Author: Nancy Faber
Publisher: Hal Leonard Corporation
ISBN: 1616779195
Category : Music
Languages : en
Pages : 80
Book Description
(Faber Piano Adventures ). In this inspiring collection, late-elementary to early-intermediate pianists will find appealing arrangements that advance skills while exploring masterworks of Western music. The famous orchestral, keyboard, and operatic repertoire here spans four periods of music history. In the Baroque & Classical section, discover the elegance of Bach, the beauty of Mozart and the passion of Beethoven. Through the pages of the Romantic & Impressionistic section, sample the lyricism of Chopin, the drama of Grieg, and the atmosphere of Debussy. May the melodies of these and many other composers open an enduring world of expression and sound.
Adult Piano Adventures Classics Book 2 - Symphony Themes, Opera Gems and Classical Favorites
Author: Nancy Faber
Publisher: Hal Leonard Corporation
ISBN: 1616779195
Category : Music
Languages : en
Pages : 80
Book Description
(Faber Piano Adventures ). In this inspiring collection, late-elementary to early-intermediate pianists will find appealing arrangements that advance skills while exploring masterworks of Western music. The famous orchestral, keyboard, and operatic repertoire here spans four periods of music history. In the Baroque & Classical section, discover the elegance of Bach, the beauty of Mozart and the passion of Beethoven. Through the pages of the Romantic & Impressionistic section, sample the lyricism of Chopin, the drama of Grieg, and the atmosphere of Debussy. May the melodies of these and many other composers open an enduring world of expression and sound.
Publisher: Hal Leonard Corporation
ISBN: 1616779195
Category : Music
Languages : en
Pages : 80
Book Description
(Faber Piano Adventures ). In this inspiring collection, late-elementary to early-intermediate pianists will find appealing arrangements that advance skills while exploring masterworks of Western music. The famous orchestral, keyboard, and operatic repertoire here spans four periods of music history. In the Baroque & Classical section, discover the elegance of Bach, the beauty of Mozart and the passion of Beethoven. Through the pages of the Romantic & Impressionistic section, sample the lyricism of Chopin, the drama of Grieg, and the atmosphere of Debussy. May the melodies of these and many other composers open an enduring world of expression and sound.
Suzuki Cello School - Volume 1 (Revised)
Author: Dr. Shinichi Suzuki
Publisher: Alfred Music
ISBN: 1457402912
Category : Music
Languages : en
Pages : 26
Book Description
Piano accompaniment for Suzuki Cello School, Volume 1. Titles: * Twinkle, Twinkle, Little Star Variations (Shinichi Suzuki) * French Folk Song (Folk Song) * Lightly Row (Folk Song) * Song of the Wind (Folk Song) * Go Tell Aunt Rhody (Folk Song) * O Come, Little Children (Folk Song) * May Song (Folk Song) * Allegro (Shinichi Suzuki) * Perpetual Motion in D Major (Shinichi Suzuki) * Perpetual Motion in G Major (Shinichi Suzuki) * Long, Long Ago (T.H. Bayly) * Allegretto (Shinichi Suzuki) * Andantino (Shinichi Suzuki) * Rigadoon (H. Purcell) * Etude (Shinichi Suzuki) * The Happy Farmer from Album for the Young, Op. 68, No. 10 (R. Schumann) * Minuet in C, No. 11 in G Major from Notebook for Anna Magdalena Bach, BWV 841 (J.S. Bach) * Minuet No. 2 from Minuet in G Major, BWV 116 (J.S. Bach)
Publisher: Alfred Music
ISBN: 1457402912
Category : Music
Languages : en
Pages : 26
Book Description
