Author: Charles Olson
Publisher:
ISBN:
Category :
Languages : en
Pages : 160
Book Description
Human Universe and Other Essays
Author: Charles Olson
Publisher:
ISBN:
Category :
Languages : en
Pages : 160
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 160
Book Description
Collected Prose
Author: Charles Olson
Publisher: Univ of California Press
ISBN: 9780520919020
Category : Literary Criticism
Languages : en
Pages : 492
Book Description
The prose writings of Charles Olson (1910–1970) have had a far-reaching and continuing impact on post-World War II American poetics. Olson's theories, which made explicit the principles of his own poetics and those of the Black Mountain poets, were instrumental in defining the sense of the postmodern in poetry and form the basis of most postwar free verse. The Collected Prose brings together in one volume the works published for the most part between 1946 and 1969, many of which are now out of print. A valuable companion to editions of Olson's poetry, the book backgrounds the poetics, preoccupations, and fascinations that underpin his great poems. Included are Call Me Ishmael, a classic of American literary criticism; the influential essays "Projective Verse" and "Human Universe"; and essays, book reviews, and Olson's notes on his studies. In these pieces one can trace the development of his new science of man, called "muthologos," a radical mix of myth and phenomenology that Olson offered in opposition to the mechanistic discourse and rationalizing policy he associated with America's recent wars in Europe and Asia. Editors Donald Allen and Benjamin Friedlander offer helpful annotations throughout, and poet Robert Creeley, who enjoyed a long and mutually influential relationship with Olson, provides the book's introduction.
Publisher: Univ of California Press
ISBN: 9780520919020
Category : Literary Criticism
Languages : en
Pages : 492
Book Description
The prose writings of Charles Olson (1910–1970) have had a far-reaching and continuing impact on post-World War II American poetics. Olson's theories, which made explicit the principles of his own poetics and those of the Black Mountain poets, were instrumental in defining the sense of the postmodern in poetry and form the basis of most postwar free verse. The Collected Prose brings together in one volume the works published for the most part between 1946 and 1969, many of which are now out of print. A valuable companion to editions of Olson's poetry, the book backgrounds the poetics, preoccupations, and fascinations that underpin his great poems. Included are Call Me Ishmael, a classic of American literary criticism; the influential essays "Projective Verse" and "Human Universe"; and essays, book reviews, and Olson's notes on his studies. In these pieces one can trace the development of his new science of man, called "muthologos," a radical mix of myth and phenomenology that Olson offered in opposition to the mechanistic discourse and rationalizing policy he associated with America's recent wars in Europe and Asia. Editors Donald Allen and Benjamin Friedlander offer helpful annotations throughout, and poet Robert Creeley, who enjoyed a long and mutually influential relationship with Olson, provides the book's introduction.
Conversant Essays
Author: James McCorkle
Publisher: Wayne State University Press
ISBN: 9780814321003
Category : American poetry
Languages : en
Pages : 608
Book Description
Publisher: Wayne State University Press
ISBN: 9780814321003
Category : American poetry
Languages : en
Pages : 608
Book Description
A William V. Spanos Reader
Author: Daniel T. O'Hara
Publisher: Northwestern University Press
ISBN: 0810130939
Category : Literary Criticism
Languages : en
Pages : 1181
Book Description
The American critic William V. Spanos, a pioneer of postmodern theory and co-founder of one of its principal organs, the journal boundary 2, is, in the words of A William V. Spanos Reader coeditor Daniel T. O’Hara, everything that current post-modern theory is accused of not being: polemical, engaged, prophetic, passionate. Informed by his experience as a prisoner of war in Dresden, Spanos saw dire con-sequences for life in modernist aesthetic experiments, and he thereafter imbued his work with a constructive aspect ever in the name of more life.
Publisher: Northwestern University Press
ISBN: 0810130939
Category : Literary Criticism
Languages : en
Pages : 1181
Book Description
The American critic William V. Spanos, a pioneer of postmodern theory and co-founder of one of its principal organs, the journal boundary 2, is, in the words of A William V. Spanos Reader coeditor Daniel T. O’Hara, everything that current post-modern theory is accused of not being: polemical, engaged, prophetic, passionate. Informed by his experience as a prisoner of war in Dresden, Spanos saw dire con-sequences for life in modernist aesthetic experiments, and he thereafter imbued his work with a constructive aspect ever in the name of more life.
Collected Prose
Author: Charles Olson
Publisher: Univ of California Press
ISBN: 0520208730
Category : Literary Collections
Languages : en
Pages : 490
Book Description
"Collected Prose will introduce a new generation of readers to a central modernist and postmodernist thinker in American letters. For the energy of the avant-garde literary project at midcentury, Olson is it. No one else has the excitement or range."—Robert Hass "At last we have between two covers some of the most compelling theorizing in postmodern poetics and American Studies ever produced, from one of the defining figures in postwar American poetry. This is that rarest of books, a must-read for poets and scholars alike."—Alan Golding
Publisher: Univ of California Press
ISBN: 0520208730
Category : Literary Collections
Languages : en
Pages : 490
Book Description
"Collected Prose will introduce a new generation of readers to a central modernist and postmodernist thinker in American letters. For the energy of the avant-garde literary project at midcentury, Olson is it. No one else has the excitement or range."—Robert Hass "At last we have between two covers some of the most compelling theorizing in postmodern poetics and American Studies ever produced, from one of the defining figures in postwar American poetry. This is that rarest of books, a must-read for poets and scholars alike."—Alan Golding
The Films of Stan Brakhage in the American Tradition of Ezra Pound, Gertrude Stein and Charles Olson
Author: R. Bruce Elder
Publisher: Wilfrid Laurier Univ. Press
ISBN: 0889208166
Category : Performing Arts
Languages : en
Pages : 585
Book Description
Since the late 1950s Stan Brakhage has been in the forefront of independent filmmaking. His body of work — some seventy hours — is one of the largest of any filmmaker in the history of cinema, and one of the most diverse. Probably the most widely quoted experimental filmmaker in history, his films typify the independent cinema. Until now, despite well-deserved acclaim, there has been no comprehensive study of Brakhage’s oeuvre. The Films of Stan Brakhage in the American Tradition fills this void. R. Bruce Elder delineates the aesthetic parallels between Brakhage’s films and a broad spectrum of American art from the 1920s through the 1960s. This book is certain to stir the passions of those interested in artistic critique and interpretation in its broadest terms.
