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Author:
Publisher: BRILL
ISBN: 9047408748
Category : History
Languages : en
Pages : 434
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Book Description
This volume comprises original contributions from 17 scholars whose work and careers Ronald Witt has touched in myriad ways. Intellectual, social, and political historians, a historian of philosophy and an art historian: specialists in various temporal and geographical regions of the Renaissance world here address specific topics reflecting some of the major themes that have woven their way through Ronald Witt’s intellectual cursus. While some essays offer fresh readings of canonical texts and explore previously unnoticed lines of filiation among them, others present “discoveries,” including a hitherto “lost” text and overlooked manuscripts that are here edited for the first time. Engagement with little-known material reflects another of Witt's distinguishing characteristics: a passion for original sources. The essays are gathered under three rubrics: (1) “Politics and the Revival of Antiquity”; (2) “Humanism, Religion, and Moral Philosophy”; and (3) “Erudition and Innovation.” Contributors include: Robert Black, Melissa Meriam Bullard, Christopher S. Celenza, Anthony F. D’Elia, Charles Fantazzi, Kenneth Gouwens, Anthony Grafton, Paul F. Grendler, James Hankins, John M. Headley, Mark Jurdjevic, Timothy Kircher, David A. Lines, Edward P. Mahoney, John Monfasani, Louise Rice, and T.C. Price Zimmerman. Publications by Ronald G. Witt: 'In the Footsteps of the Ancients': The Origins of Humanism from Lovato to Bruni, ISBN: 978 90 04 11397 8 (Paperback: 978 0 391 04202 5)
Author:
Publisher: BRILL
ISBN: 9047408748
Category : History
Languages : en
Pages : 434
Get Book Here
Book Description
This volume comprises original contributions from 17 scholars whose work and careers Ronald Witt has touched in myriad ways. Intellectual, social, and political historians, a historian of philosophy and an art historian: specialists in various temporal and geographical regions of the Renaissance world here address specific topics reflecting some of the major themes that have woven their way through Ronald Witt’s intellectual cursus. While some essays offer fresh readings of canonical texts and explore previously unnoticed lines of filiation among them, others present “discoveries,” including a hitherto “lost” text and overlooked manuscripts that are here edited for the first time. Engagement with little-known material reflects another of Witt's distinguishing characteristics: a passion for original sources. The essays are gathered under three rubrics: (1) “Politics and the Revival of Antiquity”; (2) “Humanism, Religion, and Moral Philosophy”; and (3) “Erudition and Innovation.” Contributors include: Robert Black, Melissa Meriam Bullard, Christopher S. Celenza, Anthony F. D’Elia, Charles Fantazzi, Kenneth Gouwens, Anthony Grafton, Paul F. Grendler, James Hankins, John M. Headley, Mark Jurdjevic, Timothy Kircher, David A. Lines, Edward P. Mahoney, John Monfasani, Louise Rice, and T.C. Price Zimmerman. Publications by Ronald G. Witt: 'In the Footsteps of the Ancients': The Origins of Humanism from Lovato to Bruni, ISBN: 978 90 04 11397 8 (Paperback: 978 0 391 04202 5)
Author: Charles G. Nauert
Publisher: Cambridge University Press
ISBN: 0521839092
Category : History
Languages : en
Pages : 11
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Book Description
The updated second edition of a highly readable synthesis of the major determining features of the Renaissance.
Author: Marieke J.E. van den Doel
Publisher: BRILL
ISBN: 9004459685
Category : Art
Languages : en
Pages : 390
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Book Description
Did the Florentine philosopher Marsilio Ficino (1433-99) influence the art of his time? Art historians have been fiercely debating this question for decades. This book starts with Ficino’s views on the imagination as a faculty of the soul, and shows how these ideas were part of a long philosophical tradition and inspired fresh insights. This approach, combined with little known historical material, offers a new understanding of whether, how and why Ficino’s Platonic conceptions of the imagination may have been received in the art of the Italian Renaissance. The discussion explores Ficino’s possible influence on the work of Botticelli and Michelangelo, and examines the appropriation of Ficino’s ideas by early modern art theorists.
Author: Amy R. Bloch
Publisher: Cambridge University Press
ISBN: 131640465X
Category : History
Languages : en
Pages : 874
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Book Description
This book examines the heretofore unsuspected complexity of Lorenzo Ghiberti's sculpted representations of Old Testament narratives in his Gates of Paradise (1425–52), the second set of doors he made for the Florence Baptistery and a masterpiece of Italian Renaissance sculpture. One of the most intellectually engaged and well-read artists of his age, Ghiberti found inspiration in ancient and medieval texts, many of which he and his contacts in Florence's humanist community shared, read, and discussed. He was fascinated by the science of vision, by the functioning of nature, and, above all, by the origins and history of art. These unusually well-defined intellectual interests, reflected in his famous Commentaries, shaped his approach in the Gates. Through the selection, imaginative interpretation, and arrangement of biblical episodes, Ghiberti fashioned multi-textured narratives that explore the human condition and express his ideas on a range of social, political, artistic, and philosophical issues.
Author: Paul Oskar Kristeller
Publisher: Princeton University Press
ISBN: 0691214840
Category : Philosophy
Languages : en
Pages : 284
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Book Description
Written by an eminent authority on the Renaissance, these classic essays deal not only with Paul Kristeller's specialty, Renaissance humanism and philosophy, but also with Renaissance theories of art. The focus of the collection is on topics such as humanist learning, humanist moral thought, the diffusion of humanism, Platonism, music and learning during the early Renaissance, and the modern system of arts in relation to the Renaissance. For this volume the author has written a new preface, a new essay, and an afterword.