Piano accompaniment for Suzuki Cello School, Volume 1. Titles: * Twinkle, Twinkle, Little Star Variations (Shinichi Suzuki) * French Folk Song (Folk Song) * Lightly Row (Folk Song) * Song of the Wind (Folk Song) * Go Tell Aunt Rhody (Folk Song) * O Come, Little Children (Folk Song) * May Song (Folk Song) * Allegro (Shinichi Suzuki) * Perpetual Motion in D Major (Shinichi Suzuki) * Perpetual Motion in G Major (Shinichi Suzuki) * Long, Long Ago (T.H. Bayly) * Allegretto (Shinichi Suzuki) * Andantino (Shinichi Suzuki) * Rigadoon (H. Purcell) * Etude (Shinichi Suzuki) * The Happy Farmer from Album for the Young, Op. 68, No. 10 (R. Schumann) * Minuet in C, No. 11 in G Major from Notebook for Anna Magdalena Bach, BWV 841 (J.S. Bach) * Minuet No. 2 from Minuet in G Major, BWV 116 (J.S. Bach)
Humoresque "L'organo Primitivo" (Toccatino for Flute)
Author: Pietro A. Yon
Publisher: Alfred Music
ISBN: 9781457465109
Category : Music
Languages : en
Pages : 12
Book Description
Written for the most basic of organ resources, this swift and playful piece is subtitled Toccatina for Flute. The entire piece is played on a single manual with a single 8-foot flute stop, and is pedaled with a 16-foot stop and the coupled manual flute. While fairly demanding for the hands, with a constant sixteenth note broken chord pattern in both hands, the pedal notes are fairly simple, and intermittent. The constant dynamic is very soft, and a steady tempo is indicated throughout, right up to the end. Pietro Alessandro Yon, (1886--1943) was an Italian-born organist who made his career in the United States. He served for a time as an organist at the Vatican and at the Royal Church in Rome before coming to the United States in 1907, and he is most famous for this Humoresque, and for his Christmas piece, Gesù bambino. Federation Festivals 2011-2013 selection.
Publisher: Alfred Music
ISBN: 9781457465109
Category : Music
Languages : en
Pages : 12
Book Description
Written for the most basic of organ resources, this swift and playful piece is subtitled Toccatina for Flute. The entire piece is played on a single manual with a single 8-foot flute stop, and is pedaled with a 16-foot stop and the coupled manual flute. While fairly demanding for the hands, with a constant sixteenth note broken chord pattern in both hands, the pedal notes are fairly simple, and intermittent. The constant dynamic is very soft, and a steady tempo is indicated throughout, right up to the end. Pietro Alessandro Yon, (1886--1943) was an Italian-born organist who made his career in the United States. He served for a time as an organist at the Vatican and at the Royal Church in Rome before coming to the United States in 1907, and he is most famous for this Humoresque, and for his Christmas piece, Gesù bambino. Federation Festivals 2011-2013 selection.
Suzuki cello school
Author: Shinʼichi Suzuki
Publisher: Alfred Music
ISBN: 0874873657
Category : Music
Languages : en
Pages : 62
Book Description
Contents are: Concerto in C Major, Hob. VIIb 1 (Moderato, Adagio, Allegro molto) (J. Haydn). This volume contains a few smaller pieces that could be used as warm-up exercises, but the majority of the edition is devoted to the entire Concerto in C Major, Hob. VIIb. 1, by Franz Joseph Haydn. This work is perfect for students at the intermediate/advanced level, and is a vital link to the unique teaching philosophy that is Suzuki! Volume 9 contains both the cello score and the piano accompaniment.
Publisher: Alfred Music
ISBN: 0874873657
Category : Music
Languages : en
Pages : 62
Book Description
Contents are: Concerto in C Major, Hob. VIIb 1 (Moderato, Adagio, Allegro molto) (J. Haydn). This volume contains a few smaller pieces that could be used as warm-up exercises, but the majority of the edition is devoted to the entire Concerto in C Major, Hob. VIIb. 1, by Franz Joseph Haydn. This work is perfect for students at the intermediate/advanced level, and is a vital link to the unique teaching philosophy that is Suzuki! Volume 9 contains both the cello score and the piano accompaniment.
