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Author: Lance Pettitt
Publisher: Syracuse University Press
ISBN: 0815655304
Category : Performing Arts
Languages : en
Pages : 360
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Book Description
The Last Bohemian offers the first extended, critical evaluation of all of Brian Desmond Hurst’s films, reappraising the reputation of a director who was born in 1895 in Belfast and died in Belgravia, London, in 1986. Pettitt skillfully weaves together film analyses, biography, and cultural history with the aim of bringing greater attention to Hurst’s qualities as a director and exploring his significance within Irish film and British cinema history between the 1930s and the 1960s. The director of Dangerous Moonlight (1941), Theirs Is the Glory (1946), and his best-known Scrooge (1951) made most of his films for British studios but developed an exile’s attachment to Ireland. How in the early twenty-first century has Hurst’s career been reclaimed and recognized, and by whom? Why in 2012 was Hurst’s name given to one of the new Titanic Studios in Belfast? What were his qualities as a filmmaker? To whose national cinema history, if any, does Hurst belong? Richly illustrated with film stills and other visual material from public archives, The Last Bohemian addresses these questions and in doing so makes a significant contribution to British and Irish cinema studies.
Author: Lance Pettitt
Publisher: Syracuse University Press
ISBN: 0815655304
Category : Performing Arts
Languages : en
Pages : 360
Get Book Here
Book Description
The Last Bohemian offers the first extended, critical evaluation of all of Brian Desmond Hurst’s films, reappraising the reputation of a director who was born in 1895 in Belfast and died in Belgravia, London, in 1986. Pettitt skillfully weaves together film analyses, biography, and cultural history with the aim of bringing greater attention to Hurst’s qualities as a director and exploring his significance within Irish film and British cinema history between the 1930s and the 1960s. The director of Dangerous Moonlight (1941), Theirs Is the Glory (1946), and his best-known Scrooge (1951) made most of his films for British studios but developed an exile’s attachment to Ireland. How in the early twenty-first century has Hurst’s career been reclaimed and recognized, and by whom? Why in 2012 was Hurst’s name given to one of the new Titanic Studios in Belfast? What were his qualities as a filmmaker? To whose national cinema history, if any, does Hurst belong? Richly illustrated with film stills and other visual material from public archives, The Last Bohemian addresses these questions and in doing so makes a significant contribution to British and Irish cinema studies.
Author: Brian Desmond Hurst
Publisher:
ISBN: 9781916377080
Category :
Languages : en
Pages : 600
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Book Description
Author: David Truesdale
Publisher:
ISBN: 9781911096634
Category : World War, 1939-1945
Languages : en
Pages : 0
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Book Description
'Theirs is the Glory' - the story of the Battle of Arnhem - was the biggest-grossing UK war film for a decade. Made by veterans of the battle in the late summer of 1945, it tells their story day by day: the pre-operation briefing, the drop, the race to the bridge, the daring, death and banter that only soldiers could have scripted - but the veterans had outstanding assistance. Men like Terence Young of XXX Corps - and later the early 'James Bond' director - helped craft the words we hear. Directing the veterans was a First World War veteran - who had survived a bayonet charge at Gallipoli - and prolific film director: Brian Desmond Hurst. Born and bred in Belfast, Hurst went on to learn the craft of film making in Hollywood with his mentor, John Ford. Conflict is shown, heard and interpreted in many of his 30 films made from the 1920s to the 1960s. This book is the 'director's cut' - looking in-depth at his work on conflict - and takes, as its centerpiece, 'Theirs is the Glory'. Decade-by-decade conflict is chronicled from the 1920s and Hurst's 'Ourselves Alone' (and the War of Independence in Ireland, where his film was banned in Northern Ireland) to the 1960s and 'Simba' and the Mau Mau Uprising in Kenya. This is a book you will refer to again and again, and shows why 'Theirs is the Glory' is the definitive film on Arnhem; it will remain the veterans' lasting tribute to their comrades that did not return. This book also shows why Hurst was an enigma, but a master of the genre, and at his very best when focusing on the subject of conflict on the vast canvas of film.
Author: Odile Goerg
Publisher: Oxford University Press
ISBN: 0197530966
Category : History
Languages : en
Pages : 213
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Book Description
Many studies focus on film in Africa. Few, however, study cinema as a leisure activity: one that has influenced several generations and opened up spaces to dream, discuss or contest. Movie theatres offered a break from the daily routine, as places of escape and of education. Cinema was also potentially subversive, offering an alternative to colonial discourse. Tropical Dream Palaces seeks to trace this history in a West African context: of broadening horizons on the one hand, and of censorship and control on the other. It fills a historiographic void, following cinema's arrival in the region in the early twentieth century up until the Independence era, and also looking further afield to Central Africa and its different models. Goerg addresses questions of film distribution in colonial times; of screening venues, their implantation, spread and different categories; while also focusing on audiences, their gender or age; the acquisition of a film culture; and the impact of screening foreign images. Her book draws on extremely varied sources to paint a broad picture of this cinematographic landscape: archives, the accounts of African and European spectators or administrators, novels, autobiographies, the local press, interviews and iconography.