Author: Susan B. Puett
Publisher: Penn State Press
ISBN: 0271091320
Category : Art
Languages : en
Pages : 274
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Book Description
The creativity of the human mind was brilliantly displayed during the Florentine Renaissance when artists, mathematicians, astronomers, apothecaries, architects, and others embraced the interconnectedness of their disciplines. Artists used mathematical perspective in painting and scientific techniques to create new materials; hospitals used art to invigorate the soul; apothecaries prepared and dispensed, often from the same plants, both medicinals for patients and pigments for painters; utilitarian glassware and maps became objects to be admired for their beauty; art enhanced depictions of scientific observations; and innovations in construction made buildings canvases for artistic grandeur. An exploration of these and other intersections of art and science deepens our appreciation of the magnificent contributions of the extraordinary Florentines.
Author: Norbert Wolf
Publisher: National Geographic Books
ISBN: 3791386433
Category : Art
Languages : en
Pages : 0
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Book Description
A luxurious and definitive exploration of how and why the Renaissance flourished in Italy for two centuries. The idea of “renaissance,” or rebirth, arose in Italy as a way of reviving the art, science, and scholarship of the Classical era. It was also powered by a quest to document artistic “reality” according to newly discovered scientific and mathematical principles. By the late 15th century, Italy had become the recognized European leader in the fields of painting, architecture, and sculpture. But why was Florence the center of this burgeoning creativity, and how did it spread to other Italian cities? Brimming with vivid reproductions of works by Leonardo, Michelangelo, Botticelli, Raphael, Titian, and others, this book showcases the creative achievements that traveled from Florence to Rome to Venice. Art historian Norbert Wolf explores the influence of secular and religious patronage on artistic development; how the urban structure and way of life allowed for such a rich exchange of ideas; and how ideas of humanism informed artists reaching toward the future while clinging to the ideals of the past. Insightful, accessible, and fascinating, this thoroughly researched book highlights the connections and mutual influences of Florence, Rome, and Venice as well as their intriguing rivalries and interdependencies.
Author: Douglas Biow
Publisher: Cornell University Press
ISBN: 1501726846
Category : Literary Criticism
Languages : en
Pages : 270
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Book Description
Concerned about sanitation during a severe bout of plague in Milan, Leonardo da Vinci designed an ideal, clean city. Leonardo was far from alone among his contemporaries in thinking about personal and public hygiene, as Douglas Biow shows in The Culture of Cleanliness in Renaissance Italy. A concern for cleanliness, he argues, was everywhere in the Renaissance.Anxieties about cleanliness were expressed in literature from humanist panegyrics to bawdy carnival songs, as well as in the visual arts. Biow surveys them all to explain why the topic so permeated Renaissance culture. At one level, cleanliness, he documents, was a matter of real concern in the Renaissance. At another, he finds, issues such as human dignity, self-respect, self-discipline, social distinction, and originality were rethought as a matter of artistic concern.The Culture of Cleanliness in Renaissance Italy moves from the clean to the unclean, from the lofty to the base. Biow first examines the socially elevated, who defined and distinguished themselves as clean, pure, and polite. He then turns to soap, an increasingly common commodity in this period, and the figure of the washerwoman. Finally he focuses on latrines, which were universally scorned yet functioned artistically as figures of baseness, creativity, and fun in the works of Dante and Boccaccio. Paralleling this social stratification is a hierarchy of literary and visual artifacts, from the discourse of high humanism to filthy curses and scatological songs. Deftly bringing together high and low-as well as literary and visual-cultures, this book provides a fresh perspective on the Italian Renaissance and its artistic legacy.
Author: Ronald G. Witt
Publisher: BRILL
ISBN: 9780391042025
Category : Philosophy
Languages : en
Pages : 580
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Book Description
This monograph demonstrates why humanism began in Italy in the mid-thirteenth century. It considers Petrarch a third generation humanist, who christianized a secular movement. The analysis traces the beginning of humanism in poetry and its gradual penetration of other Latin literary genres, and, through stylistic analyses of texts, the extent to which imitation of the ancients produced changes in cognition and visual perception. The volume traces the link between vernacular translations and the emergence of Florence as the leader of Latin humanism by 1400 and why, limited to an elite in the fourteenth century, humanism became a major educational movement in the first decades of the fifteenth. It revises our conception of the relationship of Italian humanism to French twelfth-century humanism and of the character of early Italian humanism itself. This publication has also been published in hardback, please click here for details.
Author: Joel L. Kraemer
Publisher: BRILL
ISBN: 9789004097360
Category : History
Languages : en
Pages : 396
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Book Description
Under the enlightened rule of the Buyid dynasty (945-1055 A.D.) the Islamic world witnessed an unequalled cultural renaissance. This book is an investigation into the nature of the environment in which the cultural transformation took place and into the cultural elite who were its bearers. After an extensive introductory section setting the stage, the book deals with the main schools and circles and with the outstanding individual representatives of this renaissance. The main expression of this renaissance was a philosophical humanism that embraced the scientific and philosophical heritage of Classical Antiquity as a cultural and educational ideal. Along with this philosophical humanism, a literary humanism was cultivated by litterateurs, poets, and government secretaries. This renaissance was marked by a powerful assertion of individualism in the domains of literary creativity and political action. It thrived in a remarkably cosmopolitan atmosphere - Baghdad, the center of the 'Abb?sid empire and of Buyid rule.