Suzuki Cello School -Volume 1 (Revised)
Author: Dr. Shinichi Suzuki
Publisher: Alfred Music
ISBN: 1457402890
Category : Music
Languages : en
Pages : 26
Book Description
Titles: * Twinkle, Twinkle, Little Star Variations (Shinichi Suzuki) * French Folk Song (Folk Song) * Lightly Row (Folk Song) * Song of the Wind (Folk Song) * Go Tell Aunt Rhody (Folk Song) * O Come, Little Children (Folk Song) * May Song (Folk Song) * Allegro (Shinichi Suzuki) * Perpetual Motion in D Major (Shinichi Suzuki) * Perpetual Motion in G Major (Shinichi Suzuki) * Long, Long Ago (T.H. Bayly) * Allegretto (Shinichi Suzuki) * Andantino (Shinichi Suzuki) * Rigadoon (H. Purcell) * Etude (Shinichi Suzuki) * The Happy Farmer from Album for the Young, Op. 68, No. 10 (R. Schumann) * Minuet in C, No. 11 in G Major from Notebook for Anna Magdalena Bach, BWV 841 (J.S. Bach) * Minuet No. 2 from Minuet in G Major, BWV 116 (J.S. Bach)
Publisher: Alfred Music
ISBN: 1457402890
Category : Music
Languages : en
Pages : 26
Book Description
Titles: * Twinkle, Twinkle, Little Star Variations (Shinichi Suzuki) * French Folk Song (Folk Song) * Lightly Row (Folk Song) * Song of the Wind (Folk Song) * Go Tell Aunt Rhody (Folk Song) * O Come, Little Children (Folk Song) * May Song (Folk Song) * Allegro (Shinichi Suzuki) * Perpetual Motion in D Major (Shinichi Suzuki) * Perpetual Motion in G Major (Shinichi Suzuki) * Long, Long Ago (T.H. Bayly) * Allegretto (Shinichi Suzuki) * Andantino (Shinichi Suzuki) * Rigadoon (H. Purcell) * Etude (Shinichi Suzuki) * The Happy Farmer from Album for the Young, Op. 68, No. 10 (R. Schumann) * Minuet in C, No. 11 in G Major from Notebook for Anna Magdalena Bach, BWV 841 (J.S. Bach) * Minuet No. 2 from Minuet in G Major, BWV 116 (J.S. Bach)
Humoresque
Author: Fannie Hurst
Publisher: IndyPublish.com
ISBN:
Category : Humor
Languages : en
Pages : 354
Book Description
Publisher: IndyPublish.com
ISBN:
Category : Humor
Languages : en
Pages : 354
Book Description
Big Book of Beginner's Piano Classics
Author: Bergerac
Publisher: Courier Corporation
ISBN: 0486466159
Category : Music
Languages : en
Pages : 142
Book Description
Eighty-three popular piano classics arranged for the beginning student are accompanied by a short history of each piece and advice on playing each arrangement.5NjBwBT
Publisher: Courier Corporation
ISBN: 0486466159
Category : Music
Languages : en
Pages : 142
Book Description
Eighty-three popular piano classics arranged for the beginning student are accompanied by a short history of each piece and advice on playing each arrangement.5NjBwBT
Alfred's Piano 101, Book 1
Author: E. L. Lancaster
Publisher: Alfred Music
ISBN: 1457409194
Category : Music
Languages : en
Pages : 162
Book Description
This comprehensive approach to functional musicianship at the keyboard includes varied repertoire, theory, technique, sight-reading, harmonization from lead sheets, ear training and ensembles. Great for college non-music majors, continuing education classes, music dealer in-store programs and group piano classes at the middle and high school levels. Book 1 contains 15 units each with a variety of repertoire, exercises, unit review worksheets and an assignment page.
