northern Italian predecessors whose influence is apparent, either directly or indirectly, in the paintings of Caravaggio. More detailed discussions of the subject center on the precise elements that constituted Leonardo's "hypernaturalism"; the important schools of painting that arose in Brescia, Bergamo, Cremona, and Milan; and Caravaggio's most notable successors in northern Italy, who kept Lombard realism alive into the eighteenth century. Map, artists' biographies, bibliography, and index are also included" -- Metropolitan Museum of Art website.
Author: Sergei Prozorov
Publisher: Routledge
ISBN: 1317044088
Category : Political Science
Languages : en
Pages : 364
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Book Description
The problematic of biopolitics has become increasingly important in the social sciences. Inaugurated by Michel Foucault’s genealogical research on the governance of sexuality, crime and mental illness in modern Europe, the research on biopolitics has developed into a broader interdisciplinary orientation, addressing the rationalities of power over living beings in diverse spatial and temporal contexts. The development of the research on biopolitics in recent years has been characterized by two tendencies: the increasingly sophisticated theoretical engagement with the idea of power over and the government of life that both elaborated and challenged the Foucauldian canon (e.g. the work of Giorgio Agamben, Antonio Negri, Roberto Esposito and Paolo Virno) and the detailed and empirically rich investigation of the concrete aspects of the government of life in contemporary societies. Unfortunately, the two tendencies have often developed in isolation from each other, resulting in the presence of at least two debates on biopolitics: the historico-philosophical and the empirical one. This Handbook brings these two debates together, combining theoretical sophistication and empirical rigour. The volume is divided into five sections. While the first two deal with the history of the concept and contemporary theoretical debates on it, the remaining three comprise the prime sites of contemporary interdisciplinary research on biopolitics: economy, security and technology. Featuring previously unpublished articles by the leading scholars in the field, this wide-ranging and accessible companion will both serve as an introduction to the diverse research on biopolitics for undergraduate students and appeal to more advanced audiences interested in the current state of the art in biopolitics studies.
Author: Vessela S. Warner
Publisher: University of Iowa Press
ISBN: 1609386787
Category : Performing Arts
Languages : en
Pages : 295
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Book Description
Theatre in Eastern and Central Europe was never the same after the fall of the Berlin Wall in 1989. In the transition to a postcommunist world, “alternative theatre” found ways to grapple with political chaos, corruption, and aggressive implementation of a market economy. Three decades later, this volume is the first comprehensive examination of alternative theatre in ten former communist countries. The essays focus on companies and artists that radically changed the language and organization of theatre in the countries formerly known as the Eastern European bloc. This collection investigates the ways in which postcommunist alternative theatre negotiated and embodied change not only locally but globally as well. Contributors: Dennis Barnett, Dennis C. Beck, Violeta Decheva, Luule Epner, John Freedman, Barry Freeman, Margarita Kompelmakher, Jaak Rahesoo, Angelina Ros ̧ca, Ban ̧uta Rubess, Christopher Silsby, Andrea Tompa, S. E. Wilmer
