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Author: Fred Everett Maus
Publisher:
ISBN:
Category :
Languages : en
Pages : 372
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Author: Fred Everett Maus
Publisher:
ISBN:
Category :
Languages : en
Pages : 372
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Book Description
Author: Fred Everett Maus
Publisher:
ISBN:
Category : Humanism
Languages : en
Pages : 216
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Book Description
Author: Walter L. Wehner
Publisher:
ISBN:
Category : Philosophy
Languages : en
Pages : 150
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Author: Walter L. Wehner
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Author: R. A. Sharpe
Publisher: Clarendon Press
ISBN: 9780198238850
Category : Language Arts & Disciplines
Languages : en
Pages : 250
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Book Description
The metaphor of music as a language has exerted a deep influence on the way we think about music and the way we hear it: we conceive of music as expressive and as something to be understood. These two ideas underpin the thought that it is a humanist art. Sharpe suggests that Western music may have entered a new period in which the language analogy and the humanist conception are becoming less and less appropriate."--BOOK JACKET.
Author: Edward A. Lippman
Publisher: Pendragon Press
ISBN: 9781576471210
Category : Juvenile Nonfiction
Languages : en
Pages : 336
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Book Description
Our field of inquiry - Material - Form - Meaning - Style - Permanence - Composites - Context - Conception.
Author: Margaret Lucille Kekewich
Publisher: Yale University Press
ISBN: 9780300082210
Category : History
Languages : en
Pages : 304
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Book Description
These are explored through a reassessment of the role of humanism, with case studies in music (Josquin Desprez), moral philosophy (Valla, Castiglione, Erasmus, More) and political thought (Machiavelli)." "This book is the first in a series of three specifically designed for the Open University course, The Renaissance in Europe: A Cultural Enquiry. The series is designed to appeal both to the general reader and to those studying undergraduate arts courses in the period."--BOOK JACKET.
Author: Hyun-Ah Kim
Publisher: Routledge
ISBN: 1317119584
Category : History
Languages : en
Pages : 298
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Book Description
John Merbecke (c.1505-c.1585) is most famous as the composer of the first musical setting of the English liturgy, The Booke of Common Praier Noted (BCPN), published in 1550. Not only was Merbecke a pioneer in setting English prose to music but also the compiler of the first Concordance of the whole English Bible (1550) and of the first English encyclopaedia of biblical and theological studies, A Booke of Notes and Common Places (1581). By situating Merbecke and his work within a broader intellectual and religio-cultural context of Tudor England, this book challenges the existing studies of Merbecke based on the narrow theological approach to the Reformation. Furthermore, it suggests a re-thinking of the prevailing interpretative framework of Reformation musical history. On the basis of the new contextual study of Merbecke, this book seeks to re-interpret his work, particularly BCPN, in the light of humanist rhetoric. It sees Merbecke as embodying the ideal of the 'Christian-musical orator', demonstrating that BCPN is an Anglican epitome of the Erasmian synthesis of eloquence, theology and music. The book thus depicts Merbecke as a humanist reformer, through re-evaluation of his contributions to the developments of vernacular music and literature in early modern England. As such it will be of interest, not only to church musicians, but also to historians of the Reformation and students of wider Tudor culture.
Author: Nancy Kovaleff Baker
Publisher: Pendragon Press
ISBN: 9780945193296
Category : Music
Languages : en
Pages : 562
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Author: Walter L. Wehner
Publisher:
ISBN:
Category : Philosophy
Languages : en
Pages : 152
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