Author: Fannie Hurst
Publisher: Duke University Press
ISBN: 9780822333241
Category : Fiction
Languages : en
Pages : 352
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Book Description
A reprint of the 1933 classic novel, the basis for two film versions, with a new introduciton.
Author: Jan Hurst
Publisher: Xulon Press
ISBN: 9781498474412
Category : Family & Relationships
Languages : en
Pages : 126
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Book Description
Jan Hurst is a widow, mother, and retired executive, who built a business career over 30 very eclectic years in multiple business disciplines. She and her husband, Steve, were married 44 years, the first 24 years following his Air Force career. They had two daughters, who both became accomplished professional women and dedicated wives and mothers. Jan enjoyed her early marriage as a homemaker, until their younger daughter started school. As returning adult students, Jan and Steve both completed college while working and supporting a family. Once Steve retired from the Air Force, Jan began her career, no longer having the interruptions of moving and job hopping. She continued her education to earn an MBA and PhD in Business Administration Management. Jan focused on a personal ministry in business to lead organizations and share management approaches to incorporate Christian values. Having grown up as an Air Force dependent, her passion was to show people that clicks and good ol' boy approaches are not as productive or rewarding. She and her husband were both passionate about helping others and worked to live as they believed. They shared a special respect and admiration for each other up until the day they were parted. Jan is a witness willing to share her faith, love of God, and story. Losing her husband did not diminish her faith. Her faith has strengthened."
Author: Fannie Hurst
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
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Book Description
Author: Louis-Georges Schwartz
Publisher: Oxford University Press
ISBN: 0199718032
Category : Performing Arts
Languages : en
Pages : 141
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Book Description
Mechanical Witness is the first cultural and legal history charting the changing role and theoretical implications of film and video use as courtroom evidence. Schwartz moves from the earliest employment of film in the courts of the 1920s to the notious 1991 Rodney Kind video, revealing how the courts have developed a reliance on film and video technologies and contributed to the growing influence of visual media as a dominant mode of knowledge formation. At the same time, film and video in juridical contexts has developed a distinct theoretical legacy. The particular qualities of film as evidence both resonate with and contradict existing scholarship-focusing on economic, social, or aesthetic factors-which hitherto has defined film's status and cultural contribution. In the context of a trial, the possible meanings of a film change from its meanings when shown in a movie theater or broadcast on television, yet the public (and cinema scholars) tend to assume that the two are the same. Mechanical Witness demonstrates that we must understand evidentiary film and video's institutional specificity if we are to understand the full effects of motion picture technologies on our culture. This study sets the terms for a long overdue assessment of how the entertainment industry has shaped our film viewing practices, the place of moving picture evidence in the courtroom, and the social and cultural consequences of these intertwined histories.
Author: Tom Ryan
Publisher: Univ. Press of Mississippi
ISBN: 1496822382
Category : Performing Arts
Languages : en
Pages : 302
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Book Description
Best known for powerful 1950s melodramas like All That Heaven Allows, Written on the Wind, The Tarnished Angels, and Imitation of Life, Douglas Sirk (1897–1987) brought to all his work a distinctive style that led to his reputation as one of twentieth-century film’s great directors. Sirk worked in Europe during the 1930s, mainly for Germany’s UFA studios, and then in America in the 1940s and ’50s. The Films of Douglas Sirk: Exquisite Ironies and Magnificent Obsessions provides an overview of his entire career, including Sirk’s work on musicals, comedies, thrillers, war movies, and westerns. One of the great ironists of the cinema, Sirk believed rules were there to be broken. Whether defying the decrees of Nazi authorities trying to turn film into propaganda or arguing with studios that insisted characters’ problems should always be solved and that endings should always restore order, what Sirk called “emergency exits” for audiences, Sirk always fought for his vision. Offering fresh insights into all of the director’s films and situating them in the culture of their times, critic Tom Ryan also incorporates extensive interview material drawn from a variety of sources, including his own conversations with the director. Furthermore, his enlightening study undertakes a detailed reconsideration of the generally overlooked novels and plays that served as sources for Sirk’s films, as well as providing a critical survey of previous Sirk commentary, from the time of the director’s “rediscovery” in the late 1960s up to the present day.
Author: Amy Holdsworth
Publisher: Bloomsbury Publishing USA
ISBN: 1501342843
Category : Social Science
Languages : en
Pages : 270
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Book Description
Bringing together scholars from film and television studies, media and cultural studies, literary studies, medical humanities, and disability studies, Discourses of Care collectively examines how the analysis of media texts and practices can contribute to scholarship on and understandings of health and social care, and how existing research focusing on the ethics of care can inform our understanding of media. Featuring a critical introductory essay and 13 specially commissioned original chapters, this is the first edited collection to address the relationship between media and the concept and practice of care and caregiving. Contributors consider the representation of care and caregiving through a range of forms and practices – the television documentary, photography, film, non-theatrical cinema, tabloid media, autobiography, and public service broadcasting - and engage with the labour, as well as the practical and ethical dimensions of media production. Together, they offer an original and wide ranging exploration of the various ways in which media forms represent, articulate and operate within caring relationships and practices of care; whether this is between individuals, communities as well as audiences and institutions.