Publisher: Alfred Music
ISBN: 1457409194
Category : Music
Languages : en
Pages : 162
Book Description
This comprehensive approach to functional musicianship at the keyboard includes varied repertoire, theory, technique, sight-reading, harmonization from lead sheets, ear training and ensembles. Great for college non-music majors, continuing education classes, music dealer in-store programs and group piano classes at the middle and high school levels. Book 1 contains 15 units each with a variety of repertoire, exercises, unit review worksheets and an assignment page.
John Thompson's Adult Piano Course - Book 2
Author: John Thompson
Publisher:
ISBN: 9781480353121
Category : Music
Languages : en
Pages : 0
Book Description
Beginner Piano/Keyboard Instruction
Publisher:
ISBN: 9781480353121
Category : Music
Languages : en
Pages : 0
Book Description
Beginner Piano/Keyboard Instruction
Dvorák's Prophecy
Author: Joseph Horowitz
Publisher: National Geographic Books
ISBN: 0393881245
Category : Music
Languages : en
Pages : 0
Book Description
A Kirkus Reviews Best Nonfiction Book of 2021 A provocative interpretation of why classical music in America "stayed white"—how it got to be that way and what can be done about it. In 1893 the composer Antonín Dvorák prophesied a “great and noble school” of American classical music based on the “negro melodies” he had excitedly discovered since arriving in the United States a year before. But while Black music would foster popular genres known the world over, it never gained a foothold in the concert hall. Black composers found few opportunities to have their works performed, and white composers mainly rejected Dvorák’s lead. Joseph Horowitz ranges throughout American cultural history, from Frederick Douglass and Huckleberry Finn to George Gershwin’s Porgy and Bess and the work of Ralph Ellison, searching for explanations. Challenging the standard narrative for American classical music fashioned by Aaron Copland and Leonard Bernstein, he looks back to literary figures—Emerson, Melville, and Twain—to ponder how American music can connect with a “usable past.” The result is a new paradigm that makes room for Black composers, including Harry Burleigh, Nathaniel Dett, William Levi Dawson, and Florence Price, while giving increased prominence to Charles Ives and George Gershwin. Dvorák’s Prophecy arrives in the midst of an important conversation about race in America—a conversation that is taking place in music schools and concert halls as well as capitols and boardrooms. As George Shirley writes in his foreword to the book, “We have been left unprepared for the current cultural moment. [Joseph Horowitz] explains how we got there [and] proposes a bigger world of American classical music than what we have known before. It is more diverse and more equitable. And it is more truthful.”
Publisher: National Geographic Books
ISBN: 0393881245
Category : Music
Languages : en
Pages : 0
Book Description
A Kirkus Reviews Best Nonfiction Book of 2021 A provocative interpretation of why classical music in America "stayed white"—how it got to be that way and what can be done about it. In 1893 the composer Antonín Dvorák prophesied a “great and noble school” of American classical music based on the “negro melodies” he had excitedly discovered since arriving in the United States a year before. But while Black music would foster popular genres known the world over, it never gained a foothold in the concert hall. Black composers found few opportunities to have their works performed, and white composers mainly rejected Dvorák’s lead. Joseph Horowitz ranges throughout American cultural history, from Frederick Douglass and Huckleberry Finn to George Gershwin’s Porgy and Bess and the work of Ralph Ellison, searching for explanations. Challenging the standard narrative for American classical music fashioned by Aaron Copland and Leonard Bernstein, he looks back to literary figures—Emerson, Melville, and Twain—to ponder how American music can connect with a “usable past.” The result is a new paradigm that makes room for Black composers, including Harry Burleigh, Nathaniel Dett, William Levi Dawson, and Florence Price, while giving increased prominence to Charles Ives and George Gershwin. Dvorák’s Prophecy arrives in the midst of an important conversation about race in America—a conversation that is taking place in music schools and concert halls as well as capitols and boardrooms. As George Shirley writes in his foreword to the book, “We have been left unprepared for the current cultural moment. [Joseph Horowitz] explains how we got there [and] proposes a bigger world of American classical music than what we have known before. It is more diverse and more equitable. And it is more truthful.”