Publisher: Wilfrid Laurier Univ. Press
ISBN: 0889208166
Category : Performing Arts
Languages : en
Pages : 585
Book Description
Since the late 1950s Stan Brakhage has been in the forefront of independent filmmaking. His body of work — some seventy hours — is one of the largest of any filmmaker in the history of cinema, and one of the most diverse. Probably the most widely quoted experimental filmmaker in history, his films typify the independent cinema. Until now, despite well-deserved acclaim, there has been no comprehensive study of Brakhage’s oeuvre. The Films of Stan Brakhage in the American Tradition fills this void. R. Bruce Elder delineates the aesthetic parallels between Brakhage’s films and a broad spectrum of American art from the 1920s through the 1960s. This book is certain to stir the passions of those interested in artistic critique and interpretation in its broadest terms.
The Ethics of Belief. [By William K. Clifford. A Paper Read Before the Metaphysical Society.]
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 8
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 8
Book Description
The Limits of a Limitless Science
Author: Stanley L. Jaki
Publisher: Intercollegiate Studies Institute
ISBN:
Category : Science
Languages : en
Pages : 272
Book Description
This new collection of writings from America's foremost authority on the relationship between science and religion, Templeton Prize-winner Stanley L. Jaki, is an incisive overview of the intersection of science with the most fundamental areas of human culture.
Publisher: Intercollegiate Studies Institute
ISBN:
Category : Science
Languages : en
Pages : 272
Book Description
This new collection of writings from America's foremost authority on the relationship between science and religion, Templeton Prize-winner Stanley L. Jaki, is an incisive overview of the intersection of science with the most fundamental areas of human culture.
Bodies on the Line
Author: Raphael Allison
Publisher: University of Iowa Press
ISBN: 1609383044
Category : Literary Criticism
Languages : en
Pages : 273
Book Description
Bodies on the Line offers the first sustained study of the poetry reading in its most formative period: the 1960s. Raphael Allison closely examines a vast archive of audio recordings of several key postwar American poets to explore the social and literary context of the sixties poetry reading, which is characterized by contrasting differing styles of performance: the humanist style and the skeptical strain. The humanist style, made mainstream by the Beats and their imitators, is characterized by faith in the power of presence, emotional communion, and affect. The skeptical strain emphasizes openness of interpretation and multivalent meaning, a lack of stability or consistency, and ironic detachment. By comparing these two dominant styles of reading, Allison argues that attention to sixties poetry readings reveals poets struggling between the kind of immediacy and presence that readings suggested and a private retreat from such performance-based publicity, one centered on the text itself. Recordings of Robert Frost, Charles Olson, Gwendolyn Brooks, Larry Eigner, and William Carlos Williams—all of whom emphasized voice, breath, and spoken language and who were inveterate professional readers in the sixties—expose this struggle in often surprising ways. In deconstructing assertions about the role and importance of the poetry reading during this period, Allison reveals just how dramatic, political, and contentious poetry readings could be. By discussing how to "hear" as well as "read" poetry, Bodies on the Line offers startling new vantage points from which to understand American poetry since the 1960s as both performance and text.
Publisher: University of Iowa Press
ISBN: 1609383044
Category : Literary Criticism
Languages : en
Pages : 273
Book Description
Bodies on the Line offers the first sustained study of the poetry reading in its most formative period: the 1960s. Raphael Allison closely examines a vast archive of audio recordings of several key postwar American poets to explore the social and literary context of the sixties poetry reading, which is characterized by contrasting differing styles of performance: the humanist style and the skeptical strain. The humanist style, made mainstream by the Beats and their imitators, is characterized by faith in the power of presence, emotional communion, and affect. The skeptical strain emphasizes openness of interpretation and multivalent meaning, a lack of stability or consistency, and ironic detachment. By comparing these two dominant styles of reading, Allison argues that attention to sixties poetry readings reveals poets struggling between the kind of immediacy and presence that readings suggested and a private retreat from such performance-based publicity, one centered on the text itself. Recordings of Robert Frost, Charles Olson, Gwendolyn Brooks, Larry Eigner, and William Carlos Williams—all of whom emphasized voice, breath, and spoken language and who were inveterate professional readers in the sixties—expose this struggle in often surprising ways. In deconstructing assertions about the role and importance of the poetry reading during this period, Allison reveals just how dramatic, political, and contentious poetry readings could be. By discussing how to "hear" as well as "read" poetry, Bodies on the Line offers startling new vantage points from which to understand American poetry since the 1960s as both performance and text.
Human Universe
Author: Charles Olson
Publisher: New York, Grove P
ISBN:
Category : American essays
Languages : en
Pages : 160
Book Description
Publisher: New York, Grove P
ISBN:
Category : American essays
Languages : en
Pages : 160
Book